The Book of Dreams and Ghosts Preface
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The Discourse of Spirits in Enlightenment Bristol
7 Beyond the witch trials Public infidelity and private belief? Public infidelity and private belief? The discourse of spirits in Enlightenment Bristol Jonathan Barry Recent work on the history of witchcraft and magic has identified three themes or approaches as of particular importance in our understanding of a subject which, although it has been centre stage since the publication of Religion and the Decline of Magic in 1971, has continued to trouble historians. The first problem, acknowledged as ‘the most baffling aspect of this difficult subject’ by Thomas himself, is that of ‘decline’: by rendering early modern witchcraft beliefs intelligible, historians have highlighted the issue of why and how far they ceased to have meaning (or function), and many have regarded this as the least satisfactory feature of Thomas’s account.1 The great interest now being displayed in the culture of the long eighteenth century, including its occult aspects, has rendered this theme of pressing concern.2 The second issue concerns the need for case studies. It is broadly agreed that witchcraft must be studied as a conjunctural phenomenon, operating at a whole series of levels and affected by the interplay of a variety of institu- tions, interests and languages. While these can all be analysed separately, it is equally crucial to study their interrelationship and this, for the moment at least, is best done in specific settings where the evidence survives to allow a full reconstruction of the development and resolution of a witchcraft episode.3 Third, historians have become particularly interested in witchcraft as a linguistic phenomenon and one imbedded in narrative. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: O Lynn, Aidan Anthony Title: Ghosts of War and Spirits of Place Spectral Belief in Early Modern England and Protestant Germany General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Ghosts of Place and Spirits of War: Spectral Belief in Early Modern England and Protestant Germany Aidan Anthony O’Lynn A dissertation submitted to the University of Bristol in accordance with the requirements for the award of the degree of Doctor of Philosophy in the Faculty of Arts School of History August 2018 Word Count: 79950 i Abstract This thesis focuses on themes of place and war in the development of ghostlore in Early Modern Protestant Germany and England. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Fringe Season 1 Transcripts
PROLOGUE Flight 627 - A Contagious Event (Glatterflug Airlines Flight 627 is enroute from Hamburg, Germany to Boston, Massachusetts) ANNOUNCEMENT: ... ist eingeschaltet. Befestigen sie bitte ihre Sicherheitsgürtel. ANNOUNCEMENT: The Captain has turned on the fasten seat-belts sign. Please make sure your seatbelts are securely fastened. GERMAN WOMAN: Ich möchte sehen wie der Film weitergeht. (I would like to see the film continue) MAN FROM DENVER: I don't speak German. I'm from Denver. GERMAN WOMAN: Dies ist mein erster Flug. (this is my first flight) MAN FROM DENVER: I'm from Denver. ANNOUNCEMENT: Wir durchfliegen jetzt starke Turbulenzen. Nehmen sie bitte ihre Plätze ein. (we are flying through strong turbulence. please return to your seats) INDIAN MAN: Hey, friend. It's just an electrical storm. MORGAN STEIG: I understand. INDIAN MAN: Here. Gum? MORGAN STEIG: No, thank you. FLIGHT ATTENDANT: Mein Herr, sie müssen sich hinsetzen! (sir, you must sit down) Beruhigen sie sich! (calm down!) Beruhigen sie sich! (calm down!) Entschuldigen sie bitte! Gehen sie zu ihrem Sitz zurück! [please, go back to your seat!] FLIGHT ATTENDANT: (on phone) Kapitän! Wir haben eine Notsituation! (Captain, we have a difficult situation!) PILOT: ... gibt eine Not-... (... if necessary...) Sprechen sie mit mir! (talk to me) Was zum Teufel passiert! (what the hell is going on?) Beruhigen ... (...calm down...) Warum antworten sie mir nicht! (why don't you answer me?) Reden sie mit mir! (talk to me) ACT I Turnpike Motel - A Romantic Interlude OLIVIA: Oh my god! JOHN: What? OLIVIA: This bed is loud. JOHN: You think? OLIVIA: We can't keep doing this. -
