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D'eurockéennes
25 ans d’EUROCKÉENNES LE CRÉDIT AGRICOLE FRANCHE-COMTÉ NE VOUS LE DIT PAS SOUVENT : IL EST LE PARTENAIRE INCONTOURNABLE DES ÉVÉNEMENTS FRANCs-COMTOIS. IL SOUTIENT Retrouvez le Crédit Agricole Franche-Comté, une banque différente, sur : www.ca-franchecomte.fr Caisse Régionale de Crédit Agricole Mutuel de Franche-Comté - Siège social : 11, avenue Elisée Cusenier 25084 Besançon Cedex 9 -Tél. 03 81 84 81 84 - Fax 03 81 84 82 82 - www.ca-franchecomte.fr - Société coopérative à capital et personnel variables agréée en tant qu’établissement de crédit - 384 899 399 RCS Besançon - Société de courtage d’assurance immatriculée au Registre des Intermédiaires en Assurances sous le n° ORIAS 07 024 000. ÉDITO SOMMAIRE La fête • 1989 – 1992 > Naissance d’un festival > L’excellence et la tolérance, François Zimmer .......................................................p.4 > Une grosse aventure, Laurent Arnold ...................................................................p.5 continue > « Caomme un pèlerinage », Laurent Arnold ........................................................p.6 Les Eurockéennes ont 25 ans. Qui l’eut > Un air de Woodstock au pied du Ballon d’Alsace, Thierry Boillot .......................p.7 cru ? Et si aujourd’hui en 2013, un doux • 1993 – 1997 > Les Eurocks, place incontournable rêveur déposait sur la table le dossier d’un grand et beau festival de musiques > Les Eurocks, précurseurs du partenariat, Lisa Lagrange ..................................... p.8 actuelles (selon la formule consacrée), > Internet : le partenariat de -
Dour Festival
DOUR FESTIVAL MAIN SQUARE / GRASPOP / LA BONNE AVENTURE NUMERO 23 JUIN 2017 BREF! 4 ACTU DES SALLES 6 LA FERME D’EN HAUT / REFLEKTOR 6 MALTERIE / FLOW 8 DE VERLICHTE GEEST 9 AERONEF / GRAND MIX 10 DOUR FESTIVAL 12 CONCERTS & FESTIVALS 12 DOUR FESTIVAL 12 GRASPOP METAL 14 ROCK IN BOURLON 15 FAITES DE LA CHANSON 16 ALCATRAZ METAL 17 JAZZ & MUSIQUES ACTUELLES 18 Y’A PAS L’FEU ! / OPEN ESTIVAL 20 MAIN SQUARE / SHARKO 22 SEIDE / FEL FEL BROTHERS 24 PONY PONY RUN RUN 26 RED FANG 27 LA BONNE AVENTURE 28 LE TEMPS D’UNE LUNE 30 31 LILLE PIANO(S) GRASPOP METAL 14 POSTER 32 COLLECTIF 9 TER 34 ZZZE FESTIVAL 35 GOJIRA 36 LOOS YOURSELF 38 LETZ ZEP + THE BESTBEAT 39 LE FORUM FAIT SON FESTIVAL 40 PEACE & LOBE 41 EXCÈS NOCTURNE 42 ROAD STUDIO 43 CD D’ICI 44 AGENDA 48 AGENDA DES FESTIVALS 54 INDEX DES SALLES 61 MAIN SQUARE 22 Édité par MANICRAC DIFFUSION C*RED. REDACTEURS Guillaume A, aSk, Yann Association loi 1901 à but non lucratif. AUBERTOT, Benjamin BUISINE, Guillaume Merci à tous nos diffuseurs pour la CANTALOUP, Claude COLPAERT, Patrick Dépôt légal : à parution diffusion en région. DALLONGEVILLE, Selector DDAY, Vincent Tirage : 15 000 exemplaires. DEMARET, Ricardo DESOMBRE, JITY, Senor KEBAB, Maryse LALOUX, Bertrand REDACTION LANCIAUX, Xavier LELIEVRE, Raphaël SIEGE SOCIAL TEL : 06 62 71 47 38 LOUVIAU, Meghann MARSOTTO, Luiz 6 rue Wulverick 59160 LOMME [email protected] [email protected] MICHEL, Olivier PARENTY, Romain RICHEZ, SCHNAPS, Mathy, Sylvain DIRECTEUR DE LA PUBLICATION STRICANNE, Nicolas SWIERCZEK, Samuel SYLARD PUBLICITE Améline VANGHELLE. -
Dour Festival
