Script-Officer-Rimmer-Retcon

Total Page:16

File Type:pdf, Size:1020Kb

Script-Officer-Rimmer-Retcon 1 EXT. SPACE - NIGHT 1 STARBUG sails neatly across the star field. CUT TO: 2 INT. STARBUG - COCKPIT - NIGHT 2 LISTER, RIMMER, CAT and KRYTEN are seated at their stations. They’re in the middle of some action. LISTER Any sign of the ship yet? KRYTEN Affirmative, sir. Readouts indicate that it’s a Deep Space Explorer ship, and it’s in big trouble. RIMMER Got it. It’s drifting on the other side of that asteroid belt. CUT TO: 3 EXT. SPACE - NIGHT 3 On the other side a massive sun is a pencil-shaped ship with two massive wings - the NAUTILUS. It swoops past the sun and towards an asteroid belt. We can just make out Starbug on the other side. CUT TO: 4 INT. NAUTILUS - NIGHT 4 It’s dark. Then - a few banks of colorful lights come on, and then the room’s lights bathe the room in a fluorescent glow. A computer monitor clicks on and starts typing: "CLASS C ASTEROID STORM APPROACHING. PROTOCOL 17/B ACTIVATED. BIO-PRINT CREW. SYNTHI-CELLS LOADING. INITIATING BIO-PRINT. PRINTING - 1/76 - CAPTAIN EDWIN HERRING." Now we see a massive printing machine with a paper cut-out of a human being at the top. The machine springs into life, and one of the human sheets descends down into the machine. We hear the clicks and hums of a common household printer as it works. Now a pair of fully-dressed legs start to appear out the bottom slot, but then - something goes wrong. It stops. (CONTINUED) CONTINUED: 2. On the computer monitor: "PRINTER JAM! RELOAD BODY INTO CASSETTE AND TRY AGAIN." CUT TO: 5 EXT. SPACE - NIGHT 5 Starbug is zooming towards the asteroid belt. CUT TO: 6 INT. STARBUG - COCKPIT - NIGHT 6 The Dwarfers check their screens. LISTER Gettin’ anything? KRYTEN The signal’s very weak. The magnetides in the asteroid belt is distorting everything in the local vicinity. LISTER Try dropping frequencies. See if we can circumnavigate the storm. KRYTEN I think it’s working, sir. According to their manifest, their crew total is... half! LISTER Half what?? KRYTEN I don’t know, sir! CUT TO: 7 INT. NAUTILUS - NIGHT 7 The pair of legs in the printer start kicking, trying to make it work. Finally, a few seconds later, the rest of this man is ejected, but we can’t see him yet. He stands up, bent over, and yet his eyes are on the top of his bald head. Standing up, we see his face is stretched across the front of his head, with a haphazard mustache. He fumbles for the console. CUT TO: 3. 8 INT. STARBUG - COCKPIT - NIGHT 8 Cat notes a change on the readout. CAT Hey! Now it’s saying the crew total is "1"! LISTER What the hell is going on? KRYTEN Best guess, the Nautilus is bio-printing its crew. It was very fashionable in the twenty-fourth century where unmanned ships were sent into space, and only after they encountered anything interesting or dangerous, the crew best suited for the job were printed from the data library! CAT These dudes are gonna be human, right? KRYTEN Human-like. They’re created from synthetic stem cells, but like most movie stars, they’ll be incapable of having children in the normal way. Also, their lifespan will only last the length of their mission. In this case - save the Nautilus. SFX: "BEEP-BEEP!" Lister starts flicking some switches. LISTER We’ve got pictures coming through! The screen above them crackles into life, and now we see the man - CAPTAIN HERRING - peering at them with his deformed face. CAPTAIN HERRING This is Captain Edwin Herring of the SS Nautilus! Can you read me? Over. (CONTINUED) CONTINUED: 4. RIMMER Copy, Nautilus. But there’s something wrong with our video feed. From our end, you look like a hideous nineteenth-century circus freak! CAT Bud! You look like you’re wearing a toupee made of face! LISTER Yeah, one look at you and the Elephant Man would want to jump in his mum and dad’s bed! CAPTAIN HERRING Bio-printer jammed! Faulty! My face has been printed on the top of my head! Any advice? CAT Yeah! Don’t wear a hat! CAPTAIN HERRING What’s my situation? Obviously, it’s difficult to see! KRYTEN Well, it appears, sir, your engines are burnt out, and you’re drifting into the heart of a Class C asteroid storm! CAPTAIN HERRING I’m carrying Veranium! If the storm penetrates my hull, I’m done for! And so is everything in the local vicinity! Can you help? LISTER Our two ships are separated by the asteroid