2010 Annual Report
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sean Landers
SEAN LANDERS 1962 Born in Palmer, MA, USA 1984 BFA, Philadelphia College of Art, Philadelphia, PA, USA 1986 MFA, Yale University School of Art, New Haven, CT, USA Lives and works in New York, NY, USA SOLO EXHIBITIONS 2020 2020 Vision, Petzel Gallery, New York, NY, USA (online presentation) Northeaster, greengrassi, London, UK Consortium Museum, Dijon, France (curated by Eric Troncy) 2019 Ben Brown Fine Arts, Hong Kong Galerie Rodolphe Janssen, Brussels, Belgium [Cat.] Curated by . Featuring Sean Landers, Petzel Bookstore, New York, NY, USA Sean Landers: Studio Films 90/95, Freehouse, London, UK (curated by Daren Flook) 2018 Petzel Gallery, New York, NY, USA [Cat.] 2016 Sean Landers: Small Brass Raffle Drum, Capitain Petzel, Berlin, Germany 2015 Taka Ishii Gallery, Tokyo, Japan Galerie Rodolphe Janssen, Brussels, Belgium [Cat.] China Art Objects, Los Angeles, CA, USA 2014 Sean Landers: North American Mammals, Petzel Gallery, New York, NY, USA [Cat.] 2012 Galerie Rodolphe Janssen, Brussels, Belgium [Cat.] Longmore, Sorry We’re Closed, Brussels, Belgium greengrassi, London, UK 2011 Sean Landers: Around the World Alone, Friedrich Petzel Gallery, New York, NY, USA Sean Landers: A Midnight Modern Conversation, Marianne Boesky Gallery, New York, NY [CAT.] 2010 Sean Landers: 1991-1994, Improbable History, Contemporary Art Museum St. Louis, St. Louis, MO, USA (curated by Laura Fried and Paul Ha) [Cat.] 2009 Sean Landers: Art, Life and God, Glenn Horowitz Bookseller, East Hampton, NY, USA (curated by Jeremy Sanders) greengrassi, London, UK Sean -
From the Black Death to the Thirty Years
of the National Humanities Center SPRING 2002 NEWS From the Black Death Director’s Column 2 to the Thirty Years War 2002–03 Fellows Named 3 Thomas Brady Reexamines How Germany Became Germany Like Robert Richardson and Thomas development. A recent conversation with First Lyman Award Given 4 Laqueur, the first two John P. Birkelund Brady touched on everything from why Senior Fellows at the National women’s college basketball has eclipsed Alan Tuttle Honored 6 Humanities Center, Thomas Brady is a men’s in terms of strategy and interest to senior scholar with a youthful enthusi- the comparative merits of the National asm for his own work and an effortless Humanities Center over other institutes An Eventful Spring Semester 8 ability to hold forth on a wide range of for advanced study (chiefly the barbeque topics. A much-decorated scholar of the and the library services). The excerpt Deborah Cohen: Protestant Reformation who holds the below focuses on the task Brady has set Thinking About Things 10 Peder Sather Chair of History at the for himself in German Histories. University of California, Berkeley, Brady Summer Reading List 11 has spent his fellowship year working on Why don’t we start with “The German Question”? a new book, German Histories in the Age The Germans themselves call it Education Programs Update 12 of Reformations. Focusing on the period between the Black Death and the Thirty “the German Question”; I call it “the Years War but looking ahead to the German Problem”: Why does the course Kudos 14 “German Problem” of the mid-20th -
Men's Lacrosse North Carolina Combined Team Statistics All Games (As of Apr 07, 2021)
