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Materials & Process
Sculpture: Materials & Process Teaching Resource Developed by Molly Kysar 2001 Flora Street Dallas, TX 75201 Tel 214.242.5100 Fax 214.242.5155 NasherSculptureCenter.org INDEX INTRODUCTION 3 WORKS OF ART 4 BRONZE Material & Process 5-8 Auguste Rodin, Eve, 1881 9-10 George Segal, Rush Hour, 1983 11-13 PLASTER Material & Process 14-16 Henri Matisse, Madeleine I, 1901 17-18 Pablo Picasso, Head of a Woman (Fernande), 1909 19-20 STEEL Material & Process 21-22 Antony Gormley, Quantum Cloud XX (tornado), 2000 23-24 Mark di Suvero, Eviva Amore, 2001 24-25 GLOSSARY 26 RESOURCES 27 ALL IMAGES OF WORKS OF ART ARE PROTECTED UNDER COPYRIGHT. ANY USES OTHER THAN FOR EDUCATIONAL PURPOSES ARE STRICTLY FORBIDDEN. 2 Introduction This resource is designed to introduce students in 4th-12th grades to the materials and processes used in modern and traditional sculpture, specifically bronze, plaster, and steel. The featured sculptures, drawn from the collection of the Nasher Sculpture Center, range from 1881 to 2001 and represent only some of the many materials and processes used by artists whose works of art are in the collection. Images from this packet are also available in a PowerPoint presentation for use in the classroom, available at nashersculpturecenter.org. DISCUSS WITH YOUR STUDENTS Artists can use almost any material to create a work of art. When an artist is deciding which material to use, he or she may consider how that particular material will help express his or her ideas. Where have students seen bronze before? Olympic medals, statues… Plaster? Casts for broken bones, texture or decoration on walls.. -
Workshop on Venture Capital and Antitrust, February 12, 2020
Venture Capital and Antitrust Transcript of Proceedings at the Public Workshop Held by the Antitrust Division of the United States Department of Justice February 12, 2020 Paul Brest Hall Stanford University 555 Salvatierra Walk Stanford, CA 94305 Table of Contents Opening Remarks ......................................................................................................................... 1 Fireside Chat with Michael Moritz: Trends in VC Investment: How did we get here? ........ 5 Antitrust for VCs: A Discussion with Stanford Law Professor Doug Melamed ................... 14 Panel 1: What explains the Kill Zones? .................................................................................... 22 Afternoon Remarks .................................................................................................................... 40 Panel 2: Monetizing data ............................................................................................................ 42 Panel 3: Investing in platform-dominated markets ................................................................. 62 Roundtable: Is there a problem and what is the solution? ..................................................... 84 Closing Remarks ......................................................................................................................... 99 Public Workshop on Venture Capital and Antitrust, February 12, 2020 Opening Remarks • Makan Delrahim, Assistant Attorney General for Antitrust, Antitrust Division, U.S. Department of Justice MAKAN -
EASTMAN NOTES JUNE 2004 Draft: Final Date: 6/15/2004 INSIDE
NOTES JUNE 2004 A MAGAZINE FOR ALUMNI OF THE EASTMAN SCHOOL OF MUSIC FROM THE EDITOR The right “stu≠” Dear Eastman Alumni: We like Notes’ new look, and it seems you do too. Response has been unani- mously favorable; perhaps we should consider a Steve Boerner–David Cowles NOTES presidential ticket for 2008. I’d vote for them; these two artists made “Notes Volume 22, Number 2 nouveau” a pleasure, and I’m glad the pleasure was conveyed in the magazine June 2004 itself. I write the stuff, but they (and our photographers) make it look good! We also had a tremendous response to our “Eastman Alumni on CD” feature; Editor see pages 