DOCSLIB.ORG

Aida Ruilova

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Aida Ruilova kaufmann repetto AIDA RUILOVA Born in 1974, in Wheeling, West Virginia. Lives and works in New York. Education 2001 MFA, School of Visual Arts, New York, New York 1999 BFA, University of South Florida, Tampa, Florida Awards 2005 Shortlisted to the Hugo Boss prize 2002 ArtPace Residency & Fellowship, San Antonio, TX, selected by Francesco Bonami 2001 Rema Hort Mann Foundation Grant Selected solo exhibitions 2017 Smoke Gets In Your Eyes, Fortnight Institute, New York 2016 The Pink Palace, Marlborough Chelsea, New York City 2014 Keep Moving, The Power Plant, Ontario, Canada Head and Hands: my black angel, Art Seen, Nitehawk Cinema, New York Hey... Oh No... You’re Pretty, Galerie Guido W. Baudach, Berlin Head and Hands: My Black Angel, Soho House Berlin, curated by Alissa Bennett and Abel Ferrara Art Basel film and conversation, curated by Marc Glöde 2013 Kayne Griffin Corcoran, Los Kayne Griffin Corcoran, Los Angeles 2011 Goner, Salon 94 Bowery, New York 2010 Goner, Centro de Arte Contemporáneo La Conservera, Murcia Galerie Guido W. Baudach, Berlin francesca kaufmann, Milan 2009 Museum of Contemporary Art Cleveland, Cleveland Contemporary Art Center New Orleans, New Orleans Hammer Projects, Hammer Museum, Los Angeles Aïda Ruilova: The Singles 1999-Now, The Banff Centre, Walter Phillips Gallery, Banff, Canada 2008 Aïda Ruilova: The Singles 1999-Now, Aspen Art Museum, Aspen, traveling to Contemporary Art Museum St. Louis, Saint Louis Two-timers, Galerie Guido W Baudach, Berlin Sketch Gallery, London 2007 The Silver Globe, The Kitchen, New York Lulu, Salon 94, New York 2006 Vilma Gold, London Countdowns, francesca kaufmann, Milan 2005 Lets Go, Greenberg Van Doren Gallery, New York Endings, Franklin Art Works, Minneapolis 2004 Projektrum: Aïda Ruilova, Gallery Charlotte Lund, Stockholm Lets Go, The Moore Space, Miami 2003 Untitled, Center for Curatorial Studies, Bard College, Annadale-on Hudson via di porta tenaglia 7 milano +39 0272094331 535 west 22nd street new york +1 3478492471 kaufmann repetto 2002 Come to Life, Salon 94, in collaboration with Artemis Greenberg Van Doren Gallery, New York 2000 White Room, White Columns, New York Selected group exhibitions 2016 Sms Sos: text, Texture, Gesture, Marlborough Chelsea, New York City 2014 The Crime was Almost Perfect, Witte de With, Rotterdam, curated by Cristina Ricupero Reading List: Artists’ Selections from the MoMA Library Collection, MoMa Library, New York 2012 Armitage Gone Dance, Abrons Arts Center, New York 2011 Expanded Territory, KAI10 | Arthena Foundation, Dusseldorf, curated by Zdenek Felix Commercial Break, 54th Venice Biennale, Venice, curated by Neville Wakefield -Garage Projects Flash: Light, Festival of ideas, New Museum, New York Haunted: Contemporary Photography/Video/Performance, Guggenheim, Bilbao Ars Apokalipsis. Kunst und Kollaps, Kunstverein Kreis Güthersloh, Güthersloh 2010 Art in the Auditorium 2, Ballroom Marfa, Marfa, TX traveling to Whitechapel, London and GAMeC, Bergamo 2009 Las Linea de la Mano, Museo Universitario de Arte Contemporaneo, Mexico City Black Mondays, Kathleen Cullen Fine Arts, New York, curated by Thomas McDonell 2008 Slightly Unbalanced, Chicago Cultural Center, Chicago Sympathy for the Devil: Art and Rock and Roll Since 1967, Musée d’art contemporain, Montreal Tarantula, Fondazione Nicola Trussardi, Milan Busan Biennial, Busan Museum of Contemporary Art, Busan, Korea 2007 Between Two Deaths, ZKM Media Museum, Karlsruhe Sympathy for the Devil, Museum of Contemporary Art, Chicago Exhibitionism, CCS Bard Hessel Museum, New