storm! We’d never get around to you in time! CAPTAIN HERRING Are you sure? RIMMER Of course we’re sure! It’s as plain as the nose on your head! (CONTINUED) CONTINUED: 5. CAT What about your escape pods? Maybe use one of those! CAPTAIN HERRING Too late. They escaped already. That’s what happens when you give machines artificial intelligence. RIMMER Perhaps you should print some more of your crew, sir! Get some more assistance! CAPTAIN HERRING I just told you my printer’s faulty, cretin! I’m done for, aren’t I? They mute the audio feed. Kryten checks his screen. KRYTEN Sirs, intell coming in. It’s much as I feared. The nearer the Nautilus gets to us, the more we ourselves are in danger. CAT How’d you make that one out? KRYTEN If the Nautilus is destroyed in its present position, we’re safe. If the Nautilus is destroyed in the asteroid storm... LISTER The Veranium goes up, and the blast’s radius nukes us, too. They contemplate this for a moment. RIMMER Well... I have one idea... But you’re not going to like it. CAT That’s a given since we don’t like you anyway. LISTER What’s your idea, Rimmer? (CONTINUED) CONTINUED: 6. RIMMER We fire a missile at the Nautilus and blow it up. LISTER (disgusted) You what?? RIMMER Lister, we can’t save him! We can’t save the ship! There’s no point in all of us going up because we’re trying to earn our "Save an Ugly Man" badge! LISTER But to just blow him up! That’s sick! I won’t do it! RIMMER I know. None of you can. You have your morals, Kryten has his programming and Cat’s too far from the button. I’ll do it. LISTER You can seriously live with that on your conscience? RIMMER Well, let’s see. I’m putting a deformed man out of his misery so we all can live. Gee, I wonder... KRYTEN Sir, I’m afraid Mr. Rimmer is right. It’s literally the only thing we can do. CAT He’s right, bud. There’s a time for morals, and there’s a time for logic. Frankly, I find ’em both boring, but whichever one ends with me alive at the end gets my vote. Lister is clearly torn. Realizing he’s never going to okay this, Rimmer goes ahead and presses the button. CUT TO: 7. 9 EXT. SPACE - NIGHT 9 A light flares under Starbug’s underbelly, and a missile zooms across the sky and into the asteroid storm, bobbing and weaving around the asteroids. CUT TO: 10 INT. STARBUG - COCKPIT - NIGHT 10 The Dwarfers watch helplessly. LISTER I can’t believe we’re doing this. RIMMER Just think of it as putting a beloved household pet out its misery. LISTER How the hell does that make it better?? RIMMER Sorry, I was referring to my stupid lemming. Damn thing nearly tore my fingernail off. KRYTEN Impact in thirty seconds, sirs. LISTER You’ve gotta tell Herring what you’ve done. You gotta tell him that you’re nuking his ship. RIMMER Oh yes, that’s a good idea. How’s that going to go? "Hello, Captain! Lovely day! Sorry, but I’m blowing you up! Hope you have a nice forty seconds! Bye!" CUT TO: 11 EXT. SPACE - NIGHT 11 The missile zooms through the asteroid belt. The Nautilus looms ahead. However, a particularly large asteroid clips its tail, and the missile begins flipping end over end, still toward the Nautilus. (CONTINUED) CONTINUED: 8. Rather than blow it up, it destroys one of the wings on the ship, BLOWING IT UP in a ball of fire. CUT TO: 12 INT. STARBUG - COCKPIT - NIGHT 12 We see Captain Herring on the screen. Static and interference plague the view as he’s rocked about. CAPTAIN HERRING I’ve been hit! I’m spinning out! The screen goes black. The Dwarfers sit in stunned silence, all looking very guilty. But then - the screen comes back on! Captain Herring is alive! CAPTAIN HERRING(CONT’D) That was the most insanely brilliant ballsiest maneuver I’ve ever witnessed! Who fired that missile?? The Dwarfers look at each other, astonished. Rimmer finds his voice. RIMMER Er... me? CAPTAIN HERRING What’s your name, soldier? RIMMER ... Rimmer. Arnold Rimmer, sir. CAPTAIN HERRING You mean you fired that missile, knowing it would take off my wing and knock me out of the asteroid storm? That’s genius, Rimmer!! RIMMER ... It was? I mean, it was! ... was it? CAPTAIN HERRING I owe you my life, sir! What’s your rank? (CONTINUED) CONTINUED: 9. RIMMER Second tech, sir. CAPTAIN HERRING I shall commend you to your commanding officer to promote you for this! RIMMER Oh... er... we... well, that is to say... Technically I’m the commanding officer, sir.
