DOCSLIB.ORG

Comunicar 39

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Comunicar 39 © COMUNICAR, 39; XX LATIN AMERICAN SCIENTIFIC JOURNAL OF MEDIA EDUCATION ISSN: 1134-3478 / DL: H-189-93 / e-ISSN: 1988-3293 Andalusia (Spain), n. 39; vol. XX 2nd semester, October 2012 INDEXED INTERNATIONAL SCIENTIFIC JOURNAL INTERNATIONAL DATABASES LIBRARY CATALOGUES • JOURNAL CITATION REPORTS (JCR) (Thomson Reuters)® •WORLDCAT • SOCIAL SCIENCES CITATION INDEX / SOCIAL SCISEARCH (Thomson Reuters) • REBIUN/CRUE •SCOPUS® • SUMARIS (CBUC) • ERIH (European Science Foundation) • NEW-JOUR • FRANCIS (Centre National de la Recherche Scientifique de Francia) • ELEKTRONISCHE ZEITSCHRIFTENBIBLIOTHEK (Electronic Journals Library) • SOCIOLOGICAL ABSTRACTS (ProQuest-CSA) • THE COLORADO ALLIANCE OF RESEARCH LIBRARIES • COMMUNICATION & MASS MEDIA COMPLETE • INTUTE (University of Manchester) • ERA (Educational Research Abstract) •ELECTRONICS RESOURCES HKU LIBRARIES (Hong Kong University, HKU) • IBZ (Internat. Bibliography of Periodical Literature in the Social Sciences) • BIBLIOTECA DIGITAL (University of Belgrano) • IBR (International Bibliography of Book Reviews in the Social Sciences) BIBLIOGRAPHICAL DATABASES •SOCIAL SERVICES ABSTRACTS • DIALNET (Alertas de Literatura Científica Hispana) • ACADEMIC SEARCH COMPLETE (EBSCO) • PSICODOC • MLA (Modern International Bibliography) • REDINED (Ministerio de Educación de Spain) • COMMUNICATION ABSTRACTS (EBSCO) • CEDAL (Instituto Latinoamericano de Comunicación Educativa: ILCE) • EDUCATION INDEX/Abstracts, OmniFile Full Text Megs/Select (Wilson) • OEI (Centro de Recursos de la Organización de Estados Iberoamericanos) • FUENTE ACADÉMICA PREMIER (EBSCO) • DOCE (Documentos en Educación) • IRESIE (Índice Revistas de Educación Superior e Investigación de México) • ISOC (CINDOC del Consejo Superior de Investigaciones Científicas) SELECTIVE JOURNAL ARCHIVES • ACADEMIC ONEFILE / INFORME ACADÉMICO (Cengage Gale) • REDALYC (Red de Revistas Científicas de América Latina de Ciencias Sociales) • EDUCATOR’S REFERENCE COMPLETE / EXPANDED ACADEMIC ASAP • RED IBEROAMERICANA DE REVISTAS COMUNICACIÓN Y CULTURA • RERCE (Red de Revistas Científicas de Educación JCR/RECYT) JOURNAL RANKING PLATFORMS • REC (Red de Revistas Científicas Españolas de Comunicación) • RESH (Revistas Españolas de Ciencias Sociales del CINDOC/CSIC) • RECYT (Fundación Española de Ciencia y Tecnología) SPECIALIZED WEBSITES • CIRC (Clasificación Integrada de Revistas) (Ec3, IEDCYT, UCIII) • SCREENSITE • IN-RECS (Índice Impacto de Revistas Españolas de Ciencias Sociales) • PORTAL IBEROAMERICANO DE COMUNICACIÓN • DICE (Difusión y Calidad Editorial de Revistas) • ERCE (Evaluación Revistas Científicas Españolas de Ciencias Sociales) • MIAR (Matriz para Evaluación de Revistas) • UNIVERSIA, QUADERNS DIGITALS, PORTAL DE LA COMUNICACIÓN DE UAB • ANPED (Associação de Pesquisa en Educação de Brasil) • POWER SEARCH PLUS (Cengage Gale) • CARHUS PLUS+ (AGAUR, Generalitat de Catalunya) OPEN ACCESS SEARCHERS • SCIMAGO Journal & Country Rank (Scopus) • DOAJ, SCIENTIFIC COMMONS SELECTIVE DIRECTORIES • GOOGLE ACADÉMICO, GOOGLE BOOKS • ULRICH’S PERIODICALS (CSA) • OAISTER, THE LIBRARY OF CONGRESS • LATINDEX. Catálogo Selectivo •SCIRUS PUBLISHED BY: GRUPO COMUNICAR DISTRIBUTED BY: • www.comunicarjournal.com SPAIN: • www.grupocomunicar.com • Centro Andaluz del Libro (Andalusia) • Administration: [email protected] • Almario de Libros (Madrid) • Staff: [email protected] • Grialibros (Galicia) • Mail box 527. 