Non-Precious Jewellery : Methods and Techniques Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Non-Precious Jewellery : Methods and Techniques Pdf, Epub, Ebook NON-PRECIOUS JEWELLERY : METHODS AND TECHNIQUES PDF, EPUB, EBOOK Kathie Murphy | 128 pages | 15 May 2013 | Bloomsbury Publishing PLC | 9780713687293 | English | London, United Kingdom Non-precious Jewellery : Methods and Techniques PDF Book As with anything that's rare, demand for these types of stones often outstrips supply. International Stores. Paperback: pages Author: Joe Silvera. Learn Browse by technique and find a new skill to take into your next design. At the end of the day your rings will be sent off to be hallmarked and have any engraving or stones added extra costs may be involved. Along with a helpful guide to the essential tools you will need, youll find that each chapter includes a thorough introduction to the properties and possibilities of each material and an examination of the techniques possible with that material. The imperial crown made in Prague by a Dutch goldsmith Jan Vermeyen, is perhaps the acme of central European goldsmith's work. On one occasion the fragility of the thread of these pearls placed her in an embarrassing situation, on the very day of her presentation at the Palace of Versailles. The accurate and up-to-date content is accompanied by a large number of photos and drawings that help to facilitate all of the processes shown, including stamping, polishing, casting, and beveling. The art of enamelling was not entirely superseded by the new, increased importance of stones, and it attained a degree of perfection never equalled before. In the deliciously Rococo palaces built by king, landgrave and elector, festivity followed festivity and gave pretext for parures, which were hardly less magnificent than the French crown jewels. This is achieved by adding the enamel powder into a cell backed by a sheet of copper foil or a similar metal. As a consultant to the Worshipful Company of Goldsmiths and the World Gold Council, among others, he has been at the forefront of technical development. Another related embossing technique is known as Chasing. Beading with World Beads Explore a world of beads! Greville dining at Devonshire House in was astonished to recognize in the tiara of Lady Conyngham the Stuart sapphire, only recently returned to the royal treasury. Get Creative, Be Inspired or Learn something new. Tom delivers an in depth, clearly defined method for a variety of uses, not just jewelry making. Occasionally these bows are grouped to form necklaces en lacs - a fashion that was to remain popular in England and Spain as well as France until the 18th century. Green and blue enamels are favorite choices, as they show a palette of rich shades when used with basse-taille. Ways to contact us Email More ways to get in touch with Cooksongold. Filter results. Non-precious Jewellery : Methods and Techniques Writer Includes sections on the three types of casting, stones used for jewelry and methods of setting stones. The Art and Craft of Making Jewelry. But the wars gave rise to financial difficulties and the French government was obliged to use the largest pieces as securities for loans: the Regent diamond was placed with the banker Treskow in Berlin, the Sancy diamond at Madrid with the Marquis d'Iranda, while both men furnished the Republic with much needed horses. For the latest precious metal prices, click here. The champleve technique enamelling done with vitreous powders in channels cut in a metal base proved a success also. This method was not uncommon: the inventory of Madame de Pompadour also refers to 'diamonds tinted green' and 'yellow diamonds with assisted colour'. From her father she had inherited splendid rubies and a large sapphire which she had preserved, as the portrait in the National Gallery shows, in the setting of the Tudor Rose. Supports Open Access. Hundreds of color photographs illustrate the procedures in rich detail, and display a breathtaking assortment of pieces by talented artists. Along with a helpful guide to the essential tools you will need, youll find that each chapter includes a thorough introduction to the properties and possibilities of each material and an examination of the techniques possible with that material. Only in the instance that we cancel will an alternative day be conducted. Welcome to Cooksongold. Jewels were, generally, quite simple: few stones but long golden chains joined by medallions in the antique style adorned with enamel or cameos, called sautoirs. Colour And Textures In Jewellery By Bekki Cheeseman And Nina Gilbey A A comprehensive guide to colours and textures Added tips, tricks and safety information Explains embossing, reticulation, chemical colouring and much more Readable, detailed and understandable guide with images Paperback book pages. The chapter on gems alone--featuring the work of Bernd Munsteiner, considered the best gem cutter in the world--makes this sourcebook invaluable! France In France, Francis I formally