Recommended publications
  • Cava of Toledo; Or, the Gothic Princess
    Author: Augusta Amelia Stuart Title: Cava of Toledo; or, the Gothic Princess Place of publication: London Publisher: Printed at the Minerva-Press, for A. K. Newman and Co. Date of publication: 1812 Edition: 1st ed. Number of volumes: 5 CAVA OF TOLEDO. A ROMANCE. Lane, Darling, and Co. Leadenhall-Street. CAVA OF TOLEDO; OR, The Gothic Princess. A ROMANCE. IN FIVE VOLUMES BY AUGUSTA AMELIA STUART, AUTHOR OF LUDOVICO’S TALE; THE ENGLISH BROTHERS; EXILE OF PORTUGAL, &c. &c. Fierce wars, and faithful loves, And truths severe, in fairy fiction drest. VOL. I. LONDON: PRINTED AT THE Minerva Press, FOR A. K. NEWMAN AND CO. LEADENHALL-STREET. 1812. PREFACE. THE author of the following sheets, struck by the account historians have given of the fall of the Gothic empire in Spain, took the story of Cava for the foundation of a romance: whether she has succeeded or not in rendering it interesting, must be left to her readers to judge. She thinks it, however, necessary to say she has not falsified history; all relating to the war is exact: the real characters she has endeavoured to delineate such as they were; —Rodrigo—count Julian—don Palayo—Abdalesis, the Moor—queen Egilone—Musa—and Tariff, are drawn as the Spanish history represents them. Cava was never heard of from her quitting Spain with her father; of course, her adventures, from that period, are the coinage of the author’s brain. The enchanted palace, which Rodrigo broke into, is mentioned in history. Her fictitious characters she has moulded to her own will; and has found it a much more difficult task than she expected, to write an historical romance, and adhere to the truth, while she endeavoured to embellish it.
    [Show full text]
  • Narrative Quest and Healing Transformation in the Work of Reynolds Price
    A VIEW TO A CURE: NARRATIVE QUEST AND HEALING TRANSFORMATION IN THE WORK OF REYNOLDS PRICE Suzanne Shrell Bolt A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English. Chapel Hill 2007 Approved by: Joseph M. Flora Fred Hobson Edward Donald Kennedy George S. Lensing Kimball King © 2007 Suzanne Shrell Bolt ALL RIGHTS RESERVED ii ABSTRACT SUZANNE SHRELL BOLT: A View to a Cure: Narrative Quest and Healing Transformation in the Work of Reynolds Price (Under the direction of Joseph M. Flora) Reynolds Price is a writer of serious religious fiction whose unique evangelium reaches beyond orthodox Christianity for some of its deepest expressions. At the heart of his work is a line of radiant, threatened protagonists whom Price calls “sacrificial people. .lambs in whose blood we bathe, whose blood we drink . in the sense of the god whom men kill and eat.” And the nature of such physical and spiritual grace—its swift destruction and occasional, surprising redemption—is one of the most crucial, recurrent mysteries Price explores. As sinner, battler, victim, object of Grace, and vehicle of revelation, Price’s central type surfaces memorably in characters such as Milo Mustian ( A Generous Man ), Todd Eborn ( Love and Work ), Rob Mayfield ( A Great Circle ), Neal Avery ( New Music ), Raphael Noren ( The Tongues of Angels )—even Price’s father, Will ( Clear Pictures and the sketch “Life for Life”). Echoing the dynamics of Jesse Weston’s core grail scene (with its ritualized gesture of identification, reconciliation, spiritual revelation, and healing), each narrative staging resembles a kind of passion play.