DOUR FESTIVAL GRASPOP / LES ARDENTES / VOX FEMINA MAGAZINE MUSICAL GRATUIT / ILLICO! 3 JUIN 2015 BREF! 4 CONCERTS & FESTIVALS 6 DOUR FESTIVAL 6 VOX FEMINA 10 ZIKOL 12 Y’A PAS L’FEU 14 DOUR FESTIVAL 6 LE FORUM FAIT SON FESTIVAL 15 FAITES DE LA CHANSON 16 GRASPOP FESTIVAL 18 MORIARTY 19 AIRE A LA FETE 20 EARTH WIND & FIRE 21 LES ARDENTES 22 THE HUMAN PLACE 23 MAIN SQUARE 24 WILD / ROCK EN STOCK 25 LENA DELUXE 26 FEAR FACTORY 27 CACTUS FESTIVAL 28 SJOCK 29 LES NUITS SECRETES 30 VOX FEMINA 10 REGGÆ GEEL 31 DRANOUTER 32 ALCATRAZ METAL 34 ESPERANZAH 35 FALL OF MESSIAH 36 LES ECLECTIQUES 37 IEPERFEST 38 GOHELLE FEST 40 RAISMESFEST 41 RETOUR EN PHOTOS 42 CD D’ICI 44 AGENDA 46 INDEX DES SALLES 61 FALL OF MESSIAH 36 Édité par MANICRAC SECRÉTAIRE DE RÉDACTION REDACTEURS Association loi 1901 Bertrand LANCIAUX Nico BIBS, Benjamin BUISINE, Guillaume Dépôt légal : à parution MISE EN PAGE CANTALOUP, Colonel CHABERT, Patrick Samuel SYLARD DALLONGEVILLE, Camille DEMARLE, SIEGE SOCIAL Maryse LALOUX, Bertrand LANCIAUX, 6 rue Wulverick 59160 LOMME PUBLICITÉ Steff LE CHIEN, Raphaël LOUVIAU, Sébas- Samuel SYLARD tien NOWICKI, Olivier PARENTY, Emma- DIRECTEUR DE LA PUBLICATION Tel : 06 62 71 47 38 nuel QUEVA, Romain RICHEZ, SCHNAPS, Samuel SYLARD [email protected] Mathy, Grégory SMETS, Sylvain STRI- [email protected] CANNE, Nicolas SWIERCZEK. IMPRIMERIE CORELIO, Bruxelles (B) RÉDACTION Photo couverture DOUR © Kmeron TEL : 06 62 71 47 38 DIFFUSION C*RED. Tirage : 20 000 exemplaires. [email protected] RÉDACTEUR EN CHEF Merci à Cyr et Benoit ainsi qu’à tous nos Prochain numéro Samedi 13 juin 2015 Charles KRO diffuseurs pour la diffusion en région. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Barack Obama and Mitt Romney
October 3, 2012 • Lowry High School • Winnemucca, NV Homecoming 2012: Bucks rip through Elko October 3, 2012, Page 2 news The Brand, Lowry High School Election 2012: Obama v Romney, you decide BY RYLEE MATHIS & JOLYN GARCIA ith election day, November 6, closely president Biden speaking on Parenthood approaching we see more of these two his behalf. around the important figures on the news, on our On September 6, Joe country if he I like his ideas bet- W ter than Mr. Obama’s.” computer screens, or between our favorite television Biden appeared on MSNBC were elected. shows. One place we do not see these important along with other networks Apparently, ~Christy Bell men displayed, is in our community. Laura Mercado to talk about and on behalf the “ stated that “you don’t see as many posters as the last of President Obama to corporation is election. I think it has to do with people being very the American people. He borrowing money from China to pay for itself. He tired of the government, tired of Congress not getting discussed the take down of also wants to eliminate things like Amtrak, National anything done in the last couple years, just tired of Osama Bin Laden and the Endowments for the Arts and National Endowments the negativity and I don’t think that our politicians Vice President Joe depression we were about for Humanities. “Both excellent programs but we Biden at the 2012 realize that yet.” Democratic National to fall into before he was just can’t afford to borrow money to pay for those The candidates, we all know them, are President Convention./G.J. -
10,000 Maniacs Beth Orton Cowboy Junkies Dar Williams Indigo Girls
Madness +he (,ecials +he (katalites Desmond Dekker 5B?0 +oots and Bob Marley 2+he Maytals (haggy Inner Circle Jimmy Cli// Beenie Man #eter +osh Bob Marley Die 6antastischen BuBu Banton 8nthony B+he Wailers Clueso #eter 6oA (ean #aul *ier 6ettes Brot Culcha Candela MaA %omeo Jan Delay (eeed Deichkind 'ek181Mouse #atrice Ciggy Marley entleman Ca,leton Barrington !e)y Burning (,ear Dennis Brown Black 5huru regory Isaacs (i""la Dane Cook Damian Marley 4orace 8ndy +he 5,setters Israel *ibration Culture (teel #ulse 8dam (andler !ee =(cratch= #erry +he 83uabats 8ugustus #ablo Monty #ython %ichard Cheese 8l,ha Blondy +rans,lants 4ot Water 0ing +ubby Music Big D and the+he Mighty (outh #ark Mighty Bosstones O,eration I)y %eel Big Mad Caddies 0ids +able6ish (lint Catch .. =Weird Al= mewithout-ou +he *andals %ed (,arowes +he (uicide +he Blood !ess +han Machines Brothers Jake +he Bouncing od Is +he ood -anko)icDescendents (ouls ')ery +ime !i/e #ro,agandhi < and #elican JGdayso/static $ot 5 Isis Comeback 0id Me 6irst and the ood %iddance (il)ersun #icku,s %ancid imme immes Blindside Oceansi"ean Astronaut Meshuggah Con)erge I Die 8 (il)er 6ear Be/ore the March dredg !ow $eurosis +he Bled Mt& Cion 8t the #sa,, o/ 6lames John Barry Between the Buried $O6H $orma Jean +he 4orrors and Me 8nti16lag (trike 8nywhere +he (ea Broadcast ods,eed -ou9 (,arta old/inger +he 6all Mono Black 'm,eror and Cake +unng &&&And -ou Will 0now Us +he Dillinger o/ +roy Bernard 4errmann 'sca,e #lan !agwagon -ou (ay #arty9 We (tereolab Drive-In Bi//y Clyro Jonny reenwood (ay Die9 -
Rapport Sur DIRECT STAR/D17 Année 2012
Rapport sur DIRECT STAR/D17 Année 2012 Novembre 2013 Rapport sur DIRECT STAR/D17 Année 2012 Sommaire Rapide panorama 2012 5 1. Obligations de programmation 9 Tableau des engagements quantitatifs 13 2. Quotas de diffusion 21 3. Pluralisme et déontologie des contenus audiovisuels 23 4. Diversité et droits des femmes 25 5. Protection de l’enfance 27 6. Obligations spécifiques 33 7. Publicité, parrainage et téléachat 35 8. Contribution à la production 37 Annexes (liste) 39 Rapide panorama 2012 Caractéristiques générales de la chaîne Article 3-1-1 de la convention de la chaîne « L’éditeur propose une programmation musicale destinée au grand public. Au moins 75 % du temps d’antenne sont consacrés à des programmes musicaux sous toutes leurs formes. L’éditeur offre des programmes musicaux diversifiés, notamment des vidéomusiques, des divertissements, des émissions d’actualité musicale, des documentaires ainsi que des magazines et assure la diffusion d’un minimum de cinquante-deux programmes de spectacles vivants par an. L’éditeur développe la présence de la musique aux heures de forte audience, en programmant une émission musicale régulière consacrée aux nouveaux talents. » Positionnement Au cours de l’exercice 2012, D17 a proposé : 66,7% de divertissements, musique et spectacle, 11,6% de fictions audiovisuelles, 10,7% de documentaires et de magazines, 1,6% de fictions cinématographiques et 0,2% de sport. Audience En 2012, la part d’audience de D17 s’est établie à 1,2% sur les individus de 4 ans et plus équipés d’un téléviseur, 1 chiffre stable par rapport à l’année 2011. Synthèse et appréciation Acquisition de Direct Star par le groupe Canal + au cours de l’année 2012 A la suite de la décision de l’Autorité de la concurrence du 23 juillet 2012 autorisant le rachat de Direct 8 et Direct Star sous plusieurs conditions, le Conseil a examiné la conformité de ces acquisitions aux dispositions de la loi du 30 septembre 1986 relative à la liberté de communication et a autorisé sous conditions l’achat de Direct 8 et Direct Star par le groupe Canal + le 18 septembre 2012. -
NEGRIER-BONET-GUERIN-2013-Music-Festivals-A-Changing-World
Music Festivals, a Changing World Cover Design: Sandra Musy Cover Photo: Jacques Verrees (Festival Musical de Namur) Book Design: Benoît Cannaferina © Éditions Michel de Maule, November, 2013. www. micheldemaule.com Music Festivals, a Changing World An International Comparison Edited by Emmanuel Négrier, Lluis Bonet and Michel Guérin Michel de Maule List of participants — Kai Amberla is the executive director of the Finland Festivals Association in Helsinki (Finland). — Claudine Audet is a research fellow at the Ministry of Culture and Communications of Quebec (Canada). — Lluís Bonet is a professor of applied economics and the director of the Cultural Management Program at the University of Barcelona (Spain). — Luisella Carnelli is a researcher at the Performing Arts Organization and a consultant at the Fondazione Fitzcarraldo, Torino (Italy). — Tino Carreño is a cultural manager and a research professor at the Cultural Management Postgraduate Program (University of Barcelona). — Luca Dal Pozzolo is the head of research at the Fondazione Fitzcarraldo and the director of the Piedmont Cultural Observatory, Turin (Italy). — Aurélien Djakouane is a post-doctoral fellow in political science at the University of Montpellier I (France). — Michel Guérin is the director of the Observatory of Cultural Policies of the Ministry of the Wallonia-Brussels Federation (Belgium). — Marie Jourda is a CNRS senior research engineer at CEPEL, University of Montpellier I (France). 