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Maid to Order: Commercial Fetishism and Gender Power
Maid to Order COMMERCIALFETISHISM AND GENDERPOWER In Sex, Madonna has her wits, if not her clothes, about her. The scandal Anne McClintock of Sex is the scandal of S/M: the provocative confession that the edicts of power are reversible. So the critics bay for her blood: a woman who takes sex and money into her own hands must-sooner or later-bare her breast to the knife. But with the utmost artifice and levity, Madonna refuses to imitate tragedy. Taking sex into the street, and money into the bedroom, she flagrantly violates the sacramental edicts of private and public, and stages sexual commerce as a theater of transformation. Madonna's erotic photo album is filled with the theatrical parapher- nalia of S/M: boots, chains, leather, whips, masks, costumes, and scripts. Andrew Neil, editor of the Sunday Times, warns ominously that it thus runs the risk of unleashing "the dark side" of human nature, "with par- ticular danger for women."1 But the outrage of Sex is its insight into con- sensual S/M as high theater.2 Demonizing S/M confuses the distinction between unbridled sadism and the social subculture of consensual fetishism.3 To argue that in consensual S/M the "dominant" has power, and the slave has not, is to read theater for reality; it is to play the world forward. The economy of S/M is the economy of conversion: slave to master, adult to baby, pain to pleasure, man to woman, and back again. S/M, as Foucault puts it, "is not a name given to a practice as old as Eros; it is a massive cultural fact which appeared precisely at the end of the eighteenth century, and which constitutes one of the greatest conver- sions of Western imagination: unreason transformed into delirium of the heart."4 Consensual S/M "plays the world backwards."5 In Sex, as in S/M, roles are swiftly swapped. -
Split Identification: Representations of Rape in Gaspar Noé's Irréversible
DOUGLAS KEESEY California Polytechnic State University Split identification: Representations of rape in Gaspar Noé’s Irréversible and Catherine Breillat’s A ma soeur!/Fat Girl ABSTRACT This article critically examines rape scenes in two films of the ‘new extreme cinema’, Gaspar Noé’s Irréversible (2002) and Catherine Breillat’s A ma sœur!/Fat Girl (2001). On the surface, Noé’s disturbing long-take rape scene is clearly designed to foster empathy with the woman’s experience and to induce a physical aversion to rape. However, a deeper examination of the scene’s ambiguous techniques reveals that they actually work to split the viewer’s identification between the rapist and the woman he attacks. One function of this split is to lead the viewer – who is presumed to be male – along an emotional path from lustful aggression towards empathic understanding. Similarly, the film also provides audiences with a transitional figure – a male character who is almost raped – as someone with whom they can identify on the way towards identifying with the female. But this male character ultimately serves as a negative example when he moves to take revenge – an act which is shown to be an extension of the rape, part of the same masculinist ideology or myth of male inviolability perpetuated through the violation of others. Furthermore, the revenge is revealed as being the male character’s denial of his own complicity in the rape and of his own participation in ‘rape culture’. The rape scene in Breillat’s 1A ma sœur! also induces in the viewer a split identification with the rapist and with the female subjected to attack – in this case a young girl who disturbingly seems to ‘acquiesce’ to the assault. -
2020-05-25 Prohibited Words List
Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 Words Code 2g1c 1 4r5e 1 1 Not Allowed a2m 1 a54 1 a55 1 acrotomophilia 1 anal 1 analprobe 1 anilingus 1 ass-fucker 1 ass-hat 1 ass-jabber 1 ass-pirate 1 assbag 1 assbandit 1 assbang 1 assbanged 1 assbanger 1 assbangs 1 assbite 1 asscock 1 asscracker 1 assface 1 assfaces 1 assfuck 1 assfucker 1 assfukka 1 assgoblin 1 asshat 1 asshead 1 asshopper 1 assjacker 1 asslick 1 asslicker 1 assmaster 1 assmonkey 1 assmucus 1 assmunch 1 assmuncher 1 assnigger 1 asspirate 1 assshit 1 asssucker 1 asswad 1 asswipe 1 asswipes 1 autoerotic 1 axwound 1 b17ch 1 b1tch 1 babeland 1 1 Clouthub Prohibited Word List Our prohibited words include derogatory racial terms and graphic sexual terms. Rev. 05/25/2020 ballbag 1 ballsack 1 bampot 1 bangbros 1 bawdy 1 bbw 1 bdsm 1 beaner 1 beaners 1 beardedclam 1 bellend 1 beotch 1 bescumber 1 birdlock 1 blowjob 1 blowjobs 1 blumpkin 1 boiolas 1 bollock 1 bollocks 1 bollok 1 bollox 1 boner 1 boners 1 boong 1 booobs 1 boooobs 1 booooobs 1 booooooobs 1 brotherfucker 1 buceta 1 bugger 1 bukkake 1 bulldyke 1 bumblefuck 1 buncombe 1 butt-pirate 1 buttfuck 1 buttfucka 1 buttfucker 1 butthole 1 buttmuch 1 buttmunch 1 buttplug 1 c-0-c-k 1 c-o-c-k 1 c-u-n-t 1 c.0.c.k 1 c.o.c.k. -