MEN’S LACROSSE 2021 GAME NOTES » 1981, 1982, 1986, 1991, 2016 National Champs » 9-Time ACC Tournament Champs » 12-Time ACC Regular Season Champs SCHEDULE/RESULTS THE MATCHUP: April 10, 2021 • 2 PM VENUE 8-1 OVERALL, 1-1 ACC Dorrance Field, 6-0 HOME • 2-1 AWAY • 0-0 NEUTRAL North Carolina (8-1, 1-1 ACC) Chapel Hill, N.C. Head Coach: Joe Breschi (North Carolina, 1990) Record at North Carolina: 132-63 (13th season) ALL-TIME SERIES W #7 Denver UVa leads 51-28 Sunday, Feb. 7 Career Record: 224-126 (24th season) 24-13 Chapel Hill TV: ESPNU LAST MEETING UNC won 16-13 on March 11 W JACKSONVILLE in Charlottesville Saturday, Feb. 13 Virginia (8-2, 1-2 ACC) 18-7 Chapel Hill Head Coach: Lars Tiffany (Brown, 1990) TV COVERAGE TV: ACCN Record at Virginia: 49-20 (Fifth season) ESPNU Career Record: 161-89 (16th season) W #15 HIGH POINT • Anish Schroff, Matt Ward Tuesday, Feb. 16 at 2 PM 17-15 Chapel Hill TV: ACCN W At #16 Richmond OPENING FACE-OFF BY THE NUMBERS Sunday, Feb. 21 at 2 PM • The Tar Heels are highlighting their long-time 14-9 Richmond, Va. » Number of seasons Justin partnership with Ronald McDonald House of Chapel TV: ESPN+ Anderson has been selected Hill by wearing blue and white striped “bo-bo” socks as a Tar Heel team captain. W #15 HIGH POINT in Saturday’s game. The clown-like socks are meant Saturday, Feb. 27 at 1 PM He’s one of five team captains 27-12 to evoke Ronald McDonald. -
Lorraine O'grady Art Resume
LORRAINE O'GRADY Born September 21, 1934, Boston, MA. Based in New York, NY. website: http://lorraineogrady.com gallery: ALEXANDER GRAY ASSOCIATES, New York, NY http://www.alexandergray.com/artists/lorraine-oand39grady/ mailto:[email protected] archive: WELLESLEY COLLEGE ARCHIVES, Wellesley, MA Lorraine O’Grady Papers, 1952-2012 Finding Aids: HTML: http://academics.wellesley.edu/lts/archives/MSS.3.html PDF:http://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/archives/ms s.3.pdf ART RESUME June 15, 2016 Education 1951 H.S. Girls Latin School, Boston, MA. Honors in English and Latin, First Place in History. National Honor Society. 1956 B.A., Wellesley College, Wellesley, MA. Major: Economics. Minor: Spanish Literature. Freshman Honors. 1965-67 M.F.A. Candidate. Iowa Writers Workshop, University of Iowa, Iowa City, IA. Fiction. Performances 1979-80 The Dual Soul—Part 1: Divine Twins; Part 2: Come Into Me, You. Written for performance-artist protagonist of unproduced filmscript. 1980 Rosie O'Grady's Pub, NYC. Sweet Rosie O'Grady. Private guerrilla performance. 1980 Just Above Midtown Gallery, NYC. Mlle Bourgeoise Noire Goes to JAM. Guerrilla performance. Lorraine O’Grady - 2 - 1980 Just Above Midtown Gallery, NYC. Nefertiti/Devonia Evangeline. Director: Linda Goode-Bryant. 1981 Elizabeth Irwin High School, NYC. Nefertiti/Devonia Evangeline. In "Acting Out: The First Political Performance Art Series." Curator: Lucy Lippard. 1981 Just Above Midtown Gallery, NYC. Gaunt Gloves. Performance and lecture by Mlle Bourgeoise Noire. 1981 New Museum for Contemporary Art, NYC. Mlle Bourgeoise Noire Goes to the New Museum. Guerrilla performance. 1981 Feminist Art Institute, NYC. -
The Ecumenical Movement and the Origins of the League Of