21080 Huelva (Spain) • Manuel Cano Distribuciones (Valencia) • Publidisa (Internet) • COMUNICAR is a member of CEDRO (Spanish Centre for Reprographic • Arce: www.quioscocultural.com (Internet) Rights). EUROPE & AMERICA: • COMUNICAR is a cultural publication published half-yearly, in March and October. • ILCE (Mexico DF-Mexico y America Central) • Centro La Crujía (Buenos Aires-Argentina) • COMUNICAR journal accepts and promotes institutional exchanges with • Pablo Ameneiros Distribuciones (Montevideo-Uruguay) other scientific magazines. • Presa-Peyran Ediciones (Caracas-Venezuela) • Publiciencias Distribuciones (Pasto-Colombia) © COMUNICAR is a patented trademark registered at the Spanish Patents and • E-papers Editora (Brazil) Trademarks Office, n. 1806709, • Pátio de Letras (Portugal) • Minerva Distribuciones (Coimbra-Portugal) © Reproduction of any text in COMUNICAR requires authorization from CEDRO. PRINTED BY: Bonanza Graphic Arts (Huelva) Comunicar© SCIENTIFIC JOURNAL OF MEDIA EDUCATION EDITOR Dr. J. Ignacio Aguaded-Gómez University of Huelva (Spain) 39, XX GUEST-EDITED SPECIAL ISSUE EDITORIAL BOARD • Dr. Samy Tayie. Cairo University (Egypt) • Dr. J. Manuel Pérez-Tornero. Universidad Autonoma. Barcelona • Dr. Agustín García Matilla, University of Valladolid • Dr. Miguel de Aguilera, University of Málaga ASSISTANT EDITORS • Dr. Mª Luisa Sevillano García, UNED, Madrid • Dr. Enrique Martínez-Salanova, Grupo Comunicar, Almería • Dr. J. Manuel Pérez-Tornero, Universidad Autónoma, Barcelona • Dr. Ángel Hernando-Gómez, University of Huelva • Dr. Julio Cabero Almenara, University of Sevilla • Dr. M. Carmen Fonseca, University of Huelva • Dr. Javier Tejedor Tejedor, Universidad de Salamanca • Rafael Repiso, School of Communication, Granada • Dr. Pablo del Río, University Carlos III, Madrid • Dr. Joan Ferrés i Prats, Universitat Pompeu Fabra, Barcelona INTERNATIONAL COEDITORS • Dr. Mariano Cebrián Herreros, Complutense University, Madrid • Ecuador: Dra. Karina P. Valarezo, University Téc. Part. de Loja • Dr. Manuel Ángel Vázquez Medel, University of Sevilla • Chile: Dr. Claudio Avendaño, University Diego Portales • Dr. Francisco García García, Complutense University, Madrid • Dr. Javier Marzal, Universitat Jaume I, Castellón ADVISORY BOARD • Dr. Manuel Lorenzo, University of Granada • Dr. Ismar de Oliveira, Universidade de São Paulo, Brazil • Dr. Manuel Area, University of La Laguna, Tenerife • Dr. Guillermo Orozco, Universidad de Guadalajara, Mexico • Dr. Concepción Medrano, País Vasco University • Dr. Cecilia Von Feilitzen, Nordicom, Sweden • Dr. Juan de Pablos Pons, University of Sevilla • Dr. Geniève Jacquinot, Université Paris VIII, París, France • Dr. Félix Angulo Rasco, University of Cádiz • Dr. Pier Cesare Rivoltella, Università Cattolica de Milán, Italia • Dr. Juan Antonio García Galindo, University of Málaga • Dr. Alberto Parola, MED, Università de Torino, Italia • Dr. Elea Giménez Toledo, CSIC, Madrid • Dr. Teresa Quiroz, University of Lima, Peru • Dr. Donaciano Bartolomé, Complutense University, Madrid • Dr. Mar Fontcuberta, Pontificia Universidad Católica, Chile • Dr. Ramón Reig, University of Sevilla • Dr. Jacques Piette. Université de Sherbrooke, Québec, Canada • Dr. Ramón Pérez Pérez, University of Oviedo • Dr. Jesús Arroyave. Universidad del Norte, Colombia • Dr. Ana García-Valcárcel, University of Salamanca • Dr. Samy Tayie, Cairo University, Mentor Association, Egypt • Dr. Domingo Gallego, Universidad Nacional de Distancia, Madrid • Dr. Vítor Reia, Universidade do Algarve, Faro, Portugal • Dr. Manuel Cebrián de la Serna, University of Málaga • Dr. Sara Pereira. Universidade do Minho, Braga, Portugal • Dr. Felicísimo Valbuena, Complutense University, Madrid • Dr. Armanda Pinto, Universidade de Coimbra, Portugal • Dr. Manuel Fandos Igado, MasterD, Zaragoza • Dr. Divina Frau-Meigs, Université Sorbonne, París, France • Dr. Pere Marquès, Universidad Autónoma de Barcelona • Dr. Patrick Verniers, Consejo Sup. Educación en Medios, Belgium • Dr. Javier Sierra Sánchez, Universitat Abat-Oliba, Barcelona • Dr. Graça Targino, Universidade UESPI/UFPB, Brazil • Dr. Lluís Pastor, Universitát Oberta de Catalunya, Barcelona • Dr. Tania Esperon, Universidade Federal de Pelotas, Brazil • Dr. Jesús Valverde, University of Extremadura • Dr. Vania Quintão, Universidade de Brasilia, Brazil • Dr. Gustavo Hernández, ININCO, Central University, Venezuela BOARD OF MANAGEMENT • Dr. Gerardo Borroto, CUJAE, La Habana, Cuba • Dª Águeda Delgado, University of Huelva • Dr. Ciro Novelli, Universidad del Cuyo, Mendoza, Argentina • D. Francisco Casado, IES Huelva • Dr. Jorge Cortés Montalvo, UACH/REDECA, Mexico • Dr. Isidro Marín Gutiérrez, University of Huelva • Dr. Patricia Cortez, Universidad Católica de Cochabamba, Bolivia • Dra. Verónica Marín, University of Córdoba • Dr. Silvia Contín, Universidad Nacional de Patagonia, Argentina • Dª Paloma Contreras, University of Huelva • Dr. Jerónimo León Rivera, Universidad de La Sabana, Colombia • Dra. Jacqueline Sánchez Carrero, University of Huelva • Dr. Carlos Muñiz, Universidad Autónoma de Nuevo León, México • Dra. Elena Gómez Parra, University of Córdoba • Paolo Celot, EAVI, Brussels, Belgium • Dr. Walter Gadea, University of Huelva • Jordi Torrent, ONU, Aliance of Civilitations, USA • Dra. Natalia González Fernández, University of Cantabria • Kathleen Tyner, University of Texas, Austin, USA • Marieli Rowe. National Telemedia Council, Madison, USA TRANSLATIONS: Noel Byde / Amor Aguaded-Pérez • Yamile Sandoval, University Santiago de Cali, Colombia DESIGNED BY:Portada: Enrique Martínez-Salanova • Michel Clarembeaux, Centre Audiovisuel de Liège, Belgium COMMERCIAL MANAGER: Alejandro Ruiz © ISSN: 1134-3478 • e-ISSN: 1988-3293 4 C O N T E N T S Comunicar, 39, XX, 2012 Curriculum and Teacher Training Comunicar, 39, XX, 2012 in Media Education FOREWORD Contents .............................. 4/5 Editorial . 7/8 J. Ignacio Aguaded DOSSIER (Research) • Introduction / Presentación ..................................................... 10/14 • Media and Information Literacy: Pedagogy and Possibilities . 15/22 Alfabetización
Load more

Recommended publications
  • The Evolution of the Concept of Public Service and the Transition in Spanish Television
    Medij. istraž. (god. 15, br. 2) 2009. (49-70) IZVORNI ZNANSTVENI RAD UDK: 316.77(460):7.097 Primljeno: 30. listopada 2009. The Evolution of the Concept of Public Service and the Transition in Spanish Television Carmen Ciller Tenreiro* SUMMARY The paper examines the presence of the public interest in contemporary Span- ish television medium. For many years there was a solidly-held belief that there are important public assets (principally educational, cultural and de- mocratic) which could only be provided by public television. In recent years in Spain, after the Transition process, and with democracy having been consoli- dated, a new period of maturity in television, in which society itself demands and expects that television in general, both public and private, guarantees a series of values and public assets. In the first part, the author explains what are the origins of television in Spain: from what is the nature of public service and legislation that supports it (where are established the public interest criteria that must always prevail in the public television medium, and private television later) to the development and consolidation of the television system in Spain with the arrival of regional television, private television channels and pay television platforms. In the sec- ond part of the paper, the situation of the programme listings of general public and private television channels which operate in Spain is analyzed through the case study of the first week of March 2009. The study of prime time enables to know which are the most important genres of television programming in Spain and what television preserve the public interest.
