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Angela Young 1535 N
Angela Young 1535 N. Scottsdale Rd. Apt 2135 Tempe, AZ 85281 715.551.4073 [email protected] www.angelayoungart.com ______________________________________________________________________________________________ Education 2012 Herberger Institute for Design and the Arts, Arizona State University, Tempe, AZ Master of Fine Arts in Printmaking 2008 University of Wisconsin-River Falls, River Falls, WI Bachelor of Fine Arts in Printmaking, Minor in Photography Study Abroad 2006 Study Abroad Europe Program, one semester’s study and travel in Europe working in a professional printmaking studio in Edinburgh, Scotland and researching three artists; primary focus Scotland, Netherlands, and Germany, University of Wisconsin-River Falls, River Falls, WI Internships 2010 Exhibition Intern, intern works with the exhibition team learning the administrative and hands-on management of exhibitions including installation of collections in museum galleries, Scottsdale Museum of Contemporary Art, Scottsdale, AZ Curatorial Intern, intern works with the curatorial team learning the administrative and hands-on management of exhibitions including an exhibition of the collection and experience managing details of hands-on experience for further internships, graduate programs, and employment, Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2008 Studio Assistant Intern, intern works with the artistic director/master printer, assistant printer, and studio manager to prepare and execute projects in all areas of operation, Highpoint Center for Printmaking, -
Can Landscape Painting Influence Climate Change? Danish Painting 1780-1920 and Landscapes of the Anthropocene
Can landscape painting influence climate change? Danish painting 1780-1920 and landscapes of the Anthropocene Climate Heritage 2019 Gry Hedin, [email protected] Faaborg Museum: Installationshot from Down to Earth Faaborg Museum: Installationshot from Down to Earth Topographical Illustration of Vordingborg in Erik Pontoppidan’s The Danish Atlas (Den Danske Atlas), vol. 3, 1764. P.C. Skovgaard, Landscape from Zealand, 1841. Skovgaard Museet, Viborg Jens Peter Møller: Receptionsstykke. Man seer Möen i Baggrunden med Kiöbstaden Stege; videre frem Kallehauge Kirke. Optaget i Nærheden af Langebek ved Wordingborg, 1815. Jens Peter Møller: Membership Piece. Møn and the Town of Stege Seen in the Background of the Church of Kalvehave. Recorded Close to Langebæk near Vordingborg, 1815. The Royal Academy of Fine Arts, The Academy Council. J.L. Lund: Nordic worshippers of Odin, 1831. Danish Parliament, Statrådssalen. Johan Thomas Lundbye’s illustration of a round dolmen in Jens Jacob Asmussen Worsaae’s Danmarks Oldtid oplyst ved Johan Thomas Lundbye, Dolmen at Rakløv on Refsnæs, Oldsager og Gravhøie (1843). 1839. Thorvaldsens Museum, Copenhagen Johan Thomas Lundbye’s illustrations in “Steenmonumenter” (Stone Monuments) in Andreas Flinch and Frederik Frølund (eds), Almanak eller Huuskalender for 1842. Johan Thomas Lundbye, Refsnæs, 1844. Statens Museum for Kunst, Copenhagen “O Danmark! om du din Skade forstod / Da maatte du græde det bare Blod / Paa Refsnæs hvor før stod Eger og Bøg / Herefter skal gro Skarns Hunde Løg” (O Denmark! If you understood the harm done to you / Then you would cry pure blood / At Refsnæs where oaks and beeches stood / From hereafter shall wild onions grow) Johan Thomas Lundbye, Zealand Landscape, 1842. -
The Summer Reading Issue
