UK Passport Design
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Materials & Process
Sculpture: Materials & Process Teaching Resource Developed by Molly Kysar 2001 Flora Street Dallas, TX 75201 Tel 214.242.5100 Fax 214.242.5155 NasherSculptureCenter.org INDEX INTRODUCTION 3 WORKS OF ART 4 BRONZE Material & Process 5-8 Auguste Rodin, Eve, 1881 9-10 George Segal, Rush Hour, 1983 11-13 PLASTER Material & Process 14-16 Henri Matisse, Madeleine I, 1901 17-18 Pablo Picasso, Head of a Woman (Fernande), 1909 19-20 STEEL Material & Process 21-22 Antony Gormley, Quantum Cloud XX (tornado), 2000 23-24 Mark di Suvero, Eviva Amore, 2001 24-25 GLOSSARY 26 RESOURCES 27 ALL IMAGES OF WORKS OF ART ARE PROTECTED UNDER COPYRIGHT. ANY USES OTHER THAN FOR EDUCATIONAL PURPOSES ARE STRICTLY FORBIDDEN. 2 Introduction This resource is designed to introduce students in 4th-12th grades to the materials and processes used in modern and traditional sculpture, specifically bronze, plaster, and steel. The featured sculptures, drawn from the collection of the Nasher Sculpture Center, range from 1881 to 2001 and represent only some of the many materials and processes used by artists whose works of art are in the collection. Images from this packet are also available in a PowerPoint presentation for use in the classroom, available at nashersculpturecenter.org. DISCUSS WITH YOUR STUDENTS Artists can use almost any material to create a work of art. When an artist is deciding which material to use, he or she may consider how that particular material will help express his or her ideas. Where have students seen bronze before? Olympic medals, statues… Plaster? Casts for broken bones, texture or decoration on walls.. -
Workshop on Venture Capital and Antitrust, February 12, 2020
Venture Capital and Antitrust Transcript of Proceedings at the Public Workshop Held by the Antitrust Division of the United States Department of Justice February 12, 2020 Paul Brest Hall Stanford University 555 Salvatierra Walk Stanford, CA 94305 Table of Contents Opening Remarks ......................................................................................................................... 1 Fireside Chat with Michael Moritz: Trends in VC Investment: How did we get here? ........ 5 Antitrust for VCs: A Discussion with Stanford Law Professor Doug Melamed ................... 14 Panel 1: What explains the Kill Zones? .................................................................................... 22 Afternoon Remarks .................................................................................................................... 40 Panel 2: Monetizing data ............................................................................................................ 42 Panel 3: Investing in platform-dominated markets ................................................................. 62 Roundtable: Is there a problem and what is the solution? ..................................................... 84 Closing Remarks ......................................................................................................................... 99 Public Workshop on Venture Capital and Antitrust, February 12, 2020 Opening Remarks • Makan Delrahim, Assistant Attorney General for Antitrust, Antitrust Division, U.S. Department of Justice MAKAN -
Tees Valley Giants
5TEES VALLEY GIANTS TEES VALLEY GIANTS A series of five world-class art installations matched only in scale by the ambition of Tees Valley Regeneration in its instigation of the project. Temenos is the first iteration of the five sculptures that will combine as the world’s largest series of public art - the Tees Valley Giants. The epically scaled installations created by Turner Prize winning sculptor Anish Kapoor and pioneering structural designer Cecil Balmond, will soon grace the Tees Valley, with the first of these, Temenos, located at Middlehaven, Middlesbrough. Over the next decade four more structures will be located within each of the other four Tees Valley boroughs: Stockton, Hartlepool, Darlington and Redcar and Cleveland. Although each work is individually designed and specific to its location, the structures will be thematically related, visually linking the Tees Valley and highlighting the ambition for social, cultural and economic regeneration of the Tees Valley as a whole. Massive in impact, scale and world status, Tees Valley Giants is symbolic of the aspiration and ongoing commitment of Tees Valley Regeneration to enhance the way in which the Tees Valley is viewed and experienced. TEMENOS Temenos Greek, meaning ‘land cut off and assigned as sanctuary or holy area.’ Temenos is a bold contemporary artwork which also recalls the heritage of Middlesbrough and the Tees Valley. Its construction will call on the traditional twin skills of the region: precision engineering and heavy industry. Standing at a height of nearly 50 metres and spanning almost 120 metres in length, Temenos will stand shoulder-to-shoulder with Middlesbrough’s landmark Transporter Bridge. -
Arcelormittal ORBIT
ArcelorMittal ORBIT Like many parents we try pathetically With the help of a panel of experts, to improve our kids by taking them to including Nick Serota and Julia Peyton- see the big exhibitions. We have trooped Jones, we eventually settled on Anish. through the Aztecs and Hockney and He has taken the idea of a tower, and Rembrandt – and yet of all the shows transformed it into a piece of modern we have seen there is only one that really British art. seemed to fire them up. It would have boggled the minds of the I remember listening in astonishment as Romans. It would have boggled Gustave they sat there at lunch, like a bunch of Eiffel. I believe it will be worthy of art critics, debating the intentions of the London’s Olympic and Paralympic Games, artist and the meaning of the works, and worthy of the greatest city on earth. but agreeing on one point: that these In helping us to get to this stage, were objects of sensational beauty. I especially want to thank David McAlpine That is the impact of Anish Kapoor on and Philip Dilley of Arup, and everyone Our ambition is to turn the young minds, and not just on young at the GLA, ODA and LOCOG. I am Stratford site into a place of minds. His show at the Royal Academy grateful to Tessa and also to Sir Robin destination, a must-see item on broke all records, with hundreds of Wales and Jules Pipe for their the tourist itinerary – and we thousands of people paying £12 to see encouragement and support. -
Michael Newman - Body As Place: Antony Gormley Outside-In
MICHAEL NEWMAN - BODY AS PLACE: ANTONY GORMLEY OUTSIDE-IN From MODEL, White Cube, London, UK Body as Place: Antony Gormley Outside-In I In 1973, after returning from a trip to India, Antony Gormley made a series of works based on plaster-soaked sheets placed over the prone bodies of friends. He writes that he had been touched seeing people asleep on streets and railway platforms covered by cotton saris or dhotis, which 'described the minimum space necessary for a person to establish shelter.' [1] In retrospect, we can see here many of the elements of his work to come: the sculpture produced by contact, by recreating the body through a mould rather than representing it; the minimum means for establishing a relation to place; and a sense of stillness. But these works are by no means benign. Considering these sculptures in the present day, we are perhaps more aware of their political implications: that they show not a universal condition but poverty in Asia, the place of the West's supposed 'other'; and that the 'world' of the people who live and sleep like this can no longer be considered apart from global networks and relations of power. In effect, the two dimensions of these works - the cover and the body - subsequently divided into two ways of making place. For ROOM (1980), Gormley took his own clothes, cut them into continuous spirals of cloth, and formed an inaccessible enclosure within the space of the room by wrapping them like a fence or wall around four poles. In the following year he began making sculpture by wrapping lead around a form produced from a mould of his own body, resulting in an organic shape sometimes rather like a pod or Egyptian mummy case marked on its surface by the rectilinear grid of welds. -
O, Heerlijke Nieuwe Wereld!
