Yale Journal of Music & Religion Volume 1 | Number 1 Article 4 2015 Buddhism as Performing Art: Visualizing Music in the Tibetan Sacred Ritual Music Liturgies Jeffrey W. Cupchik Follow this and additional works at: http://elischolar.library.yale.edu/yjmr Part of the Ethnomusicology Commons, History of Religions of Eastern Origins Commons, Liturgy and Worship Commons, Medieval Studies Commons, Musicology Commons, Music Performance Commons, Music Practice Commons, Performance Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Cupchik, Jeffrey W. (2015) "Buddhism as Performing Art: Visualizing Music in the Tibetan Sacred Ritual Music Liturgies," Yale Journal of Music & Religion: Vol. 1: No. 1, Article 4. DOI: https://doi.org/10.17132/2377-231X.1010 This Article is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale Journal of Music & Religion by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact
[email protected]. 31 Buddhism as Performing Art Visualizing Music in the Tibetan Sacred Ritual Music Liturgies Jeffrey W. Cupchik If the perfection of generosity Were the alleviation of the world’s poverty, Then since beings are still starving now, In what manner did the previous Buddhas perfect it? The perfection of generosity is said to be The thought to give all beings everything, Together with the fruit of such a thought; Hence it is simply a state of mind.1 —Shantideva, eighth-century Buddhist philosopher, Nalanda Monastic University, India Introduction: Chöd Studies—an Interdisciplinary Approach The last three decades have signaled a gradual increase in the amount of Western scholarship produced exclusively on Chöd (Tib.