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Electronic Theses, Treatises and Dissertations The Graduate School
2005 Creating Community over the Net: A Case Study of Romanian Online Journalism Mihaela V. Nocasian
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THE FLORIDA STATE UNIVERSITY
COLLEGE OF COMMUNICATION
CREATING COMMUNITY OVER THE NET:
A CASE STUDY OF ROMANIAN ONLINE JOURNALISM
By
MIHAELA V. NOCASIAN
A Dissertation submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy
Degree Awarded: Fall Semester, 2005
The members of the Committee approve the Dissertation of Mihaela V. Nocasian defended on August 25, 2005.
______Marilyn J. Young Professor Directing Dissertation
______Gary Burnett Outside Committee Member
______Davis Houck Committee Member
______Andrew Opel Committee Member
______Stephen D. McDowell Committee Member
Approved:
______
Stephen D. McDowell, Chair, Department of Communication
______
John K. Mayo, Dean, College of Communication
The Office of Graduate Studies has verified and approved the above
named committee members.
ii
To my mother, Anişoara, who taught me what it means to be compassionate.
iii ACKNOWLEDGMENTS
The story of the Formula As community that I tell in this work would not have been possible without the support of those who believed in my abilities and offered me guidance, encouragement, and support. My committee members—
Marilyn Young, Ph.D., Gary Burnett Ph.D., Stephen McDowell, Ph.D., Davis
Houck, Ph.D., and Andrew Opel, Ph.D. — all offered valuable feedback during the various stages of completing this work. I am particularly indebted to Dr.
Marilyn Young for innumerable great conversations about Eastern European rhetoric, for her warmth, and patience. I am grateful to Dr. Gary Burnett for his extensive knowledge and expertise in the area of virtual communities and hermeneutics, for teaching me how to be a better writer, and for gently pushing me forward during times of inner doubt.
I would also like to express my heartfelt gratitude to my dear friend,
Richard Leagan, for his generous support and unconditional friendship. I deeply appreciated the moral support of Angelique de Jong, my Buddhist friend, and
Nada Carey, my coach. Thank you for your loving‐kindness. Many thanks go to
Yarma Velazquez, Firat Tuzunkan, and Jenghoon Lee, my colleagues and friends in the Communication Department at Florida State University, for their encouragement and for keeping me on track. The great family that is Formula As deserves recognition as without its unique solidarity and love this work would have never been written.
Finally I would like to express my gratitude to my family. I want to thank my parents, Anișoara and my step‐father Gheorghe, for their love, encouragement, and for always being there for me. I thank my brother, Octavian
Duca, for his indefatigable humor, unconditional love, and compassion. I dedicate this work to my mother‐‐my greatest inspiration.
iv TABLE OF CONTENTS
Abstract ...... vi
CREATING COMMUNITY OVER THE NET: THE FORMULA AS STORY. 1 Goals of the Study...... 7 Justification of Study ...... 8 Outline of Study...... 9
THE FORMULA AS MAGAZINE CONTEXT ...... 12 An Overview of Romanian Media During and After Communism ...... 12 The Formula As Magazine...... 18
THEORETICAL FRAMEWORK...... 22 Public Sphere and the Internet...... 24 Virtual Community ...... 28 Language and “Imagined Communities” ...... 44 Online Journalism...... 53 Research Questions...... 59
ARTICULATING COMMUNITY THROUGH NARRATIVE ...... 61 Formula As from a Narrative Perspective ...... 61 Formula As from a Virtual Community Conceptual Model...... 66
INSIDE FORMULA AS: COMMUNITY SELF‐REFERENCE...... 73
INSIDE FORMULA AS: COMMON INTERESTS AND GOALS ...... 96
INSIDE FORMULA AS: MEMBERSHIP BOUNDARIES...... 120
INSIDE FORMULA AS: SHARED HISTORY ...... 145
INSIDE FORMULA AS: COMMON DISCURSIVE SPACE...... 163
INSIDE FORMULA AS: INTERACTIVITY...... 182
CONCLUSION ...... 188
ENDNOTES ...... 194
WORKS CITED ...... 199
BIOGRAPHICAL SKETCH ...... 222
v ABSTRACT
This dissertation is a rhetorical examination of a virtual community that has developed around Formula As—a Romanian print and Web based publication that over the course of fourteen years has built a readership of eight million despite the unstable Romanian transition media environment. The purpose of this study is to help understand the manner in which the Formula As magazine brings together a geographically fragmented public into a community and explore the role of storytelling in the rhetorical construction of this community. The dissertation employs an eclectic theoretical perspective and a rhetorical‐based methodology. This study’s theoretical framework brings together concepts from different areas of inquiry such as virtual community and computer‐mediated communication, public sphere, interactive journalism, and hermeneutics. Fisher’s narrative paradigm serves as the interpretive lens that is used in this study to gain insight into the dynamic of building community among the readers of the Formula As magazine. To uncover the distinctiveness of the Formula As community, this study proposes a virtual community conceptual model containing six conditions—community self‐reference, common interests and goals, membership boundaries, shared history, common discursive space, and interactivity. One of the major findings of this study is that at a very basic level, virtual communities are quite similar. The Formula As readers are brought together in an imagined community that has social reality for them. The shared Romanian cultural memory, flexible group boundaries, and the exchange of naturistic remedies information and cooperation in humanitarian work enable Formula As participants to develop a history together. At a fundamental level, the Formula As community members sustain connections and imagine themselves and others as constituting a community through the shared practices of interpreting the community texts and making public participants’ stories of involvement with the magazine’s community. From a rhetorical perspective, this study revealed that in the Formula As community, storytelling provides participants with a safe avenue for disclosing sensitive personal information while the discursive space of the magazine becomes the locus for shaping public opinion on a series of specific social issues.