Home Collection Fall 2016
FALL 2016 HOME COLLECTION RETAIL PRICING TO YOUR WELL-CRAFTED LIFE. MODERN ICONS with classic patterns in sophisticated colors QUALITY CRAFTSMANSHIP with the finest fleece, the finest yarn, the finest blankets AUTHENTIC TEXTILES in contemporary design traditions AMERICAN HERITAGE celebrating America’s Treasures with the Pendleton National Park Collection Special thanks to our brand ambassadors Kristian Irey, Casey Berry, and Our Free Ways for providing images showing Pendleton through their eyes. 5 TH A VENUE T HROWS : 1 0 0 % MERINO WOOL . D RY CLE A N . M ad E IN THE US A . FRINGED THROWS ZB296-53094 Red Stewart ZB296-53095 Black Watch ZB296-52459 Grey Stewart ZB296-53255 Berry Plaid ZB296-50717 Glacier ZB296-52797 Breslin Plaid ZB296-53256 Acadia ZB296-52618 Neutral Stripe ZB296-53253 Charcoal Plaid Not available in Canada. 5th Avenue Throws The ultimate indulgence. Superfine merino wool is softly brushed, producing a fleecy hand that must be touched. The definitive solution for the customer who is looking for an unforgettable gift. 100% merino wool. Dry clean. Made in the USA. 54˝ x 72˝ plus 3˝ fringe (137 x 183 cm + 8 cm). $149 ZB296-53252 Auroral Plaid ZB296-53254 Sandstone Stripe 4 T HROWS : 1 0 0 % MERINO WOOL . D RY CLE A N . M ad E IN THE US A . FRINGED THROWS & HEIRLOOM BLANKETS THROWS FRINGED ZB222-53315 Caspian ZB222-53312 Amethyst ZB222-53313 Ruby ZB222-53314 Amber Cathedral Throw Our new weave captures the intensity of sunlight through stained glass. Subtle ombre effects are created by the play of one color into another. -
Since I Began Reading the Work of Steve Ditko I Wanted to Have a Checklist So I Could Catalogue the Books I Had Read but Most Im
Since I began reading the work of Steve Ditko I wanted to have a checklist so I could catalogue the books I had read but most importantly see what other original works by the illustrator I can find and enjoy. With the help of Brian Franczak’s vast Steve Ditko compendium, Ditko-fever.com, I compiled the following check-list that could be shared, printed, built-on and probably corrected so that the fan’s, whom his work means the most, can have a simple quick reference where they can quickly build their reading list and knowledge of the artist. It has deliberately been simplified with no cover art and information to the contents of the issue. It was my intension with this check-list to be used in accompaniment with ditko-fever.com so more information on each publication can be sought when needed or if you get curious! The checklist only contains the issues where original art is first seen and printed. No reprints, no messing about. All issues in the check-list are original and contain original Steve Ditko illustrations! Although Steve Ditko did many interviews and responded in letters to many fanzines these were not included because the checklist is on the art (or illustration) of Steve Ditko not his responses to it. I hope you get some use out of this check-list! If you think I have missed anything out, made an error, or should consider adding something visit then email me at ditkocultist.com One more thing… share this, and spread the art of Steve Ditko! Regards, R.S. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Cotton Mathers's Wonders of the Invisible World: an Authoritative Edition
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 1-12-2005 Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition Paul Melvin Wise Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Wise, Paul Melvin, "Cotton Mathers's Wonders of the Invisible World: An Authoritative Edition." Dissertation, Georgia State University, 2005. https://scholarworks.gsu.edu/english_diss/5 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. COTTON MATHER’S WONDERS OF THE INVISIBLE WORLD: AN AUTHORITATIVE EDITION by PAUL M. WISE Under the direction of Reiner Smolinski ABSTRACT In Wonders of the Invisible World, Cotton Mather applies both his views on witchcraft and his millennial calculations to events at Salem in 1692. Although this infamous treatise served as the official chronicle and apologia of the 1692 witch trials, and excerpts from Wonders of the Invisible World are widely anthologized, no annotated critical edition of the entire work has appeared since the nineteenth century. This present edition seeks to remedy this lacuna in modern scholarship, presenting Mather’s seventeenth-century text next to an integrated theory of the natural causes of the Salem witch panic. The likely causes of Salem’s bewitchment, viewed alongside Mather’s implausible explanations, expose his disingenuousness in writing about Salem. Chapter one of my introduction posits the probability that a group of conspirators, led by the Rev. -
