M Usic , M Oviesand M
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tuesday Release Since the Early 1990S, the Group Campus Scene
Runnin’ Again The Absurder takes a jab With Crown Royal, Run-DMC’s first studio The Absurder takes a farcical look at the Tuesday release since the early 1990s, the group campus scene. proves that it hasn’t lost one bit of its edge. The Absurder ♦ pullout Scene ♦ page 11 APRIL 3, 2001 O bserver The Independent Newspaper Serving Notre Dame and Saint Mary’s VOL XXXIV NO. 115 H T T P ://0 BSE RVER.ND.EDU Picketers protest SMC’s non-union contractors Victory turn the job around, chose a By MYRA McGRIFF unionized worker but I don’t Saint Mary’s Editor think they will do that. We do buzz hits want to bring it to the public’s Union organizers and work attention and give something to ers began picketing Monday think about,” said Mike Kruk, campus morning on Route 31 at Saint union organizer. Mary’s two entrances. Steve Banahaski, a carpenter The picket came as a reac of 10 years and a union car By JASON McFARLEY tion to the start of construction penter for five has tasted both News Editor on the new edition to the main worlds. In the five years work tenance building by Majority ing as a non-unionized carpen Sunday night the Notre Dame Building Company. ter, Banahaski struggled to find community watched the Saint Mary’s contracted a job and wage security. His women’s basketball team win Majority Feb. 16th and since only way of securing a livable the national championship the ground breaking last wage rested in his ability to game against Purdue in St. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Racial Gatekeeping in Country & Hip-Hop Music
Portland State University PDXScholar University Honors Theses University Honors College 12-14-2020 Racial Gatekeeping in Country & Hip-Hop Music Cervanté Pope Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Part of the Mass Communication Commons, Race and Ethnicity Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Let us know how access to this document benefits ou.y Recommended Citation Pope, Cervanté, "Racial Gatekeeping in Country & Hip-Hop Music" (2020). University Honors Theses. Paper 957. https://doi.org/10.15760/honors.980 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Racial Gatekeeping in Country & Hip-Hop Music By Cervanté Pope Student ID #: 947767021 Portland State University Pope 2 Introduction In mass communication, gatekeeping refers to how information is edited, shaped and controlled in efforts to construct a “social reality” (Shoemaker, Eichholz, Kim, & Wrigley, 2001). Gatekeeping has expanded into other fields throughout the years, with its concepts growing more and more easily applicable in many other aspects of life. One way it presents itself is in regard to racial inclusion and equality, and despite the headway we’ve seemingly made as a society, we are still lightyears away from where we need to be. Because of this, the concept of cultural property has become even more paramount, as a means for keeping one’s cultural history and identity preserved. -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
World Music Reference
The Music Studio http://www.themusicstudio.ca [email protected] 416.234.9268 World Music Reference Welcome to The Music Studio’s World Music Reference! This is meant to be a brief introduction to the greater world of musical styles found in cultures around the globe. This is only the smallest sampling of the incredible forms of music that can be found once you leave the comfort of your own playlist! Dive in, explore, and find a style of music that speaks to you in a way might never have heard otherwise! North America Blues https://www.youtube.com/watch?v=N-KluFB9A8M The Blues is a genre and form of music that started out in the Deep South of the United States sometime around the 1870s. It was created by African Americans from roots in African musical traditions, African American work songs, and spirituals – an oral tradition that imparted Christian values while also describing the terrible hardships of slavery. Early blues often took the form of a loose story or narrative, usually relating to the discrimination and other hardships African Americans faced. The Blues form, which is now found throughout jazz, rhythm and blues, and rock and roll, is characterized by a call-and-response pattern, the blues scales, and specific song structure – of which, the 12-bar blues has become the most common. The Blues is also characterized by its lamenting lyrics, distinctive bass lines, and unique instrumentation. The earliest traditional blues verses used a single line repeated four times. It wouldn’t be until the early part of the 20th century that the most common blues structure currently used became standard: the AAB pattern. -
"Authenticity" in Rap Music by Consumers."
