The Analysis of Factors Affecting the Architecture of Isfahan Bathes from Safavid to Qajar Via SPSS
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The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
The Quality of Light-Openings in the Iranian Brick Domes
31394 Soha Matoor et al./ Elixir His. Preser. 80 (2015) 31394-31401 Available online at www.elixirpublishers.com (Elixir International Journal) Historic Preservation Elixir His. Preser. 80 (2015) 31394-31401 The Quality of Light-Openings in the Iranian Brick Domes (with the Structural Approach) Soha Matoor, Amene Doroodgar and Mohammadjavad Mahdavinejad Faculty of Arts and Architecture, Tarbiat Modares University, Tehran, Iran. ARTICLE INFO ABSTRACT Article history: Paying attention to light is considered as one of the most prominent features of Iranian Received: 26 October 2014; traditional architecture, which influenced most of its structural and conceptual patterns. The Received in revised form: construction of light-openings in the buildings such as masjids, bazaars, madrasas, and 28 February 2015; caravanserais, as the Iranian outstanding monuments, proves the point. The Iranian master- Accepted: 26 March 2015; mimars’ strategies to create the light-openings in the domes has been taken into consideration through this study. To this end, the light-openings’ exact location, according to Keywords the domes’ structural properties have been taken into analysis. Next, based on the foursome The light, classification of the domes, the research theoretical framework has been determined, and The light-opening, through applying the case-study and the combined research methods, the case-studies have The Iranian brick dome, been studied meticulously. According to the achieved results, the light-openings of the The dome’s structure. Iranian brick domes have been located at four distinguished areas, including: 1- the dome’s top, 2- the dome’s curve, 3- the dome’s shekargah and 4- the dome’s drum. -
Adaptive Reuse for Hospitality Design
Adaptive Reuse for Hospitality Design. Focus on Qajari Architecture. Yas Jahani Spring Semester 2020 Berlin International Advisor: Prof. Javier Martin Second Examiner: Prof. Dr. Carola Ebert Adaptive reuse for Hospitality Design. Focus on Qajari Architecture By Yas Jahani Submitted in partial fulfillment of the requirements for the degree of Bachelor in Interior Design At Berlin International University of Applied Sciences The author hereby grants Berlin International University of Applied Sciences (BI) permission to place this thesis in the library, reproduce and distribute copies of this thesis, in whole or in part, for educational purposes. Any original of the thesis will not be available for borrowing. ______________________________________________________________________ The author hereby legally declares that he/she has completely written the attached thesis on their own and has not used any other tools than those explicitly mentioned in it. In all instances where the author has borrowed content created by other authors, either directly or in paraphrase, it has been explicitly marked in the thesis as such. This thesis has not been presented, fully or in part, to another examination authority, or been published anywhere. (The above declaration has legal value both internally at Berlin International University and externally under German public law as an „Eidesstattliche Erklärung“.) . Signature of the Author: gag'M Date of Submission: Monday, August 3rd 2020 Table of contents I. Abstract & Introduction • Problem Definition & Research Aim • Methodology II. Adaptive reuse • Adaptive Reuse: Importance & Definition • Adaptive Reuse & Relevance for Hotel Design: Key Theoretical Strategies for a Successful Project III. Building Typology of the Qajar Dynasty • Isfahani & Tehrani Architectural Styles & their Characteristics • Prominent Interior Characteristics of Qajari Residential Buildings along with the example of the Boroujerdi Historical House in Kashan IV. -
Recognition of Light-Openings in Iranian Mosques' Domes with Reference to Climatic Properties
