Arts Board 2013/2014 Annual Report thrive TABLE OF CONTENTS Letter of Transmittal 2 Message from the Chair 3 Message from the Chief Executive Officer 4 Board & Staff 5 Expand 6 Prosper 14 Flourish 22

Cultivate 28 Grow 34 Permanent Collection: New Acquisitions 40 In Memory 42 Strategic Plan Progress Report 43 Grants & Funding 44 Jurors, Assessors & Advisors 48 Management Responsibility for Financial Information 50 Auditor's Report 51 Financial Statements 52 Notes to the Financial Statements 55

Mission: To cultivate an environment in which the arts thrive for the benefit of everyone in Saskatchewan.

Vision: Saskatchewan is known internationally as a truly creative society — a society for arts and innovation — which fosters a spirit of inquiry and exploration in its citizens. Readily available to everyone, the arts play a crucial role in encouraging us to value our own cultural identities and communities with understanding and confidence. We are known well beyond our borders for the work of our artists, for the vitality of our imaginative life, and for the place of art in the lives of everyone who lives here.

Values: In realizing the vision for the arts in Saskatchewan, we are guided by the following values:

Art and Artists: The work of artists is at the centre of all of our policies and programs.

Engagement and Access: We are committed to fostering dynamic and continuous engagement between artists and citizens.

Accountability and Transparency: Our policies and processes are transparent and reflect a commitment to accountability for the public trust we hold.

Partnerships and Collaboration: We work collaboratively and value community-based partnerships and the contributions of all participants.

Ideas and the Arts: We recognize and support the significant role of the arts in the creation and advancement of ideas in society. Cover: Zachari Logan Excellence and Diversity: We support the achievement Wild Man 2 (detail) , 2012 blue pencil on mylar of excellence in the arts and celebrate ever-increasing diversity in the arts in our province. Photo courtesy of the artist

2 When the arts thrive, all Saskatchewan people benefit. Letter of Transmittal

The Honourable Vaughn Solomon Schofield Lieutenant Governor of Saskatchewan

Your Honour: The Saskatchewan Arts Board is pleased to submit its annual report for the fiscal year April 1, 2013, to March 31, 2014. The Saskatchewan Arts Board’s financial statements are included and have been audited by the Provincial Auditor.

Respectfully submitted on behalf of the Saskatchewan Arts Board.

The Honourable Mark Docherty Pamella Acton, Chair Minister of Parks, Culture and Sport Saskatchewan Arts Board

2 Message from the Chair

I was honoured to be partnerships, to our primary appointed chair of the customers and to our core Saskatchewan Arts Board in functions. The people of February 2014. It is such a Saskatchewan value the power privilege, partly because of the of the arts as a way of 12 bright, accomplished, hard- contributing to the quality of working, creative, dedicated life for all. We understand there and innovative thinkers around is more to quality of life than our board table. But also the measurement of GDP. In because of the hard-working, fact, likely our GWB (general dedicated and creative staff of well-being) is a more accurate the Saskatchewan Arts Board measurement. Well-being can’t that we have the privilege of be measured in money or working with. traded in the markets. It is about the beauty of our These are exciting times in our surroundings, the quality of province, with population our cultures and the strength growth and diversity, with of our relationships. increased provincial wealth and with artistic growth in all our Our government has shown a communities. The commitment to the arts in spite Saskatchewan Arts Board is of many pressing demands. facing many new and exciting Their commitment of financial challenges as a result. We need support has allowed the to learn how to serve new Saskatchewan Arts Board to communities, how to better continue to foster freedom of manage the resources we have expression, preserve and and how to keep pace with conserve the largest collection more sophisticated and of Saskatchewan art in our professional artists. One of my country and strengthen first tasks as chair has been to engagement in our realign our agency with a new communities through the arts. strategic plan. This has been We thank you for contributing an exciting initiative and an to the GWB of our province opportunity for both the board through the Saskatchewan Arts of directors and Arts Board Board. staff to work together, providing leadership in our province for building capacity and improving access to the Pamella Acton arts. Chair

Our policies need to be closely aligned with what really matters to the people of our province, to our community

3 Message from the Chief Executive Officer

It’s the year following a stewardship comes milestone birthday, and I look responsibilities, which we back proudly on four distinct could not fulfill without the but related features of the continued and unwavering Saskatchewan Arts Board’s support of our funders: the 65th anniversary celebrations: Government of Saskatchewan the Creative Play province-wide and SaskCulture (and the touring exhibition (with thanks Saskatchewan Lotteries Trust to our partners at the Fund for Sport, Culture and Organization of Saskatchewan Recreation). In the past year, Arts Councils), the project that we welcomed Creative saw the hallways of the Saskatchewan and its focus on Saskatchewan Legislative strengthening markets for our Building come alive with artists and their work, artwork from our Permanent complementing the Arts Collection, the revamped Board’s mandate to support the Lieutenant Governor’s Arts creation of and access to Awards, and the Arts Board’s Saskatchewan art. 2012-13 annual report, which took top marks in a national The founders of the Arts Board competition among printed would barely recognize the publications. province of today but, I believe, would be heartened by an arts How do you follow a sector that is thriving and celebration 65 years in the flourishing. There is much making, one that spanned an work to do on the part of the entire year and province? You provincial arts funder; by the press ahead. We welcomed time our next annual report is four new board members in the released, a refreshed strategic past year, including chair plan should be in place, one Pamella Acton, and said thank that continues the legacy of you to an equal number of building on goals that have outgoing board members come before. The Arts Board including past chair Byrna remains a work in progress, no Barclay. My personal thanks to matter how many anniversaries each for their support and it celebrates. commitment to public service. The Arts Board thrives, in large measure, because of strong and dynamic leadership at the David Kyle board level. Chief Executive Officer

Milestone anniversaries are an important reminder to both directors and staff that we are temporary custodians of this vital organization. With

4 The Board

Top row (l to r): Tina Beaudry-Mellor, Ranjan Thakre, Peggy L'Hoir, Pamella Acton (chair), Michelle Hunter, Lyndon Tootoosis, Lorna Zatlyn (vice-chair) Bottom row (l to r): Ken Azzopardi, Jasmine Calix, Gwendolyn Arthur, Charles Baldock, Bill Klebeck

Photos: Mark Greschner, Artec Photographic Design

The Staff

Top row (l to r): Ward Schell, Tracy Chudy, Sandi Desjarlais, Sabrina Cataldo, Priscilla Premraj, Peter Sametz, Noreen Neu Second row (l to r): Megan McCormick, Leslie Anne Wilson, Karen Henders, Gail Paul Armstrong, Doug Townsend, Dianne Warren, Devin Pacholik Third row (left to right): Deron Staffen, Denise Dreher, David Kyle (CEO), Carmelle Pretzlaw, Belinda Harrow, Aaron Clarke Missing: Joanne Gerber, Risa Payant Photos: Mark Greschner, Artec Photographic Design

5

Prairie Debut developed two cross-Saskatchewan tours in 2013-14:

Opposite page: Guy Few & Nadina Mackie Jackson, a duo that performs on trumpet, corno and piano with bassoon

Left: musica intima, an eight-person vocal chamber ensemble Guy & Nadina photo: Bo Huang musica intima photo: Wendy D Photography

expand Bringing dreams and aspirations to the prairies

Most professional classical and world provincial network organizations, such communities, reaching 1,800 people. music concerts take place in larger as the Organization of Saskatchewan School shows, workshops and master cities, due to transportation costs, Arts Councils, to schedule concerts. It classes for local music students are audience size and performers’ supports artists by covering travel also scheduled alongside concerts. familiarity with locations. Prairie Debut costs — even buying airplane seats for Bailey says this is important, as the removes those barriers so both rural cellos — and ensuring communities professional arts fuels amateur arts in and urban audiences can experience pay appropriate professional rates. communities: “Little kids who are exceptional music close to home. hockey players can dream to play in the It also bridges the gap between NHL because they’ve seen it on TV. Prairie Debut develops tours for musicians and audiences. “We work Little musicians can’t always dream, Canadian musicians and helps bring with artists so they understand that because they haven’t seen it. We are them to communities of all sizes some of the communities they’re going bringing dreams and aspirations to throughout Western Canada. It began to aren’t familiar with the genre, and young people across the Prairies.” in 1995 as a collaboration among arts may never have seen the instrument funders in Manitoba, Saskatchewan before,” says Lynne Bailey, executive Prairie Debut’s Saskatchewan activities and Alberta, community presenters, director of Prairie Debut. “They talk are supported through the Arts Board’s and the Canada Council for the Arts. with audiences about their music, Culture on the Go program and the where it comes from and what it means Organization of Saskatchewan Arts The organization makes it easy for local to them. It makes concerts more Councils (OSAC). Culture on the Go is presenters by taking care of logistics. accessible to everyone.” funded by the Government of Prairie Debut puts out an open call for Saskatchewan and administered by the musicians, adjudicates applicants via In 2013/14, Prairie Debut presented Arts Board through an agreement with jury, develops tours and works with two tours to eight Saskatchewan the Ministry of Parks, Culture and Sport. n a h t

! e n r o o i l l m i t m n e o s w e t r

r p

, e s v o n

l o l i t e i b w i

Opposite page: Kaitlyn Semple, Dalton h s i x Lightfoot, Louisa Ferguson, Kristen Holfeuer e s

t t and Joel Bernbaum in Sum Theatre’s n r e a

v production of Alice in Wonderland . e e u s q t i r Above: Kaitlyn Semple, Dalton Lightfoot, n a u

e Louisa Ferguson and Kristen Holfeuer in 0 s 0 e Alice in Wonderland . 3 h

t n t a Photos: Matt Ramage a h t e

c e r n o a d m

n e e t z i t a n

l a a g t r o o

T ,

s . g s r n i e d e t a n e r u

l d o n v a

0 s 0 e 0 , c 1 n 1 a

n m a r h o t f r e e r p o

0 m

0 The sky’s the e 0 , g 5 a

g n a n e h t

d e n r a o

, m s

l t a n n e o s i s e r s p e

f s o r n o p i t s t a r z i a n 0 a 0 g 6 r o

n y a r h a t r e e r t i o l

m d n

y Instead of exploring the Without the restriction of a theatre or Instead of “passing the hat” for a o

l s p LIMIT e question, “How do we bring tent, artists have the freedom to flex donations, Sum Theatre asks i m n e a , people to the theatre?” Sum their creative muscles. Elaborate sets, audience members to introduce p s t m s i o costumes, props and staging surprise themselves to someone new before t Theatre asks, “How do we bring c r

a e

c the theatre to the people?” and delight audiences: Alice cries leaving the park. “There’s something 0 n 0 a 0 ,

d water balloon “tears,” the hookah- magical about sharing an artistic

5 , s n e For artistic director Joel Bernbaum, a smoking caterpillar exhales experience in your own i r h t e l l “Accessibility means eliminating e thousands of bubbles over the crowd, neighbourhood and connecting with r a o g

, every possible barrier to participation and the Queen’s playing cards spray- people afterward. It showcases the m s e o r t t in the theatre experience.” His paint each other. The unique physical power of community-building and the s a e e e h solution was to present professional, f features of each park, such as trees, power of theatre at the same time,” t

’ r s u t live theatre free-of-charge in public hills and slopes, are also says Bernbaum. o s

i , t r r a parks, with original performances that

a incorporated into the production. “It e y y

a a appeal to people of all ages and is our challenge as theatre artists to Sum Theatre plans to increase the

p f , o s backgrounds. embrace the conditions outside and number of community partnerships k e r s o r

u also do things we could never do and park locations for its tour of an w o c w Theatre in the Park was first held in e indoors. The sky, literally, is the adaptation of The Pied Piper in e n h t

0 r summer 2013, with an adaptation of limit,” Bernbaum says. summer 2014. 0 e 0 v , O 3 Alice in Wonderland presented in 16 parks across . Bernbaum The theatre partners with the For more, visit sumtheatre.com. and his team were hoping for at least Children’s Discovery Museum to E 50 audience members for each provide interactive programming

V Sum Theatre receives annual funding

I performance, but ended up with close before shows, engages community from the Professional Arts to 400 in some cases. In total, more R associations to ensure accessibility, Organizations Program. than 4,000 people saw the show. and provides mentorship for H emerging Aboriginal actors and stage T managers.

8

1

0 In 2014, ArtsSmarts Saskatchewan programs were presented by more than 250 teachers, 55 professional artists and 150 community partners, THRIVE reaching almost 4,000 students in 30 urban, rural and schools across the province. C f a w S e I S S S a S l “ P p t E o c w c s d i q m S a q w r t q n h s S T “ S s M C a B S A i a o n h u n e b n x l o h t n e m t e v c r u u u e o h v n t a t t a a p a c a e u o a a h l y u

t a e e n c u a u u u o o p n d

r e c l a d i a e e e e u e t s s s e c l h s o d u

t r m i t l d l

g m . f m t d d d d k d n e i r a l s r c h

h t e r s

s l e s

, k k k n o r i w r r o

l n l c t e a y h p

y g , s

i v t e e e r s o h e a u d a e t t x t a a t a b a e e b w e

r a b n b o i

n i c i

i , o e o b r o i n T n n n i i a m g n e r

t t t n s

e

i n o o e o

s a t e e r o e o g a t i i c c c l d n w t t C n y l o n i v o t t t r h n g , n u g i n t s l i s s d s n n n r t w c c t

c s s s n

h h h ” a v c h

u

n o n e s u

s t n i o f

u e c

e e

j

C o o

s , s

a

e

s

o a n , a i s r s e e e m p w o

w m

e t

p

e

b r l t w i - r e ” s

s l .

u w b f o a c w h s s a w a e h t

u o w w w h c a t

k c r

y t u v

i n , u i

, e e f u c o V o h e s y s s m i ” t o e s a e t e t e t t

n h o

p m i o

t e h

e n a a a a

. r t h h a a

t t

r

s e r e r Y

a

a r c r i e c . n m

d d o r p C r h o h e w b o n n n s I e a d e

e n

n O t t t

k e

r m y t n e m b r n e

t v S

h t

t n h e

o

d a t

e

v w a i h b i e s

d y a e h s t g h . p o s u c a c n a A L M d l a e n t w e t c h g

o t r u e a

, e d o

e e a s h

t

e a s o a s e “ o d g a n l a u

d e t o i

g r t

h B t t i g e a

e d

n a o a

e t

W u m H w i a s

s . h m k

r t t i i u q

d w

r e r A t i t

n t s o

o a n p o s e n o n e s t

d i w

r t m t u

o g

e f t h “ e d n l u i t

e t a e e p l a a t a r a r r e

i o

e r t e i n d e g d c h

R

y T d c d

h y r B s e w u o t e

s t n e i N b r m b g a n n l

r t r

l s l e i

s

a

s

e t c h

k e t e i t

h t u l o

f s d p t s m o S t o b h . y l i r t i h r e r t

c t

S p ’ o o

e o s r

m c e e t e o n

h i i o o o e t p h k a f e y a b C

a n a e i s c o h w

t n n i e s r r

l

m t r

n x

a i n G r u s o n .

t i r r e u l a C t h

h w r i

m t l a p e m

u o l s s k t

o e o p s h T o d n t o e e t i

e s e l s o t n t T s m r e a a o h i r t g o n s

s a d m s r

f t r u

r v r e , a c

i a

o h c o d

m i

c

r h a

t i r a s u i

e o t l t c e

w k M i

s r t w e E t i g l i e n . r o t S h e o n e i f i o w a n h n e d

e o

p

i

m r s - s l

n i

f u l m d e J h l c n c s t

n i

a .

o p i t f m y a

i n

e s a o t e a n h

e a s n t ” r

h e n o e r n d o e e o u

c s p a h

s f a t u

w e a l

a s d c e F l t e , r

r k e

s e c m i

f - o

m e

c e l h

r k

7 e c a r e r t w t r n

h d S a i u

e m a p o

p

r o y . h i a w n k r C i e f T e l o p n e u

n o

i m r n s n u r a . n r i g t a b e t

i i e t

” b f n r t a e u e i o n v o h a n s d v o y d s t e l t d r o o

a u r t e h r

y

l i c r i

c a e l e g a

- n

i a w d , a t t r n j t a ’ t l , n t f o e s e

m e u d e e n y i s

y h n o c “ . i i i e s n d c r

s r t I e e y r , o e s y t . d f “ S c r l a a p o c T i b i l a R c o c t f p P G A F o n m o h o e W o

l r r o l a f h e f e m u r f l l s o v c

e

v t

a r t r s a t

m i o a e R i o p t r o

e e e a r a o i s t n s h i t n m $ l

n

o b o u r e l

s n t

t e l p n t i m r c o

l d e d m e

g i s 1 n r g e

S i . l u o u c c e a 3

v e

d

y e m l

u . s i

p “ a e o e

m a e f r c n e .

c n T

2 4 d O ,

n c

t E a

i

n a r a

i m i a f i h n a e h

i i d s t h i d t a e n d u r

m y r l s ’ t r g s e

h

n e p e l

a e c e y d e s o r t w e

i t t

l a h

i

o s s c e i n

t a d o

i d p n a s f l w a e

i i t l e t e t a , u n i t

h n n t h o i n t l s a o

t s r t t r n

o i G i r t s y o h

e o w

b k e d t s r , e n o u a t d a g r h . o

e e n l h

u

m

i t i

n r n G n i n o

o

c

“ r c h t h

h n e a e a B t i G

t o s

W

d a b o l

l f a h e o

o b a

a v i d l o

, u i t p l h

e n

a t r

r a e w s h l l o n , s t i o i b

a i d e c i

e e h n t

n m s s

e t T b l

h p n e f r e b s h a e a m d n e d

t f g t r t h e

t

. s

r e u a r i r i l

m T h i t s i s ” , t s t

t i b w s e e e n a n

h i r e T s r g o h e w t n , a u t t c l a

i s e c

d g

h h

s m e y a d t a i g s i h m r p t

t r n e

e

t t a

a k t u n e i e t i , ! h o o a e b 2 h a n c t h

t ” n o , r r d

r

t

t s u e t s 0 t

l a C e e t r d r t e e h r

h e u

e h a i i e t l m 1 s e

n

E l e p x g

n d n e n i t n s a d s j , 4 s r t c O a e

i g i e d t t i t e e i s n n

l . a

a r a g w n e

n

e a s i

a

d f g a l i l s t e d o g r i f e o

t o y n s m . t s l

w o s d I u s t d

o A p a S S o y T T i s c g P n s T T P R P P S T M P n l c h e e f h h o o o t a h l r h e h h h r l s e f f u i w o h t a e r i i p p n o o o o e e o s e i u d o s g n l d m g r e o t t t t

g r

d b k

r d m

o o i o o c

l r

e G G h s p m n O

p o e a f i r :

: l g a e e i n n u

c

b g

e i e a l i f n t l J D r r l o n

r n o t t o a a t c o a o h

n : E o n o .

g s : a c h

u g p u e G e t t h u

t b b e d L d

r d

i c C a r : l h

n o r l t a e r o e l t

w a e a B e

i o u s h n e y a G o h B n n t n r w u

n s a

l s e t

a s b c e o i

T e

T l a d t y g r s H z s a a , o t a r w r e e h r o e

h

h n n a d

r e

o o

u

b v n

s d a e n n f e S b e e T t e

d s f f t e r i

m B

i d a

o l a y a s t h o a i o a a . o H i l

l h u n u t

. n T n u

e i t i e t n r m r r F n e C

o m r t r q v i i - h t i g l e a s

l e d e i o v l o s g t t u d e e t

- s f h t

s

e e

b m

t r e r i i p i a i i e r t P h .

r r n

e r n n s , o s u e t a t r m y b c

m e h ’ g r r a

S t o -

e c x s

r a C e o o a

w

t l r h e o r u

e g

P i l h

’ p o s g

S a m a n s w n a i r a r r r r e

v u

r n e

a e i l p p n o o h d o a - t k e . g s m a r y d d a o o f r

. m r s i h e h d

o

u k e r m w S o A m

s t

a c u

m . s o

c n t g b e s t ’ o h

s n i t h i t n a e , y n i u o o f

e o

d o r e

n o t g l n w a i o h . n t s t d n

i t l s n e o I f a - r l t o e f y l r Above: Comic artist Allan Dotson helps a student at W.S. Hawrylak School edit the Grade 3 class’ graphic novel, How Is a City Park Made?