created the Crown Jewels by letters patent in , in order to form an inalienable treasure that each king had the duty of handing down to his successors either intact or augmented; up to the time of the Revolution the law was upheld with only a few rare exceptions. Although you may find that you enjoy some aspects of it more than others, the techniques described here will give you a thorough understanding of all the basic information you need to create unique and professional looking pieces. This technique of cutting a pattern into the metals is referred to as engine turning. Non-Precious Any metal that is not considered to be a precious metal or any gemstone that is not considered to be a precious gemstone. Jewelry and metal-working techniques, from wire-wrapping to etching copper sheet, that create a perfect backdrop to your stunning enamel creations. Soft cover, 11" x 8. Her jewels are few but massive and very large; they match her black dress and full, tight hair-style perfectly, so much so that one feels that the dress, coiffure, and jewels were all conceived together to convey an impression of majestic severity and soberly magnificent elegance. An extensive glossary section demystifies common names and stitches, while the page gallery section highlights an inspirational selection of bead jewelry and embroidery from around the world. An entire photographic section showcases a range of embossing designs, with their richly diverse textures. Our stores are open for order and collect only. Niello Invented by the Egyptians and used by the Romans, Niello is decorative technique used by goldsmiths and silversmiths in which a black mixture of sulphur, copper, silver, or lead, acts as an inlay for designs engraved on the surface of a metal object typically silver. Expected 29 Jan. Mold and embellish paper clay to create a whimsical brooch. Non-precious Jewellery : Methods and Techniques Reviews Cut in this manner they could hardly show the fire for which they are famous. We can accommodate up to six students, time tabled to suit including evenings and weekends. The majority of the jewels were broken up with the exception of the 'Russian' diadem and the 'reliquary' brooch which had been made in and had simply nothing to justify its title: the two diamonds in the form of a heart which occupy the centre of the piece are the 17th and 18th Mazarin diamonds, and in the 17th century had decorated the justaucorps of Louis XIV. Metal Clay in a Day. All of the techniques are enhanced with step-by-step instructions and clear photographs. Compiled by an international award-winning jewelry maker, these outstanding examples will fill you with a passion for working with precious metals. Introduction to bespoke design, addressing customers requirements and concerns. Another important material used to create coatings, is fused-glass or enamel. Craft a crystal bracelet or one from coral; a watchband; a pearl, brass, or bone necklace; a hot pepper loop; a beaded basket; a mask; a cardholder, and other lovely things. The taste for the Antique brought back with it the fashion of cameos, Marie-Louise had an entire parure of this type, and one for which some of the finest sardonyxes were removed from the Cabinet des Medailles at the Bibliotheque Nationale. Elegant Soutache By Amee K. File the ring - back to the jewellery bench to file any extra bits of solder away and make the ring nice and tidy. All the essential techniques sawing, filing, drilling, making cold connections, soldering, polishing are illustrated in full-colour photography and then utilized in 25 beautiful projects by contemporary designers, from Victoria Chos Guitar String Stickpin to Joanna Gollbergs elegant cerulean and gold necklace. Stringing beads on multiple wires. Each innovative project introduces techniques that range from casting, stamping, hand engraving, and electroplating to the more specialized Kum Boo, where sheets of gold are fused with silver to form lovely motifs. Elegance and Comfort, Combined Smooth rounded lines designed to enhance the look of high-end jewellery Learn More. The perfect book to get you started and confident in soldering 23 in-depth lessons and 15 stunning projects An essential reference and resource book for any jeweller or student Ideal for those wanting to move onto more complex metal connections Paperback book pages. Tiaras how to make with beads and wire. Following many denunciations, enquiries and much research the majority of the stones were recovered; the Regent diamond, it is said, had been concealed in a wooden beam. Art of Resin Jewellery The best-selling book on resin jewelry returns. Art of Resin Jewellery. Below you will find information about: Basic techniques Techniques to finish jewelry Stringing techniques Knotting techniques Techniques to make unique jewelry. Madame de Pompadour owned clasps of this type, engraved upon sardonyx by Guay with the profiles of Henry IV and Louis XV, mounted with emeralds and rose-diamonds.
Recommended publications
  • Why Are Silver Clay Prices Going Up?