33¬34. And enough of you commented on different editorial aspects of David Raymond Notes (not always favorably) that we have a “Letters to the Editor” section, which Assistant editor may be a first for us. Christina Casey This issue of Notes is admittedly filled with history, but Susan Conkling’s re- Contributing writers minder of the great women who shaped both American music and Eastman, and Martial Bednar Amy Blum Paul Burgett’s reminder of four black composers who Christine Corrado played an important part in Eastman history, are stories Contributing photographers worth telling. As is the story of the success of Howard Kurt Brownell Hanson’s Merry Mount at the Met in 1934—a remarkable Gelfand-Piper Photography event, when you think about it. I should add a special Bob Klein Photography word of thanks here to David Peter Coppen, the Sibley Carlos Ortiz Don Ver Ploeg/VP Communications Library Archivist, who is always helpful with providing Amy Vetter historical photographs and other materials for Notes, but Photography coordinator outdid himself for these three articles. -
Michael Newman - Body As Place: Antony Gormley Outside-In
MICHAEL NEWMAN - BODY AS PLACE: ANTONY GORMLEY OUTSIDE-IN From MODEL, White Cube, London, UK Body as Place: Antony Gormley Outside-In I In 1973, after returning from a trip to India, Antony Gormley made a series of works based on plaster-soaked sheets placed over the prone bodies of friends. He writes that he had been touched seeing people asleep on streets and railway platforms covered by cotton saris or dhotis, which 'described the minimum space necessary for a person to establish shelter.' [1] In retrospect, we can see here many of the elements of his work to come: the sculpture produced by contact, by recreating the body through a mould rather than representing it; the minimum means for establishing a relation to place; and a sense of stillness. But these works are by no means benign. Considering these sculptures in the present day, we are perhaps more aware of their political implications: that they show not a universal condition but poverty in Asia, the place of the West's supposed 'other'; and that the 'world' of the people who live and sleep like this can no longer be considered apart from global networks and relations of power. In effect, the two dimensions of these works - the cover and the body - subsequently divided into two ways of making place. For ROOM (1980), Gormley took his own clothes, cut them into continuous spirals of cloth, and formed an inaccessible enclosure within the space of the room by wrapping them like a fence or wall around four poles. In the following year he began making sculpture by wrapping lead around a form produced from a mould of his own body, resulting in an organic shape sometimes rather like a pod or Egyptian mummy case marked on its surface by the rectilinear grid of welds. -
O, Heerlijke Nieuwe Wereld!
Onafhankelijk weekblad sinds 1877 17 mei 2018 BP Jaargang 142 / Nr. 20-21 € 5,95 Dubbel dikke toekomst- special O, heerlijke nieuwe wereld! Wat betekent de technologische revolutie voor ons mens-zijn? Alessandro Baricco over de nieuwe barbaren Luciano Floridi over onze angst voor Jos de Mul Artificial Intelligence over de posthumane Het pratende huis mens van de toekomst Komt de Is geo-engineering designbaby de oplossing voor eraan? klimaatverandering? SHUNSKE SATO, ARTISTIEK LEIDER NEDERLANDSE BACHVERENIGING SEIZOEN 2018-2019 MET: BRANDENBURGSE CONCERTEN, KERST MET BACH, MATTHÄUS-PASSION EN MEER! BEKIJK DE COMPLETE CONCERTAGENDA EN BESTEL NU KAARTEN OP BACHVERENIGING.NL O, heerlijke nieuwe wereld! Vorige week presenteerde Google zijn nieuwste technologische iets waar mensen toch geen vat op gemaksmiddel: Duplex, een digitale stem die net als een echt mens Nee, super- hebben. En ondertussen dreigen wij klinkt, zelfs aarzelend ‘eh…’ kan zeggen in een conversatie, of een intelligente te worden overvleugeld door artificiële bevestigend ‘hmm’ kan laten horen. Duplex kan afspraken