    [Show full text]
  • SPECIES IDENTIFICATION GUIDE National Plant Monitoring Scheme SPECIES IDENTIFICATION GUIDE
    National Plant Monitoring Scheme SPECIES IDENTIFICATION GUIDE National Plant Monitoring Scheme SPECIES IDENTIFICATION GUIDE Contents White / Cream ................................ 2 Grasses ...................................... 130 Yellow ..........................................33 Rushes ....................................... 138 Red .............................................63 Sedges ....................................... 140 Pink ............................................66 Shrubs / Trees .............................. 148 Blue / Purple .................................83 Wood-rushes ................................ 154 Green / Brown ............................. 106 Indexes Aquatics ..................................... 118 Common name ............................. 155 Clubmosses ................................. 124 Scientific name ............................. 160 Ferns / Horsetails .......................... 125 Appendix .................................... 165 Key Traffic light system WF symbol R A G Species with the symbol G are For those recording at the generally easier to identify; Wildflower Level only. species with the symbol A may be harder to identify and additional information is provided, particularly on illustrations, to support you. Those with the symbol R may be confused with other species. In this instance distinguishing features are provided. Introduction This guide has been produced to help you identify the plants we would like you to record for the National Plant Monitoring Scheme. There is an index at
    [Show full text]
  • Lo Lhe Urivc^E T
    PA^iPO^Z lO lHE URiVc^E t EFE SEQUEL conADiAn 52T1D WCHLD XiERCE FiCZiOR COOVERCiOn OUiCC =JEFE=?EnCE GUiDE lEPLEmSE? 1 - 5,1994 winniPEG, liiAnikOSA Your Guide to the Guide The main purpose of the Quick Reference Guide is to provide you with information on daily ConAdian Programming as well as useful information on the city of Winnipeg and its services. The coloured pages in the centerofthe book are a pull out section. Each day's programming is provided on a different coloured sheet and all you need to do is carry the daily page with you (along with your passport). The daily newszine will be printed on the same colour paper as the daily programming. Thursday - Gold Sunday - Blue Friday - Pink Monday - Yellow Saturday - Green INDEX Maps - Convention Centre Main Floor................... 3 The Science Channel.................................................... 11 Convention Centre 2nd & 3rd Floor............4 City of Winnipeg Downtown Map................ 5 Japanese Videos..............................................................13 Time - Art Auction ...................................................6 Gaming...............................................................................14 and - Art Show ...................................................... 6 Time - Blood Drive .................................................. 6 Filk Programming......................................................... 15 Again - Childcare ...................................................6 Con. Ops ...................................................6
    [Show full text]
  • The Man in the Rubber Mask: the Inside Smegging Story of Red Dwarf Pdf, Epub, Ebook
    THE MAN IN THE RUBBER MASK: THE INSIDE SMEGGING STORY OF RED DWARF PDF, EPUB, EBOOK Robert Llewellyn | 352 pages | 14 May 2013 | Cornerstone | 9781908717788 | English | London, United Kingdom The Man In The Rubber Mask: The Inside Smegging Story of Red Dwarf PDF Book Sir David Attenborough. At 4 out of 5 stars I would still recommend The Man in the Rubber Mask for any diehard Dwarfer keen to further develop their knowledge of the show. Whether this is because the comedy level has increased from the previous book, or because I have become more comfortable or more at ease with the personalities of these characters, who can really say. Home 1 Books 2. While waiting in line for the ice- cream truck at around 3pm, the people ahead of him suddenly go berserk, violently attacking each other. Robert recalls the long arduous hours spent in makeup before filming could even begin and the various trials and tribulations of wearing a latex foam face mask and all over bodysuit, especially on things like his inability to eat lunch while on set. My review of book one, Dial G for Gravity can be found here. An irrelevant boop I must confess, however the lack of attention to detail rather grates on my nerves. All in all Dial G for Gravity is a pretty good space comedy, with well thought out characters and some interesting alien races in the Gloabons, Andelians and the Kreitians. Four Past Midnight Collection. Luca Rossi writes in a simple, easy to read prose that flows nicely as the characters develop and the story gradually unfolds.