IN SEARCH OF A GLOBAL, GODLY ORDER: THE ECUMENICAL MOVEMENT AND THE ORIGINS OF THE LEAGUE OF NATIONS, 1908-1918 A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by James M. Donahue __________________________ Mark A. Noll, Director Graduate Program in History Notre Dame, Indiana April 2015 © Copyright 2015 James M. Donahue IN SEARCH OF A GLOBAL, GODLY ORDER: THE ECUMENICAL MOVEMENT AND THE ORIGINS OF THE LEAGUE OF NATIONS, 1908-1918 Abstract by James M. Donahue This dissertation traces the origins of the League of Nations movement during the First World War to a coalescent international network of ecumenical figures and Protestant politicians. Its primary focus rests on the World Alliance for International Friendship Through the Churches, an organization that drew Protestant social activists and ecumenical leaders from Europe and North America. The World Alliance officially began on August 1, 1914 in southern Germany to the sounds of the first shots of the war. Within the next three months, World Alliance members began League of Nations societies in Holland, Switzerland, Germany, Great Britain and the United States. The World Alliance then enlisted other Christian institutions in its campaign, such as the International Missionary Council, the Y.M.C.A., the Y.W.C.A., the Blue Cross and the Student Volunteer Movement. Key figures include John Mott, Charles Macfarland, Adolf Deissmann, W. H. Dickinson, James Allen Baker, Nathan Söderblom, Andrew James M. Donahue Carnegie, Wilfred Monod, Prince Max von Baden and Lord Robert Cecil. -
Vol. 23, No. 8 August 2019 You Can’T Buy It
ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute -
A Rhetorical Biography of Walter Hines Page with Reference to His Ceremonial Speaking on Southern Education, 1891-1913
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1977 A Rhetorical Biography of Walter Hines Page With Reference to His Ceremonial Speaking on Southern Education, 1891-1913. Keith Howard Griffin Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Griffin, Keitho H ward, "A Rhetorical Biography of Walter Hines Page With Reference to His Ceremonial Speaking on Southern Education, 1891-1913." (1977). LSU Historical Dissertations and Theses. 3112. https://digitalcommons.lsu.edu/gradschool_disstheses/3112 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 77-28,677 uRIFFIN, Keith Howard, 1949- A RHETORICAL BIOGRAPHY OF WALTER HINES PAGE WITH REFERENCE TO HIS CEREMONIAL SPEAKING ON SOUTHERN EDUCATION, 1891-1913. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1977 Speech Xerox University M icrofilms, Ann Arbor, Michigan 4sio6 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A RHETORICAL BIOGRAPHY OF WALTER HINES PAGE WITH REFERENCE TO HIS CEREMONIAL SPEAKING ON SOUTHERN EDUCATION, 1891-1913 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Keith Howard G riffin M .A ., Wake F o re s t U n iv e r s ity , 1974 A ugust, 1977 Reproduced with permission of the copyright owner. -
XIII. Supplemental Information (PDF)
Annual Budget Process The City of Durham’s annual budget process is the framework for communicating major financial operational objectives and for allocating resources to achieve them. This process is a complex undertaking involving the whole government. The process begins in October and runs until the end of June. By state law, the City must adopt an annual budget ordinance by June 30 of each year. Coordination of the process is essential to the building of the budget. To achieve coordination, a calendar of activities is summarized on this page. Once the budget is approved, the focus of the budget becomes control. Ongoing monitoring of expenditures and revenues throughout the year is a responsibility shared by department heads and the Budget Department. The Accounting Services Division ensures that changes are correctly entered and payments are appropriate. The Budget and Management Services Department reviews all requests from departments to make sure that