    [Show full text]
  • Analysys Mason Document
    Presentation for Circom’s 31st Annual conference Scenarios for a convergent world: Non-linear TV and the online challenge – Where is the European TV industry heading? 10 May 2013 • Lluís Borrell 2 Confidentiality notice . Copyright © 2013. The information contained herein is the property of Analysys Mason Limited and is provided on condition that it will not be reproduced, copied, lent or disclosed, directly or indirectly, nor used for any purpose other than that for which it was specifically furnished 3 Agenda . Setting the scene Context on linear and non-linear TV The European broadcasting model A structured perspective . The evolution so far Linear TV and audience fragmentation The ‘explosion’ of non-linear TV Putting things in perspective . The policy and regulatory debate moving forward Key issues and leading perspectives in EU Contents 4 Setting the scene The evolution so far The policy and regulatory debate moving forward Setting the scene 5 Linear TV and non-linear TV – do we understand the difference? How is this evolving? (1/2) Element Traditional or linear TV New TV or non-linear TV (in this presentation) Scheduling ▪ Broadcast or scheduled ▪ Non-linear TV or non-scheduled TV or on-demand TV Device ▪ TV set ▪ Time-shifting and PVRs ▪ STB ▪ Multiple devices (primarily TV sets ▪ EPGs increasingly PC, smartphones, tablets) that are connected with sufficiently fast broadband connections ▪ Search engines, apps Consumption ▪ Primarily laid-back ▪ Primarily laid-back consumption (TV) and consumption (TV) long-format viewing,
    [Show full text]
  • Juan Manuel Cañizares, La Moneta, Arcángel, Juan
    Dossier de prensa JUAN MANUEL CAÑIZARES, LA MONETA, ARCÁNGEL, JUAN DIEGO, TRÍO ARBÓS, ROBERTO FABBRICIANI, AGUSTÍN DIASSERA, SERGIO SÁEZ, FERNANDO VILLANUEVA Y MAURICIO SOTELO Dance: Fuensanta La Moneta TRÍO ARBÓS: Vocals: Arcángel Juan Carlos Garvayo (Piano), Recitation: Juan Diego Miguel Borrego (Violin), Guitarist: Juan Manuel Cañizares José Miguel Gómez (Cello) Flute: Roberto Fabbriciani Viola: Sergio Sáez Percussion: Agustín Diassera Electronics: Fernando Villanueva Guitar, song, dance MADRID TEATRO REAL WEDNESDAY 29 JUNE AT 20:00 MUERTE SIN FIN The musical poetics of the Madrid composer Mauricio Sotelo have often dipped into the vibrant world of cante jondo, always from the perspective of what the author calls micro-qualities of sound. Sotelo’s powerful, unmistakable language, whose unprecedented sound also has a certain ancient taste, is known today in Europe as Spectral Flamenco. Great flamenco artists have collaborated on his works, including Enrique Morente, Carmen Linares, Esperanza Fernández, Marina Heredia, Eva Duran, Pitingo, Rafael de Utrera, Miguel Poveda and Arcángel (the latter on almost all his works for over ten years), as well as the great guitarist Cañizares and the Granada dancer Fuensanta La Moneta. His latest composition, Muerte sin fin, closed the third edition of the Flamenco Biennial in Holland and is now being presented in Spain as part of the Suma Flamenca. The title of the work is inspired by the homonymous poem by the Mexican writer José Gorostiza. Fragments of that poem are interwoven with songs in the purest flamenco tradition. We could talk here, according to Sotelo’s thinking, of an architecture of the memory made up of twelve parts thast include the echoes and resonances of an ancient voice of pain that shapes the drama of the figure of the dancer.