International Journal of Architectural Engineering & Urban Planning Recognition of light-openings in Iranian mosques’ domes With reference to climatic properties Mohammadjavad Mahdavinejad1,*, Soha Matoor2, Amene Doroodgar3 Received:June 2011, Accepted: November 2011 Abstract Mosque architecture is considered as a potent visual symbol of the Islamic architects’ design ability. Prayer-hall as the manifestation of equality between the believers and the unity of architectural space has challenged such an ability throughout the history. This study, considering the characteristics of light-openings in the domes of Iranian mosques’ Prayer-hall, aims to investigate these domes’ possible relationship with the climatic features of each mosque. To this end, eighteen case-studies according to the research analytic approach are studied to determine: 1. the relationship between the mosques construction period (Iranian architecture styles) and its light-openings number on the one hand and its climatic features on the other hand, 2. The relationship between the light-openings’ location and the climatic features of each mosque, 3. The relationship between the light- openings’ number and the climatic feature of each mosque and finally, 4. The relationship between the prayer-hall’s height and the number of light openings of each mosque on the one hand and its climatic feature on the other hand. The study shows that Iranian architects have given considerable priority to the natural ventilation function of the light-openings, So, what used to be considered as the domes' main function, allowing the light to the interior space, is considered as their secondary function. Keywords: Light-opening, Light, Natural ventilation, Hot-dry climate, Cold climate, Mosque prayer-hall 1. -
Two-Level Patterns in Practice
Persian Two-Level Patterns in Practice. Tony Lee, February/March 2016 Two-level patterns arise when the spaces between the lines of one pattern (the larger, or upper-level pattern) are filled with tiles of another pattern (the smaller or lower-level pattern). Usually the tiles of the lower-level pattern are so arranged that the pattern is continuous across the lines of the upper-level pattern. That is, in such a case, if the lines of the larger pattern were removed the smaller pattern would present a single, complex pattern covering the whole pattern area. If the upper and lower level patterns are similar, or contain the same shapes (but at two different scales) then such a pattern may be regarded loosely as self-similar. Most discussions of these concepts are concerned with Islamic geometric patterns, where there is frequently a large-scale pattern picked out in various ways ⏤ for example, by colour contrast, or greater width of banding ⏤ superimposed on a small-scale pattern. Strict self-similarity is rarely achieved in traditonal Islamic patterns. Recent literature on Islamic patterns has recognised a number of different categories of two-level patterns, but there is one category of tile mosaic in which the manner of execution has been consistently misrepresented in the computer graphic illustrations accompanying a number of modern accounts. In this type of two-level pattern the lines of the large or level-one pattern are widened as bands, separating different areas (polygons, compartments) of this upper level pattern, which are then filled with modular arrangements of parts of the smaller or level-two pattern. -
Page 1 of 27 PODOCES, 2007, 2(2): 77-96 a Century of Breeding Bird Assessment by Western Travellers in Iran, 1876–1977 - Appendix 1 C.S
PODOCES, 2007, 2(2): 77-96 A century of breeding bird assessment by western travellers in Iran, 1876–1977 - Appendix 1 C.S. ROSELAAR and M. ALIABADIAN Referenced bird localities in Iran x°.y'N x°.y'E °N °E Literature reference province number Ab Ali 35.46 51.58 35,767 51,967 12 Tehran Abadan 30.20 48.15 30,333 48,250 33, 69 Khuzestan Abadeh 31.06 52.40 31,100 52,667 01 Fars Abasabad 36.44 51.06 36,733 51,100 18, 63 Mazandaran Abasabad (nr Emamrud) 36.33 55.07 36,550 55,117 20, 23-26, 71-78 Semnan Abaz - see Avaz Khorasan Abbasad - see Abasabad Semnan Abdolabad ('Abdul-abad') 35.04 58.47 35,067 58,783 86, 88, 96-99 Khorasan Abdullabad [NE of Sabzevar] * * * * 20, 23-26, 71-78 Khorasan Abeli - see Ab Ali Tehran Abiz 33.41 59.57 33,683 59,950 87, 89, 90, 91, 94, 96-99 Khorasan Abr ('Abar') 36.43 55.05 36,717 55,083 37, 40, 84 Semnan Abr pass 36.47 55.00 36,783 55,000 37, 40, 84 Semnan/Golestan Absellabad - see Afzalabad Sistan & Baluchestan Absh-Kushta [at c.: ] 29.35 60.50 29,583 60,833 87, 89, 91, 96-99 Sistan & Baluchestan Abu Turab 33.51 59.36 33,850 59,600 86, 88, 96-99 Khorasan Abulhassan [at c.:] 32.10 49.10 32,167 49,167 20, 23-26, 71-78 Khuzestan Adimi 31.07 61.24 31,117 61,400 90, 94, 96-99 Sistan & Baluchestan Afzalabad 30.56 61.19 30,933 61,317 86, 87, 88, 89, 90, 91, Sistan & Baluchestan 94, 96-99 Aga-baba 36.19 49.36 36,317 49,600 92, 96-99 Qazvin Agulyashker/Aguljashkar/Aghol Jaskar 31.38 49.40 31,633 49,667 92, 96-99 Khuzestan [at c.: ] Ahandar [at c.: ] 32.59 59.18 32,983 59,300 86, 88, 96-99 Khorasan Ahangar Mahalleh - see Now Mal Golestan Ahangaran 33.25 60.12 33,417 60,200 87, 89, 91, 96-99 Khorasan Ahmadabad 35.22 51.13 35,367 51,217 12, 41 Tehran Ahvaz (‘Ahwaz’) 31.20 48.41 31,333 48,683 20, 22, 23-26, 33, 49, 67, Khuzestan 69, 71-78, 80, 92, 96-99 Airabad - see Kheyrabad (nr Turkmen. -
