8Ooth Jubilee Edition the ANGELICUM EDITORIAL STAFF
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Central Province
CENTRAL PROVINCE INITIATE FORMATION 4. STUDY “WITHOUT KNOWLEDGE EVEN ZEAL IS NOT GOOD.” (Proverbs 19: 2) STUDY is the next pillar of the Dominican Order. It is fitting that it should follow Prayer because Dominicans see both as flowing one into the other. To a Dominican Study is the contemplation of ‘Veritas’ (Truth) and God is Truth. So our Study is another form of Prayer which is why the Dominican takes Study so seriously. THE CHURCH Of course Study is not simply the province of the Dominican but is necessary for all Christians, ordained, consecrated and lay. The Church assures us of this: “Since they are called by baptism to lead a life in keeping with the teaching of the gospel, the Christian faithful have the right to a Christian education by which they are to be instructed properly to strive for the maturity of the human person and at the same time to know and live the mystery of salvation”. (Canon 217) The Church encourages all to seek out and pursue this knowledge: “Lay people who are capable and trained may also collaborate in catechetical formation, in teaching the sacred sciences, and in use of the communications media.” (Catechism 906) This knowledge should be shared with others: “In accord with the knowledge, competence, and preeminence which they possess, [lay people] have the right and even at times a duty to manifest to the sacred pastors their opinion on matters which pertain to the good of the Church, and they have a right to make their opinion known to the other Christian faithful with due regard to the integrity of faith and morals…( Canon 212) 1 The Church was founded to spread the kingdom of Christ throughout the world. -
Dominican Spirituality
OurLadyoftheHolyRosaryProvince,OP DOMINICAN SPIRITUALITY Principles and Practice By WILLIAM A. HINNEBUSCH, O.P. Illustrations by SISTER MARY OF THE COMPASSION, O.P. http://www.domcentral.org/trad/domspirit/default.htm DOMINICANSPIRITUALITY 1 OurLadyoftheHolyRosaryProvince,OP FOREWORD Most of this book originated in a series of conferences to the Dominican Sisters of the Congregation of the Most Holy Cross, Amityville, New York, at Dominican Commercial High School, Jamaica, L. I., during the Lent of 1962. All the conferences have been rewritten with some minor deletions and the addition of considerable new material. The first chapter is added as a general introduction to Dominican life to serve as a unifying principle for the rest of the book. I have also adapted the material to the needs of a wider reading audience. No longer do I address the sister but the Dominican. While some matter applies specifically to nuns or sisters, the use of masculine nouns and pronouns elsewhere by no means indicates that I am addressing only the members of the First Order. Though the forms and methods of their spiritual life vary to some degree ( especially that of the secular tertiary), all Dominicans share the same basic vocation and follow the same spiritual path. I must thank the sisters of the Amityville community for their interest in the conferences, the sisters of Dominican Commercial High School for taping and mimeographing them, the fathers and the sisters of other Congregations who suggested that a larger audience might welcome them. I am grateful to the fathers especially of the Dominican House of Studies, Washington, D. -
Early Modern Eyes Intersections Interdisciplinary Studies in Early Modern Culture
