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Biogeography of the Blue Crab Fishery, Barataria Estuary, Louisiana. Eugene Jaworski Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1971 Biogeography of the Blue Crab Fishery, Barataria Estuary, Louisiana. Eugene Jaworski Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Jaworski, Eugene, "Biogeography of the Blue Crab Fishery, Barataria Estuary, Louisiana." (1971). LSU Historical Dissertations and Theses. 1929. https://digitalcommons.lsu.edu/gradschool_disstheses/1929 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 71-20,601 JAWORSKI, Eugene, 1941- BIOGEOGRAPHY OF THE BLUE CRAB FISHERY, BARATARIA ESTUARY, LOUISIANA. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1971 Ecology University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED BIOGEOGRAPHY OF THE BLUE CRAB FISHERY, BARATARIA ESTUARY, LOUISIANA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Geography and Anthropology by Eugene Jaworski B.S., University of Wisconsin, Madison, 1966 January, 1971 ACKNOWLEDGMENT Sincere gratitude Is extended to Dr. William G. Mclntire, chairman of the dissertation committee, whose guidance and understanding made the project possible. Special thanks go to Dr. Jack R. Van Lopik, for arranging financial support through Louisiana State University's Sea Grant Program. -
Population Ecology of the Ribbed Mussel in Southeastern Louisiana
POPULATION ECOLOGY OF THE RIBBED MUSSEL IN SOUTHEASTERN LOUISIANA A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Science in The School of Renewable Natural Resources by Aaron Jacob Honig B.S. Tufts University, 2006 May 2013 I have argued in this book that we are human in good A human being is a part of the whole called by part because of the particular way we affiliate with us universe, a part limited in time and space. He other organisms. They are the matrix in which the experiences himself, his thoughts and feeling as human mind originated and is permanently rooted, something separated from the rest, a kind of and they offer the challenge and freedom innately optical delusion of his consciousness. This sought. To the extent that each person can feel like a delusion is a kind of prison for us, restricting us naturalist, the old excitement of the untrammeled to our personal desires and to affection for a few world will be regained. I offer this as a formula of persons nearest to us. Our task must be to free reenchantment to invigorate poetry and myth: ourselves from this prison by widening our circle mysterious and little known organisms live within of compassion to embrace all living creatures walking distance of where you sit. Splendor awaits in and the whole of nature in its beauty. minute proportions. Albert Einstein E. O. Wilson, Biophilia The Road goes ever on and on So speak out loud of Down from the door where it began. -
2018 Illustrated Parade Notes
L’Ancienne Nouvelle-Orléans 1. Rex, King of Carnival, Monarch of Merriment - Rex’s float carries the King of Carnival and his pages through the streets of New Orleans each Mardi Gras. In the early years of the New Orleans Carnival Rex’s float was redesigned each year. The current King’s float, one of Carnival’s most iconic images, has been in use for over fifty years. 2. His Majesty’s Bandwagon - From this traditional float one of the Royal Bands provides lively music for Rex and for those who greet him on the parade route. One of those songs will surely be the Rex anthem: “If Ever I Cease to Love,” which has been played in every Rex parade since 1872. 