US $30 The Global Journal of Prints and Ideas July – August 2019 Volume 9, Number 2 The Summer Reading Issue: Recommended Reading for the Print-Curious, from History to Fiction Léon Spilliaert in the Margins • Turning the Pages with Ed Ruscha • Jan Svenungsson • Prix de Print • News THE LARGEST INTERNATIONAL ART FAIR CELEBRATING 500 YEARS OF PRINTMAKING OCTOBER 23–27 2019 JAVITS CENTER I NEW YORK CITY EXHIBITORS Alan Cristea Gallery Goya Contemporary/ Paulson Fontaine Press Alice Adam Ltd. Goya-Girl Press Paupers Press August Laube Buch Graphicstudio/USF Polígrafa Obra Gráfica & Kunstantiquariat Harris Schrank Fine Prints R. S. Johnson Fine Art Bernard Jacobson Graphics Hauser & Wirth Redfern Gallery Ltd. Brooke Alexander, Inc. Hill-Stone, Inc. Ruiz-Healy Art C. G. Boerner Isselbacher Gallery Scholten Japanese Art Carolina Nitsch Jim Kempner Fine Art Shark's Ink. Catherine Burns Fine Art John Szoke Gallery Sims Reed Gallery Childs Gallery Krakow Witkin Gallery Sragow Gallery Cirrus Gallery Kunsthandlung Stanza del Borgo Crown Point Press Helmut H. Rumbler Stoney Road Press David Tunick, Inc. Lelong Editions STPI Dolan/Maxwell Marlborough Graphics Susan Sheehan Gallery Durham Press, Inc. Mary Ryan Gallery Susan Teller Gallery Emanuel von Baeyer mfc-michèle didier Tamarind Institute Flowers Gallery Mike Karstens Tandem Press Flying Horse Editions/UCF Mixografia® The Old Print Shop, Inc. G. W. Einstein Company, Inc. Niels Borch Jensen The Tolman Collection of Tokyo Gallery & Editions Galeria Toni Tàpies - Edicions T Thomas French Fine Art Osborne Samuel Ltd. Galerie Maximillian Two Palms Pace PrintsParagon Galerie Sabine Knust Universal Limited Art Editions, Inc Paramour Fine Arts Gallery Neptune & Brown Ursus Rare Books Paul Prouté s.a. -
IDA Furesø-Egedals Bestyrelses Beretning for 2017
06-02-2018 IDA Furesø-Egedals bestyrelses beretning for 2017 Furesø-Egedal er en afdeling i IDA Nordsjælland. Foruden Furesø-Egedal består IDA Nordsjælland af Hillerød afdeling og Øresund afdeling. I nord og vest grænser Furesø-Egedal op til Hillerød afdeling og i syd og øst til IDA København. Fig. 1: Regionsopdeling 1(7) Furesø-Egedal har lidt over 2.800 medlemmer, som er en stigning på 120 fra 2016. Afdelingen ledes lokalt af en bestyrelse på 5 medlemmer, nemlig Inge Munch, Stig Aagaard Skødt, Ole Søeberg, Ole Gammelgaard og Jens R. Rasmussen. Vi holder ca. 8 bestyrelsesmøder om året, hvor vi aftaler, hvilke aktiviteter vi skal arrangere. Herudover får vi også hjælp af vores suppleant Gunnar Jonsson og vores revisor Erik Kayerød. Og hvem er så vore medlemmer? Det er 93 % færdiguddannede og 7 % studerende Fig. 2: Medlemsstatistik Fig. 3: Medlemsaldersfordeling 2(7) Aldersmæssigt har vi nok den klassiske normalfordeling for medlemmerne. I forhold til 2016 er der en anelse færre over 66 og en anelse flere under 40. Men ser vi på, hvem det er der kommer til arrangementerne, ja så har seniorerne fortsat overvægt. I forhold til 2016 er der dog nu 4 % flere under 40 og 4 % færre over 66 Fig. 4: Arrangementsdeltageres alder Vi vælger arrangementer efter det vi ved, eller det vi tror, vores medlemmer efterspørger. Der er således ingen kulturel barriere, arrangementerne skal leve op til. Mange idéer til arrangementer kommer, når deltagerne til et arrangement efterfølgende evaluerer dette og i bemærkningsfeltet kommer med forslag til nye arrangementer. Og da vores medlemmer er forskellige, er det vi tilbyder også meget forskelligt. -
Art Bulletin of Nationalmuseum Stockholm Volume 26:1