Early Modern Eyes Intersections Interdisciplinary Studies in Early Modern Culture General Editor Karl A.E. Enenkel Chair of Neo-Latin Literature Faculty of Arts, University of Leiden P.O. Box 9515, 2300 RA Leiden-NL e-mail: [email protected] Editorial Board W. van Anrooij (University of Leiden) W. de Boer (Miami University) K.A.E. Enenkel (University of Leiden) R.L. Falkenburg (New York University) J.L. de Jong (University of Groningen) E.E.P. Kolfi n (University of Amsterdam) W. Melion (Emory University) K. Murphy (University of Oxford) W. Neuber (Free University of Berlin) H. Roodenburg (P.J. Meertens Institute) P.J. Smith (University of Leiden) R.K. Todd (University of Leiden) C. Zittel (Max Planck Institut, Florence) Advisory Board K. VAN BERKEL (University of Groningen) – F. EGMOND A. GRAFTON (Princeton University) – A. HAMILTON (Warburg Institute) C.L. HEESAKKERS – H.A. HENDRIX (Utrecht University) – F.J. VAN INGEN J.I. ISRAEL (Institute for Advanced Studies, Princeton, N.J.) – M. JACOBS (Free University of Brussels) K.A. OTTENHEYM (Utrecht University) – K. PORTEMAN E.J. SLUIJTER (University of Amsterdam) VOLUME 13 – 2009 Early Modern Eyes Edited by Walter S. Melion and Lee Palmer Wandel LEIDEN • BOSTON 2010 Illustration on the cover: Detail of the “Visitation”. Woodcut illustration to Petrus Canisius’s De Maria Virgine [. .], in Commentarium de Verbi Dei corruptelis [. .] (Ingolstadt, David Sartorius: 1583), book IV, chapter 3, 401. Maurits Sabbebibliotheek, Katholieke Universiteit Leuven. (See also pages 212 and 218 of this volume.) This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Early modern eyes / edited by Walter S. -
History Franciscan Movement 01 (Pdf)
HISTORY OF THE FRANCISCAN MOVEMENT Volume 1 FROM THE BEGINNINGS OF THE ORDER TO THE YEAR 1517 On-line course in Franciscan History at Washington Theological Union Washington DC By Noel Muscat OFM Jerusalem 2008 History of the Franciscan Movement. Volume 1: From the beginnings of the Order to the Year 1517 Course description and contents The Course aims at giving an overall picture of the history of the Franciscan Movement from the origins (1209) until Vatican Council II (1965). It deals primarily with the history of the Franciscan Order in two main sections, namely, from the foundation of the Order until the division into the Conventual and Observant families (1517), and from the Capuchin reform to modern times. Some lectures will also deal with the history of the Order of St. Clare, the Third Order Regular, and the Secular Franciscan Order. Chapter 1: The Franciscan Rule and Its Interpretation. • The form of life of the Gospel and the foundation of an Order (1209-1223). • The canonization of St. Francis and its aftermath (1226). • The generalate of Giovanni Parenti (1227-1232), the chapter of 1230, the question of the Rule and Testament of St. Francis, and the bulla Quo elongati. Chapter 2: Betrayal of the Founder‟s Intention? • The generalate of Elias (1232-1239). • The clericalization of the Order under Haymo of Faversham (1240-1244). • The Friars Minor and studies in the 13th century. Chapter 3: Further interpretation of the Rule and missionary expansion to the East. • The generalate of Crescentius of Iesi (1244-1247). The bulla Ordinem vestrum. • The first Franciscan missions in the Holy Land and Far East. -
Calendar of the Order of Preachers
CALENDAR OF THE ORDER OF PREACHERS JANUARY The Holy Name of Jesus 1 2 3 Blessed Stephana Quinzani, virgin 4 St. Zedislava of Lemberk, lay Dominican & mother, Obligatory memorial 5 6 7 Saint Raymond of Pennafort, priest Obligatory memorial 8 9 10 Blessed Gonsalvo of Amarante, priest; Blessed Ana Monteagudo, virgin 11 Blessed Bernard Scammacca, priest 12 13 14 15 16 17 18 Saint Margaret of Hungary, virgin Obligatory memorial 19 Blessed Andrew of Peschiera, priest 20 21 22 Blessed Antony della Chiesa, priest 23 Blessed Henry Suso, priest 24 25 26 27 Blessed Marcolino de Forlí, priest 28 Saint Thomas Aquinas, priest and doctor of the Church Feast 29 Blessed Villana de' Botti, matron 30 31 Page 1. Section Five: Hagiography FEBRUARY 1 2 3 Blessed Peter of Ruffia, priest and martyr; Blessed Antony of Pavonio, priest and martyr; Blessed Bartholomeo of Cerverio, priest and martyr 4 Saint Catherine de' Ricci, virgin Obligatory memorial Ash Wednesday does not occur before this date. 5 6 7 Anniversary of Deceased Parents 8 9 10 11 12 Blessed Reginald of Orléans, priest Optional memorial 13 Blessed Jordan of Saxony, priest Obligatory memorial 14 15 16 Blessed Nicholas of Paglia, priest 17 18 Blessed John of Fiesole [Fra Angelico], priest Optional memorial 19 Blessed Alvaro of Córdoba, priest 20 Blessed Christopher of Milan, priest 21 22 23 24 Blessed Constantius of Fabriano, priest 25 26 27 28 29 Page 2. Section Five: Hagiography MARCH 1 2 3 4 5 6 7 8 9 10 Ash Wednesday does not occur after this date. 11 12 13 14 15 16 17 18 19 20 21 22 Easter does not occur before this date. -