7 — Christopher Maughan is an associate research fellow at the Faculty of Art, Design and Humanities at De Montfort University, Leicester (United Kingdom). — Emmanuel Négrier is a CNRS senior research fellow in political science at CEPEL, University of Montpellier I (France). — Isabelle Paindavoine is a senior research fellow at the Observatory of Cultural Policies of the Ministry of the Wallonia-Brussels Federation (Belgium). -
Dubstep - Wikipedia, the Free Encyclopedia Dubstep from Wikipedia, the Free Encyclopedia
6/18/2014 Dubstep - Wikipedia, the free encyclopedia Dubstep From Wikipedia, the free encyclopedia Dubstep /ˈdʌbstɛp/ is a genre of electronic dance music that originated in South London, England. It emerged in the late Dubstep 1990s as a development within a lineage of related styles Stylistic Reggae, dub, grime, 2-step garage, such as 2-step garage, broken beat, drum and bass, jungle, origins drum and bass, breakstep dub and reggae.[1] In the UK the origins of the genre can be Cultural Late 1990s — early 2000s, traced back to the growth of the Jamaican sound system origins London, England, United Kingdom party scene in the early 1980s.[1][2] The music generally features syncopated drum and percussion patterns with bass Typical Sequencer, turntables, sampler, drum lines that contain prominent sub bass frequencies. instruments machine, synthesiser, keyboard, personal computer The earliest dubstep releases date back to 1998, and were Derivative Future garage, post-dubstep, brostep, usually featured as B-sides of 2-step garage single releases. forms trap These tracks were darker, more experimental remixes with less emphasis on vocals, and attempted to incorporate Other topics elements of breakbeat and drum and bass into 2-step. In List of musicians, Drumstep, Dubstyle 2001, this and other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime.[3] A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards. -
Tight Pants with Guest DJ Dwb on Friday, July 22, 2016
Playlist: Tight Pants with Guest DJ dwb on Friday, July 22, 2016 Show Notes: dwb sweating in these tight pants Time Artist Song Title Album Label Year 3:01 pm savages “shut up” silence yourself matador 2013 3:05 pm masada “hath-arob” electric masada tzadik 2004 3:09 pm the kills “wait” (by request) black rooster dim mak records 2002 3:16 pm gary clark jr. “don't owe you a thang” the bright lights ep warner bros. 2011 3:18 pm the flaming lips “sgt. pepper's lonely hearts club band with a little help from my fwends warner bros. 2014 reprise” 3:23 pm gorillaz “white light” demon days parlophone 2005 3:27 pm the kinks “give the people what they want” (by give the people what they want arista 1981 request) 3:32 pm little feat “fat man in the bathtub” dixie chicken warner bros 1973 3:37 pm bob dylan “all along the watchtower” john wesley harding columbia 1967 3:41 pm primus “jerry was a race car driver” they can't all be zingers 3:45 pm dub trio “en passant” iv roir 2010 3:47 pm television “prove it” (by request) marquee moon elektra 1977 3:56 pm the tubes “love will keep us together” tubes rarities and smash hits a&m 1981 3:57 pm tom waits “cemetery polka” rain dogs island 1985 4:02 pm the barracudas “i can't pretend” drop out gmg 1981 4:04 pm black joe lewis & the “bitch, i love you” ep honeybears 4:06 pm billy bragg “a new england” (by request) 4:09 pm the clash “know your rights” combat rock epic 1982 4:13 pm dead kennedys “cesspool in eden” bedtime for democracy (new) 4:18 pm the dead milkmen “the conspiracy song” soul rotation hollywood -