The Danish Golden Age – an Acquisitions Project That Became an Exhibition Magnus Olausson Director of Collections Art Bulletin of Nationalmuseum Stockholm Volume 26:1 Art Bulletin of Nationalmuseum, Stockholm, © Copyright Musei di Strada Nuova, Genova Martin van Meytens’s Portrait of Johann is published with generous support from the (Fig. 4, p. 17) Michael von Grosser: The Business of Nobility Friends of the Nationalmuseum. © National Gallery of Art, Washington D.C. Open © Österreichisches Staatsarchiv 2020 (Fig. 2, Access image download (Fig. 5, p. 17) p. 92) Nationalmuseum collaborates with Svenska Henri Toutin’s Portrait of Anne of Austria. A © Robert Wellington, Canberra (Fig. 5, p. 95) Dagbladet, Bank of America Merrill Lynch, New Acquisition from the Infancy of Enamel © Wien Museum, Vienna, Peter Kainz (Fig. 7, Grand Hôtel Stockholm, The Wineagency and the Portraiture p. 97) Friends of the Nationalmuseum. © Rijksmuseum, Amsterdam/Public Domain (Fig. 2, p. 20) Graphic Design Cover Illustration © Christies, 2018 (Fig. 3, p. 20) BIGG Daniel Seghers (1590–1661) and Erasmus © The Royal Armoury, Helena Bonnevier/ Quellinus the Younger (1607–1678), Flower CC-BY-SA (Fig. 5, p. 21) Layout Garland with the Standing Virgin and Child, c. Four 18th-Century French Draughtsmen Agneta Bervokk 1645–50. Oil on copper, 85.5 x 61.5 cm. Purchase: © The Metropolitan Museum of Art, New York, Wiros Fund. Nationalmuseum, NM 7505. NY/Public Domain (Fig. 7, p. 35) Translation and Language Editing François-André Vincent and Johan Tobias Clare Barnes and Martin Naylor Publisher Sergel. On a New Acquisition – Alcibiades Being Susanna Pettersson, Director General. Taught by Socrates, 1777 Publishing © The Metropolitan Museum of Art, New York, Ludvig Florén, Magnus Olausson, and Martin Editors NY/Public Domain (Fig. -
Attractions Close to Kokkedal Castle Copenhagen
ATTRACTIONS CLOSE TO KOKKEDAL CASTLE COPENHAGEN Enjoy the scenic nature and royal attractions of the region with easy daytrips to historic towns and Denmark’s vibrant capital, Copenhagen. Our experienced hosts and hostesses will be delighted to offer their advice on attractions and activities in the region. Here are few inspiring examples: DAYTRIPS TO COPENHAGEN A stay at Kokkedal Castle Copenhagen can easily be combined with a visit to the Danish capital. Here you can experience the city’s classic attractions and contemporary waterside landmarks on canal boat tours. You can visit the Royal Palace, Amalienborg, and see the Royal Regalia at Rosenborg Castle. Copenhagen is also a city that invites you to relax and enjoy yourself. Visit the sun-kissed restaurants by Nyhavn Canal and spend an afternoon in Tivoli Gardens, one of the world’s most magical amusement parks. How to get there: 30 km, about 30 minutes by car or 40 minutes by train/feet. HAMLET’S CASTLE IN ELSINORE Within a short distance from Kokkedal Castle Copenhagen you can visit the heritage town of Elsinore, which is home to Kronborg Castle, the fictional setting of Shakespeare’s Hamlet. A UNESCO World Heritage site, the castle sits next to the new Maritime Museum. Designed by the leading Danish architectural studio BIG, the underground museum surrounds an old harbour dry dock and offers inspiring insight into the maritime history of the old city. How to get there: 20 km, about 15 minutes by car, 30 minutes by train/feet. ART AND MUSEUMS The region offers unique opportunities for art lovers, including the Louisiana Museum of Modern Art and two heritage manors that are today contemporary art centres, Gammel Holtegaard and Nivaagaard. -
2008 “'Impressed by Nature's Hand': Photography and Authorship,”