    Why Are Silver Clay Prices Going Up? It’s no secret that the price of silver clay has been going through the roof in the last few years. Even jewelry artists new to metal clay have noticed the rapidly rising prices in the last several months and are asking, “What’s up with the price of silver clay?” The answer is easy. Silver clay is getting more expensive because the price of silver is going up. Since fine silver is the main ingredient in all PMC and Art Clay silver products, any fluctuation in the silver market can make a big difference in the price of silver clay. Mitsubishi Materials introduced silver clay in the United States in 1996. At that time silver was hovering around $5 an ounce. The price of silver clay was fixed in those days because silver prices were steady and had been for many years. The fixed price meant that no matter how the price of silver fluctuated in the market, silver clay prices were firm. You knew what you would pay and it didn’t change. This silver honeymoon lasted all the way through 2003 while silver floated between $4 and $5 per ounce. But then, in 2004, the price of silver started to creep up. Every month a new high in price was set and by December, 2005, silver had closed as high as $9.23 per ounce, more than double what it was just a few months earlier. The following April a new silver-backed ETF fund was introduced allowing investors to trade silver in the stock market, something that had never been done before, and rumors of the coming ETF had probably fueled the run-up in price that began the previous year.
    [Show full text]
  • Displaced Narratives of Iranian Migrants and Refugees: Constructions of Self and the Struggle for Representation
    Displaced Narratives of Iranian migrants and Refugees: Constructions of Self and the Struggle for Representation. Submitted by Mammad Aidani Submitted in total fulfillment of the requirements of the degree for Philosophy in the Faculty of Arts, Education and Human Development School of Psychology at the Victoria University, December 2007 1 “I Mammad Aidani declare that the PhD thesis entitled Displaced Narrative of Iranian migrants and refugees: Construction of Self and the Struggle for Representation is no more than 100,000 words in length including quotes and exclusive of tables, figures, appendices, bibliography, references and footnotes. This thesis contains no material that has been submitted previously, in whole or in part , for the award of any other academic degree or diploma. Except where otherwise indicated, this thesis is my won work”. Signature Date 2 Abstract This thesis discusses the multiple narratives of Iranian migrants and refugees living in Melbourne, Australia. The narratives are constructed by men and women who left Iran immediately after the 1979 revolution; the Iran – Iraq war; and Iranians who are recent arrivals in Australia. The narratives of the participants are particularly influenced and contextualized by the 1979 revolution, the 1980-1988 Iran – Iraq War and the post 9/11 political framework. It is within these historical contexts, I argue that Iranian experiences of displacement need to be interpreted. These historical periods not only provide the context for the narratives of the participants but it also gives meaning to how they reconstruct their identities and the emotions of their displacement. This thesis also argues that Iranian migrant and refugee narratives are part of a holistic story that is united rather than separated from one another.
    [Show full text]
  • Setting Stones in Metal Clay Jeanette Landenwitch
    Setting Stones in Metal Clay Jeanette Landenwitch Brynmorgen Press portland, maine Copyright 2008 Brynmorgen Press Drawings Tim McCreight All rights reserved. No part of this publication may be Design, edit & layout Tim McCreight reproduced or transmitted in any form or by any means, Abby Johnston electronic or mechanical, including photocopying, Michael Deles recording, or any storage and retrieval system except Index Jamie Kingman-Rice by a reviewer who wishes to quote brief passages in connection with a review written for inclusion in a Designs of all the jewelry shown in this book belong magazine, newspaper, web posting, or broadcast. to the artists. Unless otherwise noted, photos are courtesy of the artists. ISBN 978-1-929565–29–0 Preceding page: Pendant, Hiroaki Shinonome, “Kugi” Printed in Hong Kong Fine silver, diamond. 2¼” x 1¼” Second printing Front cover: Brooch, Tim McCreight Fine silver, malachite, moonstones. 2½" by 1 ¾" For ordering and permissions, visit www. brynmorgen.com CONTENTS 1 Gemstones 9 2 Tools & Materials 17 3 Choosing the Right Setting 29 4 Bezels 41 5 Prongs 67 6 Other Setting Options 79 7 The Work Behind the Work 98 Appendix 106 Acknowledgements This book is dedicated to all artists working in metal clay. It is exciting to be part of the evolution of this wonderful material, watching as the field has developed from basics to the ad- vanced work that we are seeing today. I hope this book will encourage the creation of innovative settings, and inspire su- perior work with gemstones of all kinds. I’d like to say a special thank-you to my editor, Tim Mc- Creight, whose confidence gave me the opportunity to ex- periment and describe the stonesetting ideas I was collecting.