Top 40 Singles Top 40 Albums
20 November 1977 CHART #120 Top 40 Singles Top 40 Albums Float On So You Win Again Footloose And Fancy Free Breezin 1 Floaters 21 Hot Chocolate 1 Rod Stewart 21 George Benson Last week 1 / 5 weeks RCA Last week 8 / 16 weeks EMI Last week 2 / 3 weeks WEA Last week 14 / 27 weeks WEA Brickhouse Higher And Higher Rumours Love For Sale 2 The Commodores 22 Rita Coolidge 2 Fleetwood Mac 22 Boney M Last week 7 / 5 weeks EMI Last week 10 / 14 weeks FESTIVAL Last week 1 / 37 weeks WEA Last week 28 / 5 weeks WEA Ma Baker Best Of My Love Aja A Star Is Born 3 Boney M 23 The Emotions 3 Steely Dan 23 Barbra Streisand Last week 3 / 9 weeks WEA Last week 17 / 13 weeks PHONOGRAM Last week 3 / 3 weeks RCA Last week 13 / 31 weeks PHONOGRAM You're In My Heart Boogie Nights Atlantic Crossing Silk Degrees 4 Rod Stewart 24 Heatwave 4 Rod Stewart 24 Boz Scaggs Last week 39 / 2 weeks WEA Last week 27 / 21 weeks PHONOGRAM Last week 4 / 99 weeks WEA Last week 30 / 30 weeks PHONOGRAM Heaven On The 7Th Floor Edge Of The Universe A New World Record I Robot 5 Paul Nicholas 25 Bee Gees 5 Electric Light Orchestra 25 The Alan Parsons Project Last week 2 / 7 weeks PHONOGRAM Last week 22 / 8 weeks PHONOGRAM Last week 5 / 28 weeks FESTIVAL Last week 19 / 17 weeks EMI Telephone Line I Go To Rio Here At Last, Live Playing To An Audience Of One 6 Electric Light Orchestra 26 Peter Allen 6 Bee Gees 26 David Soul Last week 4 / 15 weeks FESTIVAL Last week 22 / 2 weeks FESTIVAL Last week 8 / 19 weeks PHONOGRAM Last week 20 / 4 weeks EMI I Remember Elvis Presley Way Down Moody Blue -
Inside Passages
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Inside Passages Keema Waterfield The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Waterfield, eema,K "Inside Passages" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 581. https://scholarworks.umt.edu/etd/581 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INSIDE PASSAGES By KEEMA MARIE WATERFIELD-CARLSON BFA, University of Alaska, Anchorage, Alaska 2006 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Nonfiction The University of Montana Missoula, MT Summer 2011 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Associate Professor Judy Blunt, Chair Department of Creative Writing Associate Professor Nancy Cook, Co-Chair Department of English Associate Professor Jody Pavilack, Co-Chair Department of History Inside Passage We wait for the all clear to board on a black night, the moon stitching a diamond pattern on the Gastineau Channel, the white rails of the Matanuska ferry glinting like a carnival ride. I want to be out there walking a dog, stretching my legs between rows of idling cars like the young couple holding hands and strolling slowly while their yellow lab pees on every third tire. -
2E Haunted Houses
BA RBAR A VIL L IE RS D C H ESS O F C L E VE L AN D , U . m th m z z o tu z t t r in in o e e af e W g . K 3 :2 e HA UN T E D H O US E S T ALES O F T HE SUPERNAT URAL With S o me Acco unt o f H ereditary C ur s e s a n d Fa mil y Le g e n ds By CH A RL E S G A R PE R Ill ustr ated by the A uthor a n ha t ohnson sa id I mer ely me to say w J . T hat i n the cour se of some sex tho usand year s A 11 nations ha ve beli eved tha t f rom the dead A visitant at interva ls appea r s ; t s str n t u on this str a n e hea d A nd wha e a g es p g , bar the r eason rear s ’ ‘ nst such hehe s some thin str on er sh ll Gaz . “g In its beha t those den who w ill f YRO N . lf . y LON DON H L T D C H A PM A N 85 A L L , . 1 907 P RE FA CE vii lands o distant seas and amon the most un is f , g l etter ed sava es r eli ion has been ever o und g , g f , as inva r ia bl th li h t this an d y e be ef in g os s . -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15).