voor je machines intelligentie, te worden leeggezogen door maken met de kapper of een reservering bij een restaurant, en dat zullen de mens de tech-giganten in Silicon Valley of te kan ze zo levensecht dat mensen aan de andere kant van de lijn worden geknecht door algoritmen. De niet merken dat ze gebeld worden door een robot. Dat is behoorlijk niet zomaar voortschrijdende techniek houdt kortom beangstigend, want voor je het weet ligt misleiding op de loer. tot slaaf niet alleen een grote belofte in, omdat ze Google kondigde dan ook aan dat Duplex zich in de loop van het maken grote en kleine problemen zal oplossen gesprek als robot kenbaar zal maken. -
Science & Technology Trends 2020-2040
Science & Technology Trends 2020-2040 Exploring the S&T Edge NATO Science & Technology Organization DISCLAIMER The research and analysis underlying this report and its conclusions were conducted by the NATO S&T Organization (STO) drawing upon the support of the Alliance’s defence S&T community, NATO Allied Command Transformation (ACT) and the NATO Communications and Information Agency (NCIA). This report does not represent the official opinion or position of NATO or individual governments, but provides considered advice to NATO and Nations’ leadership on significant S&T issues. D.F. Reding J. Eaton NATO Science & Technology Organization Office of the Chief Scientist NATO Headquarters B-1110 Brussels Belgium http:\www.sto.nato.int Distributed free of charge for informational purposes; hard copies may be obtained on request, subject to availability from the NATO Office of the Chief Scientist. The sale and reproduction of this report for commercial purposes is prohibited. Extracts may be used for bona fide educational and informational purposes subject to attribution to the NATO S&T Organization. Unless otherwise credited all non-original graphics are used under Creative Commons licensing (for original sources see https://commons.wikimedia.org and https://www.pxfuel.com/). All icon-based graphics are derived from Microsoft® Office and are used royalty-free. Copyright © NATO Science & Technology Organization, 2020 First published, March 2020 Foreword As the world Science & Tech- changes, so does nology Trends: our Alliance. 2020-2040 pro- NATO adapts. vides an assess- We continue to ment of the im- work together as pact of S&T ad- a community of vances over the like-minded na- next 20 years tions, seeking to on the Alliance. -
Modelling the DGEBA-EDA Poly-Epoxy Reactivity Towards Copper Experimental and Numerical Approach Andreas Gavrielides
Modelling the DGEBA-EDA poly-epoxy reactivity towards copper experimental and numerical approach Andreas Gavrielides To cite this version: Andreas Gavrielides. Modelling the DGEBA-EDA poly-epoxy reactivity towards copper experimental and numerical approach. Materials. Université Paul Sabatier - Toulouse III, 2017. English. NNT : 2017TOU30300. tel-01988563 HAL Id: tel-01988563 https://tel.archives-ouvertes.fr/tel-01988563 Submitted on 21 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 5)µ4& &OWVFEFMPCUFOUJPOEV %0$503"5%&-6/*7&34*5²%&506-064& %ÏMJWSÏQBS Université Toulouse 3 Paul Sabatier (UT3 Paul Sabatier) 1SÏTFOUÏFFUTPVUFOVFQBS Andreas GAVRIELIDES le mardi 28 novembre 2017 5JUSF Modélisation du poly-époxy DGEBA-EDA et de sa réactivité vis à vis du cuivre: approche expérimentale et numérique Modelling the DGEBA-EDA poly-epoxy and its reactivity towards copper: experimental and numerical approach ²DPMFEPDUPSBMF et discipline ou spécialité ED SDM : Sciences et génie des matériaux - CO034 6OJUÏEFSFDIFSDIF CIRIMAT UMR CNRS 5085 %JSFDUFVSUSJDF -
Art History in Its Image War
