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' Dangers and Delusions'?
UCL LIBRARY SERVICES ‘ Dangers and Delusions’? Perspectives on the women’s suffrage movement An exhibition of material from UCL Special Collections February – December 2018 ‘Dangers and Delusions’? Perspectives on the women’s suffrage movement An exhibition of material from UCL Special Collections February – December 2018 #dangersanddelusions Preface The movement calling for women’s right to vote in the United Kingdom was drawn out over several decades and generated intense differences of opinion, not only between those for and against electoral equality, but also within pro- and anti-suffrage campaigns. This exhibition draws on items held in UCL Special Collections – satirical commentaries, campaign literature, personal notes and petitions – to examine the actions and reactions surrounding the case for universal suffrage, from the 1860s up to the fi rst legislative step towards equality for women: the Representation of the People Act, 1918. 4 | ‘Dangers and Delusions’? Introduction | 5 Introduction Coming in to force one hundred years ago, the Representation of rejected by a vote of 194 to 73. Right up to his death a few years later Mill remained the People Act, 1918 granted the vote in Britain to some women a strong supporter of women’s suffrage, as illustrated by a letter to UCL Professor over the age of 30. The long-running suffrage campaign that led George Croom Robertson. to this change has strong resonance and interest for us today, In 1865 the National Society for Women’s Suffrage was formed to bring together although when it first began in the 1860s ‘the Cause’ was of no local suffrage societies. -
Noticing the Dead: the Biographical Sketch in Victorian Periodicals
Noticing the dead: The biographical sketch in victorian periodicals Author Macleod, Jock Published 2017 Journal Title Victorian Periodicals Review Version Accepted Manuscript (AM) DOI https://doi.org/10.1353/vpr.2017.0040 Copyright Statement © 2017 The Johns Hopkins University Press. This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/374236 Griffith Research Online https://research-repository.griffith.edu.au Noticing the Dead: The Biographical Sketch in Victorian Periodicals JOCK MACLEOD Writing about Harriet Martineau in Macmillan’s Magazine in May 1877, John Morley drew attention to the importance of her “biographic sketches” of significant figures in the field of journalism. Martineau, who had died the previous year, had published numerous sketches of the recently dead for the Daily News between 1852 and 1863, many of which were collected in Biographical Sketches (1869).1 For Morley, these were “masterpieces in the style of the vignette. Their conciseness, their clearness in fact, their definiteness in judgment, and above all the rightly-graduated impression of the writer’s own personality in the background, make them perfect in their kind.”2 In reviewing Martineau’s work, Morley was himself writing a biographical sketch, a genre that was widespread in periodical literature by the middle of the nineteenth century. Accounts of recently dead editors and contributors ranged from obituaries and memoirs to reviews of books (especially biographies, memoirs, and autobiographies), but many were simply brief sketches of recent or earlier nineteenth century journalistic figures. -
CONSTANCE ANDREWS Constance Andrews Was the Main Organiser of Suffrage Actions in Ipswich. She Was Born in 1864 in Stowmarket An
CONSTANCE ANDREWS HORTENSE MARY LANE Constance Andrews was the main organiser of suffrage Hortense Lane was born in 1877 and educated at Ipswich High School. By actions in Ipswich. She was born in 1864 in Stowmarket 1909 she was living at Whitton Street in Ipswich with her husband Frank and lived with her sister and brother-in-law at No. 160 Lane. They later moved to Cowslip Dairy Farm, Witnesham. She was one Norwich Road, Ipswich. She first became officially of the very first active suffragettes in Ipswich. involved in suffrage politics in 1907 as secretary of the In 1909 Constance Andrews established an Ipswich branch of the Ipswich and County Women’s Suffrage Society. She was Women’s Freedom League (WFL). Lane joined the WFL in Ipswich in 1909. ambitious and found their lack of action frustrating. So, The WFL used a mixture of tactics to bring the issue of women’s suffrage she founded the Ipswich branch of the more militant to the public’s attention. They focused on non-violent campaigns which Women’s Freedom League (WFL) in 1909. would hit the Government hard, rather than harming the women Andrews then organised and contributed to three different forms of protesting protesting. in Ipswich. Firstly, she organised a Green, White and Gold Fair in July 1909. This Lane used the campaign of Tax Resistance to protest for women’s votes. showed the people of Ipswich which women in the world currently had the She did this even before it was a national campaign and would continually vote, and demonstrated conditions UK women were facing in prison trying the use this tactic from 1909 up until 1914. -