    [Show full text]
  • Marji Campi Photo: Helen Craig
    1st Floor 37 Great Queen Street London WC2B 5AA t +44 (0)20 7831 4450 e [email protected] Marji Campi Photo: Helen Craig Other: Equity Greater London, England, United Location: Eye Colour: Blue Kingdom Hair Colour: Auburn Height: 5'3" (160cm) Hair Length: Short Weight: 10st. (64kg) Voice Character: Friendly Playing Age: 56 - 70 years Voice Quality: Warm Appearance: White Television 2020, Television, Barbara (Regular), Cold Feet (Series 9), ITV, Various Directors 2018, Television, Barbara (Regular), Cold Feet (Series 8), ITV, Various Directors 2017, Television, Doreen, Moving On, BBC Television, LA Productions, Reece Dinsdale 2017, Television, Barbara (Regular), Cold Feet (Series 7), ITV, Various Directors 2016, Television, Barbara, Cold Feet, ITV, Juliet May 2015, Television, Suzie Tunnacliff, Doctors, BBC, Simon Gibney 2012, Television, Aunt Charlotte, Way to Go, BBC, Catherine Moorhead 2011, Television, Ma Bishop, The Impressions show, BBC, Angie de Chastelai-Smith 2008, Television, Grace Turnbald, Doctors, BBC, Sean Gleeson 2007, Television, Margaret Carmichael, The Bill, Talkback Thames, Matthew Whiteman 2006, Television, Evie Brown, Eastenders (4 Eps), BBC, Various Directors 2005, Television, Casualty, BBC, Murilo Pasta 2005, Television, Doctors, BBC, Burt Caesar 2005, Television, The Last Laugh, BBC3, Paul Holms 2002, Television, Jessie Shadwick (Regular 1998-02), Brookside, Mersey Television, Various Directors 1998, Television, Picking Up The Pieces, Carlton Television 1997, Television, Joyce, Heartbeat, Yorkshire Television,
    [Show full text]
  • Estrella Morente Lead Guitarist: José Carbonell "Montoyita"
    Dossier de prensa ESTRELLA MORENTE Vocalist: Estrella Morente Lead Guitarist: José Carbonell "Montoyita" Second Guitarist: José Carbonell "Monty" Palmas and Back Up Vocals: Antonio Carbonell, Ángel Gabarre, Enrique Morente Carbonell "Kiki" Percussion: Pedro Gabarre "Popo" Song MADRID TEATROS DEL CANAL – SALA ROJA THURSDAY, JUNE 9TH AT 20:30 MORENTE EN CONCIERTO After her recent appearance at the Palau de la Música in Barcelona following the death of Enrique Morente, Estrella is reappearing in Madrid with a concert that is even more laden with sensitivity if that is possible. She knows she is the worthy heir to her father’s art so now it is no longer Estrella Morente in concert but Morente in Concert. Her voice, difficult to classify, has the gift of deifying any musical register she proposes. Although strongly influenced by her father’s art, Estrella likes to include her own things: fados, coplas, sevillanas, blues, jazz… ESTRELLA can’t be described described with words. Looking at her, listening to her and feeling her is the only way to experience her art in an intimate way. Her voice vibrates between the ethereal and the earthly like a presence that mutates between reality and the beyond. All those who have the chance to spend a while in her company will never forget it for they know they have been part of an inexplicable phenomenon. Tonight she offers us the best of her art. From the subtle simplicity of the festive songs of her childhood to the depths of a yearned-for love. The full panorama of feelings, the entire range of sensations and colours – all the experiences of the woman of today, as well as the woman of long ago, are found in Estrella’s voice.