REVIEW ESSAY Art History in Its Image War Mikkel Bolt: En anden verden: Små kritiske epistler om de seneste årtiers antikapitalistiske satsninger i kunst og politik og forsøgene på at udradere dem. Copenhagen: Forlaget Nebula, 2011. 263 pp. isbn 978-87-993651-4-2 Mikkel Bolt: Krise til Opstand: Noter om det igangværende sammenbrud. Aarhus: Antipyrine, 2013. 192 pp. isbn 978-87-93108-01-1 Jonathan Crary: 24/7: Late Capitalism and the Ends of Sleep. London and New York: Verso, 2013. 144 pp. isbn 978-1-78168-093-3 Stephen F. Eisenman: The Abu Ghraib Effect. London: Reaktion Books, 2007. 142 pp. isbn 978-1-86189-309-3 Stephen F. Eisenman: The Cry of Nature: Art and the Making of Animal Rights. London: Reaktion Books, 2013. 309 pp. isbn 978-1-78023-195-2 Nicholas Mirzoeff: The Right to Look: A Counter History of Visuality. Dur- ham and London: Duke University Press, 2011. 408 pp. isbn 978-0-8223- 4918-1 W. J. T. Mitchell: Cloning Terror: The War of Images, 9/11 to the Present. Chicago: University of Chicago Press, 2011. 209 pp. isbn 978-0-226- 53260-8 W. J. T. Mitchell, Bernard E. Harcourt and Michael Taussig: Occupy: Three Inquiries in Disobedience. Chicago: University of Chicago Press, 2013. 168 pp. isbn 978-0-226-04274-9 Iain A. Boal, T. J. Clark, Joseph Matthews, and Michael Watts: Afflicted Powers: Capital and Spectacle in a New Age of War. London and New York: Verso, 2005. 217 pp. isbn 978-1-84467-031-4 O. K. Werckmeister: Der MedusaEffekt: Politische Bildstrategien seit dem 11. -
Activity Pack
Activity Pack The Line is a public art walk in London. The route runs between the Queen Elizabeth Olympic Park and The O2, following the Greenwich Meridian. Works of art along the waterways offer a chance to explore and be inspired. As well as discovering The Line in-person and online, we invite you to create The Line. This pack – produced and inspired by the artists on The Line – offers prompts and resources for creating your own artworks. 1 Anish Kapoor London 1+2 Stadium ArcelorMittal Orbit 2 Carsten Höller The Slide 3 Abigail Fallis DNA DL90 4 Joanna Rajkowska The Hatchling 5 Laura Ford Bird Boy Three 6 Antony Gormley Mills Quantum Cloud 7 Gary Hume Liberty Grip 8 Richard Wilson A Slice of Reality 3 Cody 9 Thomson & Craighead Dock Here 4 10 Alex Chinneck A Bullet from a Shooting Star London City Island Greenwich Meridian Greenwich 5 8 7 9 The O2 0 100m 500m 6 10 1 Anish Kapoor 6 Antony Gormley A Continuous Line Stick Challenge Pages 04 - 05 Pages 14 - 15 2 Carsten Höller 7 Gary Hume Create a slide Limbering Up Pages 06 - 07 Pages 16 - 17 3 Abigail Fallis 8 Richard Wilson Tin Can Sculpture Inside Out Pages 08 - 09 Pages 18 - 19 4 Joanna Rajkowska 9 Thomson & Craighead Imaginary World Here and There Pages 10 - 11 Pages 20 - 21 5 Laura Ford 10 Alex Chinneck The Adventures Extraordinary-ordinary of Bird Boy Pages 22 - 23 Pages 12 - 13 1 Did you know? Anish Kapoor An orbit is the path an ArcelorMittal Orbit object takes in space when it goes around a Queen Elizabeth Olympic Park star, planet or moon. -
New Acquisitions
J & J LUBRANO MUSIC ANTIQUARIANS Item 23: The Prussian Quartets NEW ACQUISITIONS February 2014 351 West Neck Road, Lloyd Harbor, NY 11743 Telephone 631-549-0672 Fax 631-421-1677 [email protected] www.lubranomusic.com Autograph Manuscripts of “A... Composer Whose Music Embraces a Wide Variety of Contemporary Styles” 1. ADLER, Samuel born 1928. Drifting on Winds and Currents A Poem for Orchestra. Autograph musical manuscript sketches, ca. 2010. 4 pp. on two large oblong folio leaves (ca. 294 mm. x 286 mm.) notated in pencil on 18-stave music manuscript paper, each leaf signed by the composer and containing approximately 100 measures, primarily in short score. A working manuscript. The present was first performed by the Las Vegas Philharmonic with David Itkin conducting on November 20, 2010 in Las Vegas. Adler studied composition with Aaron Copland, Paul Fromm, Paul Hindemith, Hugo Norden, Walter Piston and Randall Thompson. "His works have been performed by major symphony orchestras, choral and chamber ensembles throughout the USA, Europe, South America and Israel... [He] is a prolific composer whose music embraces a wide variety of contemporary styles. His works exhibit great rhythmic vitality, with a predilection for asymmetrical rhythms and metres, and a keen sensitivity to counterpoint." Marie Rolf in Grove online A fine example of the composer's working methods. (22478) $1,200. 2. ADLER. Recalling the Yesterdays. Song cycle for mezzo soprano, flute, clarinet, violin, cello, piano and percussion, nos. 2: "The Saturday Matinee," 3: "Child of the Plains," 4: "The Medicine Keepers" and 5: "Season Song." Autograph musical manuscript full score, signed. -