Right: A student colours pages of the graphic novel. Photos courtesy of the school illustrating learning When faced with the challenge of and worked as teams to draw, colour, W.S. Hawrylak School received getting her students excited about research, design, write and edit the funding from the ArtsSmarts social studies, Shannon Brown publication. These elements program, which is supported by the decided to combine two things connected to the additional Saskatchewan Arts Board, she knows children enjoy: parks curriculum areas of art, language SaskCulture Inc. with funding from and comic books. “In social arts, mathematics and science. “It hit the Saskatchewan Lotteries Trust studies, we look at how decisions the strengths of so many students. I Fund for Sport, Culture and are made in our local community. have some who are more artistic, so Recreation, and the Saskatchewan Parks are part of the community, they were able to show their learning Ministry of Education. ArtsSmarts and they’re something kids have through pictures instead of words,” Saskatchewan belongs to a national a personal connection to,” she Brown says. network of ArtsSmarts programs. says. Dotson has worked with children of Brown’s Grade 3 class at W.S. all ages on one-page comics, but Hawrylak School in Regina began helping Grade 3 students create a with the question, “How is a city park full-length graphic novel was made?” A landscape architect took something new. “I was impressed the students on a field trip to nine city with how seriously the students took parks to show how each is different. their work and with how much Other professionals — developers, stamina and enthusiasm they had for designers, engineers and this long project,” Dotson says. “The construction workers — visited the kids are all really proud of their book, classroom to give presentations and and they should be — it looks great!” hands-on demonstrations. Brown A launch event in June 2014 will then engaged comic artist Allan reunite the many community Dotson to help the students illustrate members who helped make the their research in the form of a graphic graphic novel a success. Brown novel. hopes the project will inspire other teachers. “You can make any subject Much like building a park, creating a exciting for kids as long as you make graphic novel involves numerous it creative. Involving the arts is a skills. Students were grouped natural way to make it fun,” she says. according to interests and aptitudes

11 1

2 The Saskatchewan Arts Board has close to 6,200 Facebook friends and subscribers and more than 4,500 Twitter followers. THRIVE Find us at facebook.com/saskartsboard and @saskartsboard. a n m e g T t 5 p p a t a d c f o M f d a T a M i c d a M ( e t i S I i o e a n e n n M m t

o o a h c , r a e f e h d i

d a t m s n v 0 o

h e u

d c n

c o t k r r s s u e t e n m g a 2 t i s h s e o 0 s t a

h h s S i n o e i i t b S

i r i b f k y

p 0 g v . i r e c e c e n b 0 c e i a t e n b

n r ’ v h i g o i c e a a

r o n t n I v n , 1 t i

a i n n e

g i m r o a e t a o i p t i -

a

a d l F l e t n t

n 1 n o n r t e w i c . s S d t e e m a o l t a u a n ” e

n s e i f t u o i g p g , i , r n a d

p o

e n X , o a d c

n v r t t e

e 4 s S I

a u

n s s g

r c d t r

p n n t c e e o i 1 t S

n n a , t 8 6 y a w a e s t i e e d m o e y e

r n . r

a

f 0 i c

W t

n 9 ,

f d w 2 n e c t M t

m o

i c a c s

s o t t o i l

“ i

f u c d w t c

a a h l i 0 c e C r r e f v i v a o . p b r y n o

s o s T e

o e e n s t a e e n n 1 a

e e e G e i

h m m a a g

m

i

e

n

d v n h s S l d o

a h s 3 t i c i a t

n m n e , t ) o

o c s o e i a t

a f e i l

h , e , : , u e k o a

n a d t i e n o “ r

h C

m ” h e s v v e i s t n t s C c p

c

F e v d I b s d g g s e r h t e t m

s e e r o a e i e o o r e o e i

s e e e

s a

c u

y c s e a t

o n i p

n f n l e

w

d m

o m n , b n h g a n s s s i

e

i p

s n f w m

a t e x a a t c f — o

a s c s e s n t t

e y c r t e e

M p a u n n

b o a b o o e r m s c d o . r t e o o s e b t c

i o r e s s s d y e n r

n i u u h p t a c v t

o n l a e

o k n r o i

f

e p T M o f w m s ’ i a t e l c a a o s t — 5 n S e e i n r a . e t

e y s g l n

l

n t

a t r i r e r 0 d

i o l o

e s o m f

c l

h s

n y e

e g

g t l e d b a o a j 0

w

n m

e h

S o e

n a u g i . s a r t w r o e

o n a i

n m

o h /

g

n t o c t s i s C t r e f t c n a m

i t h o h w e e e

g v d t i h u d n B o

e t r s

a a y e

i s y e w

s n k C i a t a l j t a n

i i o s

e a c t n i u t r s n o d t t R P S o p t a b F f p d p b n a r t M a f a f d p m c o o s a o r e h e r o n n n c o h r a r i l i e u o i e r f a o i e a p s s

r a f e v

u g i c c t o t r d o d d o n o i n f t t g r s n s m o t t s

t

e n t e

h k h s a f S i i i

f p

c

p t w k n s t o e g r o

v v r n f o r m

e e i i t n

i e

a n l o M g e l b s l n c e e N e u n s r v s a a i m m t r e e s i s e m a c F i . o g r e n a r o z

m r g e , l l a

t

t

a u

s i e

l t h a n t n e y w r e “ p

r t b n t n

b a p b l t u i o n

a s s h a w

W t o i é s

r n d d o w n i u c

f o u r i i o r o

l , g i e t l e F o

t o g

o r g e e n .

r c t e i e e u t o

e C i n f w ” p i i i y o c a r r

m n

t r s v

,

e n

n

v

l a f a g h s

b

d A

h o a t r n h w M

d

i s d w t e c p c g o u y n a

o “ d a o

a p h i e p g a r , a

l o a e l e v e f

u

d k

c t j p e n y a c

u p e m o , m v f

n m s s

v u u r e r g

e o w o d i s

l n S e d

d l e e f u h u

d e e b

s r F l e i s o b u

l p i N n u i u s n d

i s h i c r e l n a k c e

t o s n r

w t n r e o s h

f

l s

m e a u , a h e a a a

h n c m

w e g y a o r ” g r i p a p i o o t

t n t n v e n

e e c

c

m

c

n o o p i k w b n a h

l a M i g M r n e y o

s e s s

i e , a n d s

r t e r

e f d i s n

o r a a

e i t

n o

a b o s r t i t s

g

n f n s o u r a s c e

f

e e d y l o b

r w s f . s

a g P

u o e e m .

n a o S m o t k

s c d

o

i m k a

a , r n t l g r e a

p r A e y

I i d i

a r h h e

o f m o n a r m a t u c s w b d r n t t u

p s V

t

t

c e a

h d m r e i d n

e a c a s i a r

d , t y o h e s o F

t E s

n l

a o a u

h s d l i c f r i i s r “ m m r i m m c s c t e o D n e c o t k

c u t l

s t T

b w k o i s

e a r

e e i d n s e b

a . n i a e u h s n

, t

r s A ” n d

i o i n i n i s t t e n e l a t e t

e

c v h a g t

r h h m T a e

m r s a y i r i t t a a l e s n

t h a e w s h , k , s a u l e , a t g ’ e , , . s e n , d n d e y P a “ T O A a C L R F W b i S L t a w B a p f s c p F M m n h r h n a h t e b o p l b h a o l r o u y

o e a o h o o d

r f t e a 2 o l o h o p o r o o

c t e c r c n s i u t m a i

n y e 0 t : v v o o v

i S o c p r f a u w s h r k

m d r m l e i e 1 e s T e g s n i e m e l h d

l n C o t o e : n

: i r e 3 t

i h s

b

s

a a

f

p n o h

t p g s E

F b b c h 2 S n

o u e t e i i t i S t t M e l g r i , a s h e e d

i i e i a e t e a

e

r l v

0 e t n o r y o a P p ,

t c

r b

r s e n o ’ o s a f s a a S u

a

a S f 1 t n s o a n a o s t o o

u k r S o d

d

l d u t r

s i k a g t r p . u r h m a

4 a f i c r n i o e r h s l i a m m

o d o a s e l a e

l i t o g s m c . F

U

d , e n r o u n t k : i m r I c h M i l s

c r h e e c i

e n m n

i e e o

6 e F s e S t n e

b n o o

s h

n o , w e s v n c

r i 0 o r f b a e i a

i f t N i g c s r

f e e v s c m

C . s

r . g h

s i s

S

i o o , s e

r w p e t L p

e n t o

a k t s g t a s u l a

m e o m f a i s i l h s . r d a e a r

t a

a c r t v e r l r h n

F t “

t

t i r o r e e

t t e o e n e

h a a h s h l P e y o u t

S d e S o i

e

m n d n c l

n t e m h

r o o o f r s e

s L t b

A a e

e o e e

C e f h n c n f w i r t a b

a m e u o s t n t a n r

m ,

p e r

l u o e s n i

s b d a s y

k i n t o t o t s s v g r g o f o t a n u . d

e u n h e a t c d o e w r . o u i ” t n l r s o

r a a o

r s t i d h i r

Y e g e f m e c t a p p i d t n f t

i i

y c e

o a d u s H h d t e r h l b , s b

.

a e

a , u

t w y s

n c P u e a

A f

u

i

s m n o r o s t

s w n d o n — i o h z T r

g a t m f t p a

t i d z h , m r l

a e

m p s n e t ” u B e n

s n h c a g

d p e s d

B a m . e a r a l n t - n r t i l e t u i j r l d t s a s s i

m s i c h i

n s . 13

Opposite page and left: Windscape Kite Festival in Swift Current Photos: Jessi Gowan prosper Southwest Saskatchewan — a cultural hub

Known for its picturesque landscapes, In addition to the kite festival, Swift South West District for Culture, southwest Saskatchewan has inspired Current’s Cultural Festivals produces Recreation and Sport (SWDCRS) many an artist, including numerous the Blenders Concert Series, StirCrazy The district works one-on-one with area authors, painters and photographers Festival and Long Day's Night cultural organizations to help them who hail from the area. It is no surprise Music Festival. The economic benefit of grow their programs. It supports that there are a multitude of grassroots these events is substantial, as they cultural leaders with training and arts and cultural activities that bring in more than 13,500 visitors and provides funding to attend conferences, contribute to local communities. $1.7 million to the Swift Current workshops and events. It also helps community. Shann Gowan, Cultural organizations develop linkages with Blowing in the wind Festivals’ artistic director and other agencies, brainstorm ways to With its notorious winds, coordinator, was honoured for her engage audiences, and ensure culture Saskatchewan is the perfect place to leadership and tireless work with a is included in the community recreation hold a kite festival. But too much of a 2013 Saskatchewan Tourism Award of conversation. SWDCRS serves as the good thing can become problematic, Excellence. For more, visit grassroots contact for SaskCulture to like when 45 feet of metal fence blew windscapekitefestival.ca. increase awareness of the benefits of a over just days before the 2013 strong cultural sector, promote Windscape Kite Festival. The event was Cultural Festivals receives annual opportunities and support still a great success, attracting more funding from the SaskFestivals collaborations. For more, visit than 8,000 visitors, with 45 per cent of program, which is administered by the gosouthwest.ca . them coming from out-of-town. Arts Board through a partnership with SaskCulture Inc., and funded in part by SWDCRS receives its core funding the Saskatchewan Lotteries Trust Fund from the Saskatchewan Lotteries Trust for Sport, Culture and Recreation. Fund for Sport, Culture and Recreation . 1

6 Cypress Hills Interprovincial Park is host to artists-in-residence Connie and Geoff Phillips. Throughout the summer, the Artist’s Cabin is a hub for art activities, with guest THRIVE artists invited to the park for additional two-week residencies. In the winter, the program moves into Maple Creek, offering art workshops to people in the town. a S s f c T b f m c P i T B f h L r C V W c s m h j I a t P a H J C C H t u p t n c H W e i n a h r u n u a r o r a n n o e r h a o g n a o h o a r a a o e h e i e u e u e n a d e a a n i n i h h e s s n m v d d s s o e e g d d t t e r t n r n a l a d

l r a f g

k k c i

i d d t a i - t e h t i

e e t t t

t d

d

i g e i o a e r i g l b t o n t b t , e i i u M c e l h s s h i m H n t n i i t e r

e p d a i

n n o o n i r t r e i n n n

r r a n e v e u a o

c b a r e t v i g s o

s i p g h e

o i s g g s c w n

t i v e a l m E l e g r g e

c h n a c n r e u u g s e t t , . n y s r e e e u

s s a

, e

s o a t

s

n a k

n

r n a o N r i i

t r t a

a

e o a e o I s

n o t f h f , l c a

t o

u s n

I k

i u g w s

n t H l r r d

o n o a n a a n e n T e

a f

p

g

s h l

i l f Y e e o o h f d d t s e a r m

w M

H g p

e a n l l d

r f d

o d y e d

t l a a o c

i S h s s

m m v a

e n i n u a t

M e a n a c n e s d

t n t

p o e n i

o d g o r a m o a o

o n u l o h R a e d g a s

t s o

w u t e

m

d e d

o r g d t d u e e n w H p e

2 s u n f u t r s w

t e t t

e

e o k s m t

a t a s o

d

h h w a

c d b e i r d o d r k e o 0 c

n s u n w

F o c r s a i g t h t e r

S o t w u i a

e e c r

d e C i

m u o h m a w e a

1 o r e m h i n r o s t u e a e o d t o a i n e

g

o l a h a e a e n o

b m m e

n 4 p l C S d u o d t u r w n a t o s n

d w i u C d

s

r a n u l e n e h h t r f ,

o c c , l o o l p

. s

d a a w i r

i

p a

m n k t

r w a

t a a r

t p h n e s

s t d a u r w a e i t

p t m s w u s D s t s

a n d a o r y i l o s l c e h r o r o t r f a n o n a d t t u k e e

,

p r l e s o o t

c e e

n

r

c a y n i c e

o w r ,

c t e t

r d o t a d l a s p n a n m g

o

a c r e p v . r t i h i e s

e e

k . D f h a

r h v t n n e k

n f

r a w i c i

c a r

s r e I p e a T c w r r l , C

S a o t

e a a V e e n e r . t n d t e i o

c o s t l , y l j r h i

t u h n e a s t v c n r i i n

o p w o a u a c n b a i u c ,

m h

u v a a u e e r n n n a e e d

M e m e t y p o l i . l n i g r l a b c i

e n g a e

n , w t d

n a g i i t

e a t a m

a m r M u c

E t

u n t i u v a a

i

a d e h é d t u h t g u r t

y n r b s e t a e r a e n , n l i f r r

m t

h

u

e

l s e a , p t c o a s o d A n i b h t a

t s d t e n d

n u s e i w n n h i r h l

o t o n r

l b a o s t r - n o i h o r M

i t e e t o i e n r . t e a i m t s g f t e c s n (

n t y

o

h r l s é a c k t d s e — l h i t r - s n , o i . e e s n t i n

s L s T p c s T k s s d e I a y T M p o p c e t e I C C c t A A c i r v V a s l u n h n d o h e t o o t i u t x n o o x x r h i n y y h r h r h a f r a r r o r u u l o b e

e

e e f c i o a e u t p p p m r n m o r d u r m i d e l e e t e S 2 l t s , m d d p

a l n r a i d

r w h t v e f s

l a e a g a

m

t a A d

c M n 0 a e o w a m o t l b e e f - a h i t c G p p p e i ) n r t i t t e

m

w i o r i n s e 1 c r u m i n n r n r r r i t a o n O n

i t o e o r e a t r d

v e u s e s e f t o e r f u y t

3 o n r

a r g a t t t l i a i i t n

s S n d r e e p o a e n

i s , i s d

s

t r i t r s f

s a ,

j d i s t t ,

o l t t i i s t

d C , e e

s

n e d m e e

t e

c i h i

c

t o l h n s t e v

P t s M i i c i c m n s n w v i y i s n t

F r c n h d

e

n o u u n e t e c a

r d o

w l o i t

e E a c i

g a o t t t i o a

e e

e h a

g n r l

s

r o D s , u

n . . w r f m S r u M n a c r i m l m a

r f u

n y

u e s o n s u e o t s

t

f s e a f

T e c s i r o l t n t n a o h a f i e p a k d

t g a

r d o

p i a e u i a c n e u i u n n i h a

i s n o n n t d

g e

r n n

t l s n N h l

a r c g e t m r S t d w t s s e n g t

y i e u

n o r f i u u

h a n h e a d

p f a ’ i

a e

s

m m i i n s

a ’

w f d

t t m v s e d a b m G r C e d c t o c

i a e

o l

a o r i r .

h t i g o f e p o C

e

e n t

h o e d t

i

l

i a

n s u i g r t a P o

u m A , C f a e i i p , g o b a f c d k e r h i p g g i g

t

t h p c p

g

s e w n a r p

m u s t i s

g a f e p a n s y r S

a e i

a e s

r o o C e a h i s t s

f f

t c c p u p n D b r l ,

e c e a a h s i m

u o n a w r u o

b ,

l

n

t e f p n h l t u i c c r d a

t

r p l n m e

p 4 h o o n e n u i r i m r e r r a

b i a , e i

i p

o z r h o l m r

l r c ’ l

6 e o e f y t v r t g d s s d d c

r i r n c s a a m a a i t y h o o

m n

m a m n

t

e e n

s

t

e r

i i e a i e n , c A t d y a A o

a s C o e G g g f n b n s o a

l i n

p

i

a s v k a

n b d e n B o o

t c f

r t t n t r r r a r

t i u m u g r t M u

r c h h u

e g t n o t i t i l r h a c a r i m d p n

t l o

g p o

c h o i p r n

a y d e h n e m e a n r S p c f G e t m u l f

e m r v

é a

g e n y o m o a e a e r c n

e t e e e t a

L h e s

e n a t i . o o u i r

t ,

r a

u u u n

d e G

n i . n

y n G r y a e i t f p , l L k a a s m s r c o o l n

n t t l v e r t t

m d r s n t y , 2 h t t s e r . i i i a t i r u d r t

u o c o n

c h

r r i c 0

t s n t a n r s i a h r y v g h v e e c a d a t g e e , s e e l l . n t e e M S w T p R F m t S t A c t r S A A P H L 2 A P G P O o h h h e v x o h e e u h e 0 h h b a e a r a r f e r p i g e e u e c t i t e h t t o o o o o m t f 1 o e s c n s s r p e n h

s m

t w

e e s t t t n i v i a 3 : v

p c S k r k k o o o o r d S i t

b i

t c i m e e

a n

e o s , :

: B i v a C a J s h l c

a

p

c

H

i a t m e t a g D K : t f o i d e r t t a t y i o e l o u s

r o u t e m c c i

a k t e e e o s M i d c e u ’

y r o t i k a s

n a r h r h l l n M

e n o

o r r

b u

s

t n

f p o

a r H

n u t a i p y f e u e o p o s e S g e d

n t a e t r u t

f r l n

e o a u s y y w w s h ,

c s r f r n

i r o e c a p , C

n

y v . e g A e

c d m

s

o C h

b E r o o l i a a p N

a o h p

o d e d

o s i

s r w h o e u I i n n d t m a n c f e i r a o : t i f l n n i

.

a r n n w b

s l t v t n s

u i n

o d y t w

b e

o ,

c C b A n r h e

g A S V e

u i t g a w o o c i n

q e n C t . o t

e g n t r r

a a s t

m

p n a

a

l h u a a o t

t w p w l a a f

g y l u m i

s t c p o

r a t s o r

e a n e i l r a L

h M

t o l i

t o s o n r e

d i o

n

n i a t t B p i r s o o a E S t n u h m o v n

n a t r g d n t g s t

w p o r a s t t

e r a

i

r

a . t s

t r e t c a f

n e M s e

a

i

e a a i

s h u a t b p

A p e d o s c n t m

h

r r t n r k e m e u a n t l e

r o d t o e i

n t r b e h e d a s n o e b

s n p r t d l

, n o j g y

. s s f t e

i d

s a g y u d A o o c i a c c

t p a

S

. n

D

r n r y

r h G n w u T r n l t e i C a m m g i l o t h c b r d e l a a n e e s r a m u t

t u e u w o s t a n u r r f S m

i i s r

s o n s y t s v r a o r a a o m o t t p t e n g . e

t n n s a m C r

a t i g s a h h n r

l e a e

t t t s , o b h r e o s , 17 1

8 The Saskatchewan Arts Board is proud to sponsor the 2014 North American Indigenous Games, providing support for the Opening and Closing THRIVE Ceremonies, Cultural Village, and International Indigenous Artist Program. h s l t a f w w o D m c l “ A p w v h w f s b s V o o r i a S f h e n o e o a o p b a o l o s i a a u a a c

e m e o l s y m u p p r

r m y m n s i m e f k n a s s a u n s y w - o s r a o

t

i t m

p r s s

e t s

e m n a t e i o p l

h a - r l o y i

n e g y r

o d i t i t e s t l a r r u - , s a

u f

n o y l i t

r r

s e t s e l

o f t

n m l a a n t v e t n a t s o g ” - u t . - a , o c r o l h

i n r d

d c e i i t e w a t , a d t h a b

e n t e

t e e k i l

l i d

i i s i n r y e f t t u e r e o e t e r s i g i

t s o

e t i h s e

i r n o s

a a n i

s t t

o I x n

t s

n b ,

c

d a , o

r f a g

f , , g ” I f p

e l m g

B a

n t

o

o . a

u

a e m m e S m

e w e l d s

c

u o r r r c o o d g T d h o k c r h e

t o a i u y o p k c p , m

n . r i f h o h h , v . e s c

n n s c e f e

l e a “ r w u e

e i

M

l i s e e

h s g w o i s I t a c

n

h n s d t

o

o w a

s

a o s u d w b

t y

t o o t o y d r o i

w m

o E y e s i m e h

b l t e a t m n f h u m

s t i s

h r e

a s I s i a o s p n t

h i

t

o

. l s

e o e p

l b

S s h a t

i w e s a

e e e t o l

“ t

I e e n r n t i y u a a i y c f r

I n f e m e a n r r I g t c w

d , n e t t i h

o o s a e t

l

i n t t

s s a o

f d i a o .

u w e p t d a m p u

n d

p t n o

e

d n r a s “ e u s s t a a n e h o l

f u

i r

n y t t w l

c s i

M . t m d w r a a e I e g n s t h ” t a k t

h s k a o w n r a g t r f e e y t

a e i a i s s l , a

n o , i e I l t

n

t g k n t t d a s

o d E a i p b o h O m t m h d t t R e a S A S t p m 2 S n h o h h g n

l u p o e a a 0 e c t c w n r s a a

r e y a i e e r y v i t p p w e 1 n h h m e c p c t m n e

d h

l , s i

a o s o e f e 3 a o i u e o

e r d i w t e i e i

I l r e s - o e w i . r r ,

l s c . a r

i e

s r ” e

h a t s y o

a e

t d “ k n t k a

u “ n n t y s s r e t e e l S w u p s

o

i E m

e s . n ! , a s

m r n a P r y

l p ” t

m

e v a h

S T n a i d i o “ e r g e e s s r t x r e e p y

m i h c i

e x c a e a e n o

p c p

k e h r s s t e t m p k e s c r

h t o h y r

y , s o e , a i

h h

k

o o i l

n a

o r n

e a

s o l v

a o i S t d a i e e o f g n e n

i t i o

c n e t n

r n r t e m c m l s r e l r a r i d e h c l

p

e m

n ’ l h a e e s i t

e s C t

h i o e n a e a i i h m e a w b t e u

s

t n

e

C a k d m o t g

s

r e f r o h s I s h e

i . h i w n

t e

l

w s i

e n e t r i u e r m v

o i r I o n e a s e c s o a e n s n t

e r a n e u r s d u t

d q

e c n t

a f t

c - y m n

d s u c f g l

e a a r r n h s u k

i e e i s i

s o s a a r n n r h n

a g m e t e o i r , . n a t

w

s r m

n - s

y t s

a o h o o a e n A I , e y t

r o m

s i i

h h f t f l n t e s p a n a d n s w e t d n

s

. r

h a e s

p a ” n d s l l e c a s

g a

d s e

e a

t r e i o h r , h r

i A y s I

d t

r

t ” t v b o s

n d u n a r e , e e o h . l r

e e

e

r g

a s s r

t d

, f o o e A n o e h s t

e s i n r h

e h s n v l n I c a e f a t a

d e n t h i e e i e d s m s e n n t e s r s g n E t F s l S T c F b P s P L A i h a h t t o v r h h h e b r c u t r e y o o o i a f o l r h e o d c t e d t t

s

: v

o o n o m u i k M

P .

o e :

B h

M l w e

c g “ P : a r o r o o e i n

h e I o e r n B u r y e

n m s s m d

n e k

r r n n g S d t r . h o w

e e d a e ” n i o i t s e n i s e m e f o

y p i y n t l w s c p r n e c s

’ F

t o M h s k

y p .