In PDF 515Kb 130Pp
Selections from the Supplement to the Liturgy of the Hours for the Order of Preachers A Draft Translation of the Proprium Officiorum Ordinis Praedicatorum (1982) for Study and Consultation: Dominican Liturgical Commission, U.S.A. Chicago, 1991 DIFFERENT ELEMENTS IN THE OFFICES: Historical Notes 25. In accord with the General Instruction of the Liturgy of the Hours a short biographical note has been placed at the beginning of the proper Office of each Saint or Blessed. As is the case for some Propers of certain religious families and dioceses, these short biographical notices were written in a fuller manner and edited according to contemporary historico-critical findings by the office of the Postulator General of the Order." Thus, the desire of many has been satisfied, namely, the desire for spiritual nourishment, not only from the second readings of the Office of Readings, but also from the biographical note which describes the unique characteristics of the spiritual life, the teaching, or the pastoral activity of the Saint or Blessed. These notes can serve as an initial introduction to the Saint or Blessed or as a homiletic aid, as well as a source for personal meditation. General Introduction, p. xxxiv. Liturgical Calendar of the Order of Preachers January 3 Bl. Stephana Quinzani, sister and virgin 4 Bl. Zedislava Berkiana, lay Dominican and wife 7 St. Raymond of Penyafort, friar, priest and Master of the Order Memorial 10 Bl. Gonsalvo of Amarante, friar and priest Bl. Ann of the Angels Monteagudo, nun and virgin 11 Bl. Bernard Scammacca, friar and priest 18 St. -
Saint Dominic and the Order of Preachers
Saint Dominic and the Order of Preachers VERY REV. J. B. O'CONNOR, O.P., P. G. PUBLISHED BY THE HOLY NAME BUREAU 138 E. 60th STREET, NEW YORK CITY From http://www2.nd.edu/Departments//Maritain/etext/dominic.htm Nihil Obstat: FR. IGNATIUS SMITH, O.P., S.T.Lr. Ph.D. FR. JOANNES McNICHOLAS, O.P., S.T.Lr. Imprimatur: FR. RAYMUNDUS MEAGHER, O.P., S.T.Lr., Prior Provincial. Die 4. Augusti, 1916. Imprimatur: + JACOBUS JOSEPHUS, Episcopus Columbensis. FIRST EDITION, TWO THOUSAND, DECEMBER, 1916 SECOND EDITION, FIVE THOUSAND, APRIL, 1917 THIRD EDITION, FIVE THOUSAND. JULY, 1919 FOURTH EDITION, TWO THOUSAND, JULY, 1922 Dedicated In Gratitude To My Mother To Whom Under God I Owe My Dominican Vocation Copyright, 1916. by J.B. O'Connor, O.P. TABLE OF CONTENTS · Foreword · Preface PART I THE BIOGRAPHY OF ST. DOMINIC · Birth and Childhood · Education · Canon of Osma · A Mission of State · Missionary Aspirations · The Albigensian Heresy · Failure'vof Papal Legates · His Apostolic Zeal · The Miracle at Fanjeaux · Institution of the Second Order · Adversities · The Inquisition · The Rosary · The Crusade · Refusal of Episcopal Honors · The First Community House · Approval as a Diocesan Community · Council of the Lateran · Disappointment · Meeting of St. Dominic and St. Francis · Innocent III Names the Order · Selection of a Rule · Confirmation of the Order · Dispersion of the Brethren · Miracle at St. Sixtus · The Order and the Universities · Journey to Spain · Foundations in Italy and Poland · The First General Chapter · Preaching in Lombardy and the Third Order · The Second General Chapter · St. Dominic's Character PART II GENIUS OF THE ORDER · Character of the Times · Danger of This Movement · The Struggle Against Rationalism · St. -
Roma 1430-1460. Pittura Romana Prima Di Antoniazzo