    [Show full text]
  • Metalclays.Com Instructions for Using PMC
    MetalClays.com instructions for using PMC Using PMC Precious Metal Clay combines microscopic particles of silver with water and a non toxix organic binder to create a material that can be worked with as easily as modeling clay. Object can be made with simple tools, then they are dried and heated in a small kiln or with hand held torch. This drives off the water, burns away the binder and fuses the silver particles into solid metal. PMC is also made in gold, which handles like PMC3 but with slightly different firing schedule. Tools Tools for shaping PMC include rubber stamps, cookie cutters, childrens toys and many other household items like pens, playing cards, toothpicks and combs. A piece of plastic or glass makes a convenient waterproof work surface. PMC does not stain or harm these tools. Clean up with soap and water. Avoid aluminum foil and aluminum tools because they can damage PMC. Each person has their preferences, but a typical work setup includes a plastic sheet, a rolling pin, a small dish of water and assorted hand tools, Work on any stable surface with adequate lighting Creating with PMC All versions of PMC are ready to use directly from package. Keep your PMC tightly wrapped until you are ready to use it. Pull off exactly what you need to work with and wrap the rest in plastic and return to package. This is to prevent premature drying of clay. Apply a thin layer of olive oil to your hands and tools before starting. This will help prevent clay from sticking to you or your tools.
    [Show full text]
  • @Ems & Gemoxogg
    @ems& GemoXogg A bi-monthly Deriodical, without paid advertising, supported bv subecriptions from Gemologists and other gem enthwists, aims to increme the gem merchant's knowledge \ and ability in order that he may protect more thoroughlv his cwtomen' bst interets- VOLUME I MARCH-APRIL. 1934 NUMBER 2 Editorial Forum-.---..--.. ----,--------------.-.-34 Mothers' Day Gem to Be Selected,B. W. Bell.-.-.--.-.-".-.-,-.-..-..-.-36 Diamond Loupes, Robert M. Shipleg--- .---.-...----..---38 Courses in Precious Stones at Columbia University, Prof . Paul F. Kerr......--- 39 The Regent Diamond, Robert M. Shiplea-..... 4L The Scientists' View of the Cultivated Pearl. A. McC. Beckleg.,....... ..-........-.........43 Biographical Sketches-Dr. Ren6 Engel , Bobert Shipleu, Jr. 45 Rough Diamonds Presented to Institute---.--.----.-...---...-.-.-"-----,-...46 Sapphire, Milton D. Graoend,er-..------..--.---.... .....-.-47 Monthly Report of Diamond Market---,.-.--. --.-.--.---48 National Sales Campaign of the A.G.S.---. -........49 Straight Striae in Synthetics, Robert Shipley, Jr.......-......-..-.53 The Toughness of Gems-.- .-.-..----...---.55 Laymen Groups Hear Gemological Talks--. .---..--.-56 Selected Bibliography ...-............-......,57 Book Reviews, Robert M. Shipleg---- .............----.---.-57 The Amateur Laboratory, W. R. Leonard'-------------.....----.-----..--.-59 A Gemological Encyclopedia, Henrg E. Briggs, Ph'D'---------..-6l How to Buy Diamonds, Robert M. Shiplegl---- ..----.--63 Gemological Glossary.----.-- . -.-. , . ..... .- .-...--.-65
    [Show full text]
  • Copprclay™ Overview & Firing Guide
    COPPRclay™ Overview & Firing Guide COPPRclay created by Metal Adventures is easily sculpted, molded, carved and formed, and becomes solid copper when fired. Your imagination and just a few simple tools will allow you to create solid copper pieces, from jewelry to sculptures! And because COPPRclay is pure copper, it’s great for those artists who enjoy applying enamels (firing requirements noted below). COPPRclay is just that: a clay. Like clay, it’s highly workable but it also dries quickly. You’ll notice the clay stiffening and cracking when it begins to dry. Some tips to keep in mind: • Keep COPPRclay refrigerated until you’re ready to use it and in between sessions. • Rub a dab of SLIK on your hands before you begin working with the clay. • While working the clay, refresh it periodically with a small amount of water using a spray bottle or brush. • Avoid using tools that absorb water. • When storing or while in use, keep clay wrapped in a piece of loosely sealed plastic wrap and store in a clay hydrator for added longevity. Refrigerate when not in use. Making Slip Slip will quickly become one of your favorite tools for working with COPPRclay, and it’s easy to make. Simply mix tiny pieces of clay (filings, small dried or wet pieces, etc.) with water (we recommend distilled water for a longer shelf-life) until you reach a paste consistency. Keep your slip stored in a sealed container. Note: Slip will last for about one week, so make only enough for your immediate need. Drying the Clay Once you’ve finished your piece, you will need to dry the clay before firing it.