    [Show full text]
  • Drive Room Issue 2
    Issue #2 February 2021 FUTURE ECHOES An in-depth look behind the production of Red Dwarf’s second episode Contents LEVEL 159 2 Editorial NIVELO 3 Synopsis Well, there was quite a lot to look at for the first ever episode 5 Crew & Other Info of a show, who knew? So this issue will be a little more brief 6 Guest Stars I suspect, a bit leaner, a bit more ‘Green Beret’... but hopefully still a good informative read. 7 Behind The Scenes 11 Adaptations/Other Media My first experience of ‘Future Echoes’ was via the comic-book 14 Character Spotlight version printed in the Red Dwarf Smegazines, and the version 23 Robot Claws used in the Red Dwarf novel. The TV version has therefore 29 always held a bit of a wierd place in my love of the show - as Actor Spotlight much as I can recite it line for line, I’m forever comparing it to 31 Next Issue the other versions! Still, it’s easily one of the best episodes Click/tap on an item to jump to that article. from the first series, if not THE best, and it’s importance in Click/tap the red square at the end of each article to return here. guiding the style of the show cannot be understated. And that’s simple enough that Lister can understand it. “So what is it?” “Thankski Verski Influenced by friends and professionals Muchski Budski!” within the Transformers fandom, I’ve opted to take a leaf out of their book and try and Many thanks to Jordan Hall and James Telfor for create a Red Dwarf fanzine in the vein of providing thier own photographs, memories and other a partwork - where each issue will take a information about the studio filming of Future Echoes deep in-depth dive into a specific episode for this issue.
    [Show full text]
  • Code Blue M1 & M2 Student Guide
    Code Blue A Guide to the M1/M2 Years A publication created by the medical students of the Code Blue Team and the Office of Medical Student Education at 2015-2016. ediTion X the University of Michigan Medical School Welcome Dear M1s, Welcome to your M1 year! We could not be more excited to welcome you to the UM Medical School family. So far, you have already done the hard part – making it here! Now, you have been inducted into a community of physicians, researchers, peers, and mentors who all want to help you become the most successful doctor you can possibly be. You will face rigorous academic challenges and trying clinical experiences. There will be times where you don’t get it right the first time, or you don’t pass a test/sequence. And that's okay; it means you are pushing yourself to improve and learn from your struggles. Code Blue is just one tool to help you achieve your potential here. We like to think of it as a compendium of knowledge from your peers who have passed through their pre-clinical years before you. It’s meant to be a resource to help you navi- gate all aspects of your early medical school years. Our biggest piece of Code Blue advice? Don’t forget that your pre-clinical years are pass/fail! You need to study hard and learn the curriculum, but be sure to treat yourself during this time! Check out a football game, read a book, see the sun! Besides providing lots of study tips and sequence hints, Code Blue is full of ways to spend your time when you’re not studying.
    [Show full text]
  • Analýza Úskalí Překladu a Převádění Humoru Britského Seriálu Červený Trpaslík
    Filozofická fakulta Univerzity Palackého Analýza úskalí překladu a převádění humoru britského seriálu Červený trpaslík (bakalářská práce) 2018 Michaela Orságová Filozofická fakulta Univerzity Palackého Katedra anglistiky a amerikanistiky Analýza úskalí překladu a převádění humoru britského seriálu Červený trpaslík (bakalářská práce) Analysis of Difficulties in Translation and Humor Conversion of the British Series Red Dwarf (Bachelor’s Thesis) Autor: Michaela Orságová Studijní obor: Angličtina se zaměřením na komunitní tlumočení a překlad Vedoucí práce: Mgr. Ondřej Molnár, Ph.D. Olomouc 2018 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla úplný seznam citované a použité literatury. I hereby state that I draw up this submitted thesis myself and it is my original author work. I properly cite all references and other sources I used in the thesis that are all listed in the list of references. V Olomouci dne 17. 5. 2018 Michaela Orságová ACKNOWLEDGMENTS I would like to thank Mgr. Ondřej Molnár, Ph.D. for supervising my thesis. I would also like to thank Mgr. Renáta Tomášková, Dr. from the University of Ostrava for her additional consultations, and also my family and friends for their endless support. Olomouc 17. 5. 2018 Michaela Orságová LIST OF ABBREVIATIONS AVT … audiovisual translation OED … the Oxford English Dictionary SL … source language SxxEyy… series xx episode yy TL … target language TS … translation studies VEH ... verbally expressed humor LIST OF FIGURES Figure 1: The polysemiotic nature of audiovisual products ......................... 3 Figure 2: Dubbing process of the Red Dwarf’s latest series ........................ 8 Figure 3: Subtitles vs. dubbing vs. voice-over across Europe .................... 10 Figure 4: Red Dwarf’s series’ timeline ......................................................