B u S a d f a h

n

u r z d C t r i c r n o o

e h l o e s S h i l l l e e d g o z e n a m u c t

a n

a r

e r m h s w d c w r , a . t t t u

e r

e o i m e y W i . i h s s n n n t r n c t t h

n g a e t

w o i r

S s r l i

a i t l o m a o b

c y

f r l g f u u h

k

. M A a h s t n u i r

r a o s d i a d t n v o s t n e h e e

i d h n s , n r

, e

g a

f a r v r n

n a o i d s d m i t Left: Sarah McKen Western Grebes , nd cast bronze

Top right: Sarah McKen In Love Falling Out , nd cast bronze Photos: Michael Gaudet

Above: Sarah McKen casts a bronze . the business Photo courtesy of the artist of bronze Little Manitou Lake may be some time but noticed that these Bringing art known as the “Dead Sea of didn’t result in purchases of work. Canada,” but its arts community “The course helped me see that I downtown is full of life. Sculptor Sarah need to get a little smarter in my McKen is making the most of the business and turn the presentations The next time you take a stroll in influx of tourists attracted to the into a revenue stream.” downtown Regina, you may stumble lake’s purported healing powers across some artwork from the by establishing her artist studio She welcomes visitors to her studio Saskatchewan Arts Board’s and private foundry around the year-round and participates in the Permanent Collection. A new corner from the Manitou Springs Spirit of Manitou Studio Trail, which partnership between the agency and Resort and Mineral Spa. attracts 300 tourists on the first Harvard Developments brings two art weekend of July every year. Her displays per year to the highly visible The Manitou Beach community has property also features a sculpture Mosaic Tower lobby on the corner of been receptive to McKen since she garden with her own work and pieces 12th Avenue and Hamilton Street. relocated her family and business from other Saskatchewan artists. there in 2011. She works with the “The installation of these works of art marketing committee and represents One of the few women who casts her has enhanced the cultural and artistic local artists in the media. “The own bronze , McKen also experience of downtown employees, community recognizes that as a enjoys , carving wood, patrons and visitors,” says Angela newcomer, I have a fresh perspective welding steel and creating concrete Lockhart, marketing manager of and an interesting combination of sculptures. She studied fine studio Harvard Property Management. “The artistic and business skills. I think arts at the University of Saskatchewan impact is evident on a daily basis, as they’re excited about what I have to under the mentorship of Bill Epp and pedestrians stop to view the works contribute,” she says. served as artist-in-residence at the through the windows, often taking the Epp Non-ferrous Foundry in time to enter the lobby for a closer Her business acumen has been Martensville. For more on McKen look.” enhanced by participation in the Arts and her work, visit Entrepreneurship and Business bronzeinspirations.com . The Saskatchewan Arts Board’s Development Course, where she Permanent Collection contains learned about the emerging Offered by the Saskatchewan Arts 3,000+ works by more than 600 experiential tourism trend. “I realized Board in partnership with Creative artists and represents more than six my endeavour is not about making Saskatchewan and Ideas Inc., the decades of contemporary art practice sculpture for sale, but also about Arts Entrepreneurship and Business in the province. inviting people here to see the bronze Development Course assists casting process and maybe even get Saskatchewan artists and arts their hands dirty in a bit of clay,” she entrepreneurs to develop sustainable says. McKen had been providing careers or business ventures in the demos and workshops to visitors for province.

19 2

0 The Indigenous Pathways Initiative program funds traditional and contemporary art forms in all genres, from high-tech filmmaking to making smoked, tanned moose hide on THRIVE the land. Art often focuses on teaching and preserving Indigenous culture and language and is shared with young people in a positive way. a o t e t f p H i e e e c e w c R e e m s c s p T h t u P a a A h u n h m x d m h a o x m e u t a r h e n p r W r f o o r e t v o o e p c e n t t r u a m l e u e e l i p w r h s e y o t p p p t t s h c p

q e l P s k c u n

p r i i r v

l

l c l l m l r c i p v u e r

e s m a e

u d v r g o o C o o e a

y i i e j i a

a e t

f f

t n s e e e e o p

t y y y u a a e i o r w i

n i a t c l h c v m n o g i u n m m m i a n a

a n

g b f c s t y o t o i b e e p

c n e r a n . r i t d t i

e h r

i

e . n n

e n e e

e s h e t i r s e s a d f , e

t “ d l

y o a n e

n n n o I s d l

h c

,

e A e l w t e o o t - i f m

t n c a t n d

i t t t s o u o p r a o n i b . e r t t . , , n n e , a o e n r

o t

t p c

d o o

t a

k c l “ s

C t t

g e a s c f n

i C g o t e i s h e d h i r T i s s t s l u e e ’ c

t n i e s n - y i e

l e o

r a n i e a i e h e d o h c r h w s p

i

c

d n t y x n s d r y t n c g i s n t e h

i

r i r t h e

n i h i c s R t

t w e s o o

i

. o .

o t t t n

t o r n o o e r

p c i t s o h a v a

r h n n e e f W o f t g C a

o n r r

i n e

e e s

m

e v j f : f t r g R e

g t

p l o i

o s h

d

a

,

( e h k

i a

d w a s l

1 t a i a s W R

u r H c a p r

a d

c s n o e n a s u e n a o b , b u i o e r c h h l s

0 d s W o n e

n P a s t e i n e a i a g

r k i

a o z

t 0 l

s m d t w n c k

t

l n l e C B e i m

r a a r w h W i p i P

0 t o e

y a c e i x z t y t a i r u i c . e t s h

i e a n f C e

e v

o i m a

i a p o r l o t i o e

t

i l e

a e t i o b t ) r n o w n e e t n i t m r o f b

p h s p i w l y

d k o t n t w

e o e

f a l h

e t , o l i g p a e i t h s e , r n i i i a n h r i k n r l r t a a v a t e d h e a i t l e n t

t t e a g g t c “ b H b a t T g p e d G c a A H c R t c V h p a t e w h h h r l o n s u r l o p x r u h r r e e e

o b e i u o r o i i e e t e o o e s t s t o u d v l e u a r p s e i a u o n w w h e i

t

s s s u a u e e n l u r n i

o y u c n r d w b r n c

t n l e t o

d i i o a n p l i a

t e h p s e p r

s i p e e h l o t g w n s e K n n l e a p t

e r n

e s e y

p

r i

t p

t i e s t a r a l w a e a r . e e a o a h l s a t l

h n a o

i

o s

r i w c l l s r n r i l n c W

r g a a o e t p n a a s e

r t t

e

f t r i e s c o e h s a f d t t t x o o t r i l r o o u ’ g s s

o u

e

e v

r a k e

y m a

t

o f r F i P l

n b ,

e w

B r r ’ l n i

t , m i e t r m d

Y l r w e f t e j

i

” o a o s l h a r e s m P L a C O 2 “ t e i f i d o i i r e c i s o

o a m h t e e i

n r t m a

a c s e a o H h e n 0 l

r r a p y s

b a . i i d u r j u e b r s u y w y c t

t a e v l o n

f d 1 e n p n

o n e e

e s

o l i

f t n t

s u t t

n h l

i h N y 3 R : n t t u c o o h i h

l ” o d n t d r p t i t s w c t

e o t g y i o i e h n y

. s u t a v T s

g n e

k h e a h l

t

e b g . t

: E i d

e r e d b a i a

y c

t l i n

g e

o , a . l t c

e a a t e a e o

e C r A a

p i t . a m d t n

r i H e e i t t d r

a a “ o

k n

h x o n g w n e u n c r n i m h e s t e S s

d d P o y n t n d i n p d h p h p p e u a d r a g d n e d a n a

s e s k i

h w a

d g e r 7 a b

s l t

e

l l t e t

t

h

d y t

l

g W e c o e u l a o a i

w t e a t o i g o a i p

, c

m 0 n e o o t e s h

l v e p ” s e o d

y r s

n y o

e o n p t l

o e s

a u g d . h H

n e e ’ e s n o i i a f r

e p

m : k s s

d r l e l k r s n u a i a

o o

a

t

r e t

l

s k

n e n A a M t i — e a h s n i r t n

i v w s t l g e l h n s

l ” h p t r n y , e t

r p w P i e e t l p e i

p n

e

o t c s a t s

t é s s e s ’ e e i e c c e s n e o r i s s o o a i d n

u t u t t n e

e r r r e d t c

j i s r l r B a

o e e e p

p i o s r l n k t g i a

N , n a l i d a a f a

a p ,

s y

t c u i t a o b j t t i

h r c h o e i o o i l o e n v a o p o v e d e u r e s f t r d a p t e y i r a m . t o n . n . t n t i a b

o

i l e C n n i n r e

a w w i T w u b I p v i f F c S u T w P C j A g n n ’ n o o t m e o h s e r o s h r a r t i h a r m t o r i a r t e r t e i l i e e e r n s i y

e h e s

n l n y c s

p r S d a f

r a k a

t m r

i r g t k g

a H

a B t t e

b p a i n i t p e i i h t m

c c p e

r n

o v t o o o o o d s m f r s a c e e t s u r i o e r i w

i r r a p i h t t h

e e d s o n a a t n

i i j R i t r o , P e i o a e e

e s r e n t d d g p

d e o e i a r

t C c w n e

a n s o e

u

t i i a b n g n t a n a

a v n r

c

, u a n

s a C e t

i w r s

n p n e w o g y n n C n t l

e r t c i h

t d w e p t w i

t

s t a e

a d o u o , r t h

f i L n e

r ” h a r s r . i

o y

f r S m o a t C

o s o t t h

c s e

s h n e s h r t s s a a p h m t e

h

o e o i t n h

t a

a a u s c n a e i R r t e , a e r m d e p t o

n

k

h l p o g r r

l p

t e v s

s C t e

s S d h i e H p p

s o h g i k c r e . m

c o s s

e

o a a o u l p i i f o s e i R t e i l v

n y s d r l i o r

t l h a a w . e t o i p T t s s k o a ” u u l n f r e e c i r n

i f . r a

e g c e d r t a r

e

u W o r t a o i

“ e

r t ’ e n c c

d a s s o c

M l a

b

o t a t h

b t h e I e w h e m C l

y n t r i a e o y F s e d i a k n f

c e o . w ,

s l e u t u t

a

p h . n

t n

. B a a t , n a w h r i

e t . s r t u m n d r e t a

e . t s s

y , “ o I flourish Opposite page: Zachari Logan Wild Man 3 (detail), 2013 blue pencil on mylar

Left: Zachari Logan Green Man , 2012 pastel on paper Photos courtesy of the artist

flourish Intertwining local and global Saskatoon artist Zachari Logan is And unlike those artists abroad, Logan He combines all of these elements in becoming known around the globe for has access to public funding from the Wild Man series — self-portraits work that draws upon historical art agencies such as the Saskatchewan comprised of intricate amalgams of sources and reinterprets them to Arts Board and the Canada Council for local and foreign insects, plants and explore masculinity, queer identity and the Arts. “I took what we had here for animals — and uses similar subject the natural world. With solo exhibitions granted. I’m very thankful.” matter in his mural-scaled Eunich in , Barcelona and London, Tapestries series. “These are Logan is often asked, “Why are you still Logan’s international forays began with naturalistically drawn but also a bit in Saskatoon?” His response: “Why a solo exhibition in 2009 in , which deceptive because I’m mixing species wouldn’t I want to be here?” led to a project in New York and shows that wouldn’t exist side-by-side,” he across Europe. says. “So, it is a mindscape as much Logan says he has the best of both as a landscape.”And, some would say, worlds. He can travel for residencies His travels influenced his work greatly. a reflection of a Saskatchewan artist’s and projects and return to the comforts At a residency in , he was international career. of home, including a supportive enthralled with the exotic flora and husband and family. His 1,000-square- fauna. While preparing for an exhibition For more on Logan’s work, visit foot studio in his mother’s garage is in , Logan researched European zachariloganart.com . complete with heat, plumbing and ten- mythological creatures and . foot ceilings. “I have the freedom to He was drawn to the 15th-century Logan has received funding from the work both large and small,” he says. construct of the “wild man,” an outsider Independent Artists and Travel “My friends in New York or Vienna figure, as well as to the unique programs, and his work can be found have tiny studios or are using their portraiture of Italian artist Giuseppe in the Saskatchewan Arts Board’s kitchens.” Arcimboldo. Permanent Collection. 2

4 The Saskatchewan Arts Board’s 2012-13 Annual Report received local, national and international communications and design recognition from the THRIVE Elevators Awards, Canadian Public Relations Society Awards of Excellence and the Summit International Awards. P F P G A 2 G o h h u u o o y n t t

o o d V : : 0 a

a M P t w i n i o o a e d n r r e k r e

r 1 T

h E a a l y l v l i e o o a g r t t 3 h

T e r e u d r e

a u d L r n s i e F T B B J F S C a 6 c a g a t A P C S A T h o e e o e a r 5 r r c h e r a o r r o e r e t t o a t e t a f m h s d t e n s l n p w s s s f h

l u s s m t i e k a

c

j e t e

u i e m 2 o

d s a p e e B A a o v r D a x c v

0

r i y m s n m w o r a t n a B u n e t s k a e c 1

i t a l t n c S s a n m

a a o e i n b h m . r 3 f n r i

d n i r i r t n n d c e ’ t e A p d

v b r o o d s e

L d e d

r a w s l t , e r a u r , b m s n

i h i

, t k a

2 r n e o e t a n t

a s y R

t e s h w i e E t

5 s e r u

n d n o i e

a e C t e g r e

t , Y s e t h d

, n o d s r g

e

p a e a k

. o r 2 a e

y s

P f

i n T e e w r n n n P t

r T A 0

n w

t i h i a a S a a k r

t i i e n l h o 1 a h r z f e s a m t e n n n a o r e d a e o l 3

e t

r

m d S , d t s s r A

i o t

n , a d

l

i v m g i

k G a d p T ,

n r f

f o r a s a i

a a F

r e t

o h a s d o

B a n n o s t R c t l i a k e u

u v c a l

n s e o n t U e B m t e e

c h e a h

t

c u n n Y l n i n a n h g o e r l e e e n r t e o s n r l

i a e b w s

s W a o s s n u , o a r d

r o s e a n a d b r l a o l ' , . g t n ’ y s t s r e d l G f S S D a h G D S G V L O F S C w U a i d n i e a a c i a p u e r a r n e e u t s f d i t a l n e s o s n n v o s y i e t e

l y v p e i s n o k k d t e c

e a n r n

t i V e r t t a a

o w l e e a r d V i s

e

g w o r a t t a m a n r o v b a o

s d c c a

p h l n a o u e d f c a . ’ i h h r

s

n m a e s t d f t i l e a n i C H y e e

h n , n e

d d e A

t r

k s

w w e a h o t T e A g e g o r

o

e w h n n

b h e e r G a a h h , f c b

s o r

t

a a

r n n y a a e e w

S i h R a h

. r C r d l

e

w

t l l N d C a B O E o i i H o a g a l e a o s e i i s

n n y o o , B r n r e h t s i f

r

k v h s

d o a a g

o p r a t c e P C g t a e

e t n

l e r l h

e k

o f h t

r t h i

M d

i i r

e S m s c

s e F i m s r r O

A

z e a R a s o

h h

o i

f e e a G c o f w c o i e t t

f e m i c f m n i

,

t d h n i r o o b

f w n a i M i c i

w u e a o g i e s b v r n t o t e n a h t l n d n

e o e e e : e o y l r n o g

e - ’ s r r r ,

n r s

k .

f o

i i t n

o , a

a e t i , o

B C f s

m o

f a s t s

a M f e

t r o n

a . t n h e t d v h n y d h a d e e i e . a

e n d

r w a d T a a a h l s ’ e s Saskatchewan Artist: Leadership – Individual: Arts and Learning: Ruth Cuthand Chrystene Ells Misty Wensel Sponsored by PotashCorp Sponsored by Her Honour, the Sponsored by Shurniak Art Gallery Honourable Vaughn Solomon Ruth Cuthand Misty Wensel is Schofield, Lieutenant Governor of d r n uses painting, the founder of a a l

h Saskatchewan u t o u beading, drawing FadaDance c C

S

a r z e r and photography s Interdisciplinary School, as well as t i e e h n P T u

t : : to explore issues artist Chrystene a collaborator, n o o t t A o o - i h h v P P of colonialism, Ells spent 20 dancer and d E

a

stereotyping, residential school r years working in choreographer with the innovative a l C

abuse and institutionalized racism. : the film special- and whimsical FadaDance Troupe. o t o

Her work was included in the Oh, h effects industry in Along with her fellow teachers, Misty P Canada survey at Massachusetts California before moving to has trained and inspired dancers of Museum of Contemporary Art, and Saskatchewan for her master’s all ages, while creating unique her retrospective, BACK TALK (works degree. She has since completed opportunities for students of all 1983-2009) , has exhibited at several short films and presented the abilities to explore contemporary galleries across Canada. Cuthand’s acclaimed play, KaleidoCycle , at the dance. The FadaDance Troupe and its work is featured in the permanent Globe Theatre. In 2012, she served youth company, Prairie Dance Seeds, collections of the MacKenzie Art as artist-in-residence at the have traveled to stages, festivals and Gallery, Mendel Art Gallery, Saskatchewan Filmpool Cooperative, workshops across Canada and Department of Indian and Northern guiding artists to make puppet films beyond. For more, visit Affairs (), and the and creating Regina’s inaugural fadadance.ca . Saskatchewan Arts Board. For more, International Puppet Underground visit mendel.ca/ruth-cuthand- Film Festival. Her latest project, Volunteer: Shona Stapleton artist-feature . Hello in There , guides seniors in Sponsored by SaskCulture Inc. expressing poignant memories Shona Stapleton Emerging Artist: through visual art. For more has managed the y Andrew Salgado information, visit chrystene.com . t s a

r Prince Albert Sponsored by Cameco e M

n Grand Council

Leadership – Organization: o R t

: s Andrew’s bold, Fine Arts Festival i o t t r

Saskatchewan Filmpool o a

h

e large-scale for 20 years, P h t

Cooperative f o

have steering a large, dedicated volunteer y

s Sponsored by the e t

r garnered global committee and growing the week- u

o Saskatchewan Arts Board c attention, as well long festival from 300 annual o t o h

P as critical and Saskatchewan participants to 1,600 students, commercial acclaim. Through Filmpool teachers, chaperones and other convention-defying, abstract Cooperative is a helpers. This unique event gathers The 2013 Lieutenant Governor's Lifetime Achievement: canvases, he explores ideas of non-profit, artist- First Nations students from Arts Awards were held on Guy Vanderhaeghe masculinity, sexuality and identity run centre that kindergarten through Grade 12 and September 25, 2013, at the Sponsored by North Ridge using broad strokes and vivid supports showcases talent in visual arts, crafts, Conexus Arts Centre in Regina. Development Corporation colours. He has been profiled in independent film and video mixed media, dance, song, poetry Presented by the Saskatchewan Maclean’s magazine, The Globe and production through programming, and literature, as well as stories and Arts Board, the awards celebrate Guy Vanderhaeghe is one of Canada’s Mail , and the 2011 Channel 4 (UK) equipment, education and financial legends often performed in both the contributions and finest authors. His first book, Man documentary What Makes a support. The organization hosts traditional language and English. For achievements of individuals, Descending , won the Governor Masterpiece . The fall 2013 solo about 50 annual events, including more, visit pagc.sk.ca . groups and organizations in all General’s Award for Fiction, as did exhibition, The Acquaintance , at the local and international exhibitions, arts disciplines. The gala also his novel, The Englishman’s Boy . The Art Gallery of Regina marked his technical workshops and a summer commemorated the Arts Board’s latter was shortlisted for the hometown debut. For more, visit camp for novice filmmakers. It 65th anniversary and featured Scotiabank Giller Prize, won several andrewsalgado.com . collaborates with other organizations artwork from its Permanent Saskatchewan Book Awards, and was on unique projects, such as a puppet Collection and performances by adapted into a CBC miniseries. film festival, outdoor film screenings Saskatchewan artists, such as Vanderhaeghe is an Officer of the and Saskatchewan’s Culture Days FadaDance and Tamara Unroe, Order of Canada, a Member of the events. It also supports the film Jeffery Straker, Pile of Bones Saskatchewan Order of Merit and a program at the University of Regina Brass Band, Eekwol, The Young Fellow of the Royal Society of by hosting student screenings. For Benjamins, Regina Spoken Word Canada. He balances a full-time more, visit filmpool.ca . Team and the Yorkton Film writing career with teaching at the Festival. University of Saskatchewan.