    [Show full text]
  • Make Jewelry with Precious Metal Clay, Art Clay and Other Metal Clays
    4 Free Metal Clay Jewelry Projects: Make Jewelry with Precious Metal Clay, Art Clay and Other Metal Clays 4 FREE METAL CLAY JEWELRY PROJECTS: MAKE JEWELRY WITH PRECIOUS METAL CLAY, ART CLAY AND OTHER METAL CLAYS MIXED METAL WIRE WRAPPED METAL TEACH YOUR OLD CLAY EARRINGS CLAY BOUQUET TOOLS NEW TRICKS BY HADAR JACOBSON BY PAULA BASTIAN-DE LEON BY HADAR JACOBSON 3 9 18 6 15 SWEETHEART MARRIED METAL GEM PENDANT CLAY RING BY LIS-EL CROWLEY BY NOËL YOVOVICH NOW YOU CAN MAKE Start with simple mixed metal earrings that dramatically YOUR OWN real metal jewelry accent steel metal clay disks with bronze metal clay centers. using silver, copper, bronze, or steel Add the sparkle of a brilliantly colored, bezel-set CZ to a (even gold) without sawing metal pendant you can make with a single coil of silver clay. Create sheet or soldering pieces together. a group of silver clay fl owers using an origami-inspired tech- Making jewelry with metal clay combines nique, then wire wrap them into a charming fl oral bouquet the accessibility of clay with the look, pin. Move on to a married metals band ring project using feel, and value of precious metals and silver metal clay with contrasting bronze clay. Make these nonprecious, too. projects as shown or apply the illustrated step-by-step instructions to create stunning metal clay jewelry designs of Metal clay is the revolutionary jewelry medium introduced your own. You’ll want to riff on these ideas even more when to the jewelry making public in the mid 1990s.
    [Show full text]
  • The Speculative Activities of John Law
    “I am not master of events.” John Law’s Bargains with Lord Londonderry, 1717–1729 Paper for University of California at Riverside seminar November 17, 2008 LARRY NEAL Professor Emeritus of Economics University of Illinois at Urbana-Champaign Research Associate, NBER Visiting Professor, London School of Economics Visiting Kenneth L. Sokoloff Professor of Economic History, UCLA ABSTRACT The risk-managing strategies of Lord Londonderry, second son of Thomas “Diamond” Pitt, during the financial boom and bust of the Mississippi and South Sea Bubbles demonstrate how risk takers can lay off their bets along several dimensions – time (forward markets), space (foreign exchange), and orthogonal (political favors). By contrast, John Law – his mentor, counterparty, and eventual defaulter – managed to fail on each account. Tracing the speculations of each man through a detailed examination of the ultimate contract between them made in August 1719 reveals how each man attempted to lay off the risks he assumed. Ultimately, Law lost over £500,000 by the end of August 1720 while Londonderry gained little. Nevertheless, the work out arranged between them and their respective agents demonstrates the rational calculations of each man in more than financial terms, and possibly restores some of their respective reputations. 2 “I am sorry you lost money by my advice, but I did the same thing myself and I am not master of events.” John Law, letter to M. Hippolyte Mary at Genoa, 24 May 1721. Bibliothèque Méjanes, Aix-en-Provence, Ms. 355. Introduction The connection between the Mississippi and South Sea bubbles during the years 1719 and 1720 may seem obvious.
    [Show full text]
  • The Land of Glory and Beauties
    IRAN The Land of Glory and Beauties Iranian Cultural Heritage, Handicrafts and Tourism Organization www.tourismiran.ir Iran is the land of four seasons, history and culture, souvenir and authenticity. This is not a tourism slogan, this is the reality inferred from the experience of visitors who have been impressed by Iran’s beauties and amazing attractions. Antiquity and richness of its culture and civilization, the variety of natural and geographical attractions, four - season climate, diverse cultural sites in addition to different tribes with different and fascinating traditions and customs have made Iran as a treasury of tangible and intangible heritage. Different climates can be found simultaneously in Iran. Some cities have summer weather in winter, or have spring or autumn weather; at the same time in summer you might find some regions covered with snow, icicles or experiencing rain and breeze of spring. Iran is the land of history and culture, not only because of its Pasargad and Persepolis, Chogha Zanbil, Naqsh-e Jahan Square, Yazd and Shiraz, Khuzestan and Isfahan, and its tangible heritage inscribed in the UNESCO World Heritage List; indeed its millennial civilization and thousands historical and archeological monuments and sites demonstrate variety and value of religious and spiritual heritage, rituals, intact traditions of this country as a sign of authenticity and splendor. Today we have inherited the knowledge and science from scientists, scholars and elites such as Hafez, Saadi Shirazi, Omar Khayyam, Ibn Khaldun, Farabi, IRAN The Land of Glory and Beauties Ibn Sina (Avicenna), Ferdowsi and Jalal ad-Din Muhammad Rumi. Iran is the land of souvenirs with a lot of Bazars and traditional markets.