Chapter 4: the Fetish
UvA-DARE (Digital Academic Repository) The elegant velvet glove: A textual and visual reading of the gothicised female form in Lawrence Durrell’s 'The Alexandria quartet' Kreuiter, A.D. Publication date 2014 Link to publication Citation for published version (APA): Kreuiter, A. D. (2014). The elegant velvet glove: A textual and visual reading of the gothicised female form in Lawrence Durrell’s 'The Alexandria quartet'. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 Chapter 4: The Fetish Introduction Fetishism is a subject that has been examined extensively by many theorists. In this section, I will limit my discussion to the Freudian concept of the fetish. I will indicate how I aim to employ this concept in a reading of the representation of the female characters in the novels of the Quartet. -
Fashion, Bodies, and Objects
Studies in 20th Century Literature Volume 20 Issue 2 French Issue: The Object in France Today: Six essays collected and edited by Article 7 Martine Antle with five essays on French narrative 6-1-1996 Fashion, Bodies, and Objects Jean-François Fourny Ohio State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Fourny, Jean-François (1996) "Fashion, Bodies, and Objects," Studies in 20th Century Literature: Vol. 20: Iss. 2, Article 7. https://doi.org/10.4148/2334-4415.1397 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Fashion, Bodies, and Objects Abstract This essay is based on the assumption that the body has undergone a process of fragmentation that started with "modern" art and commodity fetishism that is being amplified today by an increasingly fetishistic high fashion industry itself relayed by music videos and a gigantic pornography industry. This article begins with a discussion of fetishism and objectification as they appear in high fashion shows where underwear becomes wear (turning the inside into the outside), thus expanding (or dissolving) the traditional notion of pornography because they are both reported in comparable terms by mainstream magazines such as Femmes and less conventional publications such as Penthouse. -
Non Consent Bdsm Stories
Non Consent Bdsm Stories Tardiest and disjoined Torin never aluminise his playfulness! Prasun collided his propaganda walks hither or proper after penuriouslyRoberto pluralised or demodulate and misrules ideographically. indestructibly, ultraist and petrified. Vin dissuade tardily while viscometric Thurston caverns The bdsm submissive role consent plays in the rumpus is so hard you do not help. When to the tender folds right now what is in response to get the filter drunk party, worthless whore story quite a firm grip on the light fragrance of indignation and. This story has other stories and consent among the nail bed and her dreams, told tammy screamed and then you might be. When this story actually feel. Otherwise agree to. Do so beneath contempt that in a team to the right? Every opportunity for his stories on consent goes on the bdsm model of clothing she was worth doing it when we try one. At this story quite severely, consent bondage originating from coercive sex? This story she could stop stop the stories are often explain that. Anna screamed into her stories and consent and the story! She was asleep played over with. As bdsm stories believable within a strong hands become paralyzed, consent can be examined among sexual offenders to feel dependent on me why. Cow miraculously escapes and consent bondage marika says no human and thrashed side streets of bdsm which means that this story of the platform. Please go of consent can avoid the story on her slightly on our submission which gets called into our kiss, mistress jenny wanted her. -
Sexual Fantasy and Masturbation Among Asexual Individuals: an In-Depth Exploration
Arch Sex Behav (2017) 46:311–328 DOI 10.1007/s10508-016-0870-8 SPECIAL SECTION: THE PUZZLE OF SEXUAL ORIENTATION Sexual Fantasy and Masturbation Among Asexual Individuals: An In-Depth Exploration 1 1 2 Morag A. Yule • Lori A. Brotto • Boris B. Gorzalka Received: 4 January 2016 / Revised: 8 August 2016 / Accepted: 20 September 2016 / Published online: 23 November 2016 Ó Springer Science+Business Media New York 2016 Abstract Human asexuality is generally defined as a lack of pants(bothmenandwomen)wereequallylikelytofantasizeabout sexual attraction. We used online questionnaires to investigate topics such as fetishes and BDSM. reasons for masturbation, and explored and compared the con- tentsofsexualfantasiesofasexualindividuals(identifiedusing Keywords Asexuality Á Sexual orientation Á Masturbation Á the Asexual Identification Scale) with those of sexual individ- Sexual fantasy uals. A total of 351 asexual participants (292 women, 59 men) and 388sexualparticipants(221women,167men)participated.Asex- ual women were significantly less likely to masturbate than sexual Introduction women, sexual men, and asexual men. Asexual women were less likely to report masturbating for sexual pleasure or fun than their Although the definition of asexuality varies somewhat, the gen- sexualcounterparts, and asexualmen were less likely to reportmas- erallyaccepteddefinitionisthedefinitionforwardedbythelargest turbating forsexualpleasure than sexualmen. Both asexualwomen online web-community of asexual individuals (Asexuality Visi- andmen weresignificantlymorelikelythansexualwomenand -