3. The King’s Jesters - Even the Monarch of Merriment needs jesters in his court. Rex’s jesters dress in the traditional colors of Mardi Gras – purple, green and gold. The papier mache’ figures on the Jester float are some of the oldest in the Rex parade and were sculpted by artists in Viareggio, Italy, a city with its own rich Carnival tradition. 4. The Boeuf Gras - The Boeuf Gras (“the fattened ox”) represents one of the oldest traditions and images of Mardi Gras, symbolizing the great feast on the day before Lent begins. In the early years of the New Orleans Carnival a live Boeuf Gras, decorated with garlands, had an honored place near the front of the Rex Parade. The Boeuf Gras returned in 1959 as a magnificent papier mâché sculpture. 5. The Butterfly King - Since the earliest days of Carnival, butterflies have been popular symbolic design elements, their brief and colorful life a metaphor for the ephemeral magic of Mardi Gras itself. -
EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards. -
A Medley of Cultures: Louisiana History at the Cabildo
A Medley of Cultures: Louisiana History at the Cabildo Chapter 1 Introduction This book is the result of research conducted for an exhibition on Louisiana history prepared by the Louisiana State Museum and presented within the walls of the historic Spanish Cabildo, constructed in the 1790s. All the words written for the exhibition script would not fit on those walls, however, so these pages augment that text. The exhibition presents a chronological and thematic view of Louisiana history from early contact between American Indians and Europeans through the era of Reconstruction. One of the main themes is the long history of ethnic and racial diversity that shaped Louisiana. Thus, the exhibition—and this book—are heavily social and economic, rather than political, in their subject matter. They incorporate the findings of the "new" social history to examine the everyday lives of "common folk" rather than concentrate solely upon the historical markers of "great white men." In this work I chose a topical, rather than a chronological, approach to Louisiana's history. Each chapter focuses on a particular subject such as recreation and leisure, disease and death, ethnicity and race, or education. In addition, individual chapters look at three major events in Louisiana history: the Battle of New Orleans, the Civil War, and Reconstruction. Organization by topic allows the reader to peruse the entire work or look in depth only at subjects of special interest. For readers interested in learning even more about a particular topic, a list of additional readings follows each chapter. Before we journey into the social and economic past of Louisiana, let us look briefly at the state's political history. -
Circuito Etrusco Sabino 2019 Classifica Finale a Squadre
CIRCUITO ETRUSCO SABINO 2019 CLASSIFICA FINALE A SQUADRE 1 ASD Team Bike Palombara Sabina 58932 2 ASD Ciclimontanini.it 17172 3 GC Canino ASD 12903 4 ASD Temerari Tivoli 12562 5 ASD 'Vo2 Cycling Lab 11891 6 ASD Team Castello Bike-Race Mountain 11705 7 Team Bike Viterbo 2002 ASD 9976 8 ASD MTB Santa Marinella Cicli Montanini 9660 9 ASD Cicli Fatato 9383 10 Custom4 RDR Factory Team 9310 11 MTB CLUB VITERBO ASD 9201 12 ASD MBM (MOBILITY BIKE MOTION) 8540 13 ASD Bike Garage Racing Team 7668 14 Team Marathon Bike 7014 15 ASD CICLI CARLETTI 6628 16 ASD Wb Family 6550 17 ASD MA.AN.RT. 6403 18 ASD NW Sport Cicli Conte Fans Bike 5655 19 ASD ANIENE BIKE TEAM 5177 20 Team Vittorio Bike ASD 5145 21 ASD Il Biciclo Team New Limits 4809 22 ASD CICLO TECH 4769 23 ACIDO LATTICO MTB PASSO CORESE 4649 24 ASD BIKESHOP TEAM ROMA 4498 25 ASD Kento Racing Team 4497 26 GRUPPO MTB PEDALANDO 3910 27 Team Bike Race Mountain Civitavecchia 3719 28 ASD Team Bike Civitavecchia 3532 29 Triono Racing Medical Frem 3489 30 ASD NUOVA CICLISTI FORANO 3484 31 ASD BIKE FARM RACE TEAM 3460 32 CICLISTICA L'AQUILA A.PICCO ASD 3406 33 ASD Alatri Bike 3104 34 AS Dilettantistica Bike Lab Scuola 3085 35 ASD CUSTOM4.IT CYCLING TEAM 3024 36 ASD Vittorio Bike Montefogliano 2930 37 Asd Team Eurobici Orvieto 2911 38 ASD Tibur Bike Team 2725 39 Asd Team Carbon Lr Bike 2704 40 ASD Civitavecchiese F.lli Petito 2473 41 ACD Sc Centro Bici Team Terni 2403 42 ASD G.C. -
