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Church of Christ the King 30 Lamarck Drive Snyder New York 14226
Church of Christ the King 30 Lamarck Drive Snyder New York 14226 Website: www.ctksnyder.org Pastor Rev. John R. Gaglione Second Sunday Weekend Assistant Rev. Richard Reina Pastor Emeritus in Ordinary Time Rev. Msgr. James J. Lichtenthal January 17, 2016 Deacon John Coughlin Parish Trustees Katherine K. Juhasz Michael R. Summers Business Administrator Jim Woodruff (ext. 203) Parish Council President Michael Hong Parish Secretaries Melissa Schaefer (ext. 201) Kelly Caterina (ext. 218) School Principal Samuel T. Zalacca (ext. 302) Director of Religious Education Rebecca Cambria (ext. 306) Director of Music Ministry Adria Ryan (ext. 212) Ministry Coordinator Lynne Griebner (ext. 220) +++++++++++++++++++++++++++++ Masses Saturday: 4:30 p.m. Sunday: 8:00 a.m., 10:00 a.m. and 12:15 p.m. Monday-Friday: 8:00 a.m. Confessions Saturday: 3:45-4:15 p.m. or by appointment Miraculous Medal Novena Monday after 8:00 a.m. Mass Rectory Office Hours Monday-Friday: 8:30 am-12:30 pm; 1:30-4:00 pm Telephones Rectory . .839-1430 / Fax: 839-1433 School . 839-0473 / Fax: 568-8198 School Back Hall . 839-0473, ext. 308 Religious Education . .839-0946 Convent . 839-0052 St. Gianna Pregnancy Outreach Center We are here to help you before, during and after childbirth. Call the Pro-Life Office / St. Gianna Pregnancy Outreach Center (716) 842-BABY (2229). Project Rachel Post Abortion Reconciliation : (716) 847-2211 Second Sunday in Ordinary Time Christ the King Parish Sunday Scripture Readings Stewardship in Faith Today: Second Sunday in Ordinary Time Weekly Offering -
Early Modern Eyes Intersections Interdisciplinary Studies in Early Modern Culture
Early Modern Eyes Intersections Interdisciplinary Studies in Early Modern Culture General Editor Karl A.E. Enenkel Chair of Neo-Latin Literature Faculty of Arts, University of Leiden P.O. Box 9515, 2300 RA Leiden-NL e-mail: [email protected] Editorial Board W. van Anrooij (University of Leiden) W. de Boer (Miami University) K.A.E. Enenkel (University of Leiden) R.L. Falkenburg (New York University) J.L. de Jong (University of Groningen) E.E.P. Kolfi n (University of Amsterdam) W. Melion (Emory University) K. Murphy (University of Oxford) W. Neuber (Free University of Berlin) H. Roodenburg (P.J. Meertens Institute) P.J. Smith (University of Leiden) R.K. Todd (University of Leiden) C. Zittel (Max Planck Institut, Florence) Advisory Board K. VAN BERKEL (University of Groningen) – F. EGMOND A. GRAFTON (Princeton University) – A. HAMILTON (Warburg Institute) C.L. HEESAKKERS – H.A. HENDRIX (Utrecht University) – F.J. VAN INGEN J.I. ISRAEL (Institute for Advanced Studies, Princeton, N.J.) – M. JACOBS (Free University of Brussels) K.A. OTTENHEYM (Utrecht University) – K. PORTEMAN E.J. SLUIJTER (University of Amsterdam) VOLUME 13 – 2009 Early Modern Eyes Edited by Walter S. Melion and Lee Palmer Wandel LEIDEN • BOSTON 2010 Illustration on the cover: Detail of the “Visitation”. Woodcut illustration to Petrus Canisius’s De Maria Virgine [. .], in Commentarium de Verbi Dei corruptelis [. .] (Ingolstadt, David Sartorius: 1583), book IV, chapter 3, 401. Maurits Sabbebibliotheek, Katholieke Universiteit Leuven. (See also pages 212 and 218 of this volume.) This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Early modern eyes / edited by Walter S. -
SI Reprint Front Matter Done
Additive Manufacturing Technologies and Applications Edited by Salvatore Brischetto, Paolo Maggiore and Carlo Giovanni Ferro Printed Edition of the Special Issue Published in Technologies www.mdpi.com/journal/technologies Additive Manufacturing Technologies and Applications Special Issue Editors Salvatore Brischetto Paolo Maggiore Carlo Giovanni Ferro MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editors Salvatore Brischetto Paolo Maggiore Politecnico di Torino Politecnico di Torino Italy Italy Carlo Giovanni Ferro Politecnico di Torino Italy Editorial Office MDPI AG St. Alban‐Anlage 66 Basel, Switzerland This edition is a reprint of the Special Issue published online in the open access journal Technologies (ISSN 2227‐7080) from in 2017 (available at: http://www.mdpi.com/journal/technologies/special_issues/additive_manufacturing). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: Author 1; Author 2. Article title. Journal Name Year, Article number, page range. First Edition 2017 ISBN 978‐3‐03842‐548‐9 (Pbk) ISBN 978‐3‐03842‐549‐6 (PDF) Articles in this volume are Open Access and distributed under the Creative Commons Attribution license (CC BY), which allows users to download, copy and build upon published articles even for commercial purposes, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book taken as a whole is © 2017 MDPI, Basel, Switzerland, distributed -
Roma 1430-1460. Pittura Romana Prima Di Antoniazzo
Roma 1430-1460. Pittura romana prima di Antoniazzo stefano PETROCCHI Le fonti storiche e biografiche pontificali delineano concor- Presenze marchigiane a Roma demente l’evento giubilare della metà del secolo come un nella prima metà del Quattrocento momento culminante di energie e progetti che sancisce la La più grande impresa della prima metà del secolo, le Storie conclusione della storia medievale della città e per conse- di san Giovanni Battista, realizzata a partire dal 1427 da Gen- guenza l’avvento della Roma moderna. tile da Fabriano nella cattedrale del Laterano, recuperava la Trascorsi trent’anni dal trionfale ritorno di un potere papale tradizione figurativa delle basiliche maggiori. Modello di rife- autorevole e rinnovatore, con la leggendaria entrata in cit- rimento dell’impianto decorativo, diviso in registri con figu- tà di Martino V Colonna (28 settembre 1420), e nonostante re monumentali e riquadri narrativi, era la primitiva navata l’incerto pontificato di Eugenio IV (1431-1447), trascorso per paleocristiana di San Pietro, ancora in opera in quegli anni, nove anni a Firenze, l’elezione di Niccolò V nel 1447 era cari- ribadito da Pietro Cavallini alla fine del Duecento sia in quella ca di attese inedite nella storia secolare di Roma1. ostiense sia nell’altra trasteverina di Santa Cecilia negli anni Segno inequivocabile di una volontà di rifondazione e di del primo giubileo2. Con la riaffermazione dell’antico prototi- una nuova vocazione universalistica della Chiesa era il tra- po, si ricomprendeva simbolicamente anche il disegno politico sferimento della residenza pontificia dalla sua sede storica e e morale di quell’evento. millenaria del Laterano – che aveva tramandato la continuità La presenza a Roma della maggiore produzione di Gentile da imperiale romana – alla cittadella vaticana riunita intorno Fabriano, per estensione e importanza storica, dovette inci- alla basilica di San Pietro, con il mandato di condurre la nuo- dere profondamente sulla pittura locale fermamente ancora- va prospettiva ecumenica aperta dal concilio di Firenze. -
Emw Final 1.Indd 43 8/13/07 7:21:13 AM 44 EMWJ 2007, Vol
Early Modern Women: An Interdisciplinary Journal 2007, vol. 2 The Dominicans and Cloistered Women: The Convent of Sant’Aurea in Rome Anne Dunlop n 1358, the artist Lippo Vanni of Siena signed and dated a triptych Inow in the buildings of the Roman Dominican community of Santi Domenico e Sisto (fig. 1).1 The center panel shows the Virgin holding the standing Christ Child while two angels hold a cloth of honor behind their heads. At Mary’s right hand is Saint Dominic, head of the Dominican Order, labeled “DOMINICUS” at his feet and holding a red book and a lily. To her left is a female saint dressed in red and purple, her only attribute a large vase. An area of loss cuts this figure in half, further straining iden- tification, but she is labeled “SCA AURA” at her feet. Perhaps the oddest feature is a small figure of Eve at the Virgin’s feet. Seated with her back to the viewer, Eve is dressed in fur, and she gestures to a blonde, female- headed serpent with her right hand. Below her is a small zone that func- tions like a predella, where the Man of Sorrows is flanked by bust-length images of a second Dominican friar at his right and a bearded saint with a book and a large knife at the left. The friar is identified by the words on the open book he holds, “Veritatem meditabitur guttur meum,” the first words of the Summa contra gentiles of Thomas Aquinas. The iconography is found in other Sienese images of Thomas, while the saint with the knife follows Sienese conventions for the apostle Bartholomew. -
