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' Dangers and Delusions'?
UCL LIBRARY SERVICES ‘ Dangers and Delusions’? Perspectives on the women’s suffrage movement An exhibition of material from UCL Special Collections February – December 2018 ‘Dangers and Delusions’? Perspectives on the women’s suffrage movement An exhibition of material from UCL Special Collections February – December 2018 #dangersanddelusions Preface The movement calling for women’s right to vote in the United Kingdom was drawn out over several decades and generated intense differences of opinion, not only between those for and against electoral equality, but also within pro- and anti-suffrage campaigns. This exhibition draws on items held in UCL Special Collections – satirical commentaries, campaign literature, personal notes and petitions – to examine the actions and reactions surrounding the case for universal suffrage, from the 1860s up to the fi rst legislative step towards equality for women: the Representation of the People Act, 1918. 4 | ‘Dangers and Delusions’? Introduction | 5 Introduction Coming in to force one hundred years ago, the Representation of rejected by a vote of 194 to 73. Right up to his death a few years later Mill remained the People Act, 1918 granted the vote in Britain to some women a strong supporter of women’s suffrage, as illustrated by a letter to UCL Professor over the age of 30. The long-running suffrage campaign that led George Croom Robertson. to this change has strong resonance and interest for us today, In 1865 the National Society for Women’s Suffrage was formed to bring together although when it first began in the 1860s ‘the Cause’ was of no local suffrage societies. -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
CONSTANCE ANDREWS Constance Andrews Was the Main Organiser of Suffrage Actions in Ipswich. She Was Born in 1864 in Stowmarket An
CONSTANCE ANDREWS HORTENSE MARY LANE Constance Andrews was the main organiser of suffrage Hortense Lane was born in 1877 and educated at Ipswich High School. By actions in Ipswich. She was born in 1864 in Stowmarket 1909 she was living at Whitton Street in Ipswich with her husband Frank and lived with her sister and brother-in-law at No. 160 Lane. They later moved to Cowslip Dairy Farm, Witnesham. She was one Norwich Road, Ipswich. She first became officially of the very first active suffragettes in Ipswich. involved in suffrage politics in 1907 as secretary of the In 1909 Constance Andrews established an Ipswich branch of the Ipswich and County Women’s Suffrage Society. She was Women’s Freedom League (WFL). Lane joined the WFL in Ipswich in 1909. ambitious and found their lack of action frustrating. So, The WFL used a mixture of tactics to bring the issue of women’s suffrage she founded the Ipswich branch of the more militant to the public’s attention. They focused on non-violent campaigns which Women’s Freedom League (WFL) in 1909. would hit the Government hard, rather than harming the women Andrews then organised and contributed to three different forms of protesting protesting. in Ipswich. Firstly, she organised a Green, White and Gold Fair in July 1909. This Lane used the campaign of Tax Resistance to protest for women’s votes. showed the people of Ipswich which women in the world currently had the She did this even before it was a national campaign and would continually vote, and demonstrated conditions UK women were facing in prison trying the use this tactic from 1909 up until 1914. -
University of Warwick Institutional Repository