sufficient appropriations have been budgeted. All funds are reviewed on a regular basis, and a budget report is submitted to the City Council on a quarterly basis. The City Manager has the authority to transfer budgeted amounts between departments within any function. However, transfers between functions, additions or deletions require a budget amendment. To amend the budget, a revised budget ordinance must be approved by the City Council. January February March Department budgets submitted Coffees with Council continue. Budget kick-off. City Manager to Budget office. explains financial and City Council retreat to discuss City Council retreat to discuss operational objectives. vision and service issues. financial issues. Public input on budget sought Budget office projects revenues. -
The Art Show 2018 Press
DOWNLOAD HI-RES IMAGES AT: HTTP://BIT.LY/2EVIOWJ THE ART SHOW 2018 HIGHLIGHTS 303 GALLERY D8 ALTMAN SIEGEL D20 Mary Heilmann Liam Everett 303 Gallery presents a solo exhibition of Altman Siegel presents a solo booth of new works by Mary Heilmann, whose highly work by Liam Everett. Building on investiga- inventive approach to abstraction has tions explored in his 2017 solo exhibition at made her one of the foremost painters SFMOMA, Everett will present a suite of new of her generation. Recent paintings, glazed paintings that unfold interrelated systems and ceramics and an arrangement of furniture made interpretations of support. Everett’s installation by the artist appear alongside several examples will continue along these investigative threads: in these mediums from previous decades. By jux- the physical act of supporting a painting and taposing new works with historic ones, the exhibition the routine practice an artist undertakes daily, becomes a storyboard, charting the evolution of her as well as pedagogical rituals shaped through practice while allowing visitors to draw parallels across rehearsal. Focused on what he calls “systems time periods. Brightly colored chairs transform the booth of support,” Everett’s framed paintings—like into a social space akin to a living room or the artist’s studio, previous bodies of work—will implicate the floor, inviting viewers to relax and spend time in Heilmann’s world. wall and body, exposing the animate qualities of 1 3 the artworks and affirming his interest in investi- Mary Heilmann. Shadow Cup 2, 1985. Glazed ceramic, 21 ⁄4 × 24 × 1 ⁄4 in. © Mary Heilmann. -
SATB CC Dec 2015
SATB Concert Choir SATB Concert Choir Page 1 December 11, 2015 A B C 1 Title ( * means new title) Composer Arranger 2 Abendlied Josef Rheinberger Rheinberger, Josef 3 Adoramus Te Palestrina Robinson, Russell 4 Adoramus Te * Robert T. Townsend R. T. T. 5 Africa David Paich & Jeff Porcaro Lawson, Phillip 6 Afro-Celtic Diddle, An * Michael Coolen M. C. 7 African Processional D. V. Montoya Montoya, D. V. 8 Agnus Dei Josef Rheinberger Rheinberger, Josef 9 Agnus Dei Hans Leo Hassler Walker, Rod 10 Ain'a That Good News William Dawson Dawson, William T. 11 Ain't Got Time to Die Hal Johnson Johnson, Hal 12 Ain't No Mountain High Enough Nikolas Ashford and Valerie Simpson Emerson, Roger 13 All for Me Grog Traditional Sea Shanty Hatfield, Stephen 14 All God's Children Gonna Sing B. Red, L. Twine & J.Joubert Red, B., L. Twine & J.Joubert 15 All I Ask Of You Andrew Lloyd Webber Brymer, Mark A. 16 All My Trials Traditional Lojeski, Ed 17 All Too Soon Traditional - Celtic Hatfield, Stephen 18 All Ye Who Music Love Baldassare Donato