25 2

6 Did you know: more than 90 Saskatchewan arts professionals served THRIVE on our peer assessment juries this year! a A A L p u c i t a m o a p a i h m t S t y i S c e I G n h n h o s

a e o r n r f n r s o w a a

s e

e

a y o r o r s a n t i d w f S s s s a o t h s e q

i i n v v i r g u i

k k i r c a c y s e

u i t r i e u i

n y x

I a a r p t s u a n d e s

t w l

l

i r e a f o a c

f t t p d o u t k s o c e l f s y , c c

t i o u f i n o a

o

e t a n

d u o

n e h h a l h a I r e d c u c t r i … n .

l n c i k a e e n c k e n m f t e a n i

n l d

i i A s r d w w h e

r d h w

t c n n g y o

i .

c t

e i n

e

c v e

a a h d g a a o

h t r i i i

w m e d w o i t e c

p g n s r w a

n n n a e b t h i a l t

l h a

t t .

a s I v e i y e r h h

f i r

A

s f t i n a o

n t e d n

t b a S x a e h t s c h t r i i n s e o

i

t s r m s V p t d

n e r z p m w e f e r a s t t s

r , a t f a e

e

e t

s i n

o t I , p i c h A f a i c B t s a i

r t m

t d n i n w u e n h c e a i u d u

r o k o p n e a

t

l a o g a o n a l e r m a i a n t t a s t g t s n e h n p

u u d r

s

r i

a t w k B y h g

d e

l t r d t a

t

o t t e s a s

a l e h

h e o i e , i t

c e

f

r h t

w d h b

e s

n o a d 6 a s o a o w a a e e e l r t t i 5 r r f r f e r i c r h d i a e

e

n t f t i t n a h y i e n e h i c t

n f d r g r i t e h s o g t d r c i e o h f b I h a t w f c w p l p e s p a i p o c a a i

h o e n e i m i d e r o n

o c e c a r a r a f i e t g l e r t d

r o o e l l t c o s i t u s m y a p i a g r l f i

z i r o r s i v f i e a

l t

r o n w s c l e o v m e e e n b e

h t l g n m i

u l a 4 d n s s i

t n d n s o h s g e a u d t e g

m

s t i , 0

s h u t s i s s h r e e t o

d

m l w t u

o n e o k t i b

y h

, e t

n l n r s o e o y t

a h

a

g p o

r

s u

a a h a f a a

o r e i

s n l S r d e o

i a u , n n e t

n t

l c e t s n a f

m a

v m . a r

s l

n w t d

i k y d a

u g r g

d t o l i a a n s

T

4 s h g n

l s i

y . v p p h r

c

s

a s v k t t

h

t 0 e i i e a o t s o e o S p o i t o e r o o i a v n h e a s i

g

d e r w t l

o

r o t v a

y

n t e s u

e t t

r l c e e t u v e r h

n i r r l e f m e

o s e s n g e h t

e n

e t r t g o a e a o y e w c

v

i t

e t m d i e d r o l e f s e e r t

r e

o f t e

o s i h i p g w i g s t

. t d n f e c e t r a t g . d o

t s

r e h e a

e

n A y

h

e t r a r

I i

n A u f o m

h r n s g t

k s

w r t

n

s n h a c a h f e i e e t t t o e l , i a

o z t h

h h e t

d h n e z

a e a

r r

a u h t b e p s r a p p

e e e p o o l

o d v e r a t d s o l s e I a u o t s r

r r t u t n e

e

i n l

s o r s

i o i u t c l s b l e o i a

n h t v g s h t i e c d

. v w s a h u v g

s v l n r i

e e a e l p i e

n u n T t i

a e p h y c r s , w t s n

t e s

i

c n e h t a

h p

, l t t

c t o a

h

c i t r h o a i o e o o t e k e n r t p i e e h o t e t y s

r t f c ’ e n

s t l s

t

l h h e i t t i s s h h f

e e I I e e m ’ : s h h g g a w r a a r e h e a

v v n a

t e e e p i t t

r r u I m n a e

d h o t s e i e a t o e t .

v

n n a o T e t n

o v

o

t d b e

h f a

e r i t a l

s e h l t r

e h

n e t o e i e

s f v g h

t e y t i o s h v n e , p e e

a i s e n m n r o

s g . t

m , h , I

b a w e e t u x

i o n a l t t l

e

f

m n

n r w e e d a c h w n

e m o y i m v

y I e t Jeffery Straker at the Viña del Mar International Song Festival Photo courtesy of the artist

Feature Host: Jeffery Straker Performance: Not too long after he hosted the FadaDance and Lieutenant Governor’s Arts Awards, Tamara Unroe singer/songwriter/pianist Jeffery Straker became an international star. In Les Valseuses , FadaDance and In February 2014, he won the multidisciplinary artist Tamara Unroe prestigious Viña del Mar collaborated to present an evolving International Song Festival in Chile, Pile of Bones Brass Band joined performance that featured shadow receiving the Gaviota de Plata (Silver FadaDance Troupe and its youth company Seagull) trophy and $50,000 US. He to kick off the awards ceremony with a dance, puppeteering and stop motion high-energy march. animation to interpret the spirit of is only the second Canadian to win Photo: Mark Taylor growth that sustains and inspires the in the history of the competition. people of Saskatchewan. Straker performs more than 100 shows of his piano-folk-pop music For more on FadaDance, visit each year across Canada. In 2013, he fadadance.ca . launched his latest album, Vagabond , to critical acclaim. For more, visit jefferystraker.com .

27

Opposite page: A page from Elaine Will’s graphic novel, Look Straight Ahead .

Left: Cover of Look Straight Ahead . Photos courtesy of the artist cultivate Breaking down and rising up

Despite numerous awareness Xeric Foundation in the United States, depression. Her partner came by later campaigns, depression and mental which led to representation from an to thank me again. That was amazing.” illness carry a stigma, partially because international comic book distributor. the experience is difficult to understand. She completed and self-published the About 700 copies of the novel have Elaine Will’s graphic novel, Look graphic novel in spring 2013. sold so far, with another 6,000 read Straight Ahead , aims to bridge that gap. online. “I’m thankful for having the The novel tells the story of a teenage strength to ‘draw myself back to life’ When the Saskatoon artist had her own boy struggling with depression and and let others know they are not breakdown in 2002, she struggled to bullying. Will brings readers into alone,” she says. explain it to family and friends, Jeremy’s world with changes in eventually turning to art to articulate illustration style, tone and colour to Will’s latest project is a graphic novel her thoughts and feelings. “Putting it show the dramatic shifts between his about Tom Sukanen, a Finnish into images was easier than putting it dizzying highs and devastating lows. immigrant who built a ship in the into words,” she says. She notes, “Some reviewers say they middle of Saskatchewan in the 1930s. can’t believe the pages were drawn by She hopes to have it published by the She began Look Straight Ahead in the same person.” end of 2015. 2009, releasing issues serially on her website and selling hard copies in Public response has been positive. For more on Elaine Will, visit Saskatoon. “I put it online for free “I’ve had people tell me, ‘Thank you for blog.e2w-illustration.com . because I knew that the people who explaining what I never could,’” Will needed it most would not be able to says. “One woman came up to me at The creation of Look Straight Ahead access a print version,” Will says. In the Seattle comicon in tears because was supported with funding from the 2012, she received a grant from the she was going through a bad bout of Independent Artists program. 3 In 2013-14, the GénieArts pilot program was introduced for Francophone and French-immersion schools. The program follows the same guidelines as our ArtsSmarts and TreatySmarts programs, but with an 0 THRIVE emphasis on Fransaskois artists and identity. Eight projects were funded a total of $55,924. Artists working with students and teachers included writers, musicians, and visual and theatre artists. P A R r w m m y a H r h b a W o e J R w T m t n F “ t t p s P f m l A c r h e h o i e e o e c l v o y e e n u r s i v u i e k r s e o e b p n u u a h r a e a r e o a c e a d

t h i s r

b t e m e l

r l o m a t u n n r o t s s u i a l r e n a c

n l n t t n t a e n h k e l e - d d y

u e h m i i u u e t w n p c

p

b h y

b r o t k

l c c l s i s e a L w r

c d r

A y l o e , n e g r m n t k b e t n n a e

a

e u

, i

u e a l e h o i

b p o a o b

o K g r r a n i

h c c l e o n t o y r n L d s v n A m s , ’ y d i i u e

o a , n n

t h o o s

d

w t o p l i

k t d

e t r o s h w r

l f a n s

g w d d M , i a o d e r

n

i e s n p f a o b h i e

. n n n p M t d i i n d o n , n A

l ,

p i o

g i n r

p f e r o h i e

i o

h

i a g o v i

d ’ r n t e e C s f s s g s S u l

a d n e r C u r

e m r r a r r o e e r u t

t u

w k

t

r w k o

s e o a a

g t a n s a l s h a m h P u s x m t r n o r f ’ i l s e , a s a l s o r n i o n

e d s n

i

i i e t y n

r e l i f c w h

a o n 2 s . s t a a k

a f n

l u d

i r d d

p u

t

d i h t o a i F e

s h .

n a f c 0 S o n h h t t i r o

a

i N s

l t

c i i t r

r 5 t t

n t e r n B a h d a 1 e i p d n e h n t t m l t

h i b n o i e s e o u

o , s , o ( y g c c t a e s

3 u

u

s s

T

e i o e

w t d s d T

r d n p s M t w

a c s a

v

s h

n r

m p

m s h a i o t n

f i I

a h e a n S c a , a

k n o l h e n n f i o d t

r

o f e a

s

t n u - e s K n o h . i b a o a n m t

l

a c t s a h r r

l c ) s e t a P n

o u t n n r u l g c d

b o e h t s m o a p S

s

t y s e r u m s t a i

i a c h d t d

m r . n e t

l n

h h t s

m r r

l h s h c s d a u

h t t e h G

e a i l

, t o

a t m h u g e u

H i h i w e

h s s i m i i i t o

n e l d s n J m t n t r v s s e a e e i s a r r

i o i i e a a

l i d k e , w n

g i n o d o

s r t t p w n i i w s i y i o n s w e e n u

c g n n u n n n i i d o w g , h

. t l c n

n

i o a s

T h h o r L a i

i f e a g

i n l t - p o h a s i g a i t l r n ’ s n

y s v y r e n y s s t u

, e , o e a , t m f w U s e A t n p e m L H I t r i i “ t h h S c m K c s f A b L S C P n r h t h n n h r e I c d v o o k o l i ’ i i u e h a h i o r a o n s ’ i n o o a v a l s

e m s u a a i m e t t h e i o u n m f s r t o h s s

m n g h i s w l t c i t t

d r n s e s i t a n t o l k

c n

r F p t i k o c o

k s

g e o e e s a e s m r n i e m

d e u a a t B

n s o a a t g a r e c e r u a l e d a S

m

n u

i v e

t : s c a s e t t a t l o o t t r i K t a

c y b u o a s w d

i h c A t

h e e a s a i

i t n f . a n S o o n

s a f t

n o i c a n o e o e

o n

h m a r

s s n t f a

i f o l s “ d

, y n r p r n h h n t e

a

r t g l

r r n i K t k

e

M t s p b a d b a s e t y L i t s m s

k

K

r

e d i a d e , e g i a w o d w r

e t p t h f s a . n

e a

o

t e n r t t e u v e

r r o c

a y n m t n r — e a o a k y o g

e d m n “ a

g I e

s c s o u s i i B o s n n

g n

d w m w s W n o s

c n d n

d g

h

w

u m . w u u r a o d b d t a t i g t A s . c

i e o v a i

t e

s o a h e y c h s

“ s w e o p

n m e l

y i w

l m a e

H “ n e y h c

r k l w

I t n a a e i a e

t

u p

w a o e w t ’ h k i

c , h m o s l g e e e p m t l n e d t u e

r g d ” a i r n o l o h s

v

s e t a ’ i i

a i v e

r d i e d g p s s r

e

n l t v e f u

h e t w h

a r

e s n z p t g

e e l h o h

l h i p n i

g e u t e m h

e

s m

o n u y e c n I e

s , r a b

r S a S

a o ’

r d b i c

s e i o m

i t p ’ n

t : i t u n n t e c e u s t t s p a

e g o a s o t e a

l m i h

g o b

h i f s e i i t

r

t a n t

y s e i n i s r

l o o n s s c n a a g

o w r

e t n e e

p l a

y

t k d s k t i a s w h

o

e n t r

i o o i o

a d h n v s n r t s b o

t n a ,

a n

p m m i a i o m , m o h

a l i r

m e v t

e . t n t e ” r t

a p d l g g r g r d t

e

c

v e c t

k e l

o s o a o u g u m n y y h l t

C a e h u

d h i

h s

a h

m u v o

f

c e d F

s d m e i , l e e . t e e h g i a e u n n ” a e i t t f ” a a e e r t

s k a w i s o ” n w o r y n h s t

e u

s r k

f

a o

e H k n s h

u r

d

p n a i o a n i s e a h o t w

e t i u n e i l e n o y s i c i . n y p o o s a f n c

w p

a . s h I e n w t t s ’ y

h . m s a o . e l f h 2 b t y K p C G r T E t F T F S t v r h h e i o o 0 e r h v r h a o c h a s c r o e e n u a r i 1 e e h o n m i a e n d

v t

r e t

3 o e m u g m

i M h p P i i

e e h v f n d M - l g a i

r r a s o e p b i c 1 t e g e o w h e s o r

d r i e i 4 n e s B

g m s

a

o e i

i

n b g

.

d f h l n r t r u

n s w u h n i o l a a i y e i

e i u f s i r p n t r m a l i

n t l o r h t d e

o o s p

s d h ’ L

M s p . n e

i

f C u p

’ e a n a e

s a

r t . C g o i h a r n l g o g h

l c s

w h d r r l r e d a t g

i t o e a t i h D s

e n

c e s

s r t r t

c

. e s , h a y b t . o i r t p

e

o n i i i e m

W e s C

a r g r p n S n c a

i o n n h c 2

r t n l m a t a i e v u o

r a a r 0 s l i K s i

i l a i d g s r t b

a s 0 y s k e o e f l

e r t i u u

t a 5 a d e a n o M A i s t t n n a

r m g n i c

C r - n o f d d a t a h

u o , s a i n e h w

e n n r n w d s , i w

i d

e a

, h a f

a s n d r n i n o c t a d e h m d

3

2 Did you know the Saskatchewan Arts Board provides administrative support to THRIVE Creative Kids? We processed 357 applications in 2013-14. s s t e s “ B d S v t d a a d i a I p a c v E G t r S 2 A a l h r n n h e A u h n t i

n r o i i i r a n x 0 a o e a r a a d d e s g t t

s a e s t r o d d t n e i L l l n e a r d 1 r s

p e a b

i p i w s e l i

t f w e e t

r i s t r i t e a k

3 S o r d i e l L t c i r r a p g n o d c i x d r a f k

c i e i a r b n d

t

e e l E G a s r h v s ’ p h r e

y p e e Q

s l i n d e t g u

r o s e t y D n p s e t a a e e n d a

w r l o , r t

P u F s p

a r

d o n k c e

t r r d a d

e

p n a o p s h i t a a ” c i i l e a

a

j d

y g t

d n e m a e a h g

e

t e t n G e h n í a c t e

u h

o d t a n

y a b t i o d c o t p m n e e

d c t a a ’ v n - s a o r , a s c e E a t g s p t

b d

h r

i

g d d L i e i t o r a

m

e n

p e s n y X o o

e l n

o a t

C e c e u

c e t g

s o h a t n h

d w n j g h

o

d a o a . s í i n i w o

c r

l t e t l e

o d o a n w

t

e b f l s

h r k a a T i a o o n y c

l w c a t n a t

- t

s o

p y r r p

e h r o

i w t o u m

h t p m L t - e s h e i e n o l

E h r h l r s e g n p l t c p l h

a s a

u

e

r e i o o s p

u x e u e e

o

m d r g r e o b g u y o A

l p l n i a r u d e u

g a i v a m

p y

d i w e u l s a g k c r r p p a t a n a t r

t t e n h e c . h e t t e b a e s t e

h n r e t r h

g e i m

n s d a t i h

i

e e n r , i a n d i s r t h d o t n d t y

. n

t

m y

e m h w d t

e a B e

t n a v t - e g

a n h W t h g s o

d r e o n e b i t i a n d t o a

s o t . h e s l

c

i

e “ n d t

a o c h l s t o t c e

a y s i

y

g l i e T e d

s t a r i w i e e l

g .

n t a r o m r g e n v 5 w

w b e d h

s n r d h T n e

t r a e h t d 0 t u s o e

h e

a s . y t . h d r i w t w s b I t s i t

t 0 s e r g f e l i e A

y e

e a c

t t e i y a o r r n k s n t e e s s L p B 3 s h o u b s t w “ p c h F c c i t S v m s V p w g i n o I p i r a r i a u e 0 a f n e m e a i e o t i

h e n s

e n e s

e y s w c y r h n h o n o n

t c c t r o i c a a p a s t e i e r u h t s e t e g o i p g r p a a o s b o i

e t t o n o e n i

e a .