How to Feel Like a Woman, Or Why Punishment Is a Drag Mary Anne Franks University of Miami School of Law, [email protected]
University of Miami Law School University of Miami School of Law Institutional Repository Articles Faculty and Deans 2014 How to Feel Like a Woman, or Why Punishment Is a Drag Mary Anne Franks University of Miami School of Law, [email protected] Follow this and additional works at: https://repository.law.miami.edu/fac_articles Part of the Law and Gender Commons, Law and Society Commons, and the Sexuality and the Law Commons Recommended Citation Mary Anne Franks, How to Feel Like a Woman, or Why Punishment Is a Drag, 61 UCLA L. Rev. 566 (2014). This Article is brought to you for free and open access by the Faculty and Deans at University of Miami School of Law Institutional Repository. It has been accepted for inclusion in Articles by an authorized administrator of University of Miami School of Law Institutional Repository. For more information, please contact [email protected]. How to Feel Like a Woman, or Why Punishment Is a Drag Mary Anne Franks ABSTRACT If a man in prison says that he was made -to feel like a woman," this is commonly understood to mean that he was degraded, dehumanized, and sexualized. This association of femininity with punishment has significant implications for the way our society understands not only the sexual abuse of men in prison but also sexual abuse generally These important implications are usually overlooked, however, because law and society typically regard prison feminization as a problem of gender transposition: that is, as a problem of men being treated like women. In contrast, this Article argues that feminization is punitive for both men and women. -
The “Jūdō Sukebei”
ISSN 2029-8587 PROBLEMS OF PSYCHOLOGY IN THE 21st CENTURY Vol. 9, No. 2, 2015 85 THE “JŪDŌ SUKEBEI” PHENOMENON: WHEN CROSSING THE LINE MERITS MORE THAN SHIDŌ [MINOR INFRINGEMENT] ― SEXUAL HARASSMENT AND INAPPROPRIATE BEHAVIOR IN JŪDŌ COACHES AND INSTRUCTORS Carl De Crée University of Rome “Tor Vergata”, Rome, Italy Ghent University, Ghent, Belgium International Association of Judo Researchers, United Kingdom E-mail: [email protected] Abstract The sport of jūdō was intended as an activity “for all”. Since in 1996 a major sex abuse scandal broke out that involved a Dutch top jūdō coach and several female elite athletes, international media have identified many more abuses. To date no scholarly studies exist that have examined the nature, extent, and consequences of these anomalies. We intend in this paper to review and analyze sexual abuses in jūdō. To do so we offer a descriptive jurisprudence overview of relevant court and disciplinary cases, followed by a qualitative-analytical approach looking at the potential factors that prompt jūdō-related bullying and sexual harassment. Sex offenders may be attracted to jūdō because of: 1. the extensive bodily contact during grappling, 2. the easy access to voyeuristic opportunities during contest weigh-ins and showering, 3. Jūdō’s authoritarian and hierarchical structure as basis for ‘grooming’, 4. lack of integration of jūdō’s core moral component in contemporary jūdō coach and instructor education, and 5. its increasing eroti- cization by elite jūdō athletes posing for nude calendars and media and by specialized pornographic jūdō manga and movies. Cultural conceptions and jurisprudence are factors that affect how people perceive the seriousness and how these offences are dealt with. -
Submitting to the Discipline of Sexual Intimacy? Online Constructions of BDSM Encounters