vi “Iar istoria acestui ziar este încrederea în fortele noastre,
respectul profesiei si al cititorilor nostri, neclintita vecinӑtate a bunului
Dumnezeu, care ne‐a învatat iubirea si mila, iertarea si îngaduinta,
nӑzuinta de a le ocroti oamenilor speranta si puterea de a visa” [The
history of this neswpaper has risen from trusting ourselves, respecting
our profession and readers, living in the unfaltering closeness of God
who’s taught us love and compassion, forgiveness and tolerance, the
striving to nurture people’s hopes and their might to dream] 1 (Sanziana
Pop, Director of Formula As2).
CHAPTER ONE
CREATING COMMUNITY OVER THE NET: THE FORMULA AS STORY
We tell stories, of who we are, of others, of past, present, and future, every day of our life. Stories are so enmeshed into our being and culture that we often take them for granted and rarely stop to ponder over the ways we weave them, either individually or collectively (Fisher 1999). Sometimes, those who are in the audience or the thought of them learning of our story, by whatever means, can impact our rhetorical choices, our storytelling, and why not, our whole being. In fact, stories and storytelling presuppose the existence of an audience, be it physically present or imagined. Stories are powerful because they constitute the bridge that we cast into the world so that we can understand it, connect with others through interaction, and learn where our own and others’ stories stand in the web of experience.
While the diversity of story forms can be as abundant as life itself—fairytales that mesmerized our childhood years, the “real” stories in our family history that we heard, over and over again at various family gatherings, the stories that we read (hear) in the news, movies, and books, or those that bring us closer to loved ones or perfect strangers through electronic communication ‐‐there is something almost magical about imagining the reality of a story. Imagining the narrator and the motivations in telling the story,
1 imagining the setting, the characters within the story and their actions can contribute to an expansion of our own understanding of reality. One does not necessarily need to live someone else’s life to be able to find meaning and derive some sort of knowledge about the world. Part of the “magic” of stories lies in the process of identification or empathically connecting with the reality of the story. That also means, connecting with others. Establishing invisible bonds with those whom we would like to include into our frequent storytelling experience.
The story that I tell in this study is the account of a “miraculous” publication (we are after all in the realm of magic) and its readers, a public that came into existence and has grown over the years through its storytelling practice. It is the story of my favorite magazine of fourteen years, the Romanian weekly Formula As that I, together with the more than 700,000 of the magazine’s readers outside Romania, cannot wait to read online on the publication’s web site3. The characters in my story are however, unique.
Not just because the number of those reading the magazine (in print or online) has reached eight million (the equivalent of the audience of a large‐sized television station) but also because of the strong solidarity that exists among the members of the Formula
As “family” (as they affectionately refer to their own collective experience of storytelling). In Romania, a country of twenty‐two million that until 1989 had been held captive for more than forty years within a plot that was not of its own making‐‐as with the rest of the former communist countries of Eastern Europe—reaching a readership of millions for a magazine that started with a sheer 15,000 print copies in 1991 and coping with the diverse and competitive transition media offerings environment is generally considered “out of the ordinary.” The magazine’s “ace formula”—in line with the publication’s very own name—has, over the years, been a “winning formula.” What makes Formula As unique?
The magazine’s own readers often wonder about their community’s uniqueness, in their musings that are sometimes published within the magazine’s pages, in the hundreds and hundreds of letters that contain stories from the readers who routinely talk about the generosity of this very unique social environment. Commenting on the
2 readers’ solidarity and civic spirit, one Formula As faithful reader notes that she’s “been moved to tears by the ties that you [Formula As] manage to secure among people.
Disheartened people receive help from their kin readers in the form of money, food, and clothing, as well as advice and medicines when they’re ill.”4 An intrinsic quality that readers of this magazine possess is the ability to imagine one another, to show empathy, despite the fact that they will probably never meet in person but through the stories that they share in the vibrant discursive space that is Formula As. For many, reading Formula
As has almost become a ritual, a weekly conversation with an old and dear friend; albeit within the imaginary space that is jointly created by the community of Formula As readers and through the invisible human ties that characterize this thriving social locale.
