Tuesday Release Since the Early 1990S, the Group Campus Scene
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Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Country Christmas ...2 Rhythm
1 Ho li day se asons and va ca tions Fei er tag und Be triebs fe rien BEAR FAMILY will be on Christmas ho li days from Vom 23. De zem ber bis zum 10. Ja nuar macht De cem ber 23rd to Ja nuary 10th. During that peri od BEAR FAMILY Weihnach tsfe rien. Bestel len Sie in die ser plea se send written orders only. The staff will be back Zeit bitte nur schriftlich. Ab dem 10. Janu ar 2005 sind ser ving you du ring our re gu lar bu si ness hours on Mon- wir wie der für Sie da. day 10th, 2004. We would like to thank all our custo - Bei die ser Ge le gen heit be dan ken wir uns für die gute mers for their co-opera ti on in 2004. It has been a Zu sam men ar beit im ver gan ge nen Jahr. plea su re wor king with you. BEAR FAMILY is wis hing you a Wir wünschen Ihnen ein fro hes Weih nachts- Merry Christmas and a Happy New Year. fest und ein glüc kliches neu es Jahr. COUNTRY CHRISTMAS ..........2 BEAT, 60s/70s ..................86 COUNTRY .........................8 SURF .............................92 AMERICANA/ROOTS/ALT. .............25 REVIVAL/NEO ROCKABILLY ............93 OUTLAWS/SINGER-SONGWRITER .......25 PSYCHOBILLY ......................97 WESTERN..........................31 BRITISH R&R ........................98 WESTERN SWING....................32 SKIFFLE ...........................100 TRUCKS & TRAINS ...................32 INSTRUMENTAL R&R/BEAT .............100 C&W SOUNDTRACKS.................33 C&W SPECIAL COLLECTIONS...........33 POP.............................102 COUNTRY CANADA..................33 POP INSTRUMENTAL .................108 COUNTRY -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
© 2010 - CE Thales Valence CD VA 22 04 2010 Par INTRPRT Page 2
_CD_VA_22_04_2010_par_INTRPRT_ Page 1 REFERENCE TITRE COMPOSITEUR INTERPRETE GENRE V1622 Paradox 666 666 techno V2335 The E.N.D Black eyed peas Black eyed peas V1117 Kenny Rogers Dolly Parton (vol 1) Kenny Rogers Dolly Parton Kenny Rogers Dolly Parton chanson étrangère V9999 CD NETTOYAGE / CD LENS CLEANER * * V1576 BARRIERE ALAIN : 30 ANNEES DE CHANSONS 2CD BARRIERE ALAIN 30 ANNEES DE CHANSONS 2CD chanson française V1453 Brotherhood 3T 3T groupe V1089 Bigger, better, faster, more 4 non blondes 4 non blondes groupe V2184 Curtis 50 Cent 50 Cent V1909 Sans commentaire 90C 90C V2104 Mensurations incomplètes 90C 90C V1604 RED AXELLE : A TATON MON CAFE RED AXELLE A TATON MON CAFE groupe V1201 Warm your heart Aaron Neville Aaron Neville chanson étrangère V0392 The Singles AB BA AB BA variétés étrangères V2269 Bo du film 'Mama Mia' Compilation Abba V2341 Gold Abba Abba V1999 Putcheros Abril Victoria Abril Victoria V2208 Olala Abril Victoria Abril Victoria V0720 Staying a life Accept Accept groupe V1392 Live ACDC ACDC groupe V1384 The bridge Ace of base Ace of base groupe V0843 Mes plus grands succès Adamo Adamo chanson française V1292 Les 20 plus belles chansons Adamo Adamo chanson française V1156 So far so good Adams Bryan Adams Bryan chanson étrangère V1815 Gold Adams Bryan Adams Bryan pop music V1309 Somethin'else Adderley Julian Adderley Julian jazz V1496 Songs of sanctuary Adiemus Adiemus divers V0849 Majesty Aeoliah Aeoliah divers V1578 ALPHAVILLE : AFTERNOONS IN UTOPIA ALPHAVILLE AFTERNOONS IN UTOPIA groupe V0265 Stay on these roads Aha -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
Culturology 7
Culturology 7 THE PROS AND CONS OF USING AUTHENTIC ENGLISH SONGS TO LEARN THE ENGLISH LANGUAGE Braun N., Zaskalko Y. Karaganda state medical university, Karaganda, e-mail: [email protected] The article touches upon the issue of using modern songs in the English language learning. It provides analysis of some various mistakes in lyrics: grammar, vocabulary, spoken reductions and others. The work presents the argu- mentation in favour of using authentic English songs for teaching and self-study English. Keywords: the English language, vocabulary, English songs, medical students, comprehension of spoken English “Music is the soul of language”, – There’s no one left in the world Max Heindel, Danish-American astrologer, and mystic. I’m gunslingin’, – [3] As we can see there are apostrophes in- stead of last letters in written form of these If you like listening to music, your hobby words. There are many examples of lyrics with can be helpful for your English. Good song such words without last letters. The authors of helps not only to have a rest but it’s also helpful these songs make their lyrics more rhythmical for learning new vocabulary. However, the ma- by this way. jority of people considers that listening to the 2. Spoken reduction. It is short forms songs is not good way for learning language, of common words that we use in our speech, because the text of songs often contains slan- when we speak fluently. For example, “gonna” guage and foul language. is a short for of “going to”. If you try to pro- Grammatical rules are also broken in such nounce “going to” fluently it will sound like lyrics. -
Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, American Studies Commons, History Commons, and the Music Commons Recommended Citation anderson, Benjamin Park, "Blue Notes and Brown Skin: Five African-American Jazzmen and the Music They Produced in Regard to the American Civil Rights Movement" (2005). Dissertations, Theses, and Masters Projects. Paper 1539626478. https://dx.doi.org/doi:10.21220/s2-9ab3-4z88 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BLUE NOTES AND BROWN SKIN Five African-American Jazzmen and the Music they Produced in Regard to the American Civil Rights Movement. A Thesis Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Benjamin Park Anderson 2005 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts imin Park Anderson Approved by the Committee, May 2005 Dr. Arthur Knight, Chair Ids McGovern . Lewis Porter, Rutgers University, outside reader ii TABLE OF CONTENTS Page Acknowledgements iv List of Illustrations V List of Musical Examples vi Abstract vii Introduction 2 Chapter I. -
Metalheads Present Ausgabe 1
Metalheads present: Bloody Skin, Death Silence & Brutal Terror - Ausgabe #1 Willkommen zur ersten Ausgabe von „Metalheads present: Bloody Skin, Death Silence & Brutal Terror“. Do You Speak Metal? – Die wichtigsten Metalbegriffe – Teil 1 \m/: Erfunden hat dieses Zeichen Ronnie James Dio. Bezeichnet wird es „Teufelszeichen“. 4/4 Takt: Dieser Takt wird am meisten verwendet (1-2-3-4 1-2-3-4 …) Airplay: Ist die Ausstrahlung eines Songs via TV, Radio oder Internet Becken: Ist ein Teil des Schlagzeug-Sets. Meist ist es aus Messing/Kupfer gefertigt und erzeugt ein hochtöniges, krachendes Geräusch. Break: Ist eine kurze Passage, die einen Teil eines Songs z. B. durch ein kurzes „Solo“ unterbricht. Bridge: Ist eine Passage, die zwei Teile eines Songs verbindet, wie die Strophe und den Refrain Cover-Version: Ein Song welcher schon von einem anderen Künstler aufgenommen/veröffentlicht wurde Crowd-Surfing: Eine Person die auf der Zuschauermenge durch den Raum gereicht wird. Einfachster Weg, nach oben zu kommen ist, von der Bühne in die Menge springen. Dirge: Ist ein Klagelied, also ein langsamer, trauriger Song. Discographie: Eine List mit allen Veröffentlichungen eines Künstlers. Quelle: metal-observer.com History: Metal – Teil 1 – Der Steckbrief Anfänge: Anfang der 70er Jahre Herkunftsort: Großbritannien Vorläufer: Hardrock Die ersten Bands: Iron Maiden, Black Sabbath, Judas Priest Genutzte Instrumente: Schlagzeug, Gitarre, Bass, Keyboard & der Gesang Subgenres: Black Metal, Death Metal, Power Metal, Thrash Metal, Doom Metal, Progressiv Metal, Industrial -
System of a Down - Steps and Hemp (2014)
System Of A Down - Steps And Hemp (2014) Written by bluesever Friday, 05 December 2014 16:33 - Last Updated Monday, 28 January 2019 19:49 System Of A Down - Steps And Hemp (2014) 01. Streamline 02. Suite-Pee 03. Metro 04. Cigaro 05. Lonely Day (feat. Criss Angel) 06. Suggestions 07. ATWA 08. Snowblind 09. Innervision 10. Shame 11. Ego Brain 12. Stealing Society 13. Old School Hollywood 14. Chop Suey! (Counterstrike Remix) Like many late-'90s metal bands, System of a Down struck a balance between '80s underground thrash metal and metallic early-'90s alternative rockers like Jane's Addiction. Their dark, neo-gothic alternative metal earned a cult following in the wake of the popularity of such likeminded bands as Korn and the Deftones. Vocalist Serj Tankian, guitarist Daron Malakian, bassist Shavo Odadjian, and drummer John Dolmayan formed System of a Down in Southern California in the mid-'90s. They quickly earned a strong following in Los Angeles, largely based on strong word of mouth. A three-song demo began circulating through metal collectors, and their fan base soon spread throughout not only America, but Europe and New Zealand. By the end of 1997, the group had signed to American, then distributed by Columbia Records. American/Columbia released the group's eponymous debut album in the summer of 1998, securing the band opening spots on the Slayer and Ozzfest tours. System eventually went gold, and set up the September 2001 release of the even more ambitious Toxicity. System's second effort was another heavy music triumph, shaming the majority of their nu-metal competition and running away with multi-platinum honors. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Cedars, February 22, 2002 Cedarville University
Masthead Logo Cedarville University DigitalCommons@Cedarville Cedars 2-22-2002 Cedars, February 22, 2002 Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/cedars Part of the Journalism Studies Commons, and the Organizational Communication Commons DigitalCommons@Cedarville provides a platform for archiving the scholarly, creative, and historical record of Cedarville University. The views, opinions, and sentiments expressed in the articles published in the university’s student newspaper, Cedars (formerly Whispering Cedars), do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The uthora s of, and those interviewed for, the articles in this paper are solely responsible for the content of those articles. Please address questions to [email protected]. Recommended Citation Cedarville University, "Cedars, February 22, 2002" (2002). Cedars. 52. https://digitalcommons.cedarville.edu/cedars/52 This Issue is brought to you for free and open access by Footer Logo DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Cedars by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. A Cedarville University Student Publication cedars Volume 50, Issue 8 February 22, 2002 University Forensics Team Named State Champs Susan Brown team] helped by gaining a fair Contributing Writer lead