York Pensee Sauvage, Kunstverein Frankfurt Pale Carnage, Arnolfini Bristol and Dundee Contemporary Art Center, Dundee Koln Show 2, European Kunsthalle, Cologne 2006 INTO ME / OUT OF ME, KW Institute for Contemporary Art, Berlin Containers at Art Basel Miami Beach in collaboration with Kelly Nipper, Miami Six Feet Under (untitled as of may 2006) Kunstmuseum Bern, curated by Bernhard Fibicher La grande geste / The big scene/ Emotionality in Recent Video Art, Magazin 4, Bregenz Good Vibrations, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy The Beat, Haswellediger gallery, New York The Beat, Haswellediger gallery, New York The Berlin Biennale, Berlin, curated by Maurizo Cattelan, Massimilano Gioni and Ali Subotnik Mixed Emotions, Haifa Museum of Art, Haifa, Israel, curated by Tami Katz- Freiman 2005 Uncertain States of America, Astrup Fearnley Museum of Art, Oslo, curated by Gunnar B. Kvaran, Daniel Birnbaum, Hans Ulrich Obrist via di porta tenaglia 7 milano +39 0272094331 535 west 22nd street new york +1 3478492471 kaufmann repetto The Pantagruel Syndrome, T-I: Torino triennale, Turin, curated by Francesco Bonami & Carolyn Christev-Bakargiev, organized in conjuction by the Castello di Rivoli Museo d’Arte Contemporanea, Turin, the GAM Galleria Civica d’Arte Moderna e Contemporanea di Torino, Turin and Fondazione Sandretto Re Rebaudengo, Turin Rock Music, Center and Gallery P74, Ljublijana Kelly Nipper – Aïda Ruilova, galleria francesca kaufmann, Milan Marking Time, 14th screening at the Getty Research Institute, Los Angeles, curated by Glenn Phillips RE-IMAGINIG HER, University Film Series, California State University, Chico Reverse Engineers, Carnegie Art Center, North Tonawanda, New York, curated by Kye Potter and Julia Szwonkoski The difference between you and me, Ian Potter Museum, University of Melbourne, Victoria, Australia IRREDUCIBLE: Contemporary Short Form Video, 1995-2005, CCA, Wattis Institute, San Francisco; Miami Art Central Museum, Miami; Bronx Museum, Bronx, curated by Ralph Rugoff 2004 Phillip: Divided by Lightning, Deitch Projects, Brooklyn, with John Connely Presents Movimento/Movimenti, in association with la Biennale di Venezia, Italy, curated by Francesco Bonami Black and White, Greenberg Van Doren Gallery, New York Eflux Video Rental, Eflux, New York Beginning Here: 101 Ways, Visual Art Gallery, School of Visual Arts, New York curated by Jerry Saltz The Sixth Annual Altoids Curiosly Strong Collection, Pennsylvania Academy of Fine Arts, Philadelphia Supernatural, Zurcher Gallery, Paris Collector’s Cabinet, Marck Selwyn, Los Angeles Disturbing the Peace, Danese Gallery, New York It’s about memory, Rhona Hoffman Gallery, Chicago, curated by Simon Watson Whitney Biennial, Whitney Museum of American Art, New York I, Assassin, Wallspace, New York, curated by Slater Bradley Suspended State, Center of Curatorial Studies, Bard College, Annandele-on Hudson Possessed, Western Bridge, Seattle Unplugged, Galleria Civica di Arte Contemporanea di Trento, Trento, Italy 2003 Strange Days, Museum of Contemporary Art, Chicago From the Flat Files, Ramp Gallery, Waikoto Institute of Technology, Hamilton, New Zealand, curated by Amada Cruz Clandestines, 50th La Biennale di Venezia, Venice, Italy, Prague Biennale, Prague The Lengths, Center for Curatorial Studies, Bard College, Annandale-on-Hudson New Museum at Field Day, Field Day, Long Island, curated by Dan Cameron I See A Darkness, Blum & Poe, Los Angeles 2002 Teenage Rebel: The Bedroom Show, John Connelly Presents, New York Videodrome II, The New Museum of Contemporary Art, New York Monitor II, Gagosian Gallery, New York Altered States, Stefan