    [Show full text]
  • Hassani-Ouassima-Tesis15.Pdf (4.423Mb)
    UNIVERSIDAD PABLO DE OLAVIDE DEPARTAMENTO DE FILOLOGÍA Y TRADUCCIÓN TESIS DOCTORAL LA TRADUCCIÓN AUDIOVISUAL EN MARRUECOS: ESTUDIO DESCRIPTIVO Y ANÁLISIS TRADUCTOLÓGICO Sevilla, 2015 Presentada por: Ouassima Bakkali Hassani Dirigida por: Dr. Adrián Fuentes Luque Esta tesis fue realizada gracias a una beca de la Agencia Española de Cooperación Internacional (AECID). AGRADECIMIENTOS La realización de este trabajo de investigación me ha hecho pasar por momentos duros y difíciles, y ha supuesto ser un verdadero reto tanto personal como profesional. Por ello, es menester agradecer y reconocer la ayuda crucial brindada por aquellas personas y que de una manera u otra han contribuido para llevar a buen puerto la presente Tesis. Son muchas las que han estado a mi lado en momentos difíciles y en los que en más de una ocasión pensé tirar la toalla. Pude hacer frente a ellos y he podido seguir adelante y superar todos los obstáculos que se me pusieron en frente. En primer lugar, quiero agradecer al Dr. Adrián Fuentes Luque, quien ha creído y apostado por mí y en el tema de la investigación desde el primer momento, me ha ayudado a mantener el ánimo y ha seguido con lupa e interés todo el proceso de elaboración de la Tesis. 7DPELpQDO&HQWUR&LQHPDWRJUi¿FR0DUURTXtSRUHOPDWHULDOIDFLOLWDGR\ODVHQWUHYLVWDVFRQFHGLGDV en especial al que fuera su director, D. Nouredine Sail, y al Jefe del departamento de Cooperación y Promoción, D. Tariq Khalami. Asimismo, quiero dar un especial agradecimiento a todos los profesionales del sector audiovisual \GHODWUDGXFFLyQDXGLRYLVXDOHQ0DUUXHFRVDORVTXHKHWHQLGRODRFDVLyQ\HOJXVWRGHHQWUHYLVWDUHQ HVSHFLDOD'xD+LQG=NLNGLUHFWRUDGH3OXJ,Q'(O+RXVVLQH0DMGRXELGLUHFWRUGHOSHULyGLFRAlif Post y académico, Dña. Saloua Zouiten, secretaria general de la Fondation du Festival International du )LOPGH0DUUDNHFK',PDG0HQLDULHMHFXWLYRHQOD+DXWH$XWRULWpGH&RPPXQLFDWLRQ$XGLRYLVXHO D.
    [Show full text]
  • COMUNICAR 47: 281; Number of Research Works Accepted: 10
    © COMUNICAR, 47, XXIV MEDIA EDUCATION RESEARCH JOURNAL REVISTA CIENTÍFICA DE COMUNICACIÓN Y EDUCACIÓN ISSN: 1134-3478 / e-ISSN: 1988-3293 n. 47, vol. XXIV (2016-2), 2nd Quarter, April, 1st 2016 INDEXED INTERNATIONAL RESEARCH JOURNAL INTERNATIONAL DATABASES LIBRARY CATALOGUES • JOURNAL CITATION REPORTS (JCR) (Thomson Reuters)® •WORLDCAT • SOCIAL SCIENCES CITATION INDEX / SOCIAL SCISEARCH (Thomson Reuters) • REBIUN/CRUE •SCOPUS® • SUMARIS (CBUC) • ERIH+ (European Science Foundation) • NEW-JOUR • FRANCIS (Centre National de la Recherche Scientifique de Francia) • ELEKTRONISCHE ZEITSCHRIFTENBIBLIOTHEK (Electronic Journals Library) • SOCIOLOGICAL ABSTRACTS (ProQuest-CSA) • THE COLORADO ALLIANCE OF RESEARCH LIBRARIES • COMMUNICATION & MASS MEDIA COMPLETE • INTUTE (University of Manchester) • ERA (Educational Research Abstract) •ELECTRONICS RESOURCES HKU LIBRARIES (Hong Kong University, HKU) • IBZ (Internat. Bibliography of Periodical Literature in the Social Sciences) • BIBLIOTECA DIGITAL (University of Belgrano) • IBR (International Bibliography of Book Reviews in the Social Sciences) BIBLIOGRAPHICAL DATABASES •SOCIAL SERVICES ABSTRACTS • DIALNET (Alertas de Literatura Científica Hispana) • ACADEMIC SEARCH COMPLETE (EBSCO) • PSICODOC • MLA (Modern International Bibliography) • REDINED (Ministerio de Educación de Spain) • COMMUNICATION ABSTRACTS (EBSCO) • CEDAL (Instituto Latinoamericano de Comunicación Educativa: ILCE) • EDUCATION INDEX/Abstracts, OmniFile Full Text Megs/Select (Wilson) • OEI (Centro de Recursos de la Organización de Estados
    [Show full text]
  • PRIX EUROPA Best Television Programme of the Year 2011 THE