    [Show full text]
  • A Red Dwarf Novel Kindle
    BETTER THAN LIFE : A RED DWARF NOVEL PDF, EPUB, EBOOK Grant Naylor | 240 pages | 01 Jan 2098 | Penguin Books Ltd | 9780241988039 | English | London, United Kingdom Better Than Life : A Red Dwarf Novel PDF Book Almost an entire year of consistent podcasting and all it took was a global pandemic and stay at home orders to make it happen. View Results. Lister is happy, knowing that he and Kochanski have many years behind them to look forward to. Reserve online, pay on collection. Red dwarf : infinity welcomes careful drivers. Recently, I've had the utter delight of watching Hancock's Half Hour for the first time. Discover Premium Shows Likes. Featuring the Office of Government Commerce, London and Ressie 6 The suiteness is her weakness: the woman who's addicted to eating sofas. Click OK to close the Options popup. January 1, I know I'm counting the days until The Breaker is released this month. Not only is there no introduction, preamble or exposition, the book begins in an extremely strange situation indeed. Danny Stephenson, Jonathan Capps and Ian Symes once again convene to discuss this episode's title of 'the good one in series viii', the nature of predeterminism, and to offer a surprisingly generous appraisal of series VIII's position in Red Dwarf history. The human race began as slime and ended as slime. This item can be requested from the shops shown below. The Last Wish. Military type uncredited Nigel Peever Still, his…. DwarfCasts a Red Dwarf podcast Episodes. Francine Toon. What do Grant Naylor have against Brian Kidd, anyway? One of comics' most inventive minds take on the world's greatest superheroes, as Grant Morrison gathers DC's icons for a bold new era of the JLA! Red Dwarf : infinity welcomes careful drivers.
    [Show full text]
  • Discographie Leader/Co-Leader
    Discographie Leader/Co-Leader 1947-1953 Urbanity Clef/Mercury NYC, September-October, 1947° & September 4, 1953¹. Tracks: Blues For Lady Day°; The Night We Called It A Day°; Yesterdays°; You're Blasé°; Tea For Two°; The Blue Room°; Thad's Pad¹; Things Are So Pretty In The Spring¹; Little Girl Blue¹; Odd Number¹. Personnel: Hank Jones: piano; Ray Brown¹: bass; Johnny Smith¹: guitar. Note: Reissued on Verve. 1955 The Trio Savoy NYC, August 4, 1955. Tracks: My Hearts Are Young; We Could Make Such Beautiful Music Together; We're All Together; Cyrano; Odd Number; There's A Small Hotel; My Funny Valentine; Now's The Time. Personnel: Hank Jones: piano; Wendell Marshall: bass; Kenny Clarke: drums. Note: Also issued as The Jazz Trio of Hank Jones. Quartet/Quintet Savoy NYC, November 1, 1955. Tracks: Almost Like Being In Love; An Evening At Papa Joe's; And Then Some; Summer's Gone; Don't Blame Me. Personnel: Donald Byrd: trumpet; Matty Dice: trumpet; Hank Jones: piano; Eddie Jones: bass; Kenny Clarke: drums. Bluebird Savoy NYC, November 1 & 3 & 29 & December 20, 1955. Tracks: Little Girl Blue; Bluebird; How High The Moon; Hank's Pranks; Alpha; Wine And Brandy. Personnel: Joe Wilder, Donald Byrd, Matty Dice: trumpet; Jerome Richardson: tenor sax, flute; Herbie Mann: flute; Hank Jones: piano; Wendell Marshall: bass; Eddie Jones: bass; Kenny Clarke: drums. 1956 Have You Met Hank Jones? Savoy NYC, July 9 & August 8 & 20, 1956. Tracks: Teddy's Dream; It Had To Be You; Gone With The Wind; Heart And Soul; But Not For Me; Have You Met Miss Jones?; You Don't Know What Love Is; How About You?; Body And Soul; Let's Fall In Love; Kanakee Shout; Solo Blues.