Stux Gallery, New York 2001 Downtown Arts Festival, New York, organized by Simon Watson via di porta tenaglia 7 milano +39 0272094331 535 west 22nd street new york +1 3478492471 kaufmann repetto Special Projects, P.S.1 Contemporary Art Center, Long Island City Casino 2001, Stedelijk Museum Kunst Gent (S.M.A.K), Gent 2000 Collectors Choice, Exit Art, New York 1999 LIFER, Cardozo School of Law, Rove, curated by Kenny Schachter Hi-8, Museu Nacional de Historia Natural, Lisbon Projects 2004 Videokunst: Geist, Gemeinschaft und Tschai, Locus, Athens, Greece artFORCE, Plum TV, Art Production Fund/Yvonne Force Inc. 2003 Impakt Festival 2003, Central Museum, Utrecht, The Netherlands Images Festival, Toronto, Canada Video Program, School of Visual Arts, New York 2002 The Dialogue, film/video screenings and discussion, Thomas Erben Gallery, New York 2001 Impakt Festival 2002, Central Museum, Utrecht, The Netherlands 2000 Stichting Lazymarie Video Fest, The Netherlands Kill Rock Stars Video Compilation #2, music video for band Derrhoof 1999 Slattery for Ungdom, Alva, album, Menlo Park Recordings, New York 1997 Fair-Haired Guillotine, Alva, Compact disc, Avant, New York New Directors / New Films, Museum of Modern Art, Alva, soundtrack for animated feature film “Calendar the Siamese” by Lewis Klahr 1996 7th Annual Independent Filmmakers Night, Tampa Museum of Art, Tempa Selected public collections Altoids Curiously Strong Collection, The New Museum, New York Bard College, Annandale-on-Hudson, New York Solomon R. Guggenheim Museum, New York Stedelijk Museum Kunst Gent (S.M.A.K), Gent, Belgium via di porta tenaglia 7 milano +39 0272094331 535 west 22nd street new york +1 3478492471.
Load more

Recommended publications
  • CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale Di Venezia La Biennale Di Venezia President Presents Roberto Cicutto
    LE MUSE INQUIETE WHEN LA BIENNALE DI VENEZIA MEETS HISTORY CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale di Venezia La Biennale di Venezia President presents Roberto Cicutto Board The Disquieted Muses. Luigi Brugnaro Vicepresidente When La Biennale di Venezia Meets History Claudia Ferrazzi Luca Zaia Auditors’ Committee Jair Lorenco Presidente Stefania Bortoletti Anna Maria Como in collaboration with Director General Istituto Luce-Cinecittà e Rai Teche Andrea Del Mercato and with AAMOD-Fondazione Archivio Audiovisivo del Movimento Operaio e Democratico Archivio Centrale dello Stato Archivio Ugo Mulas Bianconero Archivio Cameraphoto Epoche Fondazione Modena Arti Visive Galleria Nazionale d’Arte Moderna e Contemporanea IVESER Istituto Veneziano per la Storia della Resistenza e della Società Contemporanea LIMA Amsterdam Peggy Guggenheim Collection Tate Modern THE DISQUIETED MUSES… The title of the exhibition The Disquieted Muses. When La Biennale di Venezia Meets History does not just convey the content that visitors to the Central Pavilion in the Giardini della Biennale will encounter, but also a vision. Disquiet serves as a driving force behind research, which requires dialogue to verify its theories and needs history to absorb knowledge. This is what La Biennale does and will continue to do as it seeks to reinforce a methodology that creates even stronger bonds between its own disciplines. There are six Muses at the Biennale: Art, Architecture, Cinema, Theatre, Music and Dance, given a voice through the great events that fill Venice and the world every year. There are the places that serve as venues for all of La Biennale’s activities: the Giardini, the Arsenale, the Palazzo del Cinema and other cinemas on the Lido, the theatres, the city of Venice itself.