Publications: 2008 “‘Impressed by Nature’s Hand’: Photography and Authorship,” in Richard Howells and Robert Matson, eds. Using Visual Evidence. Maidenhead and New York: Open University Press/ McGraw Hill 2008 Introduction to Jennifer A.Watts and Claudia Bohn-Spector, eds. This Side of Paradise: Body and Landscape in Los Angeles Photographs. London and New York: Merrell Publishers 2008 “Peter Henry Emerson: The Mechanics of Seeing,” in Robin Kelsey and Blake Stimson, eds. The Meaning of Photography. Francine and Sterling Clark Art Institute/Yale University Press 2006 Foreword to Melanie Anne Herzog, Milton Rogovin: The Making of a Documentary Photographer. Center for Creative Photography/University of Washington Press 2006 Foreword to Elizabeth Ferrer, Lola Alvarez Bravo. Center for Creative Photography/Aperture 2005 “Beginnings,” “Territories,” essays in Taking Place: Photographs from the Prentice & Paul Sack Collection. San Francisco Museum of Modern Art 2005 “From the Manor House to the Asylum: The George Cowper Album in Context,” Museum Studies, Art Institute of Chicago 2005 “Seeing Through Trees,” in Barbara Bosworth, Trees: National Champions. Center for Creative Photography/MIT Press 2005 “Chuck Close’s Glass Eye,” in Siri Engberg and Madeleine Grynsztejn: Chuck Close: Self-Portraits, 1968-2005. San Francisco Museum of Modern Art/Walker Art Center 2004 “Art, Ideology, and the West” in William Deverell, ed. A Companion to the American West. Oxford: Basil Blackwell 2003 Francis Frith in Egypt and Palestine: A Victorian Photographer Abroad. Princeton: Princeton University Press 2002 Dreaming in Pictures: The Photography of Lewis Carroll. San Francisco: San Francisco Museum of Modern Art/Yale University Press 2002 “Talbot’s Natural Magic,” History of Photography (special Talbot issue), volume 26, number 2, Summer 2002 2001 “History of Photography: The State of Research,” Art Bulletin, volume 83, number 3, September 2001 2001 “Perfect Strangers,” introductory essay to Stranger Passing: Joel Sternfeld. -
KUNSTLEX Juni 2020: Wolthers KUNSTLEXTM
KUNSTLEX juni 2020: TM Wolthers KUNSTLEX Udarbejdet af Anette Wolthers, 2020 Wolthers KUNSTLEXTM er udarbejdet i forbindelse med min research og skrivning af bogen: Kvindelige kunstnere i Odsherred gennem 100 år, publiceret af Odsherreds Kunstmuseums og Malergårdens Venner og Museum Vestsjælland i 2020. Bogen, der er på 248 sider, har også bidrag af museumsinspektør Jesper Sejdner Knudsen og formand for Venneforeningen Alice Faber. Bogen kan købes på de enkelte museer i Museum Vestsjælland eller kan bestilles på: [email protected] eller telefon 2552 8337. Den koster 299 kr plus forsendelsesomkostninger (ca. 77 kr.) Der var ikke plads i bogen til at alle mine ’fund og overvejelser’. Derfor har jeg samlet nogle af disse, så interesserede kan få adgang til denne viden i bredden og dybden, samt gå med ad de tangenter, der kan supplere bogens univers. Researcharbejdet til bogen Kvindelige kunstnere i Odsherred gennem 100 år er foregået 2016‐2019, og i denne proces opstod ideen om at lave mine mere eller mindre lange skrivenoter om et til et kunstleksikon. Så tænkt så gjort. Alle disse fund er nu samlet og har fået navnet Wolthers KUNSTLEX TM Man kan frit og gratis bruge oplysningerne i Wolthers KUNSTLEXTM med henvisning til kilden, forfatter, årstal samt placering: www.anettewolthers.dk Hvis der er brug for at citere passager fra Wolthers KUNSTLEXTM gælder de almindelige regler for copyright©, som er formuleret i Ophavsretsloven. Wolthers KUNSTLEXTM består af elementer af kunstviden fra ca. 1800‐tallet op til moderne tid og indeholder: 1. Korte biografer af overvejende danske kunstnere, deres familier, lærere, kolleger, kontakter og andre nøglepersoner i tilknytning til bogens 21 kunstnerportrætter samt enkelte tangenter ud og tilbage historien til vigtige personer – side 4 2. -