Onafhankelijk weekblad sinds 1877 17 mei 2018 BP Jaargang 142 / Nr. 20-21 € 5,95 Dubbel dikke toekomst- special O, heerlijke nieuwe wereld! Wat betekent de technologische revolutie voor ons mens-zijn? Alessandro Baricco over de nieuwe barbaren Luciano Floridi over onze angst voor Jos de Mul Artificial Intelligence over de posthumane Het pratende huis mens van de toekomst Komt de Is geo-engineering designbaby de oplossing voor eraan? klimaatverandering? SHUNSKE SATO, ARTISTIEK LEIDER NEDERLANDSE BACHVERENIGING SEIZOEN 2018-2019 MET: BRANDENBURGSE CONCERTEN, KERST MET BACH, MATTHÄUS-PASSION EN MEER! BEKIJK DE COMPLETE CONCERTAGENDA EN BESTEL NU KAARTEN OP BACHVERENIGING.NL O, heerlijke nieuwe wereld! Vorige week presenteerde Google zijn nieuwste technologische iets waar mensen toch geen vat op gemaksmiddel: Duplex, een digitale stem die net als een echt mens Nee, super- hebben. En ondertussen dreigen wij klinkt, zelfs aarzelend ‘eh…’ kan zeggen in een conversatie, of een intelligente te worden overvleugeld door artificiële bevestigend ‘hmm’ kan laten horen. Duplex kan afspraken voor je machines intelligentie, te worden leeggezogen door maken met de kapper of een reservering bij een restaurant, en dat zullen de mens de tech-giganten in Silicon Valley of te kan ze zo levensecht dat mensen aan de andere kant van de lijn worden geknecht door algoritmen. De niet merken dat ze gebeld worden door een robot. Dat is behoorlijk niet zomaar voortschrijdende techniek houdt kortom beangstigend, want voor je het weet ligt misleiding op de loer. tot slaaf niet alleen een grote belofte in, omdat ze Google kondigde dan ook aan dat Duplex zich in de loop van het maken grote en kleine problemen zal oplossen gesprek als robot kenbaar zal maken. -
Informal Cecil Balmond with Jannuzzi Smith
PRESS PACK informal Cecil Balmond with Jannuzzi Smith Prefaces by Charles Jencks and Rem Koolhaas Edited by Christian Brensing Price £29.95, Hardcover, 400 pages, c.470 illustrations, 270 in colour Printed on Munken Lynx 130gsm, 115 x 186 mm, ISBN 3-7913-2400-4 Publication 7th November 2002 The definitive account of Balmond’s investigative approach to structural engineering “informal has a typographic elegance that makes it look like no previous engineering book...its glimpses of a hidden order of things, of the occult properties of numbers and shapes, suggest it could be the next Brief History of Time – but with pictures” Deyan Sudjic, The Observer “Balmond has, almost single-handedly, shifted the ground in engineering – a domain where the earth moves very rarely – and therefore enabled architecture to be imagined differently.” Rem Koolhaas page 1 the book’s thesis The world is changing in social values and its institutions, there is also a breakdown in fixed ideologies – a more fluid and informal approach is called for. Hierarchies and dogma are being replaced by interdependence, self help and improvisation are concepts now proposed as new principles of organisation. informal anticipates this in the design of buildings. Ideas such as local, hybrid and juxtaposition are taken as providing start points for design in the interrogation of space, and architecture is viewed as a formative process arising out of a seminal structural logic. Instead of dumb skeleton there is network – a connective patch through pattern. The book invites the reader to enter the dialogues between the author and the architects he works with, sharing the intimacies of the design process through sketches and first principles. -
Science & Technology Trends 2020-2040