    [Show full text]
  • 2020 Art Quadriennale FUORI Curated by Sarah Cosulich and Stefano Collicelli Cagol Rome, Palazzo Delle Esposizioni 29 October 20
    2020 Art Quadriennale FUORI Quadriennale 2020 Art FUORI curated by Sarah Cosulich and Stefano Collicelli Cagol Rome, Palazzo delle Esposizioni 29 October 2020 2021 17 January 2020 29 October 17 January 2021 Pre-openings on 27 and 28 October 2020 Rome via Nazionale 194 delle Esposizioni Palazzo BIOGRAPHIES collaboration with Torino main museums and, in 2014, SHIT AND DIE curated by Maurizio Cattelan. SARAH COSULICH In 2017 she was development advisor Sarah Cosulich (1974) is artistic director for the European biennial Manifesta12 of La Quadriennale di Roma, Italy’s in Palermo. main institution for Italian art, Among her writings there are and co-curator of the 2020 Art monographic publications dedicated Quadriennale. to Jeff Koons (2006) and Gabriel Orozco She is currently also curator of the (2008). She occasionally teaches exhibition space MUT in Modena and collaborates with international and the Mutina for Art programme universities and art academies. of contemporary art support. Cosulich graduated in art history in Washington D.C., studied in Berlin STEFANO COLLICELLI CAGOL and earned a masters degree in Stefano Collicelli Cagol (Ph.D.) is contemporary art criticism in London. Curator of the Art Quadriennale 2020 In 2003 she was assistant curator of and since 2018 Curator at La quadriennalediroma.org Francesco Bonami at the 50th Venice Quadriennale di Roma. In 2020, he has Biennale. been appointed Curator at Large of BY From 2004 to 2008 she was curator ART MATTERS, Hangzhou, a Chinese of the Villa Manin Center for contemporary art Centre due to open Contemporary Art where she curated in 2021. He is Visiting Lecture in exhibitions and public outdoor projects ‘Exhibition and Display’ at the II Level by more than thirty international artists.
    [Show full text]
  • Bibliography
    bibliography SELECTED WRITINGS BY THE ARTIST “Three Lectures at the Menil Collection.” Santa Monica, CA: Charles Ray Studio, 2018. “The man from Saint-Denis.” César, La Rétrospective. Centre Pompidou, 2017. “A Questionnaire on Materialisms, Charles Ray.” October, Winter 2016. “Making And Looking.” Wall Street Journal, February 6 – 7, 2016 “Hudson, 1950-2014.” Artforum, September 2014. “There Is No Color in the Great Outdoors.” Raw Color: The Circles of David Smith. Sterling and Francine Clark Art Institute, 2014. “Anthony Caro 1924-2013.” Artforum, February 2014. Young man by Charles Ray. New York: Olympic Productions/Matthew Marks Gallery, 2014. “Mr. Kawamoto and His Haunted Neighborhood.” Anew, Fall–Winter 2013. “Chris Burden: Extreme Measures.” Artforum, September 2013. “The Artist’s Artists: Best of 2010.” Artforum, December 2010. Charles Ray. New York: Matthew Marks Gallery, 2009. Log. Los Angeles: Self-published, 2009. “Log.” Domus, November 2007. “1000 Words: Charles Ray Talks about Hinoki.” Artforum, September 2007. A four dimensional being writes poetry on a field of sculpture. Matthew Marks Gallery; Steidl, 2006. “My Warhol: A Project for Artforum.” Artforum, October 2004. “If You Ask Me.” New York Times, December 29, 2002. “Thinking of Sculpture as Shaped by Space.” New York Times, October 7, 2001. “Before and After.” Frieze, 2001. “Picture.” Frieze, January/February, 2000. “Passages Stuart Regen.” Artforum, January 1999. “The Most Beautiful Woman in the World.” Parkett, Fall 1993. “Four Artists Curated by Charles Ray.” FOREHEAD 2, 1990. Spazio Umano/Human Space, April, Vol 4. 1989. ill. Spazio Umano/Human Space, January, Vol 1.1988. ill. “A Portfolio.” FOREHEAD 1, 1987. “New Work.” New Orleans Review, Summer 1980.