The Santissima Annunziata of Florence, Medici Portraits, and the Counter Reformation in Italy
THE SANTISSIMA ANNUNZIATA OF FLORENCE, MEDICI PORTRAITS, AND THE COUNTER REFORMATION IN ITALY by Bernice Ida Maria Iarocci A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Bernice Iarocci 2015 THE SANTISSIMA ANNUNZIATA OF FLORENCE, MEDICI PORTRAITS, AND THE COUNTER REFORMATION IN ITALY Bernice Ida Maria Iarocci Doctor of Philosophy Department of Art University of Toronto 2015 A defining feature of the Counter-Reformation period is the new impetus given to the material expression of devotion to sacred images and relics. There are nonetheless few scholarly studies that look deeply into the shrines of venerated images, as they were renovated or decorated anew during this period. This dissertation investigates an image cult that experienced a particularly rich elaboration during the Counter-Reformation – that of the miracle-working fresco called the Nunziata, located in the Servite church of the Santissima Annunziata in Florence. By the end of the fifteenth century, the Nunziata had become the primary sacred image in the city of Florence and one of the most venerated Marian cults in Italy. My investigation spans around 1580 to 1650, and includes texts related to the sacred fresco, copies made after it, votives, and other additions made within and around its shrine. I address various components of the cult that carry meanings of civic importance; nonetheless, one of its crucial characteristics is that it partook of general agendas belonging to the Counter- Reformation movement. That is, it would be myopic to remain within a strictly local scope when considering this period. -
Cristo Vivo Bronze, with Gilt Bronze Crown of Thorns and Perizoma, Probably Intended for Private Devotion
WALTER PADOVANI DIGITAL CATALOGUE 2020 Across Myths, Allegories and Religious Themes We are delighted to present a selection of works that touch on a variety of subjects, but which can be defined by the theme of the sacred and the profane. The allegories of Justice and Peace are represented both by a terracotta bozzetto by Canova’s favourite pupil, Rinaldo Rinaldi (1793-1873) and by two figures in bronze by Francesco Righetti (1748-1819), from models by the Genoese sculptor Francesco Maria Ravaschio (1743-1820). In both these cases the sculptors make use of iconographical attributes to identify their personifications, Rinaldi being the more didactic whilst Ravaschio eschews the usual sword and scales to represent Justice preferring to make use of the Lictors’ fasces. Sculpture, therefore, plays a dominant role in our presentation and this is further illustrated by another piece worthy of mention, the marble Genius of the Hunt by the Milanese sculptor Pompeo Marchesi (1790-1858), probably commissioned by the Russian noblewoman Julija Samojlova who had a grand passion for hunting art. Nevertheless, we also have guest appearances by some paintings, such as our Jupiter and Semele, work of one of the most famous names in Bologna in the late 18th century, Gaetano Gandolfi (1734–1803). This small canvas, with its fluid but compact brushstrokes, captures the culminating moment in the mythological tale, when Jupiter, astride an eagle, appears before his lover Semele wielding in his hand the thunderbolt which will kill her. We move away from mythological works with an early 17th century Italo-Flemish Cristo Vivo bronze, with gilt bronze crown of thorns and perizoma, probably intended for private devotion. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Out of Italy: Italian Women Exiled under Fascism Reimagine Home and the Italian Identity Permalink https://escholarship.org/uc/item/2nk8m9vk Author Robinson, Nicole Hardy Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Out of Italy: Italian Women Exiled under Fascism Reimagine Home and the Italian Identity A dissertation submitted in partial satisfaction of the requirements for the Degree of Philosophy in Italian by Nicole Hardy Robinson 2016 © Copyright by Nicole Hardy Robinson 2016 ABSTRACT OF THE DISSERTATION Out of Italy: Italian Women Exiled under Fascism Reimagine Home and the Italian Identity by Nicole Hardy Robinson Doctor of Philosophy in Italian University of California, Los Angeles, 2016 Professor Lucia Re, Chair Vera Modigliani (1888-1974), Maria Brandon Albini (1904-1995), and Joyce Lussu (1912-1998) were antifascist activists who emigrated from Italy—fuoriuscite—and wrote novels, memoirs, and poetry about their varied experiences both during their period of exile, and well after it in the course of their literary careers. In my dissertation, I conduct a comparative study of these women’s narratives. I offer a nuanced study of the women’s literary works in order to fill a pronounced gap in current exile literature scholarship of the period, which has focused almost exclusively on male authors. My critical framework for this research is interdisciplinary, structured predominantly around the narrative theory of life writing. In addition, I also pull from exile, feminist, and sociological theory. Ultimately, I demonstrate that there are experiences and literary themes common to the three ii women, despite the fact that they were not closely linked in their exile. -
St. Benedict Joseph Labre Roman Catholic Church 9440 118Th Street Richmond Hill, NY 11419 Rev
St. Benedict Joseph Labre Roman Catholic Church 9440 118th Street Richmond Hill, NY 11419 Rev. John Tino Administrator Rev. Philip J. Pizzo (In Residence) Mr. Wilfredo Gonzalez, Faith Formation Coordinator Ms. Carmencita Bernardo Director of Music Rectory office Phone : (718) 849-4048 - Fax : (718) 846-0732 Email : [email protected] http://www.stbenedictjosephlabre-queens.org Rectory Office Hours : Monday - Friday 9:30AM - 4:30 PM Affiliation: St Mary Gate of Heaven Catholic Academy 104-06 101st Ave, Ozone Park, NY 11416 Phone: (718) 846-0689 Twenty Second Sunday in Ordinary Time - September 1, 2019 SUNDAY MASSES: Saturday Evening at 5:00 PM MISAS DOMINICAL: Sábados 5:00 PM en Inglés; in English; Sunday at 10:00 AM in English and Domingos 10AM en Inglés y 11:30AM en Español. 11 :30 AM in Spanish. M S: De Lunes a Sábado 9:00 AM W M: Monday through Saturday at en Inglés. Primer Viernes y Tercer Jueves del mes 9:00 AM in English. First Friday and Third Thursday se celebra la Misa en Español a las 7:30 PM of the Month at 7:30 PM in Spanish. D P: Por favor vea el boletín. H D M: Please See Bulletin N M M M M N Todos los Lunes después de la Misa de las 9:00AM Every Monday after the 9:00 AM Mass. S B J L S B J L Con Veneración de su reliquia todos los Miércoles In English with Veneration of his relic every después de la Misa de las 9:00 AM en Ingles. -
8Ooth Jubilee Edition the ANGELICUM EDITORIAL STAFF
The Pontifical University of St. Thomas Aquinas THE Spring 2021 ANGELICUM 8ooth Jubilee Edition THE ANGELICUM EDITORIAL STAFF Publisher: Fr. Benedict Croell, O.P. Co-Editors: Mrs. Carmen Luisa Coya-van Duijn, O.P. Sr. Mary Angela Woelkers, SCTJM Editorial team: Mrs. Marta Neri Ms. Lucy Taeuber Mrs. Shena Rossettie Ms. Gianna Bonello-Freund Graphic Design and Layout: Mr. Kaloyan Kanchev Special Thanks to: Fr. Gerard Timoner III, Master of the Order of Preachers Sr. Helen Alford, O.P., Vice Rector Sr. Maria Silva, O.P., Director of Administration International Dominican Foundation Fr. Allen Moran, O.P., President Mrs. Melanie Hoeman A portrait of St. Dominic: Tender as a mother, strong as a Diamond. - Henri-Dominique Lacordaire, O.P. Either he talked to God, or he talked about God. Dominic was gifted with great holiness and was sustained by an intense impetus of divine fervor. - Libellus, Bl. Jordan of Saxony, O.P. Cover: Credit: Steve Trank and Agenzia Romano Siciliani Left: Detail of Our Lady of the Rosary, 16th century, from the Angelicum choir Credit: Steve Trank Right, top to bottom: Image of Our Lady of the Rosary, a copy of the Angelicum choir original, being assembled in Ohio. Photo: Fr. Dan Dury Credit: Agenzia Romano Siciliani Dominican brothers share in the cloister between classes. Credit: Agenzia Romano Siciliani Find Us on social Media TABLE OF CONTENTS Letter from 4 the Grand Chancellor Letter from 5 the Director Meet visiting Professor 6 Matts Wahlberg 7 Interview with the Rector Our Lady of the Rosary: 8 uniting Rome and Ohio 10 800th Jubilee of the Dominican Order and the Madonna of San Luca 12 Alumni spotlight: Chris Owens Luigi Stacchi: 37 years of 13 service and memories University 14 Announcements The Angelicum 15 academic journal How to support the 18 Angelicum Letter from the Grand Chancellor Dear Friends of the Angelicum, It has been an unprecedented, unexpected and unforgettable year. -
Degree Y Ear Name of Author This Is a Thesis Accepted for a Higher
REFERENCE ONLY UNIVERSITY OF LONDON THESIS Degree y ear Name of Author COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished typescript and the copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of the above-described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. LOANS Theses may not be lent to individuals, but the Senate House Library may lend a copy to approved libraries within the United Kingdom, for consultation solely on the premises of those libraries. Application should be made to: Inter-Library Loans, Senate House Library, Senate House, Malet Street, London WC1E 7HU. REPRODUCTION University of London theses may not be reproduced without explicit written permission from the Senate House Library. Enquiries should be addressed to the Theses Section of the Library. Regulations concerning reproduction vary according to the date of acceptance of the thesis and are listed below as guidelines. A. Before 1962. Permission granted only upon the prior written consent of the author. (The Senate House Library will provide addresses where possible). B. 1962- 1974. In many cases the author has agreed to permit copying upon completion of a Copyright Declaration. C. 1975 - 1988. Most theses may be copied upon completion of a Copyright Declaration. D. 1989 onwards. Most theses may be copied. This thesis comes within category D. -
St. Benedict Joseph Labre Roman Catholic Church 9440 118Th Street Richmond Hill, NY 11419
St. Benedict Joseph Labre Roman Catholic Church 9440 118th Street Richmond Hill, NY 11419 Rev. John Tino Administrator Rev. Philip J. Pizzo Pastor Emeritus (In Residence) Mr. Wilfredo Gonzalez, Faith Formation Coordinator Ms. Joan Overton, Director of Music Rectory office Phone : (718) 849-4048 - Fax : (718) 846-0732 Email : [email protected] Website: www.stbenedictjosephlabre.org Rectory Office Hours : Monday - Friday 9:30AM - 4:30 PM Twenty Second Sunday in Ordinary Time - September 2, 2018 SUNDAY MASSES: Saturday Evening at 5:00 PM MISAS DOMINICAL: Sábados 5:00 PM en Inglés; in English; Sunday at 10:00 AM in English and Domingos 10AM en Inglés y 11:30AM en Español. 11 :30 AM in Spanish. MISAS SEMANALES: De Lunes a Sábado 9:00 AM en WEEKDAY MASSES: Monday through Saturday at Inglés. Primer Viernes y Tercer Jueves del mes se 9:00 AM in English. First Friday and Third Thursday celebra la Misa en Español a las 7:30 PM DIAS DE PRECEPTOS: Por favor vea el boletín. of the Month at 7:30 PM in Spanish. HOLY DAY MASSES: Please See Bulletin NOVENA A LA MEDALLA MILAGROSA MIRACULOUS MEDAL NOVENA Todos los Lunes después de la Misa de las 9:00AM Every Monday after the 9:00 AM Mass. SAN BENITO JOSÉ LABRE Con Veneración de su reliquia todos los Miércoles ST. BENEDICT JOSEPH LABRE In English with Veneration of his relic every después de la Misa de las 9:00 AM en Ingles. cada Wednesday after the 9:00 AM Mass. In Spanish on Primer Viernes del mes después de la Misa de las 7:30 PM en Español the First Friday of the month after the 7:30 PM Mass.