Jahresbericht Der Hochschule Für Musik Und Theater München Zum Studienjahr 2010/2011 Hochschule Für Musik Und Theater München Präsident Prof
Jahresbericht der Hochschule für Musik und Theater München zum Studienjahr 2010/2011 Hochschule für Musik und Theater München Präsident Prof. Dr. Siegfried Mauser Arcisstraße 12 80333 München Tel. 089 / 289-03 Fax 089 / 289-27419 E-Mail: [email protected] www.musikhochschule-muenchen.de Jahresbericht zum Studienjahr 2010 / 2011 Redaktionsstand: 12.8.2011 Zusammenstellung, Redaktion und nicht namentlich gezeichnete Texte: Dorothee Göbel M.A. Fotos (sofern nicht anders angegeben): Pressestelle der Hochschule für Musik und Theater München Chronologischer Rückblick: Kathrin Zeitler M.A. Berichte aus den Klassen und Abteilungen: Constanze Richter M.A. Verantwortlich für die Absolventendateien: Prüfungsamt der Hochschule für Musik und Theater München Verantwortlich für das Lehrerverzeichnis: Regina Eham Verantwortlich für das Studentenverzeichnis: Merike Steinert Grafi k und Gestaltung: Kay Fretwurst, Spreeau Druck: panta rhei c.m., 82152 Martinsried Inhalt Chronologischer Rückblick auf das Studienjahr . 9 Immatrikulationsfeier Siegfried Mauser Zur Eröffnung des Studienjahrs 2010/2011 Rede anlässlich der Immatrikulationsfeier am 18.10.2010 . 59 Maurice Lausberg »Kultur braucht Unternehmertum!« – Immatrikulationsrede zur Eröffnung des Studienjahrs 2010/2011 am 18.10.2010 . 65 Stefan Eisner und Hedwig Raschke … das wohl bedeutendste Semester seit langem! Rede der Studentenvertretung bei der Immatrikulationsfeier 2010/2011 . 69 Texte aus dem Studienjahr Frizz Lauterbach Musikjournalismus auf den Medientagen 2010 . 75 Christine Schornsheim, Flóra Fábri Zweimal Tokyo – Erfahrungen als Gastprofessorin und als Gaststudentin 78 Sepp Hornsteiner Volksmusik in großer Vielfalt Rückblick auf die Volksmusiknacht 2011 . 87 Oliver Stahl Schulmusiker-Orchester meets Klasse 9c des Gymnasiums Kolleg der Schulbrüder Illertissen . 89 Diemut Köhler Franz Massinger zum Gedenken . 92 Tatiana Flickinger »Innige Betroffenheit beim ersten Mal mit der Matthäus-Passion« Zur Realisierung eines studiengangsübergreifenden Großprojekts . -
Composers and Works List
Composers and Works List Adams, John Coolidge (American, 1947-) Common Tones in Simple Time Grand Pianola Music Harmonielehre Shaker Loops The Chairman Dances Two Fanfares for Orchestra Adams, John Luther (American, 1953-) Dark Waves The Farthest Place The Light that Fills the World Addinsell, Richard Stewart (British, 1904-1977) A Christmas Carol Suite Warsaw Concerto Agapkin, Vasily Ivanovich (Russian, 1884-1964) Farewell to Slavianka Albéniz y Pascual, Isaac Manuel Francisco (Spanish, 1860-1909) Suite española, Op 47 Alexandrov, Alexander Vasilyevich (Russian, 1883-1946) Sacred War Soviet National Anthem Alfvén, Hugo Emil (Swedish, 1872-1960) Symphony 1, Op 7 Symphony 2, Op 11 Swedish Rhapsody 1, Op 19 'Midsummer Vigil' Symphony 3, Op 23 The Mountain King, Op 37 Symphony 4, Op 39 'From the Outermost Skerries' Andriessen, Hendrik Franciscus (Dutch, 1892-1981) Ricercare Symphony 2 Symphony 3 