    [Show full text]
  • Art History: International Art Exhibitions
    FRICK FINE ARTS LIBRARY ART HISTORY: INTERNATIONAL ART EXHIBITIONS Library Guide Series, No. 42 “Qui scit ubi scientis sit, ille est proximus habenti.” -- Brunetiere* What Is an International Art Exhibition? International art exhibitions have a long history that has its roots in the 19th century. Salon exhibitions took place in Paris from 1667 onwards under the auspices of the French Royal Academy of Painting and Sculpture and were held on a biennial basis from 1855 onwards. That same year the Salons were held in the Palais de ‘l’Industrie constructed for the World’s Fair that year. A number of rival salons were established and in 1881 the government withdrew official support from the main Salon and handed over its direction to artists. Afterward, the Salon began to lose its prestige and influence in the face of competition from various independent exhibitions such as the Salon des Independents (1884), the Societe Nationale des Beaux-Arts (1890) and the Salon d’Automne (1903). The end of the 19th century was a time marked by an internationalist spirit that celebrated technological advancement and the accumulation of wealth through global colonial structures. The institution of world’s fairs was one feature of that spirit, the first one being held in London during 1851. Many of the fairs that followed throughout the 19th and 20th centuries included art buildings to display works by the current artists of the day. At times it is difficult to distinguish biennial and triennial art exhibitions from international art festivals, art fairs or trade shows. The first art fair one in the twentieth century was the 1913 Armory Show in New York which was open to progressive painters usually neglected.
    [Show full text]
  • Maurizio Cattelan Breath Ghosts Blind
    Maurizio Cattelan Breath Ghosts Blind EN Maurizio Cattelan Breath Ghosts Blind 15 July 2021 – 20 February 2022 Curated by Roberta Tenconi and Vicente Todolí Cultural Mediation Cultural mediators are present in the exhibition spaces to answer questions from the public, give information and context elements that can deepen the fruition of the artworks. The dialogue between mediator and visitor should take place in compliance with social distancing policies and the norms on the protection of personal health. Public Program The Public Program is structured around three core themes, each recalling the three moments of the exhibition in the spaces of Pirelli HangarBicocca, construed through multiple frameworks and subjects: philosophy and the insights on collectivity and future, history and the interpretation of Italy and Milan’s most recent past, art and the analysis of the role played by images in today’s shared narrative. Each contributor has been asked to participate through reflections, references and thoughts that will be accessible in the in-depth section “Bubbles” on our website: pirellihangarbicocca.org Maurizio Cattelan Maurizio Cattelan has become one of the most influential figures of the international cultural scene by catalyzing, with his iconic works, the debate on contemporary art over the last twenty years. His practice deals with un- comfortable and complex aspects of society, revealing deep contradictions through the use of multiple artistic idioms, from the ironic to the dramatic. Born in 1960 in Padua—a city that in the 1970s became the center of the student revolt and left-wing political pres- sure—, Cattelan trained in a context marked by strong social tensions that would influence the genesis of his first works.
    [Show full text]
  • Jordan Wolfson Born 1980 in New York
    This document was updated November 25, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. Jordan Wolfson Born 1980 in New York. Lives and works in Los Angeles. EDUCATION 2003 B.F.A., Rhode Island School of Design, Providence SOLO EXHIBITIONS 2022 Jordan Wolfson, Castello di Rivoli, Museum of Contemporary Art, Turin, Italy [forthcoming] 2021 Jordan Wolfson, National Gallery of Australia, Parkes, Australia [forthcoming] 2020 Jordan Wolfson: ARTISTS FRIENDS RACISTS, David Zwirner, Paris, concurrently on view at Sadie Coles HQ, London 2019 Jordan Wolfson, Riverboat song, Moderna Museet, Stockholm 2018 360: Jordan Wolfson, Zabludowicz Collection, London Jordan Wolfson, Schinkel Pavillon, Berlin Jordan Wolfson: Colored sculpture, Tate Modern, London Jordan Wolfson’s (Female Figure), The Broad, Los Angeles Jordan Wolfson: Riverboat song, David Zwirner, New York 2017 Jordan Wolfson: Riverboat song, Pond Society, New Century Art Foundation, Shanghai Jordan Wolfson: Riverboat song, Sadie Coles, London 2016 Jordan Wolfson, David Zwirner, New York Jordan Wolfson: Colored sculpture, LUMA Foundation, Arles, France Jordan Wolfson. Part 1: MANIC/LOVE and Part II: TRUTH/LOVE, Stedelijk Museum, Amsterdam [catalogue published in 2018] 2015 Jordan Wolfson: Two Early Videos, Cleveland Museum of Art, Ohio 2014 Jordan Wolfson, David Zwirner, New York Jordan Wolfson, McLellan Galleries, Glasgow [part of 6th Glasgow International] Jordan Wolfson: Works from the Marieluise Hessel Collection, CCS Bard
    [Show full text]
  • 1 Italian Art: Futurism to Present
    Italian Art: Futurism to Present (ARTH-UA 9850) Fall 2011, Course Meetings: Tuesday, 10:30 – 13:15 Prof. Paola Nicolin, [email protected] Course description: This course examines the rise of Modernity in Italian art from the Futurist avant- garde to current artistic practices. Considering exhibitions as a particularly useful framework to investigate structures and narratives of the Italian context in the 20th and 21st centuries, the course will examine through case studies (from Futurist shows to the Venice Biennale) the development of modern Italian visual culture, introducing in parallel arguments about 20th-century architecture. The course aims at underscoring this articulated history, using exhibitions as critical subjects of research that would work as tools for the analysis of the intersection between Italian modernity and the international context. Although the notion of Modernity in Italy is linked to leading figures or groups that acted in parallel with international debates on visual art (Futurists with the European avant-gardes, Lucio Fontana and Alberto Burri with Informal culture, Arte Povera and Transavanguardia with Conceptual art and Abstract Expressionism, just to list a few), the context of Italian art practices has been enriched by many actors that contributed to redefining medium and issues in Italian visual culture. Through a variety of languages, these figures were, and remain, significant contributors to the broad discussion of issues like the dialogue between historical memory and contemporary practice (Metafisica and Valori Plastici), between art and design (Bruno Munari, Gruppo T), the notion of space/environment or the monument, questions of political art and public art, the development of sculptural practice towards performance (Maurizio Cattelan), the relationship between art, science and technology.
    [Show full text]
  • Treasures from the Wreck of the Unbelievable. Damien Hirst Curated by Elena Geuna 09/04/2017 – 03/12/2017
    PRESS KIT TREASURES FROM THE WRECK OF THE UNBELIEVABLE. DAMIEN HIRST CURATED BY ELENA GEUNA 09/04/2017 – 03/12/2017 1 INTRODUCTION 2 EXCERPTS FROM THE CATALOGUE 3 LiST OF WORKS 4 PUBLICATIONS 5 BiOGRAPHY OF DAMIEN HIRST 6 CHRONOLOGY OF DAMIEN HIRST’S SOLO EXHIBITIONS 7 BiOGRAPHY OF ELENA GEUNA APPENDIX 8 BiOGRAPHY OF FRANÇOIS PINAULT 9 BiOGRAPHY OF MARTIN BETHENOD 10 PALAZZO GRASSI AND PUNTA DELLA DOGANA IN A FEW FIGURES, CHRONOLOGY OF THE EXHIBITIONS AT PALAZZO GRASSI AND PUNTA DELLA DOGANA AND OF THE PINAULT COLLECTION 11 TEATRINO DI PALAZZO GRASSI 12 EDUCATIONAL SERVICES 13 MEMBERSHIP CARD 14 PALAZZO GRASSI ONLINE 15 PARTNERSHIPS 16 PRACTICAL INFORMATION PRESS CONTACTS France and international Italy Claudine Colin Communication PCM Studio 3, rue de Turbigo Via Goldoni 38 75001 Paris 20129 Milan Tel: +33 (0) 1 42 72 60 01 Tel: +39 02 8728 6582 Dimitri Besse [email protected] [email protected] Paola C. Manfredi Thomas Lozinski Cell: +39 335 545 5539 [email protected] [email protected] www.claudinecolin.com TREASURES FROM THE WRECK OF THE UNBELIEVABLE. DAMIEN HIRST 1 INTRODUCTION TREASURES FROM THE WRECK OF THE UNBELIEVABLE DAMIEN HIRST Curated by Elena Geuna From Sunday 9 April to Sunday 3 December 2017, Palazzo Grassi – Punta della Dogana – Pinault Collection presents ‘Treasures from the Wreck of the Unbelievable’. It is the first ma- jor solo exhibition dedicated to Damien Hirst in Italy since the 2004 retrospective at the Museo Archeologico Nazionale in Naples (“The Agony and Ecstasy”) and is curated by Elena Geuna, curator of the monographic shows dedicated to Rudolf Stingel (2013) and Sigmar Polke (2016) presented at Palazzo Grassi.