    PRIX EUROPA TV FICTION PRIX EUROPA Best Television Programme of the Year 2011 THE STRONGEST MAN IN HOLLAND / DE STERKSTE MAN VAN NEDERLAND Nederlandse Publieke Omroep – NPO, !e Netherlands Pieter Bart Korthuis, Maarten Lebens (Authors), Mark de Cloe (Director), Bert Pot (Camera), Brigitte Baake (Commissioning Editor), Alain de Levita (Producer), NL Film (Production Company), KRO Television (Co-Producer) PRIX EUROPA Best Episode of a Television Fiction Series or Serial of the Year 2011 SHERLOCK - A STUDY IN PINK British Broadcasting Corporation – BBC, United Kingdom Steven Mo"at, Mark Gatiss (Authors), Paul McGuigan, Toly Haynes, Euros Lyn (Directors), Steve Lawes (Camera), Beryl Vertue (Ex. Producer), Ben Stephenson (Commissioning Editor), Sue Vertue (Producer), Hartswood Films for BBC, Masterpiece, WGBH (Co-Producers) SPECIAL COMMENDATION NEW VAHR SOUTH / NEUE VAHR SÜD Westdeutscher Rundfunk – WDR / ARD, Germany Christian Zübert (Author) adapted from the book ‘Neue Vahr Süd’ by Sven Regener, Hermine Huntgeburth (Director), Sebstian Edschmid (Camera), Wolfgang Wirtz (Sound), Eva Schnare (Editing), Michael André, Annette Strelow (RB) (Commissioning editors), Lisa Blumenberg, Annett Neukirchen (Producer), Radio Bremen (Co-producer) THE RED BAND SOCIETY / POLSERES VERMELLES Filmax International, Spain Albert Espinosa (Author), Pau Freixas (Director), Julián Elizalde (Camera), Liana Artigal, Regino Hernández (Commissioning Editors), Oriol Maymó, Xavi Resina (Producers), FILMAX (Production Company), Televisió de Catalunya (Co-Producer) PRIX
    [Show full text]
  • Francesca Jackson
    www.cam.co.uk Email [email protected] Address Francesca 55-59 Shaftesbury Avenue London Jackson W1D 6LD Telephone +44 (0) 20 7292 0600 Theatre Title Role Director Production TINA: The Musical Rhonda Graam Phyllida Lloyd Aldwych Theatre UNRAVELLING (Workshop) Leslie Leah Fogo - THE ILLNESS SHOULD ATTEND (Workshop) Mum/Ani Alex Howarth Charlie Langham KISS ME KATE Lois Lane/Bianca Lee Blakeley Theatre du Chatelet DUSTY Nancy Jones Chris Cowey Charing Cross Theatre INTO THE WOODS Little Red Riding Hood Lee Blakeley Theatre du Chatalet SUNDAY IN THE PARK WITH GEORGE Celeste 2 Lee Blakeley Theatre Du Chatelet New Wolsey Theatre MODS AND ROX Rox Peter Rowe Productions WHAT PRICE LOVEWORKSHOP Cindy Raz Shaw Pure Theatre Productions Wales Millennium Centre/ TOM Linda Geinor Styles Theatr Na Nog Playful Productions, Noel MILLION DOLLAR QUARTET Dyanne Eric Schaeffer Coward Theatre Bob Thompson/Bill DREAMBOATS AND PETTICOATS Sue Bill Kenwright LTD Kenwright THE WOMAN IN WHITE Laura Fairlie Tom Littler Primavera Productions Keith Strachan/Bill No 1 Tour, Bill Kenwright CAN'T SMILE WITHOUT YOU Lucy Kenwright LTD ALL THE FUN OF THE FAIR Alice Nikolai Foster David Essex/Jon Conway Ambassador Theatre group, RENT Joanne William Baker Duke of Yorks Theatre Phil McIntyres TONIGHT'S THE NIGHT DeeDee & Mary U/S C Jay Ranger Entertainment INTO THE WOODS Lucinda Ken Caswell New Players Theatre Phil McIntyres TRANSWORLD ORCHESTRA Soloist C Jay Ranger Entertainment LTD ELEGIES FOR ANGELS, PUNKS AND RAGING QUEENS Principle Sean McLevy Cameron Mckintosh LTD,
    [Show full text]
  • Volume 17, No 1, 2016
    Volume 17, No 1, 2016 Contents Page Drama without Drama: The Late Rise of Scripted TV Formats 3 Scenes0B from an Imaginary Country: Test Images and the American Color 21 Television Standard Record/Film/Book/Interactive1B TV: EVR as a Threshold Format 44 Restarting2B Static: Television’s Digital Reboot 62 Regulating3B the Desire Machine: Custer’s Revenge and 8-Bit Atari Porn Video 80 Games TVNXXX10.1177/1527476414561089Television & New MediaChalaby 561089research-article2015 Article Television & New Media 1 –18 Drama without Drama: © The Author(s) 2015 Reprints and permissions: The Late Rise of Scripted sagepub.com/journalsPermissions.nav DOI: 10.1177/1527476414561089 TV Formats tvnm.sagepub.com Jean K. Chalaby1 Abstract This article revisits the history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—focusing on scripted entertainment. While the TV format revolution of the 1990s bypassed scripted formats, they have been catching up in recent years. This article analyzes both the reasons for this late rise and the factors behind the recent growth. It argues that the adaptation of scripted formats is more complex, and risks remain higher than for