, s r i u s ’

m l i h r l o

s a f m

n n r i n e o d e n a e l 6 e “ p o t a

r n e s n

r h e s s ’ g t I . a u , g e d m a f s 0 n t e a a s d e

t ” g ”

i i l , , e l

s t

r

t

t r

n m d d

s a

l a

o w f c

c b h t o m y s s a o , t y “ u t i t t t

e n

h r l

w y e s n

t a t s

e a n a

r m o u l e e w

h i a b f

r

i

t y

d s

n b p n d i u a a m u s e s r t

f

f i a s e i s h

T o

s

o y y u n u

l t l e e e c d a c a l t g i r w i f

i i i t

u r l b g t i e e -

r o i E e m - d r g t s h t s e n l

t l o d

h y n e n d l s s u a e

n l x

d n t i , s i g a i s a a l i a h n

e h ” d

- s l c i n s n a m . l i b

y e s

n c c z

l t m ” e f e g ,

a

, w e

w g i i i o

e p i k e t o t

g E k - o

p c e

p n h r i o . a a e , n i u e h . e a p v

e x l

n a n ” r e o g

e r g m d d T l g r g n o i “ e

i

n n

d s s s

d

t e h c G o s

I T h a s r e g n t y e , t i o e t t

i

s o

e a

o

o o

g h i , s d a

s

e o r

a e a u w s

, w s f i

i

g t n r

e t c

i

a l s r n s m m e

r n l r i c a w c n s g a g a m w l o a e u d m e u p d n y o t q í t g s s a l i o a a a l

e c e o n a e

c

r e o u o u

i

v n m v g - e " u

t n e n s r l c f o g n h u u p f a a t L y o e y m i i s n

c

i h o u

s n a t t o , s r r G l p a

u e r f , y t i

e t i t i e m r r r

a i

c w l g s e h n n n a o m k o a o

o l s h b t

o y r e g a g r s e g f n m , o f f o l c a o p m , r s e e ! u í s n r l " . a d e p y - t p s m i e a n F t i v F “ a ( A S s o t o c f w t A P L t P A C n s a h h … w O o E h x n i r t r r o o o p f h e h b o n a l i o s i c s e e a

e e o o n t p o o a d l S f t o l t r r p s S y n h i i p l

l a k t

h l e t t j

n g r l t l : v

a a

k A Q a o o o A e m m l i a

o

t i i e

e i I d e v e g : : a a w t g

e t n a T b r

c r s r

u C

r e w n a f

i e T G : Q g t o o

t t s h o a g t e a t e a k n h

u d t t c s e w j . h r ) L a o i i r e r r

h o u e t o ' a

g a x s b h

e d

n n '

y a b

e e i i S a m n B p e s l i i r t w o y g l t a n g r

n e e t i

n n r c a t s

i e p t h d i r t o o n

o h n

r v e t i w

i o e v h y e

w g

e s E n h y C t a t e e e l t a n n o t — a s e , n a h h

e s x P o h s a

r

r e

r o s m r

u

l C

i n T . m s t w e e k

G f , n l a T G i m e d t i a y

r o u

e a c i o n r y o a

n

p

a w r e k i a

t

a r i a o a g a a y t l r A t

y o n r u

c y e a s t . r i n h

w E n c t

r y b y n f e

n o r ! a r s t n r h h a r l m E í

t I d e i x

l i e e

a d o i r d t t i ' g , j r m c d a A g i e r s x n s - v h r s i

e m a r s t

r e c

g “ L

s .

a h d u

-

k e t C r g t e c w a t e E

e t B B u

l h

n t t m i i e

f

i r

h

r

a t n a w

s v s c n x r a i f n l i p s E s e e . o d e d e o e e e

t d t r

a e ”

n a d a p u l G h

r i m r s C x e a a

l a a

r

s n n a u k i e S d S s O r e i i h

a r r s r t a o u r e d w f t i g

s r t d

i n . r a n a t i u h n e t , i r r i v v ” s e u

c e e b

h

t s ’ i s g s c e s a t

r e g a v

e e n d h l n h n a k i E e t o t í k d

a v i b i r

t . . s g a

h a 6

r a r c c s P i x a b f y n e

c a t l

- o

t e a 5 t i i i n i e c t y h s a o l s i L o

e l t s o n r

a z

t p

a s e

r o a

l s v u h t t m — a o y . t t o n r e o n n i

h

- n t : n s a t o

i

d i , . f E i a o T t

s p e t s E X , o n h e l

X . r e t e l

s o , Right: Marlene Rodie with a painting rented from the Saskatchewan Arts Board’s Permanent Collection: Doris J. Sawchen, Inside Looking Out “Flowers on a Window Ledge” , 1987, oil on canvas Photo: Mark Greschner

Art in your workplace

Have you ever wanted a piece of original artwork but couldn’t afford to buy it? How about renting it, instead?

The Saskatchewan Arts Board rents art from its Permanent Collection to workplaces across the province in the government, non-profit and corporate sectors. It is a convenient and affordable way to appreciate original Saskatchewan art, while enhancing your office. Employees and clients Revisioning a specific place related to experience benefit from a dynamic atmosphere, and history, to redefine Indigenous and artists benefit from having their the Indigenous reality in the past and present.” The work in a public place. Continuum exhibition ran from January 16 to May 28, 2014. The Court of Appeal in Regina has In 2014, the Saskatchewan Arts been an art rental client for more than Board partnered with Above: A piece featured in Revisioning 20 years. Executive Officer Marlene Wanuskewin Heritage Park to the Indigenous Continuum , an exhibition Rodie says, “The work of the courts bring Indigenous art from the Arts at Wanuskewin Heritage Park curated by Mary Longman: is very serious business, not only for Board’s Permanent Collection to the litigants, but also for the the park’s Grand Hall Gallery. Richard K. Agecoutey Bustle #1 – Piapot Powwow , 1987 judiciary. The paintings from the cibachrome print Saskatchewan Arts Board beautify The exhibition, Revisioning the Photo courtesy of the Saskatchewan Arts Board our walls and also provide us with Indigenous Continuum , highlighted a Permanent Collection the opportunity to enjoy and selection of two-dimensional work in contemplate the meaning behind the photography, painting, printmaking artists’ creation.” While Rodie has a and digital and mixed-media. favourite painting that she has rented Featured artists include Bob Boyer, repeatedly, she appreciates the David Garneau, Neal McLeod and variety of artwork available. “There is Adrian Stimson. a favourite for all tastes in art and the opportunity for much conversation Curator Mary Longman notes that and discussion,” she says. some of these artists draw inspiration from traditional beadwork, design, Visit artsboard.sk.ca/ quilting and the powwow to bring permanent-collection/art-rental Indigenous concepts into for information on how to rent contemporary practice, while “other Saskatchewan art for your workplace. artists utilize the strategy of mapping

33

Left and opposite page: Academy Award- winning musician and activist Buffy Sainte- Marie gave a lecture and performance at the Broadway Theatre in March 2014. Photos: Barbara Reimer

grow Educate, entertain, inspire

When Saskatoon’s historic Broadway boasts close to 1,400 members and curriculum components. The goal was Theatre closed in 1993, the community more than 55,000 patrons each year. to reach 600 students. Instead, almost banded together to save it, with a goal 1,400 participated. larger than preserving the structure. “If Wirchenko collaborates with many a building is just what it used to be, it’s organizations to make the Broadway The organization also promotes the a museum,” says Kirby Wirchenko, a venue of choice for events of all diversity of the province’s arts executive director of the theatre. “We genres. Partners include CFCR community. It co-presents a want to reflect the community and affect Saskatoon Community Radio, Saskatchewan film series with the the culture around us.” SaskMusic, MoSoFest, PotashCorp University of Saskatchewan and books Fringe Theatre Festival, Persephone local musicians as opening acts for The Broadway has since grown from Theatre, SaskTel Saskatchewan Jazz national tours. Most of all, the an art house movie theatre into a Festival and Saskatoon schools. Broadway Theatre brings the thriving cultural hub. Its governing community together. “When we engage body, the Friends of the Broadway When a provincial youth film festival in cultural, artistic and educational Theatre, is a non-profit, charitable wound down in 2012, the endeavours, it gives us an opportunity community organization dedicated to Saskatchewan Arts Board approached to live richer lives,” Wirchenko says. ensuring the theatre provides the Broadway to revamp the festival. opportunities for education, The theatre partnered with the For more, visit broadwaytheatre.ca . entertainment and inspiration. PotashCorp Children’s Festival of Saskatchewan in February 2014 to Friends of the Broadway Theatre In 2010, the theatre transitioned from a present The SCENE: Youth Media receives annual funding from the rental venue into an active programmer Festival, which featured screenings, Professional Arts Organizations and presenter of live events. It now presentations, workshops and Program. 3 As part of the Saskatchewan Arts Board’s 65th anniversary celebrations, its Indigenous Arts Advisory Committee hosted the Women’s Old Style Jingle 6 THRIVE Dress Special at the 2013 Federation of Saskatchewan Indian Nations (FSIN) Powwow in Saskatoon. A t “ a s t W r 2 T s p r o p a k a L U S s w e a I p a z f A W a I h h n r e e W s u t

c i h 0 h h f u e s

u n r h r n o o h m a a r s s

l o d c

t h b a c 1 e o I b e p o e b

o i f i m h t p r u a n n n r a o i v a v h a

m

e i 2 i t l

e u d l t n g e t o f r w e o d i n j t s e r i p

i

h i n n , g c o

g s e c

n

d A o e c n r s i

g i d r V a a i s a p e a s d r s e g i t

i h s n d

, - a f s r n r

n

p n p y e s a a I r

t s o t n

e m e c i J

a

e p i

t e

r o c t e

m s r h s i l s o n t i c n x a a n i r p y H ( e

o e

o l o e s d . o o a u t t — “ o w e n c n r c y o

d h a a n u a o i s e a d o

i r

c n s

l t v . d o

u f t s d y o r a u m t a w s

n l v o f i e f o a

t e h

T ,

l u a s

h r i

u i

a e e s

e , a

i S r a a - y n a d m f o d r s l

h p

G t v a l d c , r b k n r

o i i i l d r

” y d

a

o m m d e a n i l t e e e o , a p a r s r i d a

u

e s

i

l

i m e i e e d s a 3 n n . b t x r u s b I u z n

n l s g e k

o

y i

n c

n s e 0

y c i

d t n a e d b i t d w

a e

h i n o e s o

t i p d a P

n 0 o i t

d i l t c u i n i t d

y t e a v i p .

d i m c c t a e

o a

g l u t w i

k s

s y g N e

i e 2 a

h e r h t n , n n “ r e s s a

h

t h

o m s e , r i t r p 0

e i e t h ’ a r d

g x

e s n I

w t r e r s

t e o s d e

f w w

n t r 1 p e c e u u h t , w h

s o d o w

e s o s h

o r i a

g d c o n 2 l

e n a

S

s e v r a

n

a u

c o Z C e p m a r i e C l m

n t s c n i , e w t n a a r o n c l

t l r e t n e

r s r e d t q

m w n a y e l J s

u s b s o s i i a e g d e t

o f n

n u n -

s e o o h s

a l l a k e e i r t i o

k f s t a p g

s g a a n I e s a l o l t ) e a i e u n t r u l n d e s r d

l , h

s d g c k e r z t

o

i t e c u d . e a a s o s a e n e u u i , i w h , n r e .

y h l m r a n a o s n a ” l

! s e o t w y e g n a ” n e e . , r d s d s t i l t o I t i ( B f m w p T w i T b e f k h w R p n f m w t E m f c e n h n u t r u h i S s o i r h s h i a e a a r o o y a a i r m i r

n l n a e u e o s a n t i

v r t c m t J e e l a o m a s y a e t s i t m m i d i s d t s g s n e h e u

o

n i a n

r

s u b e s c o f i p w r r t k f r d

i r

t n n e

c b b g i i g a a a v l a a n p o i s i n a t M e m n

i a a s i v e a o e e u i . i g e l h m f s g , e l t a n b a s

s a l n u t s

e

l l c r r

n C e e h

c

c u n

a 2 e l

s e i n e s s l u

t n .

h b i p n

t M i e e z h

s — c r s a o 0 r t x ,

c 8 a h a e r d P e a y o e

f i s g d n

t . t e p l 1 e n w o n

l

w i w a

e i n

s l

r p

t

i

t i

v P n W d a e 4 a d r e e e o

k s a

s h

I

i d u e a G e t

a n c t n g c n

a , v v

i s r

h t o s h

l b n f a

l a s

l r r 8 t o h d t d r s

A d i e l r u e w a i a i e n t i

b e o

y l ) i t a s 0 s n e i i v n s

a

r a s s e i u

i

s g a n

d

d u n

c T i i t r i e , t u a t t s t o a

K n n t s s r t s

r u e a s h i a i r o s t y

n s w s

p s i s

p s s o

c i i

m a n b

I t n r l b e p n

g

b n m u d k r n i p t y

u a h e i — w a o l r

r d e u t a a t i a e e e p ,

e d o c n s e o i e e n h v a

J u f

y

t t b c

w m d p t o

l i l r e , f t d i i

e d C

d u h

c s

e g e

o s i o n A t u e a

o l m c , C t n

w

e b n o

t c s e l

a e o c w n m g f t w r o P h r e c i

r i

B t s

e o a n l t n u b n t

e s

o p t o

p c i l o l e i r a . b a e

r n t

t l t e s C o s a q

.

i n o w t

m h u s a h e m r t l

r r e t i i d z t i r h u u a i A e t . g s v

w c s e b

n o

k b i i g

a u e w s r a r n s e t s r i

R l g i e r a u e s i r n z i

d t i n l n i e t k v a v p s c

r e i b l

t s g i o g c

n . e d f e o y e a a a d t

l o

h a n

o s e a e -

r t r n a o r t i s t s

’ n a t s n

o y a n t e d l d h n n k d s e d s i s z C L a p b s a q I A T R F s i e u t o g o u e u o r o n

s f c v r s l

e b a r e b t u i i n e

a

c . e t l l a m i

e i

i r i i n n h v T s l t n n c t

s e y i d s s o o e h d a g m

a

u . o

m r o

t o e

t v o e e i a t n h l r o f h e a p s s , s g e

a

n a s y

p e B

e v ’ 1 s t t r

o

s i o o ,

a t u b T a s s

n

m o o 2 t n s e i i i r o h d t t f

a k

e

a o w p

a a e k k

i s s

n s t n r u

p i i e i h ’ a m t d s e t m a g r i l h n o

s l c g i 3

b a e

d w r y t h i e a w

r e t w o

i a a : s n a M i s a u s n g

n

a

i r e e t a g e n c e n h a d n

N

n i . s p - S

n

e o a z a y “ r a

s l o W i r

n t s l j n t h s y d o l i k i e s

e e u b n o a t . c

, e t f a ” o c

e

t

t o o o h d s

a r n e a , m

n y a . y s t .

3

8 In 2014, 40 students from Kindergarten to Grade 7 came together with family and community members on Willow Island for the Prairie Sky School Games. The games were created with artist THRIVE Laura Hale through funding from Raising the Bar, a special opportunity within the ArtsSmarts Saskatchewan grant program, inspired by the North American Indigenous Games. a A e t i 3 s 2 n m 1 1 T m C E a d s P d S s L h a H c m a f i t g S o n o n e v c r p t e , 0 e 0

h d r i I a n n e r a a l e u u t 7 a t s V e a a r t a o i o e h w e r 1 7 a u s s n v y

o o n s

r t d e n a r 0 m o E n a c f o c r r t , a k 2

t c e

t

k g e e t

e a e t 0 s i u s a d p

i r h r o n

a t s a t - s a h

s A t f a

n t g r e h t h t n

c r u r h h i t t e 1 l c t c h u t , r a i s s l e c c t h o s i t r e a , r

s e h d s i c a e h e 3 o s e c r t d

t d i o

h p , r r m v a , l u 6 s o s t i

e s

b

o

o

h

n

e a

b u m l e ”

r h i 6 i n i

s C t d d

n

s r e i o n o n n

n ’ e n e i s b w w

s r g

3 o n e i y t s

e t a a t e o l o s c l

n n l c t c c

w i e u e h e i

a a a

c n s l

r L n a i s x a a l t h y g c e c n t e

i n d

a d l n d d u e . h t a h a n I

t n p d t e l e , a

o a n y s e V 2 l i

s h a c

e d I r

s o e

a n r

n

c c g m i t e s . t o

t n t

. 0 c c a i t E e e n i e

t n h i r o o a g o t

’ h e

r A h l h n ,

u s h s 1

m s s c

d u

“ m s

b t s f a i l M

r s S a e a e t t L g

r e

s

e o 2 e s

, n s W t s

t i e n e r o n 1 s

a

r p I u

x t e n

. , i n m s i i 7 e p

p f V t s e t

t c

x t 2 c n p

r r p a c

l o o a e t s r e i i i e c

r “

a r o o

E t p u u n t n

i t s r c

m o a e e n i

a l

o i e

a s e c h o O m n g a

l d l

t i h a b c - n r p

g n a A i r u t a o e h v n . e u

v i r m c r u t i r e h p t n d t r b L r e d ”

c e r e o m a f e i r i i i t y e r i s a r a n a n s d

n o p s t e l h a

I

m r n b - e s

m

s e c m t N c V t , s o i e e c n s i l c o i e h r

g s

a d

s h t v l n t s

a a a

v e

f E e e e r o

y ’ e i r e , a s

g o

n o i i e - s

v n

n o . n t t a a c r n

a i n n 3 L w a r f u o x

v e A a c e n d r d l g t

r a a

d

- 4 v g t t i

n a l

2 r o

a t r

a i d n h s w b s t e t i b e e s t h 0 i n r h g r u s

e d e s o d t k t y i i t

a 0 e i e s - t a n , f t i x

. e s n 5 t o h s d

l , o p t s ” t . r o

s s e a s l t f h i y a C a d t “ w S a d c h t L i e f c s p e e h r m h h n o I u h n r a e t r r o q a t o a o o I r o a t l o a

u t i t e t e V t r o ’ i y a m p o g t n o u s i s s s i

w e p s m

n r r h r

d s s h e v E s r

k p r a n

t . c p c r i k e a . e

e i t i i e ” t p e t a a v i .

a g e u a m l s i s n

e c - n

t

A r a

n e n a i n c m e “ I “ e i r , t t e

e r r t a g s c s s

c e t m t T a r r t r t

r I p g d a r a

n t s i o

s o t

e t e e y i

h r p

h s h n t w

o

t s s c c r a

r d

m

e . e n n o h e h e a e t e e l t e e p o -

h r u n i s

, e n a x p A

t n a e w n t o t t o a r w o

e t e s , l

a i

h a i p p a t s e e

r

e u a t t d n r a p f o

r t a b t w n o a

r r

n

m i

e

t u

h s r m n h

t l e n n b n i i t p h i r r t v t o a h e r d h n s h

d n e e

o d i d o ,

e g p i l e f i V t c s

t e

i h a t e e e r r e v d o a i

i s i m h e u e l

l o e t o t n t n

n r n

e o c n o a o d i e , t n

e a m e n 2 w t

. v m ”

m g

h u s c w t i l y u

s c a r s r

a t y

l 0 s s v W i o e

t h e a s p

s m i

s a t c c l

o o a p i

t t e m 1 t i x r l t

a l i h s e i o e s i s a h h e n e n

o f u l c d d r k n n 3 e c

s t

o e c

e t n w o s i e o

d

d i .

a n b . e , n v i g - t a t n a h n

w r

g r t g e o r r i e l 1

s g o y “

a e t i l

s n s g n

v g a t t i

d n s r t o l r W a

t 4 s n v e l h b t

e s t d a a n

e i p o

v o o

c g r y a . e t r c

a d c e l p , m l

k d e ” e e r

s

a

e s

n

u n i v a s k c h m

s o s

o o t

a t d c s n t

, c i l o

t a

s

i t u n o b

v t l c s h m h a , w i

d u , a e e b u d

s i i p o

e ” h u r s o e m n s d d

d h n h l p e

a t n t p l e a e e t

o s i e d h i o e t e r n p o t s o e n r l e o i h h l n a i n a g a s a t o d f

n g e r e s a r i t t t l

y g t r E e t s h

g t t , t t s

f h o e

l e t o , i o r e n r P e A D c “ K b M L w M R F S t l F S L h i o h q D r e b l u o I i e a a v i a o o v e V o l i u f t o a c n s r s l n y t e h i e a t

a i

E : v s o n S r k k m d p m i

b d

a b e e i s M s

c h C a m a

o l c A : o o : a e r e t f

o t o

a s n a J r o u c r n t S t r e

. r a s y A s i

k a y s t

r h l t n a t o e n s T t t

m t t

a u c a

w u e t o n i

S

n

h w r

F t d o s o i w d o f s c r o f e a s p , r o e n c i

e n

i

n h s k

t s E

a e D a o r n

h

b h

s

s t b

s

e a I n d n L

t h r a t r

o

e u n C e s w h d L o t

u t o d I n n o ,

p c A t e V e a c i a w

s w a c c

v C l . n p

n d t r h t E e

, n a b i o h e

t t d

c n c o u t

s r e t r w r

e S o e e A a i a g i L o k r l

o v n w

a t i t B s l

a o r a a S u t e S t

i

n t s t h S d h L s o

r t

a d s r a k k L

w t t c e i c i

e a i e , y i a s

n v I o f a n

h s

a b V u

r ” r t i t k v n a . t s o d

e n c s i y

E n

a i p e c t p n K o h s

c g s ,

.

p d t s a r A t o h l e . d a

c i h o a

S i t

r n r w i r m h n T t j r e n t k l i e n s t r a e a g c y

u c . e o w n a

t S s f r f . l , r a

s c t

t o a n h h h m e o i p o l Above: Sandra Birdsell reads at Sage Hill Writing Experience.

Right: Sage Hill participants rejoice at the quality of writing they completed during the summer program. Photos: Philip Adams helping good writers write better

When Sage Hill Writing While there is no quota of local Saskatchewan Poet Laureate Experience executive director writers in adult programs, a large Judith Krause has been involved Philip Adams attends literary number are selected each year. in Sage Hill in varying capacities events across Canada, it’s rare for “These are strong writers who are since the early 1990s, serving as him to find someone who has not adjudicated against a national faculty, on the board of directors heard of the organization. “Most audience. I’m proud that we don’t and as a keynote speaker. of our faculty have won major make any special arrangements,” literary awards, and Governor- says Adams. She is a big fan of the program and General’s award winners have says writers from Saskatchewan and studied here,” he says. The The organization also mentors teens across Canada are fortunate to have faculty alumni list is a “who’s through its summer program as well the opportunity to access it. who” of Canadian literature, as week-long writing workshops in including Guy Vanderhaeghe, Regina, Saskatoon, Moose Jaw, “To live under one roof in a scenic Jane Urquhart, Lawrence Hill and Prince Albert and La Ronge. Amy valley for ten days every summer, with Louise Halfe. Baldwin, a participant in the Teen no household worries, working under Writing Experience, says, “My the guidance of a gifted instructor, in With distinguished faculty, low favourite part is hearing what other the company of a diverse group of instructor-to-writer ratios, affordable teens think about my writing. I’ve high-energy creative individuals — tuition, and quiet Saskatchewan built my ability to give meaningful well, what more could a writer seeking settings, Sage Hill offers writers ideal criticism and have learned about the professional development ask for?” conditions to develop their craft. business side of writing.” she says. “Thanks to the continued Applications pour in from all over the support of the Saskatchewan Arts country and are adjudicated by an Sage Hill celebrated its 25th Board and other funding agencies, anonymous jury. “It’s like a national anniversary by featuring faculty Sage Hill thrives and its literary contest. People say to me, ‘I can’t readings at the 2014 Saskatchewan reputation grows.” believe I got in!’” Adams exclaims. Festival of Words and partnering with JackPine Press to create a province- The Saskatchewan Poet Laureate Programs serve writers of all genres, wide chapbook of writing by teen program is a partnership between the in three levels of proficiency: workshop participants. “We thought Saskatchewan Arts Board and the emerging, intermediate and about having a big party, but we’d Saskatchewan Writers’ Guild, under colloquium. The latter provides one- rather just help writers write better,” the patronage of the Lieutenant on-one mentorship to prepare Adams says. Governor of Saskatchewan, and in manuscripts for publication. In collaboration with SaskCulture Inc., addition to its ten-day summer The Sage Hill Writing Experience through funding from the retreat, Sage Hill offers a two-week receives multi-year funding from the Saskatchewan Lotteries Trust Fund intensive poetry colloquium in the Professional Arts Organizations for Sport, Culture and Recreation. spring. All programs include public Program. readings by participants and faculty. Since Sage Hill’s inception in 1989, roughly 850 writers and more than 160 instructors have participated.