Appendices Bust of General Manager Giulio Gatti-Casazza by Frederick Macmonnies, in the Old Metropolitan Opera House
Appendices Bust of general manager Giulio Gatti-Casazza by Frederick MacMonnies, in the old Metropolitan Opera House 280/APPENDIX I APPENDIX I: CHIEF ADMINISTRATORS 1883-84 Henry E. Abbey 1908-10 Giulio Gatti-Casazza Andreas Dippel 1884-85 Leopold Damrosch (died 2/15/85) 1910-35 Giulio Gatti-Casazza 1885-91 Edmund C. Stanton Anton Seidl 1935-36 Herbert Witherspoon (died 5/10/35) Edward Johnson 1891-92 Henry E. Abbey Maurice Grau 1936-50 Edward Johnson John B. Schoeffel 1950-72 Rudolf Bing 1892-93 Season cancelled 1972-73 Goran Gentele (died 7/18172) 1893-97 Henry E. Abbey (died 10/17/96) Schuyler G. Chapin Grau Maurice 1973-74 Schuyler G. Chapin John B. Schoeffel Rafael Kubelik 1897-98 Season cancelled 1974-75 Schuyler G. Chapin Maurice Grau 1898-1903 1975-81 Anthony A. Bliss 1903-04 Heinrich Conried James Levine Felix Mottl John Dexter 1904-08 Heinrich Conried 1981-85 Anthony A. Bliss James Levine APPENDIX 1/281 Kurt Adler David Stivender 282/APPENDIX II APPENDIX II: CHORUS MASTERS 1883-84 F. De Rialp 1904-05 Hugo Bryck 1884-85 John Lund Paul Eisler Mr. Reichelt Hans Morgenstern Tullio Voghera 1885-91 Frank Damrosch 1905-06 Paul Eisler 1891-92 Carlo Corsi Tullio Voghera 1892-93 Season cancelled 1906-08 Pietro Nepoti 1893-97 Carlo Corsi 1908-17 Giulio Setti Hans Steiner 1897-98 Season cancelled Giulio Setti 1898-99 Pietro Nepoti 1917-35 Gustav Hinrichs 1935-42 Fausto Cleva Konrad Neuger 1899-1900 Pietro Nepoti 1942-45 Konrad Neuger 1900-02 Pietro Nepoti Giacomo Spadoni Hans Morgenstern 1945-73 Kurt Adler 1902-03 Pietro Nepoti 1973-85 David Stivender 1903-04 Pietro Nepoti Selmar Meyrowitz APPENDIX 11/283 George Balanchine Zachary Solov with ballerina Janet Collins rehearsing Ai da, 1951 Antony Tudor with Alicia Markova 284/APPENDIX III APPENDIX III: BALLET MASTERS 1883-84 Luigi Danesi 1911-12 Ottokar Bartik 1933-35 Rosina Galli Malvina CavalazzF Mikail Mordkin 1935-38 George Balanchine 1884-85 F. -
UK Passport Design
Introducing the new UK passport design The new design For many centuries, the United Kingdom has led the way in the creative industries. Her Majesty’s Passport Office is proud to launch the new ‘Creative United Kingdom’ passport with some of the best achievements of the last 500 years in Great Britain and Northern Ireland. The new passport contains images depicting just some of the successes in innovation, architecture, art, and performance that the UK has brought to the world. For innovation, these include Stephenson’s Rocket and the London Underground. To represent architectural excellence, the work of Sir Giles Gilbert Scott and modern day architecture such as the Falkirk Wheel are shown. In art, the work of John Constable, as well as current greats Antony Gormley and Anish Kapoor, are included. William Shakespeare and the Globe Theatre are also featured to represent the very best of what the UK has brought to the performing arts. The new 34 page book houses the most intricate designs that have ever been produced for a UK passport. In keeping with its theme, these designs, coupled with some of the latest security features, mean that the new passport is at the very forefront of creativity in secure document production. The UK passport is one of the most important documents a British national can hold, giving them the freedom of international travel and a means to prove their identity. But as an internationally respected document it also becomes a target for fraudsters who try to create false passports, or tamper with existing ones for criminal gain.