Transnational Modernization and the Gendered Built Environment in Iran
Transnational Modernization and the Gendered Built Environment in Iran: Altering Architectural Spaces and Gender Identities in the Early Twentieth Century (1925-1941) A Dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Architecture and Interior Design of College of Design, Architecture, Art, and Planning By Armaghan Ziaee Bachelor of Architecture, 2009 Master of Architecture, 2013 Master of Arts, 2018 2018 Committee: Amy Lind, Ph.D. (Co-chair) Adrian Parr, Ph.D. (Co-chair) Edson Cabalfin, Ph.D. Abstract When Reza Shah Pahlavi (1925-1941) came to power in Iran in 1925, he initiated a rapid and irreversible process of change that began in the public domain of the city and filtered into the private domain of the home. During this era of accelerated, westernized modernization, gender- segregated private housing, including courtyard houses, and gender-exclusive, masculine public spaces were repurposed relatively quickly and/or were replaced by modern villa-style houses/apartments and gender-inclusive public spaces. Over the years, as Reza Shah’s policies of western-style modern houses, urban spaces, fashion, and design grew, he intensified his support for gender desegregation, most notably through banning women’s use of the Chador (the traditional Iranian veil) in public spaces. In this sense, the first Pahlavi modernization project of the built environment was constructed through a gendered lens of progress, in which physical structures, public and private spaces, and women’s (and men’s) very senses of embodiment and identity – in their homes, in public spaces, in regard to their dress – became a contested battleground at the center of broader struggles concerning modernity and westernization in Iran. -
The Impact of the Modernity Discourse on Persian Fiction
The Impact of the Modernity Discourse on Persian Fiction Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Comparative Studies in the Graduate School of The Ohio State University By Saeed Honarmand, M.A. Graduate Program in Comparative Studies The Ohio State University 2011 Dissertation Committee: Richard Davis, Advisor Margaret Mills Philip Armstrong Copyright by Saeed Honarmand 2011 Abstract Modern Persian literature has created a number of remarkable works that have had great influence on most middle class people in Iran. Further, it has had representation of individuals in a political context. Coming out of a political and discursive break in the late nineteenth century, modern literature began to adopt European genres, styles and techniques. Avoiding the traditional discourses, then, became one of the primary characteristics of modern Persian literature; as such, it became closely tied to political ideologies. Remarking itself by the political agendas, modern literature in Iran hence became less an artistic source of expression and more as an interpretation of political situations. Moreover, engaging with the political discourse caused the literature to disconnect itself from old discourses, namely Islamism and nationalism, and from people with dissimilar beliefs. Disconnectedness was already part of Iranian culture, politics, discourses and, therefore, literature. However, instead of helping society to create a meta-narrative that would embrace all discourses within one national image, modern literature produced more gaps. Historically, there had been three literary movements before the modernization process began in the late nineteenth century. Each of these movements had its own separate discourse and historiography, failing altogether to provide people ii with one single image of a nation. -
IRAN MIRROR JUNE Nairobi-Kenya Distribution Osman Rajab Athman Farsi Mr
