INTRODUCTION 1. Reed Way Dasenbrock
Notes RICHARD FREADMAN AND LLOYD REINHARDT: INTRODUCTION 1. Reed Way Dasenbrock (ed.), Redrawing the Lines: Analytic Philosophy, Deconstruction, and Literary Theory (Minneapolis: University of Minne sota Press, 1989). 2. The reply appeared initially in Scrutiny, Vol. VI, No.1 Oune 1937) and is reprinted in F. R. Leavis, The Common Pursuit (London: Penguin, 1966), pp. 211-22. 3. Dasenbrock, Redrawing the Lines, p. 3. 4. Northrop Frye, Anatomy of Criticism (Princeton, NJ: Princeton Univer sity Press, 1957). See especially Frye's 'Polemical Introduction'. 5. See Richard Macksey and Eugene Donato (eds), The Structuralist Controversy: The Languages of Criticism and the Sciences of Man (Baltimore: Johns Hopkins University Press, 1970). 6. See Mary Louise Pratt, Towards a Speech Act Theory of Literature (Bloom ington: Indiana University Press, 1977), and Richard Ohmann, 'Speech Acts and the Definition of Literature', Philosophy and Rhetoric, 4 (Winter 1971), pp. 1-19. 7. For discussion of the Geneva School and other aspects of Husserl's influence see Robert R. Magolia, Phenomenology and Literature: An Introduction (West Lafayette: Purdue University Press, 1977). 8. Alfred Schutz, Collected Papers, ed. Maurice Natanson (3 vols, The Hague: Martinus Nijoff, 197~1976). 9. Mikel Dufrenne, The Phenomenology of Aesthetic Experience, trans. E. S. Casey, A. A. Anderson, Willis Domingo and Leon Jacobson (Evanston: Northwestern University Press, 1973). 10. Roman Ingarden, The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and the Theory of Literature, trans. George G. Grabowicz (Evanston: Northwestern University Press, 1973); The Cognition of the Literary Work of Art, trans. Ruth Anne Crowley and Kenneth R.
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