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Bibliography bibliography SELECTED WRITINGS BY THE ARTIST “Three Lectures at the Menil Collection.” Santa Monica, CA: Charles Ray Studio, 2018. “The man from Saint-Denis.” César, La Rétrospective. Centre Pompidou, 2017. “A Questionnaire on Materialisms, Charles Ray.” October, Winter 2016. “Making And Looking.” Wall Street Journal, February 6 – 7, 2016 “Hudson, 1950-2014.” Artforum, September 2014. “There Is No Color in the Great Outdoors.” Raw Color: The Circles of David Smith. Sterling and Francine Clark Art Institute, 2014. “Anthony Caro 1924-2013.” Artforum, February 2014. Young man by Charles Ray. New York: Olympic Productions/Matthew Marks Gallery, 2014. “Mr. Kawamoto and His Haunted Neighborhood.” Anew, Fall–Winter 2013. “Chris Burden: Extreme Measures.” Artforum, September 2013. “The Artist’s Artists: Best of 2010.” Artforum, December 2010. Charles Ray. New York: Matthew Marks Gallery, 2009. Log. Los Angeles: Self-published, 2009. “Log.” Domus, November 2007. “1000 Words: Charles Ray Talks about Hinoki.” Artforum, September 2007. A four dimensional being writes poetry on a field of sculpture. Matthew Marks Gallery; Steidl, 2006. “My Warhol: A Project for Artforum.” Artforum, October 2004. “If You Ask Me.” New York Times, December 29, 2002. “Thinking of Sculpture as Shaped by Space.” New York Times, October 7, 2001. “Before and After.” Frieze, 2001. “Picture.” Frieze, January/February, 2000. “Passages Stuart Regen.” Artforum, January 1999. “The Most Beautiful Woman in the World.” Parkett, Fall 1993. “Four Artists Curated by Charles Ray.” FOREHEAD 2, 1990. Spazio Umano/Human Space, April, Vol 4. 1989. ill. Spazio Umano/Human Space, January, Vol 1.1988. ill. “A Portfolio.” FOREHEAD 1, 1987. “New Work.” New Orleans Review, Summer 1980. SELECTED BOOKS AND EXHIBITION CATALOGUES 1 Ardenne, Paul. L’image corps: Figures de l’humain dans l’art du 20e siecle. Paris: Editions du Regard, 2001. Arte Contemporanea. Electa, Spain: La Biblioteca di Republica-L’espresso, 2008. Au-del & Atilde; du spectacle. Vol. 1. Paris: Centre Pompidou, 2000. Bankowsky, Jack, Thomas Crow, Nicholas Cullinan, and Michael Fried. Sculpture After Sculpture: Fritsch, Koons, Ray. Ostfildern, Germany: Hatje Cantz, 2014. Bankowsky, Jack, and Alison Gingeras, eds. Where Are We Going?: Selections from the François Pinault Collection. Venice: Palazzo Grassi, 2006. Barron, Stephanie, and Michael Draguet, eds. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art, 2006. Barnes, Lucinda, and Dennis Cooper. Charles Ray. New York: Orange County Museum of Art, 1990. Benezra, Neal D. Regarding Beauty: A View of the Late Twentieth Century. New York: Edition Cantz, 1999. Blackman, Susan, ed. Mattress Factory: Installation and Performance, 1982-1989. London: Mattress Factory, Limited, 1991. Blume, Eugen. Friedrich Christian Flick Collection Im Hamburger Bahnhof. Cologne: SMB Dumont, 2005. Bonafoux, Pascal. L’Autoportrait au XXe siecle. Paris: Diane de Selliers, 2005. Bonami, Francesco. Times Arte Da la Los Angeles. Oslo: Norstedts Forlag AB, 1999. ---. Campo 6 : Il Villaggio a spirale. Milan: Skira Editore, 1996. Bonami, Francesco, and Gary Carrion-Murayari. 2010 Whitney Biennial. New York: Whitney Museum of American Art; New Haven, Conn.: Yale University Press, 2010. Bonami, Francesco, Raf Simons, and Maria Luisa Frisa, eds. The Fourth Sex: Adolescent Extremes. Milan: Charta, 2003. Bonami, Francesco, and Alison Gingeras. Mapping the Studio: Artists from the François Pinault collection. Venice: Punta della Dogana, 2009. Brooks, Adam. Subjective Realities: The Refco Collection of Contemporary Photography. Danbury: Art Data Interactive, 2004. Bürgi, Bernhard, Douglas Druik, Michael Fried, and Charles Ray. Charles Ray: Sculpture, 1997 – 2014. Ostfildern, Germany: Hatje Cantz, 2014. Cameron, Dan. The Savage Garden: Landscape as Metaphor in Recent American Installation. 1st ed. Madrid: Fundation Caja de Pensiones, 1991. Cameron, Dan, Jeffrey Deitch, and Alison M. Gingeras. Monument to Now: The Dakis Joannou Collection. New York: Jeffrey Deitch, 2004. Campany, David, ed. Art and Photography. New York: Phaidon, 2003. Carandente, Giovanni, and Anthony Caro. Anthony Caro and Twentieth-Century Sculpture. New York: BPR, 1999. Celant, Germano. Looking at Fashion: Biennale di Firenze. Milan: Skira Editore, 1997. Coetzee, Mark. Not Afraid: Rubell Family Collection. New York: Phaidon Press, 2004. Coetzee, Mark, ed. Red Eye: L.A. Artists from the Rubell Family Collection. Miami: Rubell Family Collection, 2007. Crow, Thomas E., Sabine Eckmann, and Joanne Heyler. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections LACMA. Danbury, Conn.: Harry N. Abrams, 2001. Danto, Arthur C., and Judy Chicago. Mortality Immortality?: The Legacy of 20th-Century Art. Edited by Miguel A. Corzo. New York: Oxford, 1999. Darling, Michael, and Michael N. Holte. Red Eye: L.A. Artists from the Rubell Family Collection. Colorado Springs: Rubell Family Collection, 2007. Davis, Mike. Sunshine and Noir: Art in L.A., 1960-1997. Humlebaek: Louisiana Museum of Modern Art, 1998. de Corral, María, and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas: Dallas Museum of Art, 2007. Delahunty, Gavin, Mark Godfrey, and Charles Ray. Charles Ray. Athens: The George Economou Collection, 2017. 2 Dennison, Lisa. Wall Rockets. New York: The FLAG Art Foundation, 2008. Du yodel a la physique quantique . / From Yodeling to Quantum Physics . , Vol. 1. Paris: Palais de Tokyo and Archibooks, 2007. De Brugerolle, Marie. Feminin-Masculin, le sexe de l’art. Paris: Parachute Contemporary Art, 1996. Deitch, Jeffrey, and Stuart Morgan. Everything That’s Interesting is New. New York: D.A.P., 1996. ---. Post Human. New York: Southgate, 1994. Drucker, Johanna. Sweet Dreams: Contemporary Art and Complicity. Chicago: University of Chicago Press, 2005. Fairbrother, Trevor J., and Sarah Vowell. Family Ties: A Contemporary Perspective. Translated by Sarah Vowell. New York: Peabody Essex Museum, 2003. Ferguson, Bruce W. New Art. Danbury: Harry N. Abrams, 1990. Foster, Hal. Philosophical Objects: An Essayon the Sculpture of Charles Ray. Santa Monica, CA: Charles Ray Studio, 2019. Gagnon, Paulette. Culbutes - Ouvre d’impertinence. Montreal: Musee d’art contemporain de Montreal, 1999. Gioni, Massimiliano, Gary Carrion-Murayari, Jenny Moore, and Margot Norton, eds. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum, 2013. Glimcher, Marc. Logical Conclusions: 40 Years of Rule-based Art. New York: PaceWildenstein, 2005. Grenier, Catherine. Los Angeles 1955-1985. Paris: Centre Pompidou and Panama Musées, 2006. Grenier, Catherine. L.A.: Birth of an Art Capital 1955-1985. New York: Chronicle Books, 2007. Grosenick, Uta, and Burkhard Reimschneider, eds. Art at the Turn of the Millennium. Los Angeles: Taschen, 1999. Guidi, Anna C. La “documenta” di Kassel. Milano: Costa & Nolan, 1997. Heiser, Jörg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press, 2008. Jahresbericht des Vereins Kunsthalle Bern. Bern, Switzerland: Kunsthalle Bern, 1994. Janus, Elizabeth, and Kathy Acker. Veronica’s Revenge: Contemporary Perspectives on Photography, the Lambert Art Collection. Edited by Elizabeth Janus. New York: Scalo Verlag, 1998. Kalb, Peter, and H. H. Arnason. History of Modern Art: Painting Sculpture Architecture Photography. Upper Saddle River, New Jersey: Prentice Hall, 2003. Kelly, Mike. The Uncanny: Sonsbeek 93. Arnhem: Gemeentemuseum Arnhem, 1993. Kries, Mateo, Janna Lipsky. Konstantin Grcic – Panorama. Weil am Rhein, Germany: Vitra Design Museum, 2014. Kvaran, Gunnar B., ed. Charles Ray: Black & White. Oslo: Astrup Fearnley Museum of Modern Art, 2006. Lemoine, Colin. Art Lovers: Stories of art in the Pinault Collection. Paris: Lienart Éditions; Monaco: Grimaldi Forum, 2014. Living in the Material World: “Things” in Art of the 20th Century and Beyond. Tokyo: National Art Center, 2006. Loock, Ulrich. The 1980s: A Topology. Porto, Portugal: Serralges Museum of Contemporary Art, 2006. McElheny, Josiah, Michael Lobel, and Siri Engberg. Lifelike. Minneapolis: Walker Art Center, 2012. Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. New Haven: Yale University Press, 2015. MoMA Contemporary Highlights. New York: The Museum of Modern Art, 2008. Moorhouse, Paul, Michael Fried, and Dave Hickey. Anthony Caro. London: Tate Gallery, 2005. Murakami, Takashi. Mixing Memory and Desire: Neues Kunstmuseum Luzern. Lucerne: Neues Kunstmuseum Luzern, 2000. 3 Obrist, Hans-Ulrich, and Francesco Bonami. Dreams. Torin: Fondazione Sandretto, 1999. Oliva, Achille Bonito, Helena Kontova, and Venice Biennale. Aperto ‘93 Emergency/Emergenza (Flash Art International). Milan: Giancarlo Politi Editore, 1994. Perchuk, Andrew, and Helaine Posner. The Masculine Masquerade: Masculinity and Representation. Edited by Andrew Perchuk. New York: MIT Press, 1995. Rales, Emily Wei, and Charles Ray. Charles Ray. Potomac, MD: Glenstone Museum, 2018. Rales, Emily Wei, and Jeffrey Weiss. If we could imagine. Potomac, Md.: Glenstone Foundation, 2008. Rinder, Lawrence. Tim Hawkinson. New York: Whitney Museum of American Art and Harry Abrams Inc., Roselione-Valadez, Juan, ed. Beg, Borrow, and Steal. Miami: Rubell Family Collection, 2011. Schimmel, Paul, et al. This is Not to be Looked At. Los Angeles: The Museum of Contemporary Art, 2008. Sobel, Dean. Identity Crisis: Self-Portraiture at the End of the Century. Milwaukee: Milwaukee Art Museum,
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