    [Show full text]
  • Concept, Paris 2018 Quartz Studio, Turin Galleria Zero, Mila
    greengrassi 1a Kempsford Road London SE11 4NU + 44 207 840 9101 [email protected] Giuseppe Gabellone Biography Born 1973 in Brindisi, Italy. Lives and works in Paris. Solo Exhibitions 2019 Art : Concept, Paris 2018 Quartz Studio, Turin Galleria Zero, Milan 2017 greengrassi, London Fondazione Memmo – Arte Contemporanea, Rome (curated by Francesco Stocchi)* 2014 greengrassi, London 2013 Soir bleu, ZERO, Milan Giuseppe Gabellone – Workshop, Museo del Novecento – Palazzo dell’Arengario, Milan GAMeC - Galleria d'Arte Moderna e Contemporanea, Bergamo (curated by Alessandro Rabottini)* 2011 Galerie Emmanuel Perrotin, Paris 2010 Studio Guenzani, Milan 2009 Galerie Martin Janda, Vienna Galerie Emmanuel Perrotin, Paris 2008 greengrassi, London Domaine de Kerguéhennec, Bignan (curated by Frédéric Paul)* Studio Guenzani, Milan 2006 greengrassi, London Galerie Emmanuel Perrotin, Paris 2005 Galerie Martin Janda Raum, Vienna Guenzani via Melzo, Milan 2004 Galerie Emmanuel Perrotin, Paris 2003 Studio Guenzani, Milan greengrassi, London 2002 Museum of Contemporary Art, Chicago, IL (curated by Francesco Bonami)* 2001 Galerie Martin Janda Raum, Vienna 2000 Fondazione Sandretto Re Rebaudengo, Turin (curated by Francesco Bonami)* greengrassi, London 1999 FRAC Limousin, Limoges (curated by Frédéric Paul)* Studio Guenzani, Milan 1998 Giuseppe Gabellone e Kcho, Studio Guenzani, Milan 1997 Laure Genillard, London 1996 Studio Guenzani, Milan Group Exhibitions 2020 Fuori, La Quadriennale di Roma, Palazzo delle Esposizioni, Rome 2019 Kronos e Kairos, Palatino,
    [Show full text]
  • Collection Sandretto Re Rebaudengo: a Love Meal 19 March – 9 June 2013 Gallery 7
    Press Release Collection Sandretto Re Rebaudengo: A Love Meal 19 March – 9 June 2013 Gallery 7 The Whitechapel Gallery presents A Love Meal, the third in a series of displays of rarely-seen works from the Collection Sandretto Re Rebaudengo . The display brings together installations, sculptures and film which explore portraiture and the construction of identity. The centrepiece is Cuban-born artist Felix Gonzalez-Torres ’s “Untitled” (A Love Meal) (1992). This iconic sculpture of the 1990s consists of a hanging ribbon of 42 illuminated light bulbs created to memorialise the artist’s partner. Polish artist Pawel Althamer ’s life-size sculpture Selfportrait (1993) depicts a hyperrealistic version of the artist in old age. The nude self-portrait was submitted for Althamer’s degree show at the Art Academy in Warsaw and was created from wax and other materials. Modello di Campo 6 (1996) by German artist Tobias Rehberger includes 15 handmade vases designed for a group exhibition at the Galleria Civica d’Arte Moderna e Contemporanea in Turin. Each vase, filled with a different type of flower, represents an artist who took part in the show, from Gabriel Orozco to Sam Taylor-Wood. Other higlights in the display include 120 Days (2002) by Mexican-born Damián Ortega consisting of 120 different versions of cola bottles created by local glass blowers in Tuscany. Each with a unique shape, the bottles are transformed from disposable, mass-produced objects into desirable expressions of individualised craftsmanship. Cerith Wyn Evans ’ s red neon In Girum Imus Nocte et Consumimur Igni (1996), a circular work suspended from the ceiling, illuminates the title of Guy Debord’s last film, translated as We go round and round in the night and are consumed by fire.