Artbook & Distributed Art Publishers Artbook D.A.P
artbook & distributed art publishers distributed artbook D.A.P. SPRING 2017 CATALOG Matthew Ronay, “Building Excreting Purple Cleft Ovoids” (2014). FromMatthew Ronay, published by Gregory R. Miller & Co. See page 108. FEATURED RELEASES 2 Journals 77 CATALOG EDITOR SPRING HIGHLIGHTS 84 Thomas Evans Art 86 ART DIRECTOR Writings & Group Exhibitions 117 Stacy lakefield Photography 122 IMAGE PRODUCTION Maddie Gilmore Architecture & Design 140 COPY lRITING Janine DeFeo, Thomas Evans, Annabelle Maroney, Kyra Sutton SPECIALTY BOOKS 150 PRINTING Sonic Media Solutions, Inc. Art 152 Group Exhibitions 169 FRONT COVER IMAGE Photography 172 Kazimir Malevich, “Red House” (detail), 1932. From Revolution: Russian Art 1917–1932, published by Royal Academy of Arts. See page 5. Backlist Highlights 178 BACK COVER IMAGE Dorothy Iannone, pages from A CookBook (1969). Index 183 From Dorothy Iannone: A CookBook, published by JRP|Ringier. See page 51. CONTRIBUTORS INCLUDE ■ BARRY BERGDOLL Curator, Department of Architecture and Design, The Museum of Modern Art and Meyer Schapiro Professor of Art History and Archaeology, Department of Art History, Columbia University ■ JOHN MICHAEL DESMOND Professor, College of Art & Design, Louisiana State University ■ CAROLE ANN FABIAN Director, Avery Architectural & Fine Arts Library, Columbia University ■ JENNIFER GRAY Project Research Assistant, Department of Architecture and Design, The Museum of Modern Art ■ ELIZABETH S. HAWLEY PhD Candidate, The Graduate Center, City University of New York ■ JULIET KINCHIN Curator, Department of Architecture and Design, The Museum of Modern Art ■ NEIL LEVINE Emmet Blakeney Gleason Research Professor of History of Art and Architecture, Modern Architecture, Harvard University ■ ELLEN MOODY Assistant Projects Conservator, The Museum of Modern Art ■ KEN TADASHI OSHIMA Professor, Department of Architecture, University of Washington Frank Lloyd Wright: Unpacking the Archive ■ MICHAEL OSMAN Edited by Barry Bergdoll, Jennifer Gray. -
Use Your Illusion by Hilarie M
I N M A N G A L L E R Y Trends April 2012 Use Your Illusion By Hilarie M. Sheets Contemporary sculptors are tricking the eye and the mind with uncannily realistic objects In the legendary contest of artistic ability in ancient Greece, Zeuxis thought he had won a victory when his painted grapes looked so real they attracted birds—that is, until Parrhasius moved to unveil his own painting and revealed the curtain itself to be an illusion. The age-old idea of trompe l’oeil—fooling the eye with astounding realism—has taken on new dimensions among contemporary artists, particularly those sculptors whose work confounds the viewer in shared physical space. Lavishing time and often extraordinary materials on mimetic renditions of the highly ordinary—a garbage bag, an aging man, a suburban kitchen— artists make us look twice and fill us with wonder, bafflement, delight, and discomfort. “Trompe l’oeil was once a measure of how well an artist could paint, but over the last century skill alone has rarely been enough to make an artwork interesting,” says artist Alison Elizabeth Taylor, who was inspired to learn wood inlay in graduate school after seeing the Duke of Urbino’s Renaissance studiolo, installed in the Photograph of Patrick Jacobs working on Raked Leaves, 2008, a miniature “diorama” viewed through a three-inch Metropolitan Museum of Art, with its fantastic window. trompe l’oeil books and instruments. Taylor COURTESY THE ARTIST adapts the painstaking marquetry technique to render slices of destitution in American life, including a corner piece recently on view at James Cohan Gallery in New York that appears to be layers of peeling linoleum flooring. -