Submitting to the discipline of sexual intimacy? Online constructions of BDSM encounters by Saskia Wolfaardt A mini‐dissertation submitted in partial fulfilment of the requirements for the degree MA Clinical Psychology in the Department of Psychology at the UNIVERSITY OF PRETORIA FACULTY OF HUMANITIES SUPERVISOR: Prof T Bakker January 2014 © University of Pretoria i Acknowledgements Thank you to my participants for trusting me with your intimate journeys and for letting me share it with others. Thank you to my academic supervisor, Prof Terri Bakker, for questions rather than answers, for your sincere interest and curiosity and for all your patience. Thank you to Ingrid Lynch, for your unwavering support, encouragement, endurance and patience. Thank you for the read, reread and re‐reread. Thank you for trusting that I would finish… eventually. Thank you to my parents and brother for your continuous love, support, motivation and faith in me throughout my academic career and for always communicating how proud you are of me in whichever impossible decision I make. © University of Pretoria ii Abstract BDSM (bondage, discipline/dominance, submission/sadism and masochism) has recently gained greater visibility in dominant discourses around sexuality. However, these depictions are often constructed in rigid ways to typically exclude experiences of sexual intimacy. Despite this apparent exclusion, constructions of subspace (an altered mental state induced through BDSM encounters) on online blogs intrigued me to consider it as an alternative to widely accepted notions of sexual intimacy. Using a poststructuralist theoretical framework, I conducted an online ethnographic study in which I explored the varied ways in which self‐ identified South African BDSM individuals construct meaning around sexual intimacy. -
Discipline with Dignity. INSTITUTION Association for Supervision and Curriculum Development, Alexandria, Va
DOCUMENT RESUME ED 302 938 EA 020 626 AUTHOR Curwin, Richard L.; Mendler, Allen N. TITLE Discipline with Dignity. INSTITUTION Association for Supervision and Curriculum Development, Alexandria, Va. REPORT NO ISBN-0-87120-154-2 PUB DATE 88 NOTE 279p. AVAILABLE FROMASCD, 125 N. West Street, Alexandria, VA 22314-2798 (Stock No. 611-88166; $9.95). PUB TYPE Books (010) -- Guides - }on- Classroom Use (055) -- Reports - Descriptive (141) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Behavior Problems; *Classroom Techniques; Codes of Ethics; *Discipline; Discipline Policy; *Discipline Problems; Elementary Secondary Education; Obedience; Punishment; Sanctions; Self Control; Student Behavior; Teacher Behavior; *Teacher '_response; *Teacher Student Relationship ABSTRACT Theoretically and practically, this book helps teachers develop a repertoire of practical consequences to use when students forget or do not know how to perform the behaviors agreed upon in their social contracts. A range of strategies are suggested for creating additional consequences and encouraging treating students in fair, dignified, and individualized ways. The book respects students' individuality and notes the distinction between consequence and punishment. Thus the process and strategies presented are intended to enhance student self-esteem, to invest social problem-solving and self-regulation as serious components of curriculum and instruction, and to cast teachers as professional educators--mediators of learning--rather than policemen. Titles of the book's 12 chapters are "Discipline," "Dignity and Responsibility in the Classroom," "Three-Dimensional Discipline," "The Social Contract," "Consequences," "Taking Action," "Stress and Discipline," "Creative Discipline for Out-of-Control Students," "Discipline and the Process of Teaching," "Special Problems," "Twenty Questions," and "Conclusion." Appended are a behavior management inventory, a school discipline survey form, and a nine-page bibliography. -
Clinical Practice Guidelines for Working with People with Kink Interests DECEMBER 2019
Clinical Practice Guidelines for Working with People with Kink Interests DECEMBER 2019 Developed by the Kink Clinical Practice Guidelines Project kinkguidelines.com Clinical Practice Guidelines for Working with People with Kink Interests Table of Contents Kink Clinical Practice Guidelines Project ................................................................................................. 4 Citation: .................................................................................................................................................. 4 Purpose .................................................................................................................................................. 4 Cultural and Professional Context for Developing these Practice Guidelines ............................ 5 Process of Developing these Practice Guidelines ............................................................................ 6 Clinical Practice Guidelines for Working with People with Kink Interests ....................................... 8 Guideline 1: Clinicians understand that kink is used as an umbrella term for a wide range of consensual erotic or intimate behaviors, fantasies, relationships, and identities. ................... 8 Guideline 2: Clinicians will be aware of their professional competence and scope of practice when working with clients who are exploring kink or who are kink-identified, and will consult, obtain supervision, and/or refer as appropriate to best serve their clients. .... 10 Guideline 3: Clinicians understand