Roma 1430-1460. Pittura romana prima di Antoniazzo stefano PETROCCHI Le fonti storiche e biografiche pontificali delineano concor- Presenze marchigiane a Roma demente l’evento giubilare della metà del secolo come un nella prima metà del Quattrocento momento culminante di energie e progetti che sancisce la La più grande impresa della prima metà del secolo, le Storie conclusione della storia medievale della città e per conse- di san Giovanni Battista, realizzata a partire dal 1427 da Gen- guenza l’avvento della Roma moderna. tile da Fabriano nella cattedrale del Laterano, recuperava la Trascorsi trent’anni dal trionfale ritorno di un potere papale tradizione figurativa delle basiliche maggiori. Modello di rife- autorevole e rinnovatore, con la leggendaria entrata in cit- rimento dell’impianto decorativo, diviso in registri con figu- tà di Martino V Colonna (28 settembre 1420), e nonostante re monumentali e riquadri narrativi, era la primitiva navata l’incerto pontificato di Eugenio IV (1431-1447), trascorso per paleocristiana di San Pietro, ancora in opera in quegli anni, nove anni a Firenze, l’elezione di Niccolò V nel 1447 era cari- ribadito da Pietro Cavallini alla fine del Duecento sia in quella ca di attese inedite nella storia secolare di Roma1. ostiense sia nell’altra trasteverina di Santa Cecilia negli anni Segno inequivocabile di una volontà di rifondazione e di del primo giubileo2. Con la riaffermazione dell’antico prototi- una nuova vocazione universalistica della Chiesa era il tra- po, si ricomprendeva simbolicamente anche il disegno politico sferimento della residenza pontificia dalla sua sede storica e e morale di quell’evento. millenaria del Laterano – che aveva tramandato la continuità La presenza a Roma della maggiore produzione di Gentile da imperiale romana – alla cittadella vaticana riunita intorno Fabriano, per estensione e importanza storica, dovette inci- alla basilica di San Pietro, con il mandato di condurre la nuo- dere profondamente sulla pittura locale fermamente ancora- va prospettiva ecumenica aperta dal concilio di Firenze. -
The Mind of a Medieval Inquisitor: an Analysis of the 1273 Compilatio De Novu Spiritu of Albertus Magnus
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Winter 4-19-2018 The Mind of a Medieval Inquisitor: an Analysis of the 1273 Compilatio de Novu Spiritu of Albertus Magnus Emily McKinstry Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the History Commons, and the Religion Commons Let us know how access to this document benefits ou.y Recommended Citation McKinstry, Emily, "The Mind of a Medieval Inquisitor: an Analysis of the 1273 Compilatio de Novu Spiritu of Albertus Magnus" (2018). Dissertations and Theses. Paper 4356. https://doi.org/10.15760/etd.6249 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. The Mind of a Medieval Inquisitor: An Analysis of the 1273 Compilatio de Novu Spiritu of Albertus Magnus by Emily McKinstry A thesis submitted in partial fulfillment of the requirement for the degree of Master of Arts In History Thesis Committee: John Ott, Chair Desmond Cheung David A. Johnson Loren Spielman Portland State University 2018 © 2018, Emily McKinstry Abstract The fight against heresy in medieval Europe has fascinated scholars for centuries. Innumerable books, movies, and even video games have been made about this struggle to combat heresy in the Middle Ages. Despite this apparent fascination with the subject, our understanding of medieval heretics and the inquisitors who prosecuted them remains murky. What we do know is that many medieval people lost their lives, while others were punished with imprisonment or excommunication. -
Early Dominican Mass Chants: a Witness to Thirteenth-Century
4 THE CATFIOLTCUN LVERS I'l'Y OF AMISK 1C.A ,, EARLY DOMINICAN MASS CHANTS A WITNESS TO THIRTEENTH CENTURY CHANT S't'YLE A DISSERTATION Submitted to the Faculty of the Renjamin T. Rome School of Mr~sic of the Ca'tholic University of America in Partial Fulfillment of the Requirements for the Degree Doctor- of Phi.losophy The Reverend Robert R. Maller, O..P. Washington, D. C. 1986 This dissertation was approved by Ruth Steiner * as Director, and by'conrad ~ernierand Cyrilla Barr as Readers. -. Director Reader /I Reader (Dissertation Abstract) EARLY DOMINICAN MASS CHANTS A WITNESS TO THIRTEENTH CENTURY CHANT STYLE by The Reverend Robert B. Haller, 0. P. * I This dissertation is an examination and analysis oE the earliest known sources of Domini,can Mass chants, the process by'which these were edited, and the style of the chant which resulted. To accomplish this, three closely