Bibliography
bibliography SELECTED WRITINGS BY THE ARTIST “Three Lectures at the Menil Collection.” Santa Monica, CA: Charles Ray Studio, 2018. “The man from Saint-Denis.” César, La Rétrospective. Centre Pompidou, 2017. “A Questionnaire on Materialisms, Charles Ray.” October, Winter 2016. “Making And Looking.” Wall Street Journal, February 6 – 7, 2016 “Hudson, 1950-2014.” Artforum, September 2014. “There Is No Color in the Great Outdoors.” Raw Color: The Circles of David Smith. Sterling and Francine Clark Art Institute, 2014. “Anthony Caro 1924-2013.” Artforum, February 2014. Young man by Charles Ray. New York: Olympic Productions/Matthew Marks Gallery, 2014. “Mr. Kawamoto and His Haunted Neighborhood.” Anew, Fall–Winter 2013. “Chris Burden: Extreme Measures.” Artforum, September 2013. “The Artist’s Artists: Best of 2010.” Artforum, December 2010. Charles Ray. New York: Matthew Marks Gallery, 2009. Log. Los Angeles: Self-published, 2009. “Log.” Domus, November 2007. “1000 Words: Charles Ray Talks about Hinoki.” Artforum, September 2007. A four dimensional being writes poetry on a field of sculpture. Matthew Marks Gallery; Steidl, 2006. “My Warhol: A Project for Artforum.” Artforum, October 2004. “If You Ask Me.” New York Times, December 29, 2002. “Thinking of Sculpture as Shaped by Space.” New York Times, October 7, 2001. “Before and After.” Frieze, 2001. “Picture.” Frieze, January/February, 2000. “Passages Stuart Regen.” Artforum, January 1999. “The Most Beautiful Woman in the World.” Parkett, Fall 1993. “Four Artists Curated by Charles Ray.” FOREHEAD 2, 1990. Spazio Umano/Human Space, April, Vol 4. 1989. ill. Spazio Umano/Human Space, January, Vol 1.1988. ill. “A Portfolio.” FOREHEAD 1, 1987. “New Work.” New Orleans Review, Summer 1980. -
Annual Report 2004
mma BOARD OF TRUSTEES Richard C. Hedreen (as of 30 September 2004) Eric H. Holder Jr. Victoria P. Sant Raymond J. Horowitz Chairman Robert J. Hurst Earl A. Powell III Alberto Ibarguen Robert F. Erburu Betsy K. Karel Julian Ganz, Jr. Lmda H. Kaufman David 0. Maxwell James V. Kimsey John C. Fontaine Mark J. Kington Robert L. Kirk Leonard A. Lauder & Alexander M. Laughlin Robert F. Erburu Victoria P. Sant Victoria P. Sant Joyce Menschel Chairman President Chairman Harvey S. Shipley Miller John W. Snow Secretary of the Treasury John G. Pappajohn Robert F. Erburu Sally Engelhard Pingree Julian Ganz, Jr. Diana Prince David 0. Maxwell Mitchell P. Rales John C. Fontaine Catherine B. Reynolds KW,< Sharon Percy Rockefeller Robert M. Rosenthal B. Francis Saul II if Robert F. Erburu Thomas A. Saunders III Julian Ganz, Jr. David 0. Maxwell Chairman I Albert H. Small John W. Snow Secretary of the Treasury James S. Smith Julian Ganz, Jr. Michelle Smith Ruth Carter Stevenson David 0. Maxwell Roselyne C. Swig Victoria P. Sant Luther M. Stovall John C. Fontaine Joseph G. Tompkins Ladislaus von Hoffmann John C. Whitehead Ruth Carter Stevenson IJohn Wilmerding John C. Fontaine J William H. Rehnquist Alexander M. Laughlin Dian Woodner ,id Chief Justice of the Robert H. Smith ,w United States Victoria P. Sant John C. Fontaine President Chair Earl A. Powell III Frederick W. Beinecke Director Heidi L. Berry Alan Shestack W. Russell G. Byers Jr. Deputy Director Elizabeth Cropper Melvin S. Cohen Dean, Center for Advanced Edwin L. Cox Colin L. Powell John W.