University of Warwick Institutional Repository
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/56360 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Appropriate Fields of Action: Nineteenth-Century Representations of the Female Philanthropist and the Parochial Sphere by Gabrielle Mearns A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Literature University of Warwick, Department of English and Comparative Literary Studies November 2012 Contents Introduction 1 Chapter One 27 ‘We consider our own parish as our more appropriate field of action’: The Parochial Philanthropy of Hannah More Hannah More Coelebs in Search of a Wife (1808) Henry Thompson The Life of Hannah More, with notices of her sisters (1838) Chapter Two 84 ‘Extravagant Day-dreams’? Charlotte Brontë and Elizabeth Gaskell Charlotte Bronte Shirley (1849) Elizabeth Gaskell The Life of Charlotte Brontë (1857) Elizabeth Gaskell My Lady Ludlow (1859) Chapter Three 149 Expanding the Parochial Sphere: Charlotte Yonge’s The Clever Woman of the Family and George Eliot’s Middlemarch Charlotte Yonge The Clever Woman of the Family (1865) George Eliot Middlemarch (1871-2) Chapter Four 216 ‘Citizenship lies in the participation of each individual in effort for the good of the community’: Mrs. Humphry Ward’s Empowered Parochial Philanthropy Mrs. -
Copyright 2014 Cecily Garber
Copyright 2014 Cecily Garber FICTION-CRITICISM IN INTERWAR ENGLAND: JUDGMENT, GENDER, AND THE PLURALIST PUBLIC SPHERE BY CECILY R. GARBER DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Kirkpatrick Professor Vicki Mahaffey, Chair Associate Professor Hina Nazar Associate Professor Jim Hansen Assistant Professor Andrew Gaedke ABSTRACT It is tempting to say that intellectual writers in early twentieth-century Britain produced popular journalism for outlets like Good Housekeeping, Vanity Fair, and The Daily Telegraph simply to make money. However, this dissertation argues that such “side” work in fact played an important role in intellectual writers’ careers by giving them tools to produce topical, political literature. This study first examines the popular essays of Rose Macaulay, Aldous Huxley, and Virginia Woolf, all intellectually respected novelists in their day, to argue that their journalism crossed contentious lines in the period’s “battle of the ’brows,” or the battle between high, middle, and lowbrows for cultural legitimacy. This study then defines a genre I call “fiction- criticism” to describe novels like Macaulay’s Potterism, Huxley’s Point Counter Point, and Woolf’s unpublished “novel-essay,” The Pargiters, which all bear significant traces of their popular essay writing and occupy an overdetermined position in the literary public sphere. Fiction-criticism’s status as accessible, intelligent, and conversant with high and middlebrow conventions allowed it to capture and speak to a wide readership from varying classes and cultural backgrounds. In doing so, the genre promoted dialogue between citizens with different tastes, outlooks, and even value systems and consequently worked to broaden readers’ political judgment. -
NINETEENTH-CENTURY GENDER STUDIES ISSUE 11.3 (WINTER 2015) Special Issue: Relations: Literary Marketplaces, Affects, and Bodi
NINETEENTH-CENTURY GENDER STUDIES ISSUE 11.3 (WINTER 2015) Special Issue: Relations: Literary Marketplaces, Affects, and Bodies of 18th- and 19th-Century Women Writers Guest Edited by Julia Fuller, Meechal Hoffman, and Livia Arndal Woods “Ashamed of the Inkpot”: Virginia Woolf, Lucy Clifford, and the Literary Marketplace By Mary Jean Corbett, Miami University The literary and artistic world is so ordered that those who enter it have an interest in disinterestedness. —Pierre Bourdieu, “The Field of Cultural Production, or: The Economic World Reversed” <1> Most critics working in the contested terrain of fin-de-siècle literary and cultural history would agree that Virginia Woolf’s essays, reviews, and first two novels diminished the achievements of both the male and female writers of that era. The version of literary history she knew—and, indeed, helped to construct—is far less varied, progressive, or inclusive than that constructed by scholars over the last several decades, in which the reaction against “Victorianism,” for instance, is seen to be already well under way at least a generation before the queen’s demise. Still, the motivating factors in this erasure have yet to be fully explored. It’s my belief that rethinking Woolf’s relationship to the immediate past in relation to new narratives about late-Victorian literary culture can lead us to new conclusions about where and how Woolf does or does not borrow from, resist, reframe, or reject the legacies of her precursors. As I’ve argued elsewhere, the active disavowal of what I call second-generation Victorian women writers, while certainly shaped in part by her familial context, is but one facet of Woolf’s broader and deeper drive to establish relations with an earlier, “greater” Victorian generation while bypassing an intermediate and, to her mind, imperfect one (Corbett). -
Trade Books J Anuary – June 2014