Science & Technology Trends 2020-2040 Exploring the S&T Edge NATO Science & Technology Organization DISCLAIMER The research and analysis underlying this report and its conclusions were conducted by the NATO S&T Organization (STO) drawing upon the support of the Alliance’s defence S&T community, NATO Allied Command Transformation (ACT) and the NATO Communications and Information Agency (NCIA). This report does not represent the official opinion or position of NATO or individual governments, but provides considered advice to NATO and Nations’ leadership on significant S&T issues. D.F. Reding J. Eaton NATO Science & Technology Organization Office of the Chief Scientist NATO Headquarters B-1110 Brussels Belgium http:\www.sto.nato.int Distributed free of charge for informational purposes; hard copies may be obtained on request, subject to availability from the NATO Office of the Chief Scientist. The sale and reproduction of this report for commercial purposes is prohibited. Extracts may be used for bona fide educational and informational purposes subject to attribution to the NATO S&T Organization. Unless otherwise credited all non-original graphics are used under Creative Commons licensing (for original sources see https://commons.wikimedia.org and https://www.pxfuel.com/). All icon-based graphics are derived from Microsoft® Office and are used royalty-free. Copyright © NATO Science & Technology Organization, 2020 First published, March 2020 Foreword As the world Science & Tech- changes, so does nology Trends: our Alliance. 2020-2040 pro- NATO adapts. vides an assess- We continue to ment of the im- work together as pact of S&T ad- a community of vances over the like-minded na- next 20 years tions, seeking to on the Alliance. -
Modelling the DGEBA-EDA Poly-Epoxy Reactivity Towards Copper Experimental and Numerical Approach Andreas Gavrielides
Modelling the DGEBA-EDA poly-epoxy reactivity towards copper experimental and numerical approach Andreas Gavrielides To cite this version: Andreas Gavrielides. Modelling the DGEBA-EDA poly-epoxy reactivity towards copper experimental and numerical approach. Materials. Université Paul Sabatier - Toulouse III, 2017. English. NNT : 2017TOU30300. tel-01988563 HAL Id: tel-01988563 https://tel.archives-ouvertes.fr/tel-01988563 Submitted on 21 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 5)µ4& &OWVFEFMPCUFOUJPOEV %0$503"5%&-6/*7&34*5²%&506-064& %ÏMJWSÏQBS Université Toulouse 3 Paul Sabatier (UT3 Paul Sabatier) 1SÏTFOUÏFFUTPVUFOVFQBS Andreas GAVRIELIDES le mardi 28 novembre 2017 5JUSF Modélisation du poly-époxy DGEBA-EDA et de sa réactivité vis à vis du cuivre: approche expérimentale et numérique Modelling the DGEBA-EDA poly-epoxy and its reactivity towards copper: experimental and numerical approach ²DPMFEPDUPSBMF et discipline ou spécialité ED SDM : Sciences et génie des matériaux - CO034 6OJUÏEFSFDIFSDIF CIRIMAT UMR CNRS 5085 %JSFDUFVSUSJDF -
Art History in Its Image War
REVIEW ESSAY Art History in Its Image War Mikkel Bolt: En anden verden: Små kritiske epistler om de seneste årtiers antikapitalistiske satsninger i kunst og politik og forsøgene på at udradere dem. Copenhagen: Forlaget Nebula, 2011. 263 pp. isbn 978-87-993651-4-2 Mikkel Bolt: Krise til Opstand: Noter om det igangværende sammenbrud. Aarhus: Antipyrine, 2013. 192 pp. isbn 978-87-93108-01-1 Jonathan Crary: 24/7: Late Capitalism and the Ends of Sleep. London and New York: Verso, 2013. 144 pp. isbn 978-1-78168-093-3 Stephen F. Eisenman: The Abu Ghraib Effect. London: Reaktion Books, 2007. 142 pp. isbn 978-1-86189-309-3 Stephen F. Eisenman: The Cry of Nature: Art and the Making of Animal Rights. London: Reaktion Books, 2013. 309 pp. isbn 978-1-78023-195-2 Nicholas Mirzoeff: The Right to Look: A Counter History of Visuality. Dur- ham and London: Duke University Press, 2011. 408 pp. isbn 978-0-8223- 4918-1 W. J. T. Mitchell: Cloning Terror: The War of Images, 9/11 to the Present. Chicago: University of Chicago Press, 2011. 209 pp. isbn 978-0-226- 53260-8 W. J. T. Mitchell, Bernard E. Harcourt and Michael Taussig: Occupy: Three Inquiries in Disobedience. Chicago: University of Chicago Press, 2013. 168 pp. isbn 978-0-226-04274-9 Iain A. Boal, T. J. Clark, Joseph Matthews, and Michael Watts: Afflicted Powers: Capital and Spectacle in a New Age of War. London and New York: Verso, 2005. 217 pp. isbn 978-1-84467-031-4 O. K. Werckmeister: Der MedusaEffekt: Politische Bildstrategien seit dem 11. -