other genres. The underlying economics of their production and distribution also differ from nonscripted formats. The stars aligned when demand for drama increased worldwide, Hollywood studios began to mine their catalogues, new exporters and scripted genres emerged, and knowledge transfer techniques improved. Finally, this paper analyzes the significance of the rise of scripted entertainment in the global TV format trading system. Keywords global television, Hollywood, scripted entertainment, transnational television, TV formats, TV genres Introduction The history of television (TV) formats—concepts of TV shows that are licensed for local adaptations—is now well documented.
    [Show full text]
  • Family Model 4
    Is the South so different? Italian and Spanish Families in a Comparative Perspective Teresa Jurado Guerrero and Manuela Naldini Article published in South European Society and Politics, 1996, 1:3, pages 42 – 66. Summary: This article analyses family changes in Italy and Spain from 1960 to 1990 and contrasts them with four Central/Northern European countries. Italy and Spain show extremely rapid family changes, which nevertheless do not lead to a convergence between southern and cen- tral/northern families. The particularities of the southern family model are a high degree of cross-generational cohabitation, a high frequency of social contacts and help within kinship, a strong institutionalization of marriage, a low female employment rate in the formal labour market, a low fertility rate, and widespread family and child-oriented attitudes. In addition, relations between generations are seen more in terms of obligations than in terms of individ- ual choice. We conclude that the specific economic situation, the particularities of social poli- cies and the family culture in Italy and Spain are important barriers for a further individuali- zation of family relations in these societies. The aim of this paper is to analyse Italy and Spain as representatives of a Mediterranean type of society.1 The question whether such a type exists with respect to family changes will be explored here. For this purpose we use a comparative perspective. Our assumption is that the division of labour between state, family, labour market and church in Mediterranean countries is a specific one. The societal configuration in the South will be analysed from the perspective of the family.
    [Show full text]
  • IRL Yearbook 2012
    Institut Ramon Llull Yearbook 2012 Contents Introduction .................................................... 5 Focus 2012 ....................................................... 6 Ramon Llull Prizes ....................................... 12 Literature and the Humanities ................... 14 Performing Arts ............................................ 22 Film ............................................................... 28 Music .............................................................. 34 Visual Arts and Architecture ...................... 40 Language and Universities ........................ 44 Press and Communications ....................... 56 Budget .......................................................... 60 Governing Bodies ........................................ 62 Introduction In 2012 the Institut Ramon Llull celebrated its tenth anniversary. Enough time has elapsed to now pause and take stock of the IRL’s accomplishments to date, which we did through formal commemorative events held in Barcelona and Palma. With the perspective of time we are also now able to observe the exponential effect of the efforts made by the many individuals and teams working for and with the Institut. In this regard I would say that this tenth anniversary year has been an exceptional one for the Institut Ramon Llull, offering very satisfying results. Within a context where reducing costs was an utmost priority— and where we focused more on structural cutbacks than on limiting activities—our aims of amplifying exposure abroad of the Catalan
    [Show full text]