The Riot-Grrrl Feminism of the Early 90S in North America: the Punk Scene
FACULTADE DE FILOLOXÍA GRAO EN INGLÉS: ESTUDIOS LINGÜÍSTICOS E LITERARIOS The Riot-Grrrl Feminism of the Early ‘90s in North America—The Punk Scene Student: Elena Sánchez Barbeito Advisor: J. Miguel Alonso-Giráldez Year: 2019 Table of Contents Abstract .............................................................................................................................. III Introduction .......................................................................................................................... 1 1. Origins, Context & Foundations ..................................................................................... 2 1.1 Origins .................................................................................................................... 2 1.2 Ideologies ............................................................................................................... 7 1.2.1 Feminism: The Third-wave .............................................................................. 7 1.2.1 Punk ................................................................................................................ 9 2. Different Issues Tackled by Riot Grrrls ........................................................................ 14 2.1 Riot Grrrl Values: Revolution, Girl Support, and Girl Power ................................. 14 2.2 “We are Pro-People Without Voices”: Male Chauvinism & Sexism in the Punk Rock Scene ..................................................................................................................... -
Fire Power a Solo Exhibition of New Work by Alison Mosshart Opening Reception: June 18Th | 59 PM Exhibition Dates: June 18Th – July 11Th, 2015
FOR IMMEDIATE RELEASE Joseph Gross Gallery presents: Alison Mosshart, “Paleeyed Boy”, 2013, watercolor, acrylic and graphite, 8 x 4.5 in. Fire Power A solo exhibition of new work by Alison Mosshart Opening Reception: June 18th | 59 PM Exhibition Dates: June 18th – July 11th, 2015 May 20, 2015 (New York, NY) – Joseph Gross Gallery is pleased to present Fire Power, a solo exhibition of new works by Alison Mosshart. Fire Power marks the artist’s first solo show and includes 127 never before exhibited pieces including paintings, drawings, mixed media, and tapestries that reflect Mosshart’s life on the road. Joseph Gross Gallery will host an opening reception on June 18th from 5 p.m. to 9 p.m. in Chelsea at 548 W 28th Street, Suite 232. Best known for her role as singer/songwriter for The Kills and The Dead Weather, Alison Mosshart is a selftaught artist whose work is personal, intuitive and responsive without being overthought. A lifelong ‘maker,’ Mosshart created art as often as she could while on tour; only recently was she able to settle into a more formal studio space, allowing for the expansion into larger works. The work in Fire Power glorifies the transience of life on the road, with each piece a snapshot of a person, conversation, place, time or mood in Mosshart’s continuously mobile life. Works in Fire Power can be grouped into informal series’ including portraits, works on Persian carpets, and ‘tire track’ abstract pieces. These experimental tire track paintings, such as Test Drive (2014), were borne out of numerous remote control cars, tire treads, paints, inks, and varieties of paper.