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/56360 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Appropriate Fields of Action: Nineteenth-Century Representations of the Female Philanthropist and the Parochial Sphere by Gabrielle Mearns A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature University of Warwick, Department of English and Comparative Literary Studies November 2012 Contents Introduction 1 Chapter One 27 ‘We consider our own parish as our more appropriate field of action’: The Parochial Philanthropy of Hannah More Hannah More Coelebs in Search of a Wife (1808) Henry Thompson The Life of Hannah More, with notices of her sisters (1838) Chapter Two 84 ‘Extravagant Day-dreams’? Charlotte Brontë and Elizabeth Gaskell Charlotte Bronte Shirley (1849) Elizabeth Gaskell The Life of Charlotte Brontë (1857) Elizabeth Gaskell My Lady Ludlow (1859) Chapter Three 149 Expanding the Parochial Sphere: Charlotte Yonge’s The Clever Woman of the Family and George Eliot’s Middlemarch Charlotte Yonge The Clever Woman of the Family (1865) George Eliot Middlemarch (1871-2) Chapter Four 216 ‘Citizenship lies in the participation of each individual in effort for the good of the community’: Mrs. Humphry Ward’s Empowered Parochial Philanthropy Mrs. -
Copyright 2014 Cecily Garber
Copyright 2014 Cecily Garber FICTION-CRITICISM IN INTERWAR ENGLAND: JUDGMENT, GENDER, AND THE PLURALIST PUBLIC SPHERE BY CECILY R. GARBER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Kirkpatrick Professor Vicki Mahaffey, Chair Associate Professor Hina Nazar Associate Professor Jim Hansen Assistant Professor Andrew Gaedke ABSTRACT It is tempting to say that intellectual writers in early twentieth-century Britain produced popular journalism for outlets like Good Housekeeping, Vanity Fair, and The Daily Telegraph simply to make money. However, this dissertation argues that such “side” work in fact played an important role in intellectual writers’ careers by giving them tools to produce topical, political literature. This study first examines the popular essays of Rose Macaulay, Aldous Huxley, and Virginia Woolf, all intellectually respected novelists in their day, to argue that their journalism crossed contentious lines in the period’s “battle of the ’brows,” or the battle between high, middle, and lowbrows for cultural legitimacy. This study then defines a genre I call “fiction- criticism” to describe novels like Macaulay’s Potterism, Huxley’s Point Counter Point, and Woolf’s unpublished “novel-essay,” The Pargiters, which all bear significant traces of their popular essay writing and occupy an overdetermined position in the literary public sphere. Fiction-criticism’s status as accessible, intelligent, and conversant with high and middlebrow conventions allowed it to capture and speak to a wide readership from varying classes and cultural backgrounds. In doing so, the genre promoted dialogue between citizens with different tastes, outlooks, and even value systems and consequently worked to broaden readers’ political judgment. -
NINETEENTH-CENTURY GENDER STUDIES ISSUE 11.3 (WINTER 2015) Special Issue: Relations: Literary Marketplaces, Affects, and Bodi
NINETEENTH-CENTURY GENDER STUDIES ISSUE 11.3 (WINTER 2015) Special Issue: Relations: Literary Marketplaces, Affects, and Bodies of 18th- and 19th-Century Women Writers Guest Edited by Julia Fuller, Meechal Hoffman, and Livia Arndal Woods “Ashamed of the Inkpot”: Virginia Woolf, Lucy Clifford, and the Literary Marketplace By Mary Jean Corbett, Miami University The literary and artistic world is so ordered that those who enter it have an interest in disinterestedness. —Pierre Bourdieu, “The Field of Cultural Production, or: The Economic World Reversed” <1> Most critics working in the contested terrain of fin-de-siècle literary and cultural history would agree that Virginia Woolf’s essays, reviews, and first two novels diminished the achievements of both the male and female writers of that era. The version of literary history she knew—and, indeed, helped to construct—is far less varied, progressive, or inclusive than that constructed by scholars over the last several decades, in which the reaction against “Victorianism,” for instance, is seen to be already well under way at least a generation before the queen’s demise. Still, the motivating factors in this erasure have yet to be fully explored. It’s my belief that rethinking Woolf’s relationship to the immediate past in relation to new narratives about late-Victorian literary culture can lead us to new conclusions about where and how Woolf does or does not borrow from, resist, reframe, or reject the legacies of her precursors. As I’ve argued elsewhere, the active disavowal of what I call second-generation Victorian women writers, while certainly shaped in part by her familial context, is but one facet of Woolf’s broader and deeper drive to establish relations with an earlier, “greater” Victorian generation while bypassing an intermediate and, to her mind, imperfect one (Corbett). -