u related chant traditions are studied and compared with the chant of other traditions: the Cistercian chant as edited 9 under Bernard of Clairvaux, the pre-1244 edition of Dominican chant, and the Dominican chant reformed under Numbert of Romans and completed in 1256. By examining the musical ,principles which guided the editors in their work and the cultural and religious pre-suppositions which underlay these principles, the author seeks to gain insight into the editorial process and what that process can reveal about the aesthetic sense of the age in which it is found. By examining early Cistercian and Dominican legislative documents the autho,r provides a brief history of the reforms and the spirit which underlay them. -
Emw Final 1.Indd 43 8/13/07 7:21:13 AM 44 EMWJ 2007, Vol
Early Modern Women: An Interdisciplinary Journal 2007, vol. 2 The Dominicans and Cloistered Women: The Convent of Sant’Aurea in Rome Anne Dunlop n 1358, the artist Lippo Vanni of Siena signed and dated a triptych Inow in the buildings of the Roman Dominican community of Santi Domenico e Sisto (fig. 1).1 The center panel shows the Virgin holding the standing Christ Child while two angels hold a cloth of honor behind their heads. At Mary’s right hand is Saint Dominic, head of the Dominican Order, labeled “DOMINICUS” at his feet and holding a red book and a lily. To her left is a female saint dressed in red and purple, her only attribute a large vase. An area of loss cuts this figure in half, further straining iden- tification, but she is labeled “SCA AURA” at her feet. Perhaps the oddest feature is a small figure of Eve at the Virgin’s feet. Seated with her back to the viewer, Eve is dressed in fur, and she gestures to a blonde, female- headed serpent with her right hand. Below her is a small zone that func- tions like a predella, where the Man of Sorrows is flanked by bust-length images of a second Dominican friar at his right and a bearded saint with a book and a large knife at the left. The friar is identified by the words on the open book he holds, “Veritatem meditabitur guttur meum,” the first words of the Summa contra gentiles of Thomas Aquinas. The iconography is found in other Sienese images of Thomas, while the saint with the knife follows Sienese conventions for the apostle Bartholomew. -
Cristo Vivo Bronze, with Gilt Bronze Crown of Thorns and Perizoma, Probably Intended for Private Devotion
WALTER PADOVANI DIGITAL CATALOGUE 2020 Across Myths, Allegories and Religious Themes We are delighted to present a selection of works that touch on a variety of subjects, but which can be defined by the theme of the sacred and the profane. The allegories of Justice and Peace are represented both by a terracotta bozzetto by Canova’s favourite pupil, Rinaldo Rinaldi (1793-1873) and by two figures in bronze by Francesco Righetti (1748-1819), from models by the Genoese sculptor Francesco Maria Ravaschio (1743-1820). In both these cases the sculptors make use of iconographical attributes to identify their personifications, Rinaldi being the more didactic whilst Ravaschio eschews the usual sword and scales to represent Justice preferring to make use of the Lictors’ fasces. Sculpture, therefore, plays a dominant role in our presentation and this is further illustrated by another piece worthy of mention, the marble Genius of the Hunt by the Milanese sculptor Pompeo Marchesi (1790-1858), probably commissioned by the Russian noblewoman Julija Samojlova who had a grand passion for hunting art. Nevertheless, we also have guest appearances by some paintings, such as our Jupiter and Semele, work of one of the most famous names in Bologna in the late 18th century, Gaetano Gandolfi (1734–1803). This small canvas, with its fluid but compact brushstrokes, captures the culminating moment in the mythological tale, when Jupiter, astride an eagle, appears before his lover Semele wielding in his hand the thunderbolt which will kill her. We move away from mythological works with an early 17th century Italo-Flemish Cristo Vivo bronze, with gilt bronze crown of thorns and perizoma, probably intended for private devotion.