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L. -
U.S. Judge Defends Ban on Jury Trials
SUNDAY,FEBRUARY 7, 2021 /// Times Community News publication serving Orange County /// timesoc.com U.S. judge defends ban on jury trials U.S. District Judge Josephine Staton says the federal court’s decision to indefinitely halt jury trials makes sense as the pandemic continues. BY MEGHANN M. CUNIFF Afederal judge defending the court’s pan- demic-related prohibition on jury trials said her stateside counterparts in Orange County Superior Court aren’t tracking jurors after trials end, so it’s impossible to know how many people have been infected through them. “How do you know it wasn’t spread throughout the community because of the trial? How do you know someone’s grand- mother wasn’t hospitalized because she came into contact with the juror?” said U.S. District Judge Josephine Staton. Speaking to attorneys during a recent Zoom hearing, Staton said the last few months of increasing coronavirus infections in Orange County means “someone is doing something wrong, not right” and justifies the decision to indefinitely halt jury trials. Staton was responding to a defense attor- ney’s opposition to a trial delay, but she also was addressing her colleague U.S. District Judge Cormac Carney’s ongoing criticism of the ban. Carney has dismissed four criminal cases, including a robbery case and two gun indictments, because he believes the indefi- Sean M. Haffey | Getty Images nite ban on trials violates the accused’s con- stitutional right to a speedy trial. He’s ac- LLI BY ANTHONY CIARDE cused his colleagues who support the ban is pretty direct about ennywise frontman Jim Lindberg of misconduct, and he’s repeatedly cited Or- re,” he said. -
A&R Update December 1-2-3-4 GO! RECORDS 423
A&R Update December 1-2-3-4 GO! RECORDS 423 40th St. Ste. 5 Oakland, CA 94609 510-985-0325 E-mail: [email protected] Web: www.1234gorecords.com 4AD RECORDS 17-19 Alma Rd. London, SW 18, 1AA, UK E-mail: [email protected] Web: www.4ad.com Roster: Blonde Redhead, Anni Rossi, St. Vincent, Camera Obscura Additional locations: 304 Hudson St., 7th Fl. New York, NY 10013 2035 Hyperion Ave. Los Angeles, CA 90027 825 RECORDS, INC. Brooklyn, N.Y. 917-520-6855 E-mail: [email protected] Web: www.825Records.com Styles/Specialties: Artist development, solo artists, singer-songwriters, pop, rock, R&B 10TH PLANET RECORDS P.O. Box 10114 Fairbanks, AK 99710 E-mail: [email protected] Web: www.10thplanet.com 21ST CENTURY RECORDS Silver Lake, CA 323-661-3130 E-mail: [email protected] Web: www.21stcenturystudio.com Contact: Burt Levine 18TH & VINE RECORDS ALLEGRO MEDIA GROUP 20048 N.E. San Rafael St. Portland, OR 97230 503-491-8480, 800-288-2007 Website: www.allegro-music.com Genres: jazz, bebop, soul-jazz 21ST CENTURY STUDIO Silver Lake, CA 323-661-3130 Email Address: [email protected] Website: www.21stcenturystudio.com Genres: rock, folk, ethnic, acoustic groups, books on tape, actor voice presentations Burt Levine, A&R 00:02:59 LLC PO Box 1251 Culver City, CA 90232 718-636-0259 Website: www.259records.com Email Address: [email protected] 4AD RECORDS 2035 Hyperion Ave. Los Angeles, CA 90027 Email Address: [email protected] Website: www.4ad.com Clients: The National, Blonde Redhead, Deerhunter, Efterklang, St. -
2018 Kevin & Bean Clips Listed by Date from the Kevin & Bean Archive Kevinandbeanarchive.Com
All 2018 Kevin & Bean clips listed by date from The Kevin & Bean Archive Kevinandbeanarchive.com January 03 Wednesday 01 Opening Segment-2018-01-03.mp3 02a Mention Killers Tickets To Win-Remind Allie How She Missed Seeing Them-2018-01-03.mp3 02b What`s Happening-2018-01-03-6 am.mp3 03 Bean Recaps His Vacation-2018-01-03-Rode Bikes-Attended The Ballet-Saw Acro-Cats.mp3 04 and 14 85-Year-Old Grandma Struggles Using Google Home-2018-01-03.mp3 05 and 12 King Of Mexico-2018-01-03-Debuting His New Clippers Song.mp3 06a Preview Darren Kavinoky And Pot Laws-2018-01-03.mp3 06b What`s Happening-2018-01-03-7 am.mp3 07 and 15 Kevin Got Pneumonia Over Vacation-2018-01-03-Recap Emergency Room Visit.mp3 08 Discuss YouTuber Logan Paul Video At The Suicide Forest In Japan-2018-01-03.mp3 09 Bean Makes Us Guess-2018-01-03-Top Things Stuck In Butts At Emergency Room Visits.mp3 10a Mention Chip`s Dislocated Knee Cap-2018-01-03.mp3 10b Preview Darren Kavinoky Again-2018-01-03.mp3 10c What`s Happening-2018-01-03-8 am.mp3 11 Darren Kavinoky-2018-01-03-Discussing Recreational Marijuana-With Listener Calls.mp3 12a Announce Killers Tickets Winner-2018-01-03.mp3 13 What`s Happening-2018-01-03-9 am.mp3 16 What`s Happening-2018-01-03-10 am.mp3 January 04 Thursday 01 Opening Segment-2018-01-04.mp3 02 What`s Happening-2018-01-04-6 am.mp3 04a Preview Coachella Onsale-Kevin Getting Blamed For Not Enough Rock On The Bill-2018-01-04.mp3 04b Darryl Strawberry Used to Have Sex Between Innings-2018-01-04-News Story Highlights.mp3 05a Briefly Discuss X-Files Season Premiere -
From Listening to Lyrics to Buying Brands: the Effectiveness of Lyrical Product Placement
From Listening to Lyrics to Buying Brands: The Effectiveness of Lyrical Product Placement BY BRIDGET GOMES ADVISOR • Dr. Sharmin Attaran EDITORIAL REVIEWER • Dr. Leila Zbib _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program MAY 2020 From Listening to Lyrics to Buying Brands: The Effectiveness of Lyrical Product Placement Bryant University Honors Program Honors Thesis Student’s Name: Bridget Gomes Faculty Advisor: Sharmin Attaran Editorial Reviewer: Leila Zbib May 2020 From Listening to Lyrics to Buying Brands: The Effectiveness of Lyrical Product Placement Honors Thesis for Bridget Gomes Contents Abstract ...................................................................................................................................3 Introduction ............................................................................................................................4 Literature Review ...................................................................................................................7 Product Placement ................................................................................................................7 Perceptual Process ................................................................................................................9 Exposure ............................................................................................................................9