IRAN AT A GLANCE MIRRORPUBLICATION OF THE CULTURAL COUNCIL OF THE EMBASSY OF THE ISLAMIC REPUBLIC OF IRAN, NIAIROBI-KENYA JUNE 2018 ISSUE NO.2 MILAD TOWER, TEHRAN Profile Editorial...................................................................................4Contents The Cultural Council of the Embassy of the Islamic Republic of Iran, Nairobi promotes mutual understanding and Imam Khomeini (r.a) ........................................................... 5 cultural co-operation among peoples in Kenya and Iran in line with the principles of cultural heritage. Imam Mahdi (a.s) ............................................................... 7 The Council’s aim is to create enduring partnership between Iran and other cultures, and we do this by creating Ramadhan .......................................................................... 10 opportunities to connect with the latest skills, ideas and experience from Iran. Ramadhan in Iran .............................................................12 Activities Environment ....................................................................... 14 Library: The Cultural Council has a very rich library consisting Economy ............................................................................. 24 of myriad of books in the field of Persian language and literature. Besides books on human sciences, history Quran Competition in Iran ............................................. 30 of Iran, Islamic studies, world history, religions, Islamic philosophy, a large number of books on social sciences, -
Central Courtyard in Traditional Mosques of Iran
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 6 No 6 S7 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy December 2015 Central Courtyard in Traditional Mosques of Iran Vida Makani Lecturer, Faculty of Arts and Architecture, University of Mazandaran, Iran Email address: [email protected] Doi:10.5901/mjss.2015.v6n6s7p356 Abstract Although the “central courtyard” or “Sahn”—as an important part of Iranian mosques with its formal, conceptual, and functional richness—provides a unique spatial experience for worshipers, little research has been conducted on its qualitative and quantitative characteristics. The consequence of this lack of sufficient knowledge is that in today’s mosques, either the central courtyard is eliminated altogether or if it exists, it fails to create a favorable spatial quality. The present article aims to acquire a better knowledge of Sahn by studying it from various perspectives so as to determine its effectiveness on architecture and spatial quality. The field and library study methodology was used, and the collected data was obtained by analyzing the architecture of different mosques in Iran and by making comparisons with mosques in other countries. The results indicate that Sahn exert a fundamental influence in a mosque, and that eliminating or reducing its role in contemporary mosques has led to the deterioration of spatial quality. Keywords: Mosque, Sahn, Function, Spatial quality. 1. Introduction The “central courtyard” or “Sahn” has played a significant role in traditional mosques in Iran. From inside the Sahn, the viewer obtains a general understanding of the space and architecture of the mosque. Prophet Mohammad is quoted as saying, “Mosque is wherever you pray.” Therefore, no specific architectural elements or facilities are required to convert a given space into a mosque. -
Travel to Tehran-Iran
Travel to Tehran-Iran ABOUT IRAN- HISTORY & HERITAGE The plateau of Iran is among the oldest civilization centers in the history of humanity and has an important place in archeological studies. The history of settlement in the Plateau of Iran, from the new Stone Age till the migration of Aryans to this region, is not yet very clear. But there is reliable evidence indicating that Iran has been inhabited since a very long time ago. Settlement centers have emerged close to water resources like springs, rivers, lakes or totally close to Alborz and Zagross mountains. After the decline of the Achievement dynasty, and the destruction of Persepolis by Alexander, his successors the Seleucid dominated over Iran for a short period of time. During this time the interaction between Iranian and Hellenic cultures occurred. Around the year 250 BC, the Parthians, who were an Aryan tribe as well as horse riders, advanced from Khorassan towards the west and south-west and founded their empire over Iran Plateau in Teesfoon. This empire survived only until the year 224 AD. The Sassanian, after defeating the last Parthia n king in 225 AD, founded a new empire which lasted until mid-7th century AD. With respect to its political, social, and cultural characteristics, the ancient period of Iran (Persia) is one of the most magnificent epochs of Iranian history. Out of this era, so many cultural and historical monuments have remained inPersepolis, Passargadae, Susa (Shoosh), Shooshtar, Hamadan, Marvdasht (Naqsh-e-Rostam), Taq-e- bostan, Sarvestan, and Nayshabur, which are worth seeing. The influence of Islam in Iran began in the early 7th century AD after the decline of the Sassanide Empire.