New Acquisitions
J & J LUBRANO MUSIC ANTIQUARIANS Item 23: The Prussian Quartets NEW ACQUISITIONS February 2014 351 West Neck Road, Lloyd Harbor, NY 11743 Telephone 631-549-0672 Fax 631-421-1677 [email protected] www.lubranomusic.com Autograph Manuscripts of “A... Composer Whose Music Embraces a Wide Variety of Contemporary Styles” 1. ADLER, Samuel born 1928. Drifting on Winds and Currents A Poem for Orchestra. Autograph musical manuscript sketches, ca. 2010. 4 pp. on two large oblong folio leaves (ca. 294 mm. x 286 mm.) notated in pencil on 18-stave music manuscript paper, each leaf signed by the composer and containing approximately 100 measures, primarily in short score. A working manuscript. The present was first performed by the Las Vegas Philharmonic with David Itkin conducting on November 20, 2010 in Las Vegas. Adler studied composition with Aaron Copland, Paul Fromm, Paul Hindemith, Hugo Norden, Walter Piston and Randall Thompson. "His works have been performed by major symphony orchestras, choral and chamber ensembles throughout the USA, Europe, South America and Israel... [He] is a prolific composer whose music embraces a wide variety of contemporary styles. His works exhibit great rhythmic vitality, with a predilection for asymmetrical rhythms and metres, and a keen sensitivity to counterpoint." Marie Rolf in Grove online A fine example of the composer's working methods. (22478) $1,200. 2. ADLER. Recalling the Yesterdays. Song cycle for mezzo soprano, flute, clarinet, violin, cello, piano and percussion, nos. 2: "The Saturday Matinee," 3: "Child of the Plains," 4: "The Medicine Keepers" and 5: "Season Song." Autograph musical manuscript full score, signed. -
Appendices Bust of General Manager Giulio Gatti-Casazza by Frederick Macmonnies, in the Old Metropolitan Opera House
Appendices Bust of general manager Giulio Gatti-Casazza by Frederick MacMonnies, in the old Metropolitan Opera House 280/APPENDIX I APPENDIX I: CHIEF ADMINISTRATORS 1883-84 Henry E. Abbey 1908-10 Giulio Gatti-Casazza Andreas Dippel 1884-85 Leopold Damrosch (died 2/15/85) 1910-35 Giulio Gatti-Casazza 1885-91 Edmund C. Stanton Anton Seidl 1935-36 Herbert Witherspoon (died 5/10/35) Edward Johnson 1891-92 Henry E. Abbey Maurice Grau 1936-50 Edward Johnson John B. Schoeffel 1950-72 Rudolf Bing 1892-93 Season cancelled 1972-73 Goran Gentele (died 7/18172) 1893-97 Henry E. Abbey (died 10/17/96) Schuyler G. Chapin Grau Maurice 1973-74 Schuyler G. Chapin John B. Schoeffel Rafael Kubelik 1897-98 Season cancelled 1974-75 Schuyler G. Chapin Maurice Grau 1898-1903 1975-81 Anthony A. Bliss 1903-04 Heinrich Conried James Levine Felix Mottl John Dexter 1904-08 Heinrich Conried 1981-85 Anthony A. Bliss James Levine APPENDIX 1/281 Kurt Adler David Stivender 282/APPENDIX II APPENDIX II: CHORUS MASTERS 1883-84 F. De Rialp 1904-05 Hugo Bryck 1884-85 John Lund Paul Eisler Mr. Reichelt Hans Morgenstern Tullio Voghera 1885-91 Frank Damrosch 1905-06 Paul Eisler 1891-92 Carlo Corsi Tullio Voghera 1892-93 Season cancelled 1906-08 Pietro Nepoti 1893-97 Carlo Corsi 1908-17 Giulio Setti Hans Steiner 1897-98 Season cancelled Giulio Setti 1898-99 Pietro Nepoti 1917-35 Gustav Hinrichs 1935-42 Fausto Cleva Konrad Neuger 1899-1900 Pietro Nepoti 1942-45 Konrad Neuger 1900-02 Pietro Nepoti Giacomo Spadoni Hans Morgenstern 1945-73 Kurt Adler 1902-03 Pietro Nepoti 1973-85 David Stivender 1903-04 Pietro Nepoti Selmar Meyrowitz APPENDIX 11/283 George Balanchine Zachary Solov with ballerina Janet Collins rehearsing Ai da, 1951 Antony Tudor with Alicia Markova 284/APPENDIX III APPENDIX III: BALLET MASTERS 1883-84 Luigi Danesi 1911-12 Ottokar Bartik 1933-35 Rosina Galli Malvina CavalazzF Mikail Mordkin 1935-38 George Balanchine 1884-85 F. -
The Billboard 1918-05-11
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Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999