1 TRADE BOOKS J ANUARY – JUNE 2014 TRADE BOOKS JANUARY – JUNE 2014 See page 5 See page 22 See page 24 www.oup.com/uk http:// blog .oup.com http:// twitter .com/oupacademic https://www. facebook .com/OUPAcademic Front cover image from July 1914: The Month that Changed the World (see page 7); ‘Merry-Go-Round’ by Mark Gertler © Tate, London 2013 The information in this catalogue is correct at the time of going to press. Details including prices and publication dates may change. ATCATJJ14 COLIN SWATRIDGE THE WORLD’S MOST TRUSTED REFERENCE BOOKS See page 6 See page 8 See page 9 See page 10 See page 44 See page 46 See page 47 See page 48 CRAIG L. SYMONDS THE ALLIED INVASION OF EUROPE AND THE D-DAY LANDINGS See page 11 See page 12 See page 13 See page 13 See page 49 See page 52 See page 54 See page 57 See page 14 See page 15 See page 16 See page 19 See page 20 See page 22 See page 23 See page 27 CONTACTS CONTENTS Ebooks are not directly sold by OUP. INTERNATIONAL SALES UK PRESS AND PUBLICITY TRANSLATION RIGHTS HISTORY PAGE 4 For an up-to-date list of ebook suppliers, USA, Latin America, Caribbean Kate Farquhar-Thomson Simplified Chinese, Complex Chinese and Korean visit www.oup.com/uk/academic/ebooks Nick Parker Account Manager Head of Publicity Emma Gier Head of Translations, Reprints and +1 (0) 212 726 6153 [email protected] Science & Medicine, Business & Economics Permissions BIOGRAPHY & LETTERS PAGE 19 01865 353423 / 07967 099456 [email protected] TRADE ORDERS Brazil [email protected] 01536 452640 Beatriz Alves , Area Sales -
CATHOLIC CONVERSION and ENGLISH IDENTITY a Dissertation
“I HAVE NOT A HOME:” CATHOLIC CONVERSION AND ENGLISH IDENTITY A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Teresa Huffman Traver, B.A. Chris Vanden Bossche, Director Graduate Program in English Notre Dame, Indiana July 2007 © Copyright 2007 Teresa Huffman Traver “I HAVE NOT A HOME:” CATHOLIC CONVERSION AND ENGLISH IDENTITY Abstract By Teresa Huffman Traver Throughout the nineteenth century, religious identity, national identity, and domesticity converge in the depiction of broken homes, foreign invaders, and homeless converts which abound in anti-Catholic literature. This literature imagines conversion to Roman or Anglo-Catholicism as simultaneously threatening the English home and the English nation through the adoption of the anti-domestic practices of celibacy and monasticism. However, constructions of conversion as a rejection of domesticity and English identity were not limited to anti-Catholic propaganda: mainstream novelists made use of stock anti-Catholic tropes for rather more complicated purposes. In light of this convergence between religion, nation, and home, this dissertation explores novels by John Henry Newman, Margaret Oliphant, Charlotte Yonge, and Charlotte Brontë in the context of mid-century journal and newspaper articles, court cases, religious tracts and popular anti-Catholic fiction. I argue that in literature concerned with Catholic conversion and the Tractarian movement, the trope of finding a home became a tool for imagining new domestic, Teresa Huffman Traver religious, and national communities. Victorian constructions of English national identity and domesticity were always mutually constitutive, as domesticity was understood to be one of the identifying markers of “Englishness,” while the home served as a microcosm of the nation. -
3 Victorian Images of Volunteering
Centre for Institutional Studies THREE VICTORIAN FICTIONAL IMAGES OF VOLUNTEERING Paper presented at Voluntary Action History Society Third International Research Conference University of Liverpool 16-18 July 2008 John Wyatt VISITING RESEARCH FELLOW, THE UNIVERSITY OF EAST LONDON, CENTRE FOR INSTITUTIONAL STUDIES. Fictional depiction of volunteering in the second half of the nineteenth century in Britain can, I believe, provide a commentary on social trends during this period of rapid changes in social action. The three novels I have chosen to illustrate this assertion (North and South, Tom Brown at Oxford, and Marcella) are considered in the chronological order in which they were published. The novelists, Elizabeth Gaskell, Thomas Hughes, and Mary Augusta Ward, as well as providing fictional models of what is involved in the life of a volunteer, provide insight into three diferent movements in the social theories underlying social action in the period. The novelists themselves were involved in volunteering and in its organisation, giving an extra dimension to the creation of their fictional worlds. North and South: Learning to Speak to Each Other Elizabeth Gaskell (1810-1865) published North and South at first in serial form in Charles Dickens’s Household Words, then in an amended and enlarged book form in 1855.The 1850s were years of reconsideration of social problems and of the ways of solving them. The two previous decades had witnessed serious social catastrophes, particularly for the hugely expanding cities such as Gaskell’s own locality, Manchester. The cholera epidemic of the 1830s, economic stagnation in some aspects of industry, the Hungry Forties, and labour unrest throughout the period were living issues for all, but particularly for the church community to which this author belonged. -