    [Show full text]
  • Planet-Star Interactions
    Ed Guinan Villanova University Sagan Summer Workshop, Caltech July 2010 Talking Points • Local Examples of Solar/Stellar X-UV Radiation & Wind Impacts on Planetary Atmospheres • “Sun in Time” program – solar-type stars with different ages & X-UV Irradiance of the early Sun • “Living with a Red Dwarf” Program • Nuclear / Magnetic Evolution of dK & dM-stars • Magnetic Dynamo-Driven X-UV Radiation & Flares of red dwarf stars • Some Astrobiological Consequences • Highlight: The dM star + planet systems - GJ 581 Planetary System- large Earth-size planets in the Habitable Zone? And transiting planet in GJ 436 • Conclusions I. Local Examples of Stellar XUV Radiation & Wind Impacts on Planetary Atmospheres The Magnetically Active Sun II. The “Sun in Time” is a comprehensive multi-frequency program to study the magnetic evolution of the Sun through solar proxies. (Start: 1988) The “Sun in Time” is a comprehensive multi- frequency program to study the magnetic evolution of the Sun through stellar proxies. The main features of the stellar sample are: • Single nearby main sequence G0-5 stars • Known rotation periods • Well-determined temperatures, luminosities and metallicities & distances • Age estimates from membership in clusters, moving groups, period-rotation relation and/or evolutionary model fits • Recently extended to include more common dK – dM stars with deep outer convection zones (Focus of this talk) We use these stars as laboratories to study the solar dynamo by varying only one parameter: rotation. Observational Data Multi-frequency program with observations in the X-ray, EUV, FUV, NUV, optical, IR and radio domains. Focused on the high-energy irradiance study (X-ray and UV).
    [Show full text]
  • RED DWARF Infinity Welcomes Careful Drivers Part One: Your Own
    RED DWARF Infinity Welcomes Careful Drivers Part One: Your own death and how to cope with it3 ONE.4 TWO..6 THREE.7 FOUR..12 FIVE.15 SIX..18 SEVEN..21 EIGHT.24 NINE.28 TEN..31 ELEVEN..35 TWELVE.39 THIRTEEN..43 FOURTEEN..46 FIFTEEN..49 SIXTEEN..52 SEVENTEEN..55 EIGHTEEN..57 Page 1 NINETEEN..58 TWENTY..60 PART TWO: Alone in a Godless universe, and out of Shake'n'Vac.61 ONE.62 TWO..66 THREE.68 FOUR..70 FIVE.74 SIX..77 SEVEN..80 EIGHT.82 NINE.84 TEN..88 ELEVEN..92 TWELVE.96 THIRTEEN..98 FOURTEEN..101 FIFTEEN..105 SIXTEEN..109 SEVENTEEN..114 EIGHTEEN..116 NINETEEN..121 TWENTY..124 TWENTY-ONE.126 TWENTY-TWO..127 TWENTY-THREE.129 Page 2 TWENTY-FOUR..133 TWENTY-FIVE.136 TWENTY-SIX..139 TWENTY-SEVEN..141 TWENTY-EIGHT.143 TWENTY-NINE.145 THIRTY..148 THIRTY-ONE.151 THIRTY-TWO..155 THIRTY-THREE.158 THIRTY-FOUR..161 Part Three: Earth!162 One.163 TWO..166 THREE.169 FOUR..171 FIVE.174 SIX..177 SEVEN..181 EIGHT.184 NINE.186 Part One: Your own death Page 3 and how to cope with it 12345 678910 1112131415 1617181920 ONE 'DESCRIBE, USING DIAGRAMS WHERE APPROPRIATE, THE EXACT CIRCUMSTANCES LEADING TO YOUR DEATH.' Saunders had been dead for almost two weeks now and, so far, he hadn't enjoyed a minute of it. What he wasn't enjoying at this particular moment was having to wade through the morass of forms and legal papers he'd been sent to complete by the Department of Death and Deceased's' Rights.
    [Show full text]