BOSTON SYMPHONY ORCHESTRA S E I J I OZAWA TWENTY-FIFTH ANNIVERSARY SEASON 1 1 8th Season • 1 998-99 Bring your Steinway: With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR a/ Eisner Jiill BROOKLINE :2&^ ** ""'M ^^^^^^S^&^M^4l nn CORTLAND Hammond SOTHEBYS liltiVJ m 31 ZM 1 1 MlI^LW -^u. RFtlDENTIAK. International Realty f f a i. r s r \ i y. Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James F. Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-officio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. -
CATHOLIC CONVERSION and ENGLISH IDENTITY a Dissertation
“I HAVE NOT A HOME:” CATHOLIC CONVERSION AND ENGLISH IDENTITY A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Teresa Huffman Traver, B.A. Chris Vanden Bossche, Director Graduate Program in English Notre Dame, Indiana July 2007 © Copyright 2007 Teresa Huffman Traver “I HAVE NOT A HOME:” CATHOLIC CONVERSION AND ENGLISH IDENTITY Abstract By Teresa Huffman Traver Throughout the nineteenth century, religious identity, national identity, and domesticity converge in the depiction of broken homes, foreign invaders, and homeless converts which abound in anti-Catholic literature. This literature imagines conversion to Roman or Anglo-Catholicism as simultaneously threatening the English home and the English nation through the adoption of the anti-domestic practices of celibacy and monasticism. However, constructions of conversion as a rejection of domesticity and English identity were not limited to anti-Catholic propaganda: mainstream novelists made use of stock anti-Catholic tropes for rather more complicated purposes. In light of this convergence between religion, nation, and home, this dissertation explores novels by John Henry Newman, Margaret Oliphant, Charlotte Yonge, and Charlotte Brontë in the context of mid-century journal and newspaper articles, court cases, religious tracts and popular anti-Catholic fiction. I argue that in literature concerned with Catholic conversion and the Tractarian movement, the trope of finding a home became a tool for imagining new domestic, Teresa Huffman Traver religious, and national communities. Victorian constructions of English national identity and domesticity were always mutually constitutive, as domesticity was understood to be one of the identifying markers of “Englishness,” while the home served as a microcosm of the nation. -
3 Victorian Images of Volunteering
Centre for Institutional Studies THREE VICTORIAN FICTIONAL IMAGES OF VOLUNTEERING Paper presented at Voluntary Action History Society Third International Research Conference University of Liverpool 16-18 July 2008 John Wyatt VISITING RESEARCH FELLOW, THE UNIVERSITY OF EAST LONDON, CENTRE FOR INSTITUTIONAL STUDIES. Fictional depiction of volunteering in the second half of the nineteenth century in Britain can, I believe, provide a commentary on social trends during this period of rapid changes in social action. The three novels I have chosen to illustrate this assertion (North and South, Tom Brown at Oxford, and Marcella) are considered in the chronological order in which they were published. The novelists, Elizabeth Gaskell, Thomas Hughes, and Mary Augusta Ward, as well as providing fictional models of what is involved in the life of a volunteer, provide insight into three diferent movements in the social theories underlying social action in the period. The novelists themselves were involved in volunteering and in its organisation, giving an extra dimension to the creation of their fictional worlds. North and South: Learning to Speak to Each Other Elizabeth Gaskell (1810-1865) published North and South at first in serial form in Charles Dickens’s Household Words, then in an amended and enlarged book form in 1855.The 1850s were years of reconsideration of social problems and of the ways of solving them. The two previous decades had witnessed serious social catastrophes, particularly for the hugely expanding cities such as Gaskell’s own locality, Manchester. The cholera epidemic of the 1830s, economic stagnation in some aspects of industry, the Hungry Forties, and labour unrest throughout the period were living issues for all, but particularly for the church community to which this author belonged.