Literary Dimensions of Robert Elsmere: Idea, Character, and Form
Literary Dimensions of Robert Elsmere: Idea, Character, and Form MILDRED L. CULP, Seattle, Washington Two recent studies of the Victorian religious upheaval have drawn consid erable attention to Robert Elsmere—published in 1888 by Mary Augusta Ward, the niece of Matthew Arnold and granddaughter of Rugby's Thomas Arnold. Neither of them, however, fully treats the issue of closure and ideological crisis in the novel. In Gains and Losses: Novels of Faith and Doubt in Victorian England Robert Lee Wolff rightly recognizes that Mrs. Ward's book, with its emphasis on philan thropy as a cure for the unbelief caused by biblical criticism and skepticism toward Christian evidences, was, far more than frequently discussed texts like George Eliot's Middlemarch or Thomas Hardy's Jude the Obscure, "the great classic novel of Victorian doubt."1 And in Victorian Heretic: Mrs. Humphry Ward's Robert Elsmere, William S. Peterson has definitively established the chronology of the book as May, 1882, to May, 1886.2 What remains to be analyzed is the problem of the relationship between the ideological tension and the lack of closure in the novel, for there is a very definite correlation between ideology and form which becomes more evident when we explore the way in which Mrs. Ward illustrates the relationship between biblical criticism, religion, and science, and the way in which the novel comes to a close. On the one hand, Peterson suggests that Robert Elsmere was intended to attain a certain literary stature.3 However, Wolff dismisses the whole issue by stating that "the novel . has high literary merit . -
00 Prelims 1655
06 Bullock 1655 13/11/08 12:33 Page 124 ALAN BULLOCK Tara Heinemann 06 Bullock 1655 13/11/08 12:33 Page 125 Alan Louis Charles Bullock 1914–2004 ALAN BULLOCK was born at Trowbridge, Wiltshire, on 13 December 1914. He was the only child of Edith (neé Brand) and Frank Allen Bullock, Unitarian minister at Chapel Lane Chapel, Bradford, from 1926 to 1964. In his impressive and admiring memoir of his father pub- lished in 2000 Bullock describes the latter’s ascent, initiated by a benevo- lent local squire, from son of a Wiltshire railway signalman to influential Nonconformist cleric, theologian and mystic.1 The story reads almost like the plot of a Victorian novel. Its key was Frank Bullock’s obsessive self-education, driven by an omnivorous intellectual curiosity. Books, discussions in literary societies, debates with local worthies, and literary correspondence shaped his evolution, and created a household awareness of the power and importance of ideas. This was Alan Bullock’s intellec- tual nursery. His father, on arrival in Bradford from a previous incum- bency in Leigh, Lancashire, entered him for the Direct Grant Bradford Grammar School, with its record of scholarships to Oxford and Cambridge. Bullock’s inherited intellectual ability became apparent there. It was confirmed when on leaving he obtained distinctions in each of his main subjects, Classics and History, in the Higher School Certificate, and was awarded a State Scholarship. In 1932 he failed to gain a scholarship at Balliol College, Oxford, but was awarded one by Wadham, his second choice. His chosen subject on coming up in 1933, aged 18, was Literae Humaniores, the study of Greek and Latin literature and Ancient History (subsequent history was called Modern History). -
Margot Asquiths Great War Diary 1914-1916: the View from Downing Street Free
FREE MARGOT ASQUITHS GREAT WAR DIARY 1914- 1916: THE VIEW FROM DOWNING STREET PDF Michael Brock,Eleanor Brock | 568 pages | 26 Aug 2014 | Oxford University Press | 9780198229773 | English | Oxford, United Kingdom Margot Asquith's Great War Diary The View from Downing Street | Reviews in History Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Michael George Brock Editor. Eleanor Brock Editor. Asquith's early war leadership drew praise from all quarters, but in December he was forced from office in a palace coup and replaced by Lloyd George, whose career he had done so much to promote. Margot had both the literary gifts and the vantage point to create, in her diary of these years, a compelling record of her husband's fall from grace. An intellectual socialite with the airs, if not the lineage, of an aristocrat, Margot was both a spectator and a participant in the events she describes and in public affairs could be an ally or an embarrassment -- sometimes both. Her diary vividly Margot Asquiths Great War Diary 1914-1916: The View from Downing Street the wartime milieu as experienced in 10 Downing Street and describes the great political battles that lay behind the warfare on the Western Front, in which Asquith would himself lose his eldest son. The writing teems with character sketches, including Lloyd George "a natural adventurer who may make or mar himself any day"Churchill "Winston's vanity is septic"and Kitchener "a man brutal by nature and by pose".