Activity Pack
Activity Pack The Line is a public art walk in London. The route runs between the Queen Elizabeth Olympic Park and The O2, following the Greenwich Meridian. Works of art along the waterways offer a chance to explore and be inspired. As well as discovering The Line in-person and online, we invite you to create The Line. This pack – produced and inspired by the artists on The Line – offers prompts and resources for creating your own artworks. 1 Anish Kapoor London 1+2 Stadium ArcelorMittal Orbit 2 Carsten Höller The Slide 3 Abigail Fallis DNA DL90 4 Joanna Rajkowska The Hatchling 5 Laura Ford Bird Boy Three 6 Antony Gormley Mills Quantum Cloud 7 Gary Hume Liberty Grip 8 Richard Wilson A Slice of Reality 3 Cody 9 Thomson & Craighead Dock Here 4 10 Alex Chinneck A Bullet from a Shooting Star London City Island Greenwich Meridian Greenwich 5 8 7 9 The O2 0 100m 500m 6 10 1 Anish Kapoor 6 Antony Gormley A Continuous Line Stick Challenge Pages 04 - 05 Pages 14 - 15 2 Carsten Höller 7 Gary Hume Create a slide Limbering Up Pages 06 - 07 Pages 16 - 17 3 Abigail Fallis 8 Richard Wilson Tin Can Sculpture Inside Out Pages 08 - 09 Pages 18 - 19 4 Joanna Rajkowska 9 Thomson & Craighead Imaginary World Here and There Pages 10 - 11 Pages 20 - 21 5 Laura Ford 10 Alex Chinneck The Adventures Extraordinary-ordinary of Bird Boy Pages 22 - 23 Pages 12 - 13 1 Did you know? Anish Kapoor An orbit is the path an ArcelorMittal Orbit object takes in space when it goes around a Queen Elizabeth Olympic Park star, planet or moon. -
E8 Physics 2013
E8 Physics 2013 Frank Dodd (Tony) Smith, Jr. – Georgia – 2013 - viXra 1310.0182 Table of Contents Cover ... page 1 Table of Contents ... page 2 E8 Physics Overview ... page 3 Spinor Emergence ... page 3 Lagrangian ... page 9 Kerr-Newman Schwinger Source Clouds ... page 12 AQFT .... page 13 EPR ... page 14 Chirality ...page 16 Coleman-Mandula ... page 18 Mayer-Trautman ... page 19 MacDowell-Mansouri ... page 22 Fermions - 3 Generations ... page 26 Combinatorics of 3 Fermion Generations ... page 27 3 Generation Conformal Casimir and Dark Energy ... page 40 E8 Calculations of Particle Masses and Force Strengths ... page 46 Summary of Calculation Results ... page 46 Force Strengths ... page 50 Particle Masses ... page 59 First Generation Fermions ... page 59 Triality Subtle Supersymmetry and UV Finiteness ... page 60 Second and Third Generation Fermions ... page 65 Higgs ... page 72 Higgs-Tquark System with 3 Mass States ... page 74 T-quark Experimental Observations ... page 84 Higgs Experimental Observations ... page 88 Fermi-LAT ... page 94 W-boson masses ... page 99 Kobayashi-Maskawa Parameters ... page 102 Neutrino Masses and Mixing ... page 110 Proton-Neutron Mass Difference ... page 114 Pion Mass ... page 116 Planck Mass ... page 128 E8 Cosmology and Dark Energy ... page 130 Non-Unitary Octonionic Inflation ... page 130 Decoherent End of Inflation gives Low Entropy ... page 138 End of Inflation gives Quaternionic M4 x CP2 Kaluza-Klein Spacetime ... page 139 Unitary Quaternionic Expansion and Dark Energy ... page 140 DE : DM : OM calculated as approximately 75 : 20 : 05 ... page 145 Pioneer Anomaly ... page 146 Transition at Orbit of Uranus ... page 152 Conformal Gravity Dark Energy ... page 154 BSCCO Josephson Junction Dark Energy Experiment Geometry ..