Andriessen, Jurriaan Hendrik (Dutch, 1925-1996) Rococo Concerto Antheil, George (American, 1900-1959) A Jazz Symphony Capital of the World Hot-Time Dance Jazz Sonata 4 Specter of the Rose Symphony 3 ‘American’ Symphony 4 ‘1942’ Symphony 5 Symphony 6 Arnič, Blaž (Slovenian, 1901-1970) Overture to a Comic Opera, Op 11 Symphony 5, Op 22 'Particularistic' Artyomov, Vyacheslav Petrovich (Russian, 1940-) Guria Hymn Requiem Atterberg, Kurt Magnus (Swedish, 1887-1974) Symphony 1, Op 3 Symphony 2, Op 6 Auerbach, Lera (Russian-American, 1974-) Icarus, symphonic poem Symphony 1 ‘Chimera’ Bach, Johann Sebastian -
Elenco Permanente Degli Enti Iscritti 2020 Associazioni Sportive Dilettantistiche
Elenco permanente degli enti iscritti 2020 Associazioni Sportive Dilettantistiche Prog Denominazione Codice fiscale Indirizzo Comune Cap PR 1 A.S.D. VISPA VOLLEY 00000340281 VIA XI FEBBRAIO SAONARA 35020 PD 2 VOLLEY FRATTE - ASSOCIAZIONE SPORTIVA DILETTANTISTICA 00023810286 PIAZZA SAN GIACOMO N. 18 SANTA GIUSTINA IN COLLE 35010 PD 3 ASSOCIAZIONE CRISTIANA DEI GIOVANI YMCA 00117440800 VIA MARINA 7 SIDERNO 89048 RC 4 UNIONE GINNASTICA GORIZIANA 00128330313 VIA GIOVANNI RISMONDO 2 GORIZIA 34170 GO 5 LEGA NAVALE ITALIANA SEZIONE DI BRINDISI 00138130745 VIA AMERIGO VESPUCCI N 2 BRINDISI 72100 BR 6 SCI CLUB GRESSONEY MONTE ROSA 00143120079 LOC VILLA MARGHERITA 1 GRESSONEY-SAINT-JEAN 11025 AO 7 A.S.D. VILLESSE CALCIO 00143120319 VIA TOMADINI N 4 VILLESSE 34070 GO 8 CIRCOLO NAUTICO DEL FINALE 00181500091 PORTICCIOLO CAPO SAN DONATO FINALE LIGURE 17024 SV 9 CRAL ENRICO MATTEI ASSOCIAZIONE SPORTIVA DILETTANTISTICA 00201150398 VIA BAIONA 107 RAVENNA 48123 RA 10 ASDC ATLETICO NOVENTANA 00213800287 VIA NOVENTANA 136 NOVENTA PADOVANA 35027 PD 11 CIRCOLO TENNIS TERAMO ASD C. BERNARDINI 00220730675 VIA ROMUALDI N 1 TERAMO 64100 TE 12 SOCIETA' SPORTIVA SAN GIOVANNI 00227660321 VIA SAN CILINO 87 TRIESTE 34128 TS 13 YACHT CLUB IMPERIA ASSOC. SPORT. DILETT. 00230200081 VIA SCARINCIO 128 IMPERIA 18100 IM 14 CIRCOLO TENNIS IMPERIA ASD 00238530083 VIA SAN LAZZARO 70 IMPERIA 18100 IM 15 PALLACANESTRO LIMENA -ASSOCIAZIONE DILETTANTISTICA 00256840281 VIA VERDI 38 LIMENA 35010 PD 16 A.S.D. DOMIO 00258370329 MATTONAIA 610 SAN DORLIGO DELLA VALLE 34018 TS 17 U.S.ORBETELLO ASS.SP.DILETTANTISTICA 00269750535 VIA MARCONI 2 ORBETELLO 58015 GR 18 ASSOCIAZIONE POLISPORTIVA D.CAMPITELLO 00270240559 VIA ITALO FERRI 9 TERNI 05100 TR 19 PALLACANESTRO INTERCLUN MUGGIA 00273420323 P LE MENGUZZATO SN PAL AQUILINIA MUGGIA 34015 TS 20 C.R.A.L. -
Jean Lafitte: History and Mystery
National Park Service Jean Laf itte U.S. Department of the Interior Jean Lafitte National Historical Park and Preserve Jean Lafitte: History and Mystery Who Was Jean Lafitte? Mystery and legend surround the life of Jean Lafitte. Was he a pirate, a patriot, or both? Is his last name spelled "Lafitte" or "Laffite"? Even the date and place of his birth and death are unknown. He was probably born in the early 1780s in either France or the French colony of St. Domingue (now Haiti) in the Caribbean. By 1810 he was in Louisi ana with his older brother Pierre. They might have been businessmen in New Orleans or independent privateers before becoming associated with the smugglers of Barataria. Pirates, Smugglers, and Lafitte always insisted that if he committed any Lafitte also always insisted that he was a privateer, Privateers crime, it was smuggling, and he blamed American not a pirate. (He was actually more of a land-based laws for forcing him into illegal activities. In 1807 the businessman than a privateer or pirate at sea.) A United States outlawed trade with Great Britain and privateer