Greyson, Norman 19 All Ye Who Music Love Baldassare Donato Meredith, Victoria 20 Allah's Holiday Rudolph Friml Bartlett, Homer N. 21 Alleluia Jay Althouse Althouse, Jay 22 Alleluia W. A. Mozart Daniels, Jay 23 Alleluia! J. S. Bach Emerson, Roger 24 Alleluia Kirby Shaw Shaw, Kirby 25 Alleluia * Randall Thompson R. T. 26 Alouette Traditional - Canadian (Fr) Luboff, Norman 27 Always and Forever Rod Temperton Temperton, Rod 28 Amavolovolo Traditional - Zulu Dowry Song de Beer, Rudolf 29 Amazing Grace Traditional - American Coates, John Jr. -
Men's Soccer Page 1/1 Combined Statistics As of Apr 03, 2021 All Games
MEN’S SOCCER 2020-21 GAME NOTES » 2001 & 2011 NCAA Champions » Eight NCAA College Cups ‘20-’21 SCHEDULE/RESULTS THE MATCHUP 6-4-3 overall, 6-2-3 ACC North Carolina (6-4-3, 6-2-3 ACC) 4-3-1 home, 2-1-2 away Head Coach: Carlos Somoano (Eckerd College, ‘92) Career Record: 134-41-29 (10th season) Fall Record at North Carolina: same Oct. 2 at Duke* (ACCNX) W, 2-0 United Soccer Coaches Rank: No. 15 Oct. 9 Clemson* (ESPNU) W, 1-0 Oct. 18 at Wake Forest* (ACCNX) L, 0-1 ot Duke (4-9-3, 4-5-1 ACC) Oct. 27 at Clemson* (ACCN) T, 3-3 2ot Head Coach: John Kerr Nov. 1 NC State* (ACCNX) T, 0-0 2ot United Soccer Coaches Rank: unranked Nov. 6 Duke* (ACCN) W, 2-0 2020 ACC Tournament (Chapel Hill) Nov. 15 Clemson (ACCN) L, 0-1 ot Spring THE KICKOFF TAR HEEL RUNDOWN Feb. 25 Liberty (ACCNX) L, 0-1 March 5 #4 Pitt* (ACCNX) W, 3-0 Matchup: North Carolina (6-4-3, 6-2-3 ACC) Home 4-3-1 March 13 #24 Virginia* (ACCNX) W, 2-0 vs. Duke (4-9-3, 4-5-1 ACC) Away 2-1-2 March 20 at Syracuse* (ACCNX) T, 0-0 2ot Date: Friday April 9, 2021 Neutral 0-0-0 March 27 at Notre Dame* (ACCNX) W, 2-1 ot Site: Durham, N.C. (Koskinen Stadium) vs. United Soccer Coaches ranked foes 3-1-1 April 2 Virginia Tech* (ACCNX) L, 0-1 vs. -
Legacy, 1963-1993
" LEGACY, 1963-1993 Thirty Years of African-American Students at Duke University THE % *j iw-ar TJ mmim »*-»1 LwHuKi! In m JprBy '^* 1 OK eHa 1 m n ' ^^^^^^w' H; I •? T;'""" *<-l i Duke University Office ofthe University Vice President eS Vice Provost Digitized by the Internet Archive in 2011 with funding from Duke University Libraries http://www.archive.org/details/legacy19631993th00duke Legacy, 1963-1993 Copyright © 1995 Duke University All rights reserved. All photographs and documents associated with the history ol Duke University are from the Duke University Archives. All of the stall generously gave time and assis- tance to make this book as accurate as possible. Any errors that may exist should be attributed to us and not to them. The section "The First Five Undergraduates" was written by Bridget Booher and was first published in the September-October, 1992 issue of the Duke Magazine. Research and compilation of manuscript by Tracy Ainsworth and Gail A. Williams Copyediting, cover and text design, desktop publishing, and print production by Neylan G. Allebaugh The African ornaments used throughout the book were designed by Michelle Dixon ol Santa Barbara, California. They are derived Irom the art ol the Ashanti, Masai, Zulu, Bushongo, and many other tribes. The data tor the two appendixes was produced, cheerfully and in just the right for- mat, by George Smith of Alumni Development Office and Judy Pope of University Development Office. Many thanks for their able assistance. Front cover illustrations: The first three graduates — Wilhelmina Reuben-Cooke, Nathaniel White, Jr., and Mary Mitchell Harris Thirtieth Anniversary logo, designed by Gail A.