39 Permanent Collection: New Acquisitions

PURCHASES: Geoff Phillips Ron Kostyniuk Loch Lomond , 2010 Saskatchewan Tower I/Agnes Martin Griffith Baker oil on canvas Saskatchewan Tower II/Jean Sauve 1 OCD Series (#3) , 2010 Saskatchewan Tower III/Louis Riel post-consumer compact discs Ward Schell Saskatchewan Tower IV/ Embedded , 2012 Saskatchewan Tower V/Chief Heather Benning acrylic on canvas Poundmaker 9 The Death of the Dollhouse: Fire #2 Saskatchewan Tower VI/Grant MacEwen The Death of the Dollhouse: Fire #3 Ward Schell Saskatchewan Tower VII/John The Death of the Dollhouse: Living Room Bearded Tree , 2013 Diefenbaker 2013 acrylic on canvas Saskatchewan Tower VIII/Roy Romanow Kodak Endura digital c-print Saskatchewan Tower IX/Gordie Howe David Thauberger Saskatchewan Tower X/Tommy Douglas Tyler Brett Prairie Sentinel/Winter Sentinel , 2003 Saskatchewan Tower XI/Allan Blakeney SK Architectural Future Series: lenticular photograph, lightbox Saskatchewan Tower XII/W.O. Mitchell Regina Hotel Saskatchewan Tower XIII/Gabriel Dumont 6 Dance Hall Ida Tremblay Saskatchewan Tower XIV/Johnny Bower 2010 3 Moss Bag , 2012 2 Saskatchewan Tower XV/Joni Mitchell giclée prints moose hide, fabric, glass beads 1994 spray enamel on MDF Martha Cole 10 Scots Pine 2 , 2009 DONATIONS: Alison Norlen unbleached cotton, Setacolor fabric Luna (Roller Coaster) , 2013 paints, coloured pencil, assorted threads, Griffith Baker stainless steel, carbon steel base needlepunch polyester batting Discards Drawing I Discards Drawing II Otto Rogers Marc Courtemanche Discards Drawing III Summer Garden , 2000 A Floral Chair , 2010 Discards Drawing IV acrylic, wood and paper on canvas stoneware Discards Drawing V 2012 Anthony Thorn Joyce Deutscher ink on Arches paper Interior with Glass , 1969 Psychedelic , nd enamel and oil on Belgian linen acrylic on panel Marc Courtemanche 4 Trompe L'oeil , 2009 Anthony Thorn Lorenzo Dupuis acrylic paint, metal and wood Sketch for a Figure Composition , 1964 7 En marchant - Walk Your Children to acrylic and gold paint on masonite School , 2011 Joyce Deutscher egg tempera on panel Psychedelic (Rug) , nd Anthony Thorn wool/cotton Untitled (Abstract) , 1965 Dagmara Genda acrylic, gold paint and oil on masonite Corrupted Animals (Moose), 2013 Leah Dorion collage, paint and ink on paper Return of Thoughts Anthony Thorn Giving Baskets and Potatoes Demon Figure , 1964 George Glenn Hauling Wood sumi and tempera on brown paper Kaufman Series - #1 Wet Street Mounting the Horse Kaufman Series - #2 Dry Street Visitors at the Door Anthony Thorn 1983 Carrying Baskets Etchen Bodhisattva , 1969 acrylic on canvas Offering Tobacco to Willow Grove gesso, egg shells, and marble dust 2012 Michael Hosaluk acrylic on canvas board Anthony Thorn Chair Lift , 2006 Untitled (White Abstract) , nd mixed media Lorenzo Dupuis gesso on masonite In and Out - Ukrainian Church Marie Lanoo - Winter View , 2011 Anthony Thorn 5 Scroll with Bulges , 2013 egg tempera on panel 8 Self Portrait Age 41 , 1968 acrylic on folded mineral powder paper enamel and oil on linen Ted Godwin Alison Norlen Untitled (Rainforest) , 1961 Luna (Colorado Bridge/Home) , 2013 oil on canvas stainless steel, carbon steel base

Opposite page: 1 (detail), 2, 4 (detail), 6, 7, 9, 10 (detail): courtesy of the artist 3, 8: Gary Robins, Available Light Photographics 5: Gabriela García-Luna

40 1 3 4

2

5 6 8

7

9 10

41 In Memory

John Nugent Gertrude Story (1921-2014) was (1930-2014) was a sculptor who a writer whose worked in bronze work included and steel. He poetry and fiction moved to for adults and Lumsden in 1948, where he children and often focused on her established a studio and bronze experiences in rural Saskatchewan. casting foundry. His sculpture and She was a strong member of the photographic works have appeared Saskatchewan Writers’ Guild and in solo and group exhibitions across taught writing at workshops across Canada and are part of many the Prairies. Her work has been collections, including the studied in university classes in Saskatchewan Arts Board and the Germany and Australia. David Gilhooly Canada Council Art Bank. Gentleman Baboon , 1969, paper mache, tempera, chicken wire Lilja Stefansson Audrey Piper (1921-2013) David Gilhooly (1943-2013) was (1925-2013) was discovered her acclaimed internationally for his a Saskatoon artist passion for writing imaginative ceramic works of well-known for her while taking animals, food and other subjects. representational classes at the Born in California, he moved to landscape Seniors’ Education Centre at the Regina in 1969 to teach ceramics at paintings. Her work has been University of Regina. Her work was the university, where he developed a exhibited in Saskatchewan, Alberta, featured in various publications from series of ceramic frogs as historical Manitoba and and is featured the centre, in Folklore magazine and figures. His work has been exhibited in several major collections, in Lögberg-Heimskringla , an in Canada, the US and Japan and is including those of the Saskatchewan Icelandic publication. Her partner of in the Saskatchewan Arts Board’s Arts Board, Mendel Art Gallery and 41 years plans to publish a book of Permanent Collection. University of Saskatchewan. Lilja’s many poems and poignant stories. Ben Checkowy Joan Rankin (1951-2014) was a (1927-2014) was John Yewman photographer an artist and (1948-2013) was based in Regina teacher in Moose a passionate who has Jaw who served supporter of the developed and on the board that province’s music added to musician, model and actor guided the development of the and cultural portfolios across Canada. He Moose Jaw Art Museum. She was community. He was the founding provided event photography for president of the Saskatchewan chair of the board that established events such as the Western Canadian Society for Education through Art, a the Saskatchewan Cultural Exchange Music Awards, Rock’N the Valley, board member of the Saskatchewan Society and its performance Queen City Ex, Flatland Music Summer School of the Arts and a complex, and he was also a Festival, the Regina Folk Festival and founding director of the volunteer, board member and main Prairie Music Week. Saskatchewan Centre of the Arts. Her stage manager of the Regina Folk artwork can be found in the Festival over the last two decades. Kelly Churko Saskatchewan Arts Board’s (1977-2014) was Permanent Collection. an experimental musician. He was Delores Reimer born in Moose (1957-2013) was Jaw and spent ten active in the years in Japan, where he taught Saskatchewan English and composed and writing community performed music in the “noise” for nearly 25 genre, for which he was years, serving as a volunteer, internationally renowned. bookseller, publicist, editor, publisher and author. She wrote two books, Ladies and Escorts and Stone Baby , the latter of which was nominated for a Saskatchewan Book Award. She was also a former president of the Saskatchewan Writers’ Guild.

42 Strategic Plan Progress Report

Saskatchewan artists pursue their • Lieutenant Governor’s Arts Awards public consultation leads to new award creative work and careers in a category, increased cash awards and a refreshed gala event. dynamic, culturally diverse environment. • GénieArts launched as a pilot incentive under the ArtsSmarts program, providing new opportunities to connect Fransaskois artists and schools.

Saskatchewan Arts organizations • Arts Board matches 5% funding increase from provincial government to have the capacity to pursue their provide supplemental funding to organizations. Agency fulfills all funding mandates and to be viable and recommendations of Professional Arts Organization Program juries. sustainable over the course of their existence. • Through the support of SaskCulture Inc., significant additional funding was allocated in support of the broad range of festival activity in the province.

The people of Saskatchewan value • Creative Play: The Saskatchewan Arts Board’s 65th Anniversary Touring the power of the arts as a way of Exhibition (in partnership with Organization of Saskatchewan Arts Councils) contributing to the quality of their tours Saskatchewan, reaching 1,600 people. lives and vibrancy of their communities. • Partnerships with the Queen City Ex, Saskatoon EX, Western Canadian Agribition, and the Federation of Saskatchewan Indian Nations Powwow bring professional art to diverse audiences.

Saskatchewan artists and arts • Development of Arts Entrepreneurship and Business Development Course, organizations are vital contributors in partnership with Creative Saskatchewan and Ideas Inc. of Saskatoon. to the provincial economy and a Course equips arts entrepreneurs with tools to be commercially viable. healthy society. • Arts Board assists Creative Saskatchewan with program juries in fiscal year 2013-14, the first full year of grant delivery for the agency.

The Arts Board leads the way in • Sale of Saskatoon industrial land donated to Arts Board in 1980s (see note innovative stewardship of the arts 12(a) [Tangible Capital Assets] in audited financial statements) is in the province. completed. Proceeds form a legacy fund that will support the Saskatchewan arts in perpetuity.

• Program and administrative staff reorganized around pillars of strategic plan — artists, arts organizations and communities — to maximize effective service to clients.

43 Grants & Funding

ARTSSMARTS Family Resource Centre A program of ArtsSmarts Saskatchewan (the Saskatchewan Arts Board, the Swift Current Explore and Develop Swift Current $10,000 Saskatchewan Ministry of Education, SaskCulture Inc., and ArtsSmarts/GenieArts) Heritage Community with support from the Saskatchewan Lotteries Trust Fund for Sport, Culture and Association Explore and Connect Regina $10,000 Recreation, and the program partners. Okanese First Nation Explore and Connect Balcarres $5,500 Balcarres Community School Media Balcarres $10,000 Paper Crane Community Arts Centre Explore and Develop Regina $10,000 Caswell Community School Multidisciplinary Saskatoon $10,000 Ravenis, Christine Explore and Develop Air Ronge $10,000 École College Park School Theatre Saskatoon $10,000 Saskatoon Mothers' Centre Inc. Explore and Connect Saskatoon $10,000 Edenwold School Visual Edenwold $10,000 Summer School for the Holliston School Visual Saskatoon $10,000 Solo Voice Explore and Connect North Battleford $7,500 James L. Alexander School Visual Saskatoon $5,594 Tant per Tant Theatre in Living Sky School Translation Inc. Explore and Connect Saskatoon $10,000 Division No. 202 Theatre North Battleford $9,455 Walter W. Brown High School Explore and Develop Langham $9,800 Living Sky School Authority Explore and Develop Regina $10,000 Division No. 202 Music North Battleford $8,500 Windhover Artists & Events Explore and Develop Regina $7,200 Living Sky School Division No. 202 Visual North Battleford $10,000 Write Out Loud Explore and Connect Saskatoon $10,000 Lumsden High School Literary Lumsden $9,000 Innovations Nutana Collegiate Music Saskatoon $10,000 Common Weal Community Arts Inc. Community Regina $40,000 Ranch Ehrlo Society Multidisciplinary Pilot Butte $10,000 Creative City Centre Community Regina $40,000 St. Anne School Multidisciplinary Saskatoon $10,000 Last Mountain Lake Thomson Community School Music Regina $7,932 Cultural Centre Inc. Community Regina Beach $40,000 Tompkins School Visual Tompkins $10,000 MacKenzie Art Gallery Inc. Community Regina $40,000 Turtleford Transition High Prairie South School Division School Moose Jaw $35,000 School Music Turtleford $10,000 Regina Work Preparation W.S. Hawrylak School Literary Regina $6,923 Centre Community Regina $40,000 GénieArts Saskatchewan Filmpool École Boreale Multidisciplinary Ponteix $10,000 Co-operative Community Regina $40,000 École de Bellegarde Music Bellegarde $10,000 CREATIVE INDUSTRIES École Monseigneur de Laval Literary Regina $6,095 Funded by the Government of Saskatchewan through the Creative Industries Growth École Wilfrid Walker Visual Regina $5,900 and Sustainability Fund, an agreement with the Ministry of Parks, Culture and Sport. Lakeview School Media Saskatoon $2,000 Transition Fund L'école canadienne-francaise, 25th Street Theatre Centre Inc. Theatre Saskatoon $20,000 pavillon elementaire Multidisciplinary Saskatoon $10,000 Dean Renwick Design Studio Visual Regina $45,000 L'école canadienne-francaise, DriverWorks Ink Publishing Regina $24,000 pavillon Gustave Dubois Visual Saskatoon $10,000 Experience First Design Inc. Screen-Based Media Saskatoon $42,363 Monseigneur de Laval Multidisciplinary Regina $9,929 Globe Theatre Society Theatre Regina $30,000 Raising the Bar Grain Magazine Publishing Saskatoon $13,494 Prairie Sky School Visual Regina $10,000 Hagios Press Inc. Publishing Regina $7,215 TreatySmarts Hagios Press Inc. Publishing Regina $6,600 Eagles Nest Youth Ranch Visual Prince Albert $8,500 New Dance Horizons Inc. Dance Regina $5,980 North Valley Elementary Persephone Theatre Theatre Saskatoon $19,822 School Visual Neudorf $4,906 Saskatchewan Jazz Festival Inc. Music Saskatoon $43,005 St. Frances School Multidisciplinary Saskatoon $9,700 SaskMusic Music Regina $21,600 CREATIVE PARTNERSHIPS Thistledown Press Ltd. Publishing Saskatoon $15,000 A joint initiative with SaskCulture Inc., through funding from the Saskatchewan University of Regina Press Publishing Regina $25,000 Lotteries Trust Fund for Sport, Culture and Recreation, and the Ministry of Education. Zima Junction Productions Inc. Screen-Based Media Regina $24,000 Collaborative Projects Friends of Cypress Hills CULTURE ON THE GO — TOURING Park Inc. – Art in the Park Visual Maple Creek $25,000 Funded by the Government of Saskatchewan through an agreement with the Ministry of Parks, Culture and Sport Prairie Wind and Silver Sage – . Friends of Grasslands – Independent Artists Art in the Park Visual Mankota $25,000 Hamon, Tracy Literary Regina $2,500 Government House Residency Multidisciplinary Regina $50,000 Horizon String Quartet Music Regina $7,430 Legislative Building Residency Multidisciplinary Regina $10,000 Lane, Jen Music Saskatoon $17,450 LIVE Arts Multidisciplinary Regina $50,000 Martina, Natasha Theatre Saskatoon $8,000 Regina 2014 North American Royal Red Brigade Music Regina $2,566 Indigenous Games Multidisciplinary Regina $85,000 Straker, Jeffery Music Regina $12,495 Saskatchewan Writers' Guild – Poet Laureate Program Literary $15,000 Organizations Explorations Curtain Razors Inc. Multidisciplinary Regina $16,000 Eastend Historical Museum & Dance Saskatchewan Inc. Dance Saskatoon $15,000 Cultural Centre Explore and Connect Eastend $10,000 Estevan Arts Council Visual Estevan $2,450 École College Park School Explore and Develop Saskatoon $10,000 Globe Theatre Society Theatre Regina $100,000 La Troupe du Jour Inc. Theatre Saskatoon $10,109 44 Organization of Saskatchewan Solheim, Tara Dawn Literary Regina $3,700 Arts Councils Multidisciplinary $7,500 The Little Brothers Music Saskatoon $4,000 Persephone Theatre Theatre Saskatoon $16,000 Thomson, Joan Mary Visual Saskatoon $4,250 Regina Symphony Wagner, Bernadette Literary Regina $5,230 Orchestra Inc. Music Regina $15,000 Weisgerber, Sean Visual Saskatoon $5,500 Saskatchewan Jazz Festival Inc. Music Saskatoon $10,000 Creative Established Saskatchewan Native Antoniuk, John Music Saskatoon $10,000 Theatre Company Inc. Theatre Saskatoon $15,000 Armstrong, Melody Visual Regina $15,000 CULTURE ON THE GO — TRAVEL Birdsell, Sandra Literary Regina $15,000 Funded by the Government of Saskatchewan through an agreement with the Ministry Brenna, Beverley Literary Saskatoon $3,000 of Parks, Culture and Sport . Broner, Megan Courtney Visual Saskatoon $1,108 Barsi-Cunningham, Ilona Music Moosomin $750 Burke, Kelley Jo Literary Regina $12,300 Calderon, Ramses Music Regina $750 Calderon, Ramses Music Regina $10,000 Christensen, Amber Media Christopher Lake $700 Chambers, Ruth Visual Banff $11,000 Combat Improv Theatre Regina $1,500 Crepeau, Paul Gui Media Saskatoon $9,225 Cuthand, Thirza Media Saskatoon $750 Cuthand, Thirza Media Saskatoon $13,000 Emel, Tod Media Saskatoon $750 Dupuis, Lorenzo Visual Saskatoon $12,000 Evans, Dennis J. Visual Regina $750 Duvall, Linda Visual Saskatoon $15,000 Gronsdahl, Troy Visual Saskatoon $750 El Juego Theatre Saskatoon $10,000 Hainsworth, Alexa Visual Saskatoon $750 Fay, Holly Visual Regina $9,000 Herriot, Trevor Literary Regina $750 Hale, Laura Visual Tisdale $5,000 Irwin, Kathleen Theatre Regina $750 Hodgson, Heather Literary Regina $17,000 Kimiwan Zine Literary Saskatoon $1,500 Johnson, Ashley Dance North Battleford $6,000 King, Karlie Visual Mervin $750 Jordan, Terry Literary Saskatoon $12,700 Logan, Zachari Visual Saskatoon $750 Lalonde, Michel Music Regina $8,000 Macdonald, Daniel Theatre Regina $750 Mason, Christopher Music Warman $8,000 Moore, Timothy Visual Shellbrook $750 McIntyre, David Music Regina $17,000 Neufeld, Clint Visual Osler $750 Pettigrew, Laura Music Regina $5,000 Noël-Maw, Martine Literary Regina $750 Peyachew, Lionel Visual Buena Vista $7,700 Pantel, Rowan Visual Regina $750 Philips, Elizabeth Literary Saskatoon $15,000 Paoli, Loretta Visual Regina $750 Poitras, Robin Dance Regina $8,500 Pettigrew, Laura Music Regina $750 Ratzlaff, Lloyd Literary Saskatoon $11,925 Pottle, Adam Literary Saskatoon $635 Richards, Harriet Literary Saskatoon $16,000 Pufahl, Jeffery Theatre Saskatoon $750 Salgado, Andrew Visual London $10,000 Regina Slam Team / Streifler, Leesa Visual Regina $15,000 Word Up Wednesday Literary Regina $1,500 Tate, Kent Visual Shaunavon $7,200 Savage, Candace Literary Saskatoon $750 We Were Lovers Music Saskatoon $8,500 Standing, Cory Theatre Saskatoon $500 Wensel, Judy Theatre Regina $5,000 Turner Prize* Visual Regina $1,150 Varro, Gary Visual Regina $750 Criticism and Curatorial Established Weber, Joanne Catherine Literary Regina $685 Matheson, Elizabeth Visual Regina $5,400 Wright, Johnna Theatre Saskatoon $450 Production & Presentation Emerging Ball and Chain Theatre INDEPENDENT ARTISTS Company Theatre Saskatoon $9,000 Creative Emerging Durey, Lucien Serge Visual Creighton $9,000 Anderson, Joseph Visual Saskatoon $5,500 Embrace Theatre Theatre Saskatoon $9,000 Brotzel, Matthew Music Saskatoon $6,000 Gee, Erin Media $4,500 Brown, Jesse Music Saskatoon $6,000 Howe, Nathan Theatre Saskatoon $6,000 Coulterman, Troy Visual Regina $6,000 Myrtle & Oak Pictures Media Regina $8,000 Diederichs, Callen John Media Saskatoon $4,000 Production & Presentation Established Duddridge, Noelle Media Regina $5,000 Atkins, Amalie Visual Saskatoon $11,931 Edlund, Elias Music Saskatoon $6,000 Brick and Mortar Theatre Theatre Saskatoon $12,000 Gunner & Smith Music Music Saskatoon $5,883 Bundon, Johanna Dance Regina $4,519 Herranen, Kyle Visual Regina $5,500 Evans, Dennis J. Visual Regina $5,144 Hosaluk, Laura Visual Saskatoon $4,000 Ferguson, Clark Media Saskatoon $10,000 Redenbach, Daniel Media Yorkton $3,731 Gardiner, Richardson, Colby Christopher Campbell Visual Silton $9,725 and McFadzean, Jonah Theatre Regina $6,000 Handerek, Kelly Theatre Regina $4,475 Robert, Tammy Literary Saskatoon $4,000 Schewaga, Cory Visual Saskatoon $4,000 Moffat, Ellen Media Saskatoon $10,000 Schick, Brendan Visual Regina $6,000 Moker Wernikowski, Connie Dance Regina $8,500 Smith, Kristen Visual Regina $6,000 Nolan, Yvette Theatre Saskatoon $10,000