has permission from a government at war France because of the Napoleonic Wars in Europe. to capture any enemy ships. Merchants in New Orleans began to run out of goods to sell. The city of Cartagena in present-day Colombia had rebelled against Spain and gave permission Around the same time it became illegal to bring through letters of marque for privateers, includ slaves from Africa into Louisiana; it later became ing Lafitte's men, to capture Spanish ships and the illegal to import slaves into the rest of the United goods and slaves on board. -
Decca Discography
DECCA DISCOGRAPHY >>V VIENNA, Austria, Germany, Hungary, etc. The Vienna Philharmonic was the jewel in Decca’s crown, particularly from 1956 when the engineers adopted the Sofiensaal as their favoured studio. The contract with the orchestra was secured partly by cultivating various chamber ensembles drawn from its membership. Vienna was favoured for symphonic cycles, particularly in the mid-1960s, and for German opera and operetta, including Strausses of all varieties and Solti’s “Ring” (1958-65), as well as Mackerras’s Janá ček (1976-82). Karajan recorded intermittently for Decca with the VPO from 1959-78. But apart from the New Year concerts, resumed in 2008, recording with the VPO ceased in 1998. Outside the capital there were various sessions in Salzburg from 1984-99. Germany was largely left to Decca’s partner Telefunken, though it was so overshadowed by Deutsche Grammophon and EMI Electrola that few of its products were marketed in the UK, with even those soon relegated to a cheap label. It later signed Harnoncourt and eventually became part of the competition, joining Warner Classics in 1990. Decca did venture to Bayreuth in 1951, ’53 and ’55 but wrecking tactics by Walter Legge blocked the release of several recordings for half a century. The Stuttgart Chamber Orchestra’s sessions moved from Geneva to its home town in 1963 and continued there until 1985. The exiled Philharmonia Hungarica recorded in West Germany from 1969-75. There were a few engagements with the Bavarian Radio in Munich from 1977- 82, but the first substantial contract with a German symphony orchestra did not come until 1982. -
Johann Strauss (1825-1899) Waltzes, Polkas & Overtures
Johann Strauss (1825-1899) Waltzes, Polkas & Overtures 1. Tritsch-Tratsch Polka, RV 214 2’48 2. “Die Fledermaus” Overture, RV 503-1 8’28 3. Czárdas from “Die Fledermaus”, RV 503-2 4’42 4. Nordseebilder (North Sea Pictures), Walzer, RV 390 9’25 5. Im Sturmschritt (At the double), Polka schnell, RV 348 2’17 6. Neue Pizzicato-Polka (New Pizzicato-Polka), RV 449 2’56 7. Perpetuum mobile, RV 257-2 2’51 8. Frühlingsstimmen (Voices of Spring), Walzer, RV 410 6’42 9. “Der Zigeunerbaron” (The Gypsy Baron) Overture, RV 511-1 8’07 10. An der schönen blauen Donau (The Blue Danube), Walzer, RV 314 10’53 11. Egyptischer Marsch (Egyptian March), RV 335 5’11 12. Éljen a Magyar (Hail to Hungary), Polka, RV 332 2’52 13. Furioso-Polka, quasi Galopp, RV 260 2’34 Anima Eterna Jos van Immerseel, cond. ENGLISH Genèse du projet Brahms fut un grand admirateur de Strauss. Il y a peu de temps encore, j’avais du mal à comprendre cela car, comme de nombreux musiciens, je trouvais la musique de Strauss un peu trop facile. Ce n’était pas encore le cas lorsque, à l’âge de dix ans, je déchiffrais les valses au piano sous l’œil attentif de mon premier professeur particulier. J’aimais cette musique mais le plaisir fut de courte durée. À l’école de musique où je fus ensuite élève, il était en effet interdit de jouer Strauss (et de prendre plaisir à quelque chose) ; Bach et Czerny prirent place sur le pupitre.