    [Show full text]
  • Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
    Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the
    [Show full text]
  • Craft Horizons JANUARY/FEBRUARY 1969 $2.00 Potteraipiney Wheel S & CERAMIC EQUIPMENT I
    craft horizons JANUARY/FEBRUARY 1969 $2.00 PotterAipiney Wheel s & CERAMIC EQUIPMENT i Operating from one of the most modern facilities of its kind, A. D. Alpine, Inc. has specialized for more than a quarter of a century in the design and manufac- ture of gas and electric kilns, pottery wheels, and a complete line of ceramic equipment. Alpine supplies professional potters, schools, and institutions, throughout the entire United States. We manufacture forty-eight different models of high fire gas and electric kilns. In pottery wheels we have designed an electronically controlled model with vari- able speed and constant torque, but we still manufacture the old "KICK WHEEL" too. ûzùzêog awziözbfe Also available free of charge is our book- let "Planning a Ceramic Studio or an In- stitutional Ceramic Arts Department." WRITE TODAY Dept. A 353 CORAL CIRCLE EL SEGUNDO, CALIF. 90245 AREA CODE (213) 322-2430 772-2SS7 772-2558 horizons crafJanuary/February 196t9 Vol. XXIX No. 1 4 The Craftsman's World 6 Letters 7 Our Contributors 8 Books 10 Three Austrians and the New Jersey Turnpike by Israel Horovitz 14 The Plastics of Architecture by William Gordy 18 The Plastics of Sculpture: Materials and Techniques by Nicholas Roukes 20 Freda Koblick by Nell Znamierowski 22 Reflections on the Machine by John Lahr 26 The New Generation of Ceramic Artists by Erik Gronborg 30 25th Ceramic National by Jean Delius 36 Exhibitions 53 Calendar 54 Where to Show The Cover: "Phenomena Phoenix Run," polyester resin window by Paul Jenkins, 84" x 36", in the "PLASTIC as Plastic" show at New York's Museum of Contemporary Crafts (November 22-Januaiy 12).
    [Show full text]
  • Tiara Pair of Earrings in Chinoiserie Style
    1 1. Italy or France Tiara Gold and coral, about 1817 Purchased with funds given by Rita Barbour Kern, 1996.27 French Neoclassicism revived the fashion for wearing a tiara, a head ornament based on an ancient Greek diadem. Tiaras of varying degrees of intrinsic value were worn by every woman from the middle classes to royalty. Coral, which was believed to posses protective powers, was often used in jewelry for children and young adults. A portrait painted by Luigi Bernero in 1817 of Maria Teresa of Savoy (1803– 1879) shows the 14-year-old Italian princess wearing a hair ornament almost exactly like this tiara. Most coral in Europe came from the sea around Naples and nearby Torre del Greco. In the 19th century coral jewelry became a fashionable souvenir. This was partly because people could travel more once the Napoleonic wars had ended in 1815, but also due to the growing popularity of Luigi Bernero (Italy, 1775–1848), Maria Teresa di Savoia. Oil on canvas, naturalistic jewelry in the 1850s. about 1817. Palazzo Reale, Turin, Italy 2. and pagoda-shaped elements of these earrings reflect the England period’s romantic taste for the Far East, known as chinoiserie Pair of Earrings in (sheen-WAH-zer-ee). Chinoiserie Style Pierced earrings were a sign of maturity. The first pair of earrings was usually given to a young girl in England at Silver, gold, diamonds, pearls and rubies, age 16, when simple ‘top-and-drop’ pearl earrings were considered to be more appropriate for a young, unmarried about 1820 girl.
    [Show full text]