45 Grants & Funding

Per Sonatori Music Regina $11,175 Willow Cree Broadcasting Music Duck Lake $7,500 Stimson, Adrian Visual Saskatoon $17,000 Wilson, Ashley Marie Craft Prince Albert $7,500 Sum Theatre Corp. Theatre Saskatoon $12,000 * Funded through the 2005 Canada Summer Games Building Dreams and Theatre Naught Theatre Saskatoon $10,000 Champions Legacy Fund: Emerging Aboriginal Artists Program. Wozny Siemens, Gladys Visual Rush Lake $4,000 ORGANIZATIONAL SUSTAINABILTY INITIATIVE Professional Development Emerging Buffalo Berry Press Inc. Literary Saskatoon $14,300 Gasper, Larry Literary Saskatoon $2,000 Literary Regina $7,900 Gibson, Dee Visual Saskatoon $3,498 Curtain Razors Inc. Multidisciplinary Regina $7,150 Giesbrecht, Jody John Music Langham $2,322 Friends of the Broadway Hill, Lucy Theatre Regina $2,000 Theatre Inc. Performing Saskatoon $30,875 Langhorst, Barbara Literary Humboldt $2,995 Globe Theatre Society Theatre Regina $47,750 LaRocque, Meredith Dance Regina $4,000 Hagios Press Inc. Literary Regina $12,950 Lowe, Shelby Lyn Theatre Regina $2,000 La Troupe du Jour Inc. Theatre Saskatoon $36,275 Maslany, Daniel Theatre Regina $2,000 Neutral Ground Inc. Media Regina $6,725 Pantel, Rowan Multidisciplinary Regina $2,100 New Dance Horizons Inc. Dance Regina $14,275 Regina Symphony Professional Development Established Orchestra Inc. Music Regina $27,100 Kongawi, Christian Music Saskatoon $7,500 Sakewewak Artists' Pufahl, Jeff Theatre Saskatoon $3,700 Collective Inc. Visual Regina $23,100 Semple, Tara Music Regina $2,645 Saskatchewan Native Theatre Company Inc. Theatre Saskatoon $10,150 Van Damme, Kelly Dance Saskatoon $1,000 Saskatoon Opera Association Music Saskatoon $40,450 Research Emerging Saskatoon Symphony Society Music Saskatoon $43,000 Fidelak, Terri Visual Regina $2,000 Research Established PREMIER'S CENTENNIAL ARTS SCHOLARSHIP Funded through gifts and contributions from Eva Mendel Miller, Wally Mah, and Popoff, Alexandra Literary Saskatoon $5,000 Fred Mennie. Wilcox, Zane Visual Regina $3,419 Davis, Ryan Music Saskatoon $2,500 INDIGENOUS PATHWAYS INITIATIVES Johnston, John Music Regina $2,000 Bellegarde, Shane Literary Regina $7,500 Kongawi, Christian * Music Saskatoon $2,500 Birch Narrows Dene Kuz, Tessa * Dance Regina $1,400 Community School Multidisciplinary Turnor Lake $3,500 Lam, Austin * Dance Regina $2,000 Burnouf, Larissa * Media Saskatoon $7,500 Leidal, Stephen Music Regina $1,400 Charles, Cory Jonathon Media Saskatoon $7,209 Lett, Andrea Music Winnipeg $1,400 Deegan, Nathaniel Visual Fort Qu'Appelle $7,500 MacDonald, Joel Music Regina $2,000 Dorion, Leah Multidisciplinary Prince Albert $4,775 Milatz, Meagan Music Weyburn $2,500 George-Heese, Tracey Visual Regina $7,500 Nazarenko, Elizabeth Music Winnipeg $1,400 Goforth, Langan Traditional Song/ Newman, Katie Music Regina $1,400 Dance Regina $5,200 Ramsay, Jessica Music Regina $2,000 Goulet, Frances Visual Creighton $2,828 Schuster, Bronwyn Visual Eastend $2,500 Kimiwan Zine Literary Saskatoon $6,775 * Funded through the 2005 Canada Summer Games Building Dreams and King, Karlie Visual Mervin $6,070 Champions Legacy Fund: Saskatchewan Arts Bursaries Program Lewis, Wilma J. Visual Cut Knife $5,000 PROFESSIONAL ARTS ORGANIZATIONS PROGRAM Lonechild, Shana Visual Regina $7,500 Funded by the Saskatchewan Arts Board and, under the terms of a partnership Masuskapoe, Raymond Visual Air Ronge $7,500 agreement with SaskCulture Inc., the Saskatchewan Lotteries Trust Fund for Sport, McDonald, John Adrian Visual Christopher Lake $5,000 Culture and Recreation. Musaskapeo, Mary Visual Debden $6,000 Annual Musaskapeo, Mary Visual Debden $2,827 Articulate Ink Inc. Visual Regina $10,700 Naytowhow, Violet Music Prince Albert $7,500 FadaDance Troupe Inc. Dance Regina $19,950 Naytowhowcon, Lillanohna * Music Prince Albert $7,025 Free Flow Dance Theatre Company Inc. Dance Saskatoon $19,950 Pelly, Josephine Visual Cumberland House $7,500 Friends of the Broadway Regina 2014 North American Traditional Song/ Theatre Inc. Performing Saskatoon $14,975 Indigenous Games * Dance Regina $7,500 Gordon Snelgrove Gallery Visual Saskatoon $10,000 Shatilla, Robert Visual Saskatoon $2,500 Hagios Press Inc. Literary Regina $19,200 Starchief, Charmaine Visual North Battleford $7,500 Sakewewak Artists' Taypotat, Selena Traditional Song/ Collective Inc. Visual Regina $65,000 Dance Maple Creek $6,000 Saskatchewan Native Thunderingsky Dance Troupe Traditional Song/ Theatre Company Inc. Theatre Saskatoon $26,913 Dance Prince Albert $7,500 Saskatoon Opera Association Music Saskatoon $30,000 Tootoosis, Mylan Media Cutknife $7,500 Saskatoon Symphony Society Music Saskatoon $84,825 Tsinigine, Marilyn Literary Saskatoon $7,500 Southwest Cultural Vincent, Angus Music Yorkton $3,000 Development Group Inc. Multidisciplinary Swift Current $9,000 Waditaka, Samantha Visual Prince Albert $6,000 Strandline Curatorial Waditaka, William Visual Prince Albert $7,500 Collective Inc. Visual Regina $20,100

46 Tonight It's Poetry Dalmeny Merchants Performance Series Inc. Literary Saskatoon $11,000 Association Multidisciplinary Dalmeny $1,242 Multi-Year Farm Fest Terre Ferme Festival Ltd. Multidisciplinary Regina $8,000 AKA Gallery Inc. Visual Saskatoon $65,000 Friends of Katepwa Art Gallery of Regina Inc. Visual Regina $45,575 Provincial Park Inc. Multidisciplinary Regina $4,500 Art Gallery of Swift Current Visual Swift Current $34,600 Gustin/Trounce Heritage Buffalo Berry Press Inc. Literary Saskatoon $27,475 Committee Inc. Music Saskatoon $8,000 Common Weal Latin Elements Community Arts Inc. Multidisciplinary Regina $145,100 Entertainment Inc. Multidisciplinary Regina $8,000 Community Radio Society Leipzig Music Festival Music Wilkie $5,000 of Saskatoon Inc. Music Saskatoon $15,975 Library Services for Coteau Books Literary Regina $137,750 Saskatchewan Aboriginal Curtain Razors Inc. Multidisciplinary Regina $19,100 Peoples Inc. Multidisciplinary Regina $5,000 Dancing Sky Theatre Inc. Theatre Meacham $88,825 Mane Productions Multidisciplinary Saskatoon $5,000 Dunlop Art Gallery Visual Regina $114,075 Prairie New Music Festivals Inc. Music Saskatoon $6,500 Estevan Art Gallery & Museum Visual Estevan $38,050 Regina Drum Festival Music Regina $8,000 Globe Theatre Society Theatre Regina $279,450 Regina Highland Festival Inc. Multidisciplinary Regina $8,000 Godfrey Dean Art Gallery Inc. Visual Yorkton $54,325 Regina Jazz Society Corp. Music Regina $8,000 Artist Collective of Prince Albert Inc. Visual Prince Albert $28,225 Regina Pride Inc. Multidisciplinary Regina $8,000 JackPine Press Literary Saskatoon $23,625 Saskatchewan Canadian Caribbean Association Multidisciplinary Regina $8,000 Kenderdine Art Gallery Visual Saskatoon $34,850 Saskatoon Blues Society Inc. Music Saskatoon $8,000 La Troupe du Jour Inc. Theatre Saskatoon $79,850 Saskatoon Diversity Network Multidisciplinary Saskatoon $8,000 Last Mountain Lake Cultural Centre Inc. Visual Regina Beach $16,375 Société historique de la Saskatchewan Inc. Theatre Regina $8,000 MacKenzie Art Gallery Inc. Visual Regina $167,475 Southern Saskatchewan Mendel Art Gallery Visual Saskatoon $250,000 Summer Solstice Festival Inc. Multidisciplinary Gravelbourg $6,000 Moose Jaw Museum & Street Meet Festival Visual Saskatoon $5,000 Art Gallery Visual Moose Jaw $104,200 The Vertigo Series, Inc. Multidisciplinary Regina $7,550 Neutral Ground Inc. Media Regina $101,400 The Word on the New Dance Horizons Inc. Dance Regina $79,850 Street Saskatoon Inc. Literary Saskatoon $8,000 On the Boards Staging Annual Company, Inc. Multidisciplinary Saskatoon $29,950 Bengough Municipal PAVED Arts Media Saskatoon $143,275 Arts Council Inc. Multidisciplinary Bengough $25,000 Persephone Theatre Theatre Saskatoon $249,510 Cathedral Area Regina Symphony Community Association Multidisciplinary Regina $13,000 Orchestra Inc. Music Regina $204,600 mispon: A Celebration of Sage Hill Writing Indigenous Filmmaking Media Regina $14,065 Experience Inc. Literary Saskatoon $87,650 MoSo Conference Inc. Music Saskatoon $11,000 Saskatchewan Book Awards Inc. Literary Regina $17,700 Multi-Year Saskatchewan Filmpool 25th Street Co-operative Media Regina $110,675 Theatre Centre Inc. Theatre Saskatoon $47,000 Saskatchewan Playwrights Cultural Festivals Multidisciplinary Swift Current $33,000 Centre Inc. Literary Saskatoon $60,500 Fédération des Francophones Saskatoon Jazz Society Inc. Music Saskatoon $29,950 de Saskatoon Media Saskatoon $12,000 Station Arts Centre John Arcand Fest Inc. Multidisciplinary Saskatoon $22,500 Cooperative Multidisciplinary Rosthern $21,409 Ness Creek Cultural and The City of North Battleford Recreational Society, Inc. Multidisciplinary Saskatoon $49,000 Galleries Visual North Battleford $57,850 Northern Lights Bluegrass and The Mann Art Gallery Inc. Visual Prince Albert $68,375 Old-Tyme Music Society, Inc. Music Saskatoon $19,000 Thistledown Press Ltd. Literary Saskatoon $132,825 Northern Saskatchewan International Children's Tribe Inc. Visual Saskatoon $57,625 Festival Inc. Multidisciplinary Saskatoon $87,500 Weyburn Arts Council Visual Weyburn $10,898 Queer City Cinema Inc. Media Regina $32,160 Wide Open Theatrical Regina Folk Festival Inc. Music Regina $85,000 Escapades Inc. Theatre Saskatoon $19,955 Regina International Open SASKFESTIVALS Theatre Society Theatre Regina $13,000 Funded in part through the financial assistance of SaskCulture Inc., with funding Saskatchewan Festival from the Saskatchewan Lotteries Trust Fund for Sport, Culture and Recreation. of Words Inc. Literary Moose Jaw $42,000 Project Saskatchewan Jazz Festival Inc. Music Saskatoon $80,000 AfroFusion Entertainment Inc. Multidisciplinary Regina $8,000 Shakespeare on the Anskohk Aboriginal Writers' Saskatchewan Festival Inc. Theatre Saskatoon $85,000 Circle Inc. Literary Saskatoon $8,000 Yorkton Short Film & Bruno Arts Bank Music Bruno $8,000 Video Festival Media Yorkton $54,775

47 Grants & Funding

SASKATCHEWAN LOTTERIES TRUST FUND LOTTERY FUNDING Under the terms of a partnership agreement with SaskCulture Inc., the Saskatchewan Provincial Cultural Organizations Arts Board was provided with lottery funding from the Culture Section of the CARFAC Saskatchewan Visual Saskatchewan Lotteries Trust Fund for Sport, Culture and Recreation, totaling Conseil culturel fransaskois Multidisciplinary $2,159,000 in 2013/14. These funds were expended as follows: Dance Saskatchewan Inc. Dance Total Description Lottery $ Other $ (per listing) Organization of Saskatchewan Arts Councils Multidisciplinary Creative Partnerships Grant Fund $605,000 $50,000 $655,000 Saskatchewan Band Association Music Festivals Grant Fund $580,000 $310,792 $890,792 Saskatchewan Choral Federation Music Professional Arts Organizations: Gallery Grant Fund $309,000 $526,823 $835,823 Saskatchewan Cultural Exchange Society Multidisciplinary Professional Arts Organizations: Saskatchewan Drama Association Theatre Media Arts Grant Fund $250,000 $136,300 $386,300 ArtsSmarts/TreatySmarts Grant Fund $225,000 $29,434 $254,434 Saskatchewan Music Educators Association Music Program delivery $190,000 $101,651 $291,651 Saskatchewan Music Festival Association Music Total $2,159,000 $1,155,000 $3,314,000 Saskatchewan Orchestral Association Music Saskatchewan Writers' Guild Literary Theatre Saskatchewan Inc. Theatre Eligible Cultural Organizations MacKenzie Art Gallery Visual Mendel Art Gallery Visual Saskatchewan Express Society Inc. Performing

Jurors, Assessors & Advisors

Access Copyright Culture on the Go — Visual Arts Visual/Media Arts Indigenous Arts Advisory Foundation Touring Heather Benning Alexandra Badzak Council Events Yvette Nolan Troy Gronsdahl Alf Bogusky Jason Chamakese Candas Jane Dorsey Skip Taylor Risa Horowitz Anthony Kiendl Tim Eashappie Elizabeth Eve Misty Wensel June J. Jacobs Helen Marzolf Kevin Joseph Sean Wilson Mary Longman Wanda Nanibush Lindsay Knight Professional Development Independent Artists Jeff Nye Irene Oakes Dianna Bonder Dance/Theatre Ian Rawlinson Provincial Cultural Curtis Peeteetuce Organizations Helen Humphreys William Brooks Curtis Standing Daniel Fortier Paul Vermeersch Heather Cameron Indigenous Pathways Adrian Stimson Robin Poitras Initiative — Grants to Ian Nelson Terry Schwalm ArtsSmarts Vanda Schmockel Artists Jan Seibel Judy Anderson Rob van Meenen John Cuthand Daniel Fortier Johnna Wright Audrey Dreaver SaskFestivals Clare Middleton Literary Arts Tim Eashappie Lindsay Knight Annual and Multi-Year GénieArts Madeleine Blais-Dahlem Michael Lonechild Chris Frayer Francis Marchildon Harold Johnson Mary Longman JoAnne James Daniel Paquet Jeanette Lynes Harriet Richards Jacob Pratt Michael Murray Creative Industries Arthur Slade Projects Lieutenant Governor's Arts Transition Fund Carol Cairns Media Arts Awards: Sam Baardman Carol Greyeyes Berny Hi Brenda Baker Jane Bisbee Robin Poitras Jack Walton Skye Boyes Darrell Bell Vanda Schmockel Ann Kipling Brown Ross Bradley Saskatchewan Foundation Rob van Meenen Louise Halfe Adam Holmes Biliana Velkova for the Arts Lori Kuffner Katherine Boyer Multidisciplinary Professional Margaret Reynolds Del Surjik Robin Poitras Arts Organization Program Joyce Rosario Annual and Multi-Year Kim Selody Vanda Schmockel Rob van Meenen Literary Arts Lorraine Filyer Creative Partnerships Music Nancy Flight Explorations Cris Derkson Russell Wangersky Judy McNaughton Richard Haubrich Adrian Stimson Alexis Normand Performing Arts Judy Wensel Josh Palmer Sandra Butel Gilles Zolty Howard Jang Innovations Yvette Nolan Devon Coles Barbara Richman Laura Hale Lindsay Knight

48 financials MANAGEMENT RESPONSIBILITY FOR FINANCIAL INFORMATION

Management of the Saskatchewan Arts Board is responsible for the preparation and presentation of the financial statements and other financial information reported by the Board of Directors. This obligates management to use its best judgment in preparing and presenting financial information in accordance with established Board policy and principles which are acceptable to the accounting profession. The Board has established a system of internal controls to govern the management and accountability of financial resources entrusted to it. Management relies upon the system of internal controls to ensure that financial transactions are accurately recorded on a timely basis, are properly approved and result in reliable financial statements. It is, therefore, responsible for all amounts reported therein, including valuations determined externally by specialists. Management believes that the existing system of internal control provides a reasonable assurance that the assets are safeguarded and that the financial records are reliable for preparing financial information and maintaining accountability for assets. Management is responsible for providing reasonable assurances to the Board and the general public through the Legislature that the Board’s financial information satisfies standards of validity and reliability. This requires that quantitative data be based on relevant parameters of measurement that are consistently applied over time. Management provides the Board with the necessary information for it to make governance decisions at the highest meaningful level in connection with the objectives articulated in The Arts Board Act, 1997 . Management discharges its responsibility for financial information under the stewardship of the Board and its Audit and Finance Committee. In accordance with Article 28 of The Arts Board Act, 1997, the Board’s financial statements are audited annually by the Provincial Auditor or any other auditor or firm of auditors appointed by the Lieutenant Governor in Council. The Audit and Finance Committee is available to meet with the designated auditors as required.

On behalf of management:

David Kyle Peter Sametz Chief Executive Officer Associate Executive Director

50 INDEPENDENT AUDITOR’S REPORT

To: The Members of the Legislative Assembly of Saskatchewan

I have audited the accompanying financial statements of the Saskatchewan Arts Board, which comprise the statement of financial position as at March 31, 2014, and the statements of operations and accumulated surplus, changes in net financial assets and cash flows for the year then ended, and a summary of significant accounting policies and other explanatory information.

Management's Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these financial statements in accordance with Canadian public sector accounting standards for Treasury Board’s approval, and for such internal control as management determines is necessary to enable the preparation of financial statements that are free from material misstatement, whether due to fraud or error.

Auditor's Responsibility My responsibility is to express an opinion on these financial statements based on my audit. I conducted my audit in accordance with Canadian generally accepted auditing standards. Those standards require that I comply with ethical requirements and plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement.

An audit involves performing procedures to obtain audit evidence about the amounts and disclosures in the financial statements. The procedures selected depend on the auditor's judgment, including the assessment of the risks of material misstatement of the financial statements, whether due to fraud or error. In making those risk assessments, the auditor considers internal control relevant to the entity's preparation and fair presentation of the financial statements in order to design audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the entity's internal control. An audit also includes evaluating the appropriateness of accounting policies used and the reasonableness of accounting estimates made by management, as well as evaluating the overall presentation of the financial statements.

I believe that the audit evidence I have obtained is sufficient and appropriate to provide a basis for my audit opinion.

Opinion In my opinion, the financial statements present fairly, in all material respects, the financial position of the Saskatchewan Arts Board as at March 31, 2014, and the results of its operations, changes in net financial assets and cash flows for the year then ended in accordance with Canadian public sector accounting standards.