    [Show full text]
  • Roberto Cuoghi
    ROBERTO CUOGHI Born Modena, Italy, 1973 Lives Milan, Italy EDUCATION Brera Academy of Fine Arts, Milan, Italy SOLO EXHIBITIONS 2017 Perla Pollina 1996-2016, Kölnischer Kunstverein, Cologne, Germany; Madre Museum, Naples, Italy; Centre d'Art Contemporain Genève, Geneva Switzerland 2016 Putiferio, DESTE Foundation for Contemporary Art, Slaughterhouse Project Space, Hydra, Greece 2015 da idā e piṅgalā a idā e idā o piṅgalā e piṅgalā, Aspen Art Museum, Aspen, CO 2014 da idā e piṅgalā a idā e idā o piṅgalā e piṅgalā, Le Consortium, Dijon, France Šuillakku- corral version, curated by Massimiliano Gioni and Margot Norton, New Museum, New York, NY 2012 ZOLOTO, Massimo De Carlo, Milan, Italy 2011 Roberto Cuoghi, curated by Ali Subotnick, Hammer Museum, Los Angeles, CA 2008 Šuillakku, curated by Marcella Beccaria, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Italy Šuillakku, ICA, London, United Kingdom ...And Back Again, presented by PIG, Galerie Emmanuel Perrotin, Miami, FL 2007 Roberto Cuoghi - Mei Gui, Centre International d’Art et du Paysage de l’Île de Vassivière, Beaumont du Lac, France 2006 Mei Gui, Massimo De Carlo, Milan, Italy Mbube, Objectif_exhibitions, Antwerp, Belgium 2005 The Wrong Gallery, New York, NY 2003 Roberto Cuoghi, Galleria Massimo De Carlo, Milan, Italy Foolish Things, curated by Giacinto di Pietrantonio and Alessandro Rabottini, Eldorado project room, Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy 1997 Spazio Aperto, (with Alberta Pellacani), curated by Walter Guadagnini and Dede Auregli, Galleria Comunale
    [Show full text]
  • Biography Maurizio Cattelan
    Biography Maurizio Cattelan Padua, Italy, 1960. Lives and works in New York SOLO EXHIBITIONS 2021 2021 - Breath Ghosts Blind, Pirelli Hangar Bicocca, Milano, I 2021 - Te Last Judgment, UCCA Center for Contemporary Art, Shanghai, PRC 2019 2019 - Maurizio Cattelan, Blenheim Palace, Woodstock, UK 2016 2016 - Not Afraid of Love, curated by Chiara Parisi, Le Monnaie, Paris, F. Catalogue 2014 2014 - Cosa Nostra, Venus Over Manhattan, New York, USA 2013 2013 - Amen, Center of Contemporary Art Zamek Ujazdowski, Warsaw, PL 2013 - Maurizio Cattelan, Beyeler Foundation, Basel, CH 2012 2012 - Collection Sandretto Re Rebaudengo: Maurizio Cattelan , curated by Francesco Bonami e Achim Borchardt- Hume, Whitechapel Gallery, London, UK 2012 - Maurizio Cattelan Amen, Center of Contemporary Art Zamek Ujazdowski, Warsaw, PL 2011 2011 - Maurizio Cattelan: All, Te Solomon R. Guggenheim Museum, New York, USA 2010 2010 - Maurizio Cattelan, curated by Franklin Sirmans, Te Menil Collection, Houston, USA 2010 - Maurizio Cattelan, DESTE Foundation Project Space - Slaughterhouse, Hydra, GR 2010 - L.O.V.E., Piazza degli Afari e Palazzo Reale, Milano, I 2009 2009 - Maurizio Cattelan, QuadriennalediRoma, Palazzo dell'Esposizioni, Roma, I 2008 2008 - Maurizio Cattelan, curated by Rudolf Sagmeister, Kunsthaus Bregenz, Bregenz, A. Catalogue 2008 - Untitled, Synagoge Stommeln Art Project, Pulheim, D 2008 - Maurizio Cattelan, Kölner Synagoge, Stommeln, D 2007 2007 - Maurizio Cattelan, Museum für Moderne Kunst Frankfurt e Portikus, Frankfurt am Haim, D 2007 - New Work, Tate
    [Show full text]