Regina, Saskatchewan Judy Ferguson, FCA June 24, 2014 Acting Provincial Auditor

51 STATEMENT OF FINANCIAL POSITION As at March 31 Statement 1

2014 2013

Financial Assets Cash – operations $ 1,794,983 $ 2,174,620 Cash – Flexible Loan Program (Note 13) 143,535 1,197,600 Accounts receivable 29,599 55,112 Loans receivable – operations (Note 4 and 8) 91,590 139,773 Loans receivable – Flexible Loan Program (Note 4 and 13) 6,465 36,688 Managed funds receivable (Note 10) 5,525,643 1,671,076 7,591,815 5,274,869

Liabilities Accounts payable Grants payable 1,057,958 2,062,771 Accrued employee benefits payable 61,801 86,557 Other 337,477 338,676 Unearned revenue Permanent collection fees 21,348 20,649 Deferred revenue (Note 17) Leasehold inducement 1,088 14,143 Other 19,429 36,381 Canada Games Legacy 140,000 186,000 1,639,101 2,745,177

Net financial assets (Statement 3, Note 15) 5,952,714 2,529,692

Non-Financial Assets Prepaid expenses 57,760 43,367 Tangible capital assets (Note 12) 322,866 420,561 380,626 463,928 Accumulated surplus (Statement 2) $ 6,333,340 $ 2,993,620

Collections (Note 9) Permanent Collection $ 2,616,216 $ 2,345,538 Musical instruments 46,575 46,575

Contingent liabilities (Note 11)

(See accompanying notes to the financial statements)

52 STATEMENT OF OPERATIONS AND ACCUMULATED SURPLUS For the Year Ended March 31 Statement 2

2014 2013

Revenues: Transfers from General Revenue Fund $ 6,955,000 $ 8,049,000 Contribution from SaskCulture Inc. 2,159,000 1,874,400 Program support 94,510 290,634 Permanent collection 64,372 65,715 Project support 144,881 73,400 Donations (Note 9) 202,075 2,440 Other earned income 322,350 171,280 Sale of Land (Note 12a) 3,615,550 - 13,557,738 10,526,869

Expenses: Grants (Note 16) 7,221,597 8,188,722 Transfers and other payments 193,864 241,430 Permanent collection Purchases and donations (Note 9) 270,678 62,430 Project expenses 164,081 123,273 Program delivery Grants 1,242,617 1,359,680 Permanent collection 299,066 294,581 Operations 647,470 780,451 Communications 178,645 227,877 10,218,018 11,278,444 Annual surplus/(deficit) 3,339,720 (751,575)

Accumulated surplus, beginning of the year 2,993,620 3,745,195

Accumulated surplus, end of the year (Statement 1) $ 6,333,340 $ 2,993,620

(See accompanying notes to the financial statements)

STATEMENT OF CHANGES IN NET FINANCIAL ASSETS For the Year Ended March 31 Statement 3 2014 2013

Net financial assets, beginning of the year $ 2,529,692 $ 3,226,708

Net operating results for the year 3,339,720 (751,575) Changes in prepaid expenses (14,393) (10,081) Acquisition of tangible capital assets (Note 12) (9,619) (21,930) Amortization (Note 12) 107,314 86,570 Changes in net financial assets during the year 3,423,022 (697,016)

Net financial assets, end of the year (Statement 1) $ 5,952,714 $ 2,529,692

(See accompanying notes to the financial statements)

53 STATEMENT OF CASH FLOWS For the Year Ended March 31 Statement 4

2014 2013

Cash flows from operating activities: Cash receipts: Allocation from General Revenue Fund $ 6,955,000 $ 8,049,000 Contribution from SaskCulture Inc. 2,159,000 1,881,900 Fees and other 4,114,187 506,434 Other contributions 56,784 52,383 13,284,971 10,489,717

Cash disbursements: Grant and transfer payments 8,454,398 7,787,502 Salaries and benefits 1,549,704 1,790,124 Space and accommodation 273,355 277,180 Supplies and other 659,558 682,216 10,937,015 10,537,022

Net increase (decrease) in cash from operating activities 2,347,956 (47,305)

Cash flows (used in) from capital activities: Additions to tangible capital assets (5,288) (24,034) Net (decrease) in cash from capital activities (5,288) (24,034)

Cash flows (used in) from investing activities: New loan payments – (60,000) Loan repayments 78,197 68,748 New investments in managed funds (3,602,986) – Reinvestments in managed funds (251,581) (87,894) Net (decrease) in cash from investing activities (3,776,370) (79,146)

Net (decrease) increase in cash for the year (1,433,702) (150,485) Cash position, beginning of the year 3,372,220 3,522,705 Cash position, end of the year $ 1,938,518 $ 3,372,220

Cash consists of: Cash – operations $ 1,794,983 $ 2,174,620 Cash – Flexible Loan Program 143,535 1,197,600 $ 1,938,518 $ 3,372,220

(See accompanying notes to the financial statements)

54 NOTES TO THE FINANCIAL STATEMENTS March 31, 2014

1. PURPOSE AND AUTHORITY The Saskatchewan Arts Board was established pursuant to The Arts Board Act . It has been continued under The Arts Board Act, 1997 (the Act). It exists to cultivate an environment in which the arts thrive for the benefit of everyone in Saskatchewan. The Act continues the Saskatchewan Arts Board Fund through which all financial transactions are conducted which pertain to fulfilling the purposes of the agency as indicated in the Act.

2. SIGNIFICANT ACCOUNTING POLICIES These financial statements are prepared in accordance with generally accepted accounting principles as recommended by the Public Sector Accounting Board of Chartered Professional Accountants Canada. These statements do not present a Statement of Remeasurement Gains and Losses as it is not practical to determine the unrealized portion of investment income relating to its managed funds investments. As a result, all income attributable to its managed funds investments is recorded in Other Earned Income on the Statement of Operations and Accumulated Surplus. The significant policies are as follows: a) Collections The Board maintains a collection of artworks and related archives in all forms in order to inform, enlighten, and enhance the lives of present and future generations. Works in the collection are acquired through purchase, commission, donation, or bequest. i) Permanent collection purchases are charged at cost as an expense in the Statement of Operations and Accumulated Surplus in the year of purchase. ii) Donated works of art and archives for the permanent collection are recorded as revenue at their fair market value at the time of donation with a corresponding charge to expenses in the Statement of Operations and Accumulated Surplus. iii) Musical instrument purchases are charged at cost as an expense in the Statement of Operations and Accumulated Surplus in the year of purchase. b) Tangible Capital Assets Leasehold improvements, equipment, and furnishings are recorded at cost less accumulated amortization. The net book value of these capital assets is detailed in Note 12. Tangible capital assets are amortized on a straight-line basis over their estimated useful lives which are as follows: Electronic equipment 4 years Other equipment 6 years Furnishings 10 years Leasehold improvements Life of the lease c) Designated Assets Internally – the Board periodically designates amounts from cash to be allocated for specified purposes. In designating these amounts, the Board takes into account the amounts and stated preferences of contributors. These amounts are not available for other purposes without approval of the Board. Externally – the Board may receive cash with the stipulation it be used for specific purposes. These amounts are available only for the purposes stipulated by the contributor. d) Grant Expenses Grants are expensed when approved by the Board, the applicant has met the eligibility criteria, and the amount of the grant can be estimated. e) Cash Cash consists of interest-bearing money on deposit with the bank. The interest rate during the year was 1.000% (2013 – 1.000%). f) Use of Estimates The preparation of financial statements in accordance with Canadian generally accepted accounting principles for Public Sector requires management to make estimates and assumptions that affect the reported amounts of assets and liabilities at the date of the financial statements, and the reported amounts of revenues and expenses during the reporting period. Assumptions underlying asset valuations are limited by the availability of reliable comparable data and the uncertainty of predictions concerning future events. The inherent uncertainty involved in making such estimates and assumptions may impact the actual results reported in future periods. Differences are recorded in current operations when identified. The primary measurement uncertainty arising from the use of estimates which may affect reported amounts relates to the values of loans receivable, accounts receivable, and tangible capital assets. g) Revenues Revenues are recognized as they are earned and measurable. Government transfers are recognized in the financial statements in the period in which the events giving rise to the transfer occur, eligibility criteria are met, and reasonable estimates of the amount can be made. Deferred revenue represents user charges and other fees which have been collected, for which the related services have yet to be provided. These amounts will be recognized as revenue in the fiscal year the services are provided.

55 3. PENSION PLAN Employees make contributions to the Public Employees’ Pension Plan, a defined contribution plan. Funding requirements are established by The Superannuation (Supplementary Provisions) Act . During the year, the employee contribution rate was changed from 6% to 6.25% effective October 1, and the employer contribution rate was also changed from 7% to 7.25%. This plan is fully funded. During the year the Board’s total contributions were $90,828 (2013 – $100,311) and are included in Salaries and benefits in Note 7.

4. FINANCIAL INSTRUMENTS a) Fair value The Board’s significant financial instruments consist of cash, managed funds, accounts receivable, loans receivable and accounts payable. The fair value of the loans receivable is not readily determinable due to the nature of the loans as described in Note 8 and Note 13. The fair values of the other financial instruments approximate their carrying value due to their short-term nature. b) Credit risk Credit risk is the risk that a party owing money to the Board will fail to discharge that responsibility. The Board is exposed to credit risk from the potential non-payment of accounts and loans receivable. The majority of accounts receivable were collected shortly after year- end. Loans receivable – operations are secured against future grant allocations. Therefore, the credit risk is minimal. Loans receivable – Flexible Loan Program are secured by general security agreements. An allowance for doubtful accounts has been recorded to cover any risks associated with any of the financial instruments.

5. ASSESSMENT SERVICES The Board has entered into agreements with several organizations to provide assessment and program delivery services on their behalf. In cases where the grant amounts recommended are paid directly by the partner organization, the grant amounts are not reported in these financial statements. During 2014 the Board convened juries leading to the recommendation of 129 grants to be paid by partner organizations (2013 – 92 grants). Fees earned by the Board for assessment services are recorded as revenues. During 2014 the following assessment fees were recognized:

Client 2014 2013 SaskCulture $ 190,000 $ 139,050 Parks, Culture and Sport (CIGS) - 190,000 Parks, Culture and Sport (CoGo) 18,130 120,000 Access Copyright Foundation (ACF) 26,667 37,500 Creative Saskatchewan 44,000 - $ 278,797 $ 486,550

6. CONTRACTUAL OBLIGATIONS Operating lease The Board leases office space in Regina and Saskatoon and storage space for its permanent collection in Regina. The future minimum lease payments are: Fiscal Year Operating Leases 2014/15 134,084 2015/16 126,016 2016/17 126,016 2017/18 126,016 2018/19 126,016

56 7. COMPARISON OF PLANNED AND ACTUAL RESULTS BY OBJECT 2014 2014 2013 Budget Actual Actual Revenues General Revenue Fund $ 7,380,000 $ 6,955,000 $ 8,049,000 SaskCulture Inc. 2,159,000 2,159,000 1,874,400 Other 504,153 4,443,738 603,469 Total Revenues 10,043,153 13,557,738 10,526,869

Expenses Grants and transfers 7,365,561 7,415,461 8,430,152 Permanent Collection Purchases 117,550 270,678 62,430 Programming 46,000 8,596 25,676 Projects 134,000 164,081 123,273 Operations Salaries and benefits 1,922,000 1,572,856 1,816,402 Office and administration 355,500 347,756 335,541 Furniture and equipment 162,500 176,700 160,831 Programs and services 136,542 127,540 162,814 Travel and meetings 116,000 72,395 110,305 Communications 95,500 61,955 51,020 Total expenses 10,451,153 10,218,018 11,278,444 Net operating results $ (408,000) 3,339,720 $ (751,575)

The original budget for the 2013/14 year was approved by the Board on April 26, 2013.

8. LOANS RECEIVABLE – OPERATIONS In 2002 and 2004, the Board entered into two loan agreements with a non-profit organization for the total amount of $265,000. The interest rate on these loans was set at prime less two percent. In 2006, the terms of repayment were amended to restructure and extend the repayment timeline. The first loan has now been paid in full. In 2012, two loans with two different non-profit organizations were finalized with interest rates of 1% and 3% respectively. The principal amounts borrowed were $60,000 and $40,000. The $40,000 loan with 3% interest has been completely paid off. Future payments to the Board, pursuant to these agreements, are as follows: Fiscal Year Principal Repayment 2014/15 26,137 2015/16 12,344 2016/17 & beyond 53,109 $ 91,590

9. COLLECTIONS 2014 2013 Art $ 2,588,746 $ 2,318,068 Archives 27,470 27,470 Permanent Collections $ 2,616,216 $ 2,345,538 Musical Instruments $ 46,575 $ 46,575

During the year the Board purchased art objects for the permanent collection totaling $68,603 (2013 – $60,280). In addition, art objects valued at $202,075 (2013 – $2,150) were donated to the collection. In January 2002, the permanent collection was appraised by members of the Professional Art Dealers Association of Canada and assigned a value of $2,903,173 on the basis of market value. In 2014, 0 objects (2013 – 796 objects) were appraised at a value of $0 (2013 – $1,279,430). With the addition of 2014 acquisitions, the appraised value of the collection is increased to $4,894,790 (2013 – $4,624,112). The remaining objects in the collection will be appraised in due course.

10. MANAGED FUNDS In 2007, the Board entered into a Managed Fund agreement with the Saskatoon Community Foundation to maintain funds consigned by the Board for specified purposes. Expenditures incurred by the Board in relation to these purposes out of operating funds have been identified and are included as part of the undesignated portion of the Managed Funds balance. The total funds on hand are pooled by the Foundation with other participants’ assets and invested through a fund manager. Rates of return are declared by the Foundation each quarter and applied to funds on hand as of the beginning of the quarter. During the year, the Board consigned $3,602,986 (2013 – $0) to the Managed Fund.

57 10. MANAGED FUNDS (continued) Balance as Balance as at March 31, Net change at March 31, 2013 to capital Earnings Fees 2014 Externally Designated Amounts Canada Games Legacy Funds $ 220,000 $ (42,425) $ 19,435 $ 1,010 $ 196,000 Prince Edward Drama Scholarship 35,686 – 3,677 181 39,182 255,686 (42,425) 23,112 1,191 235,182

Internally Designated Amounts: 408,485 (45,574) 38,894 1,967 399,838

Total designated funds 664,171 (87,999) 62,006 3,158 635,020

Non-Designated Amounts 1,006,905 3,690,985 199,881 7,148 4,890,623

Total Funds $ 1,671,076 $ 3,602,986 $ 261,887 $ 10,306 $ 5,525,643

11. CONTINGENT LIABILITIES The Arts Board has been named as a co-defendant in two claims that have been served prior to 2014. As at March 31, 2014, the likelihood of resolution of these claims against the Arts Board is not determinable.

12. TANGIBLE CAPITAL ASSETS Leasehold Other Electronic 2014 2013 improvements Furnishings equipment equipment Total Total Opening costs of tangible capital assets $ 772,782 $ 212,236 $ 63,727 $ 554,435 $ 1,603,180 $1,581,250 Additions during year – 3,926 – 5,693 9,619 21,930 Disposals during year ––– – – – Closing costs of tangible capital assets 772,782 216,162 63,727 560,128 1,612,799 1,603,180

Opening accumulated amortization 487,107 167,011 63,582 464,919 1,182,619 1,096,049 Annual amortization 59,848 5,945 – 41,521 107,314 86,570 Disposals during year ––– – – – Closing accumulated amortization 546,955 172,956 63,582 506,440 1,289,933 1,182,619 Net book value of tangible capital assets $ 225,827 $ 43,206 $ 145 $ 53,688 $ 322,866 $ 420,561

a) Land In July 1998, Order-in-Council 485/98 authorized Saskatchewan Environment to sell, and the Board to acquire, provincial lands identified in the Order-in-Council for the total value of $1. During 2006 the Board sold the portion of these lands described as Certificate of Title No. 88S52861 in the above Order-in-Council for $442,677. These proceeds were recognized as revenue during 2006. In December 2010, the Board sold a portion of the remaining land to the City of Saskatoon for $560,000. $90,000 was held back by the City of Saskatoon pending the purchase of an adjacent segment of land by the Board from the City of Saskatoon. The purchase concluded in 2014 in the amount of $77,436. This purchase price was offset against the $90,000 that was held back by the City of Saskatoon. As a result, the difference of $12,564 was paid to the Board by the City of Saskatoon. In 2014, all remaining parcels of land were sold by the Board to various parties in the combined amount of $3,602,986.

13. FLEXIBLE LOAN PROGRAM In 2008, Order-in-Council 817/2007 provided for additional funding to the Saskatchewan Arts Board, including $1,150,000 for the establishment of a loan program in support of Creative Industries. The purpose of this program is to provide recoupable low-interest loans to support individual artists, arts businesses and arts organizations in developing new business opportunities or expanding existing opportunities to ensure the creation, production, promotion and dissemination of high-quality and authentic cultural products. In 2013, the Board entered into an agreement with the Ministry of Parks, Culture and Sport to repurpose $1,000,000 from the Flexible Loan Program for disbursement as grants to support creative industry projects through the Creative Industries Transition Fund, a program established for this purpose. The effective date of the agreement was April 1, 2013.

58 13. FLEXIBLE LOAN PROGRAM (cont) 2014 2013 Opening Cash balance $ 1,197,600 $ 1,151,918 Proceeds Principal repayments 30,222 32,267 Interest on loans 760 1,704 Interest accrued on balance 2,957 11,720 Total proceeds 33,939 45,691 Disbursements Loans issued -- -- Other costs 9 To Creative Industries Transition Fund 1,000,000 -- Total Disbursements 1,000,000 9 Transfer to Cash - Operations 88,004 -- Closing Cash Balance 143,535 1,197,600 Loans receivable 6,465 36,688 Closing balance, Flexible Loan Program $ 150,000 $ 1,234,288

Future payments to the Board, pursuant to the agreements, are as follows: Fiscal Year Principal Repayment 2014/15 6,465 $ 6,465

14. RELATED PARTY TRANSACTIONS Included in these financial statements are transactions with various Saskatchewan Crown corporations, ministries, agencies, boards and commissions related to the Board by virtue of common control by the Government of Saskatchewan and non-Crown corporations and enterprises subject to joint control or significant influence by the Government of Saskatchewan (collectively referred to as “related parties”). Routine operating transactions with related parties are recorded at agreed-upon exchange amounts and settled under normal trade terms. Those transactions and amounts outstanding at year-end are as follows: 2014 2013 Revenues General Revenue Fund $ 6,955,000 $ 8,049,000 Creative Saskatchewan 58,091 – Ministry of Education 46,000 46,000 Permanent Collection fees 28,236 22,582 Expenses Conexus Arts Centre 58,312 45,097 Ministry of Central Services 36,099 51,671 SaskEnergy 3,515 2,968 SaskPower 11,886 11,632 SaskTel 35,388 36,166 Saskatchewan Workers’ Compensation Board 15,802 18,435 $ 161,002 $ 165,969

In addition, the Board pays provincial sales tax to the Ministry of Finance on all its taxable purchases. Taxes paid are recorded as part of the cost of those purchases. Other transactions with related parties and amounts due to/from them and the terms of settlement are described separately in these financial statements and the notes thereto.

15. NET FINANCIAL ASSETS The following Net Financial Assets are designated by the Board as at March 31st: 2014 2013 Designated: Flexible Loan Program (Note 13) $ 150,000 $ 1,234,288 Culture on the Go 178,356 278,356 Creative Industries Growth & Sustainability – – Managed funds (Note 10) 635,020 664,171 963,376 2,176,815 Undesignated Managed funds (Note 10) and other 4,989,338 352,877 Net Financial Assets $ 5,952,714 $ 2,529,692

59 16. GRANTS 2014 2013 Organizations Professional Arts Organizations $ 3,916,885 $ 3,178,775 Creative Industries Growth & Sustainability – 718,000 Creative Industries Transition Fund 343,079 656,921 Festivals 890,792 777,501 Special Initiatives Fund – 147,050 Artists Independent Artists 675,000 875,000 Indigenous Pathway Initiative 200,000 181,000 Scholarships 25,000 25,000 Projects Culture on the Go 281,870 511,025 Creative Partnerships 665,000 554,900 Project Assistance – – Portail culturel fransaskois – 345,000 ArtsSmarts 254,434 260,809 Grants returned (30,463) (42,259) $ 7,221,597 $ 8,188,722

17. DEFERRED AND UNEARNED REVENUE In 2010, the Board received a leasehold inducement in the amount of $65,274. This inducement is to be amortized over the length of the lease. During the year, $13,055 (2013 – $13,055) was recorded as revenue. During 2007, the Board received $340,000 from Sask Sport Inc. to operate three specified programs over a ten-year period beginning April 1, 2007, using funds made available for this purpose from proceeds of the 2005 Canada Summer Games designated for Cultural legacy initiatives. During the year, $46,000 (2013 – $36,000) was recorded as revenue. Other deferred revenue recorded on the Statement of Financial Position comprises payments pertaining to subsequent periods for the rental of art objects from the Permanent Collection.

18. COLLECTIVE BARGAINING AGREEMENT In 2014, the Arts Board & SGEU local 2288 concluded a collective bargaining agreement for the period October 1, 2012 – September 30, 2016. Amounts payable to members of the local pursuant to the agreement were calculated and paid following its ratification.

19. COMPARATIVE FIGURES Certain comparative figures have been reclassified to conform to the current year’s presentation.

60 Design: Bradbury Branding & Design www.bradburydesign.com Saskatchewan Arts Board

1355 Broad Street Regina, Saskatchewan S4R 7V1 306.787.4056 800.667.7526 [email protected] www.artsboard.sk.ca

62