Those involved in the making and the success of the Formula As (i.e., its director,
Sanziana Pop, and the editorial staff) are also part of the Formula As story and at least partly responsible for rhetorically constructing its unique ethos in interaction with the readers. Occasionally, Formula As is criticized by mainstream Romanian publications for going beyond what one generally expects (or has learned to expect) from the journalistic act. Indeed, traditional standards of journalism, the so‐called “journalism of information” that is generally accompanied by a cacophonic discourse of expert opinion‐
‐to the effect that citizens are transformed into mere spectators rather than involved actors in the social scene‐‐is in a state of crisis even in well‐established democracies such as the United States (Merritt 1995). Tabloid‐like journalism with its penchant for scandal and sensationalism is no longer specific to a certain media outlet or cultural environment but is rather global in scope due to changes within the media industry environment as global media conglomerates battle for profits (Tumber 2001).
Liberated from the state and communist party‐control and enjoying well‐ deserved freedom, post‐1989 Romanian media outlets have been undergoing significant change in breaking away from a journalism of “manipulation” and distortion that was instrumental in creating and reinforcing a rhetorically engineered reality (Gross 1996,
20). Pluralistic, economically self‐sustaining, and independent from the state, media institutions in the “New Europe”5—the phrase that is often used to refer to the countries
3 of Eastern Europe after the fall of Communism—have nevertheless been criticized for promoting a discourse of partisanship and of opinion, of a lack of Western‐style objective reporting in a new social order that is ruled by yet another ideology, that of the free market (Gross 2002). Commenting on the trends in Eastern European journalistic culture in the transition period, Hiebert (1999) notes that “[T]he new entrepreneurs of
East/Central European journalism sometimes seemed to be more similar to the robber barons of the 19th‐century United States than to socially responsible professionals in a
20th‐century democracy” (81). Indeed, in Romania of the early 1990s for example, some private entrepreneurs, in their quest for easy money, contributed to a saturation of the print market with ephemeral tabloids featuring sex and pornographic material, scandals, and sensationalistic reporting.
Within a diverse and competitive media environment the achievement of a private initiative such as that of the Romanian weekly Formula As6, owned by poet and writer Sanziana Pop, is commendable. Looking back, with a sense of nostalgia and pride over the magazine’s achievement, Sanziana Pop writes in 2002: “It is not quite easy to survive in today’s press, without the help of sponsors, parties, and backing. We have succeeded, against all odds! Hard work has been our sponsor; the magazine’s readers were our party that has constantly supported us; our only benefactor was
God.”7 Due to the very unique type of journalism that is practiced by Formula As, the magazine’s circulation increased from 15,000 print copies in 1991 to eight million
Romanian speaking individuals in a little over a decade. As a publication that espouses the values of civic journalism and raises money from the readers through its non‐profit foundation to help those readers who solicit help through the magazine, Formula As has bypassed not only the standards of traditional journalism but also the culture of commercialism in the journalism profession. What is however, the magazine’s secret success “formula”?
Relying on “word‐of‐mouth” marketing, Formula As brings together readers from all walks of life and from a wide range of age groups (i.e., the magazine appeals equally to teenagers, mature, and senior audiences). Its readers are anything but apathetic.
4 They are actively involved in creating Formula As and feel empowered when their voice is heard. Toma Roman, the magazine’s chief editor of ten years, notes “The [Formula] As was the first post‐1989 Romanian magazine that has molded itself in accordance with its readers’ needs and expectations. (….) The As has become in fact a magazine that has been forged by its readers.”8 Celebrating the magazine’s ten‐year anniversary in 2002,
Sanziana Pop, Director of Formula As, chronicles:
The history of this neswpaper has risen from trusting ourselves, respecting our
profession and readers, living in the unfaltering closeness of God who’s taught
us love and compassion, forgiveness and tolerance, the striving to nurture
people’s hopes and their might to dream. In fact, ten years later, I believe that
we placed and won the bet of normality, modesty and naturalness, a bet with the
conviction that the mold of transition has not affected the moral fiber of the
Romanians who still believe in merit and virtue. The Romanians who during
forty‐five years of totalitarian restrictions lived deprived of [free] television and
press and found refuge in culture, literature, art, and in God. This is the real
public of our publication, a public unified along true values and whom we strove
for ten years to win (Pop, “A Miracle…,” Formula As 500).
The most valuable gift that the Romanian Formula As magazine has made to its readers over the years has been the resuscitation of true communitarian values by creating a public discursive space that helps readers interact and feel connected with one another within the Formula As readership community. Storytelling via mediated communication is the bridge that connects individual members of the Formula As community and empowers the readers in creating public sphere on a series of issues that they deem important.
Within the imagined community of the Formula As public sphere, anyone can express his or her opinion on matters that are of concern to everyone and which are often being debated within the forum of the magazine. Former marginalized voices in the Romanian society such as individuals or families who are below the subsistence limit or who are in crisis situations, Romanian emigrants and aspiring emigrants, the elderly,
5 the disabled, and animal rights groups have a forum where they can be heard and where they can contribute to the reconceptualization of the Romanian public opinion. In bringing individual readers together in the process of interpretation and debate of public affairs Formula As enables the constitution of a public. Interacting with others via public mediated communication within the Formula As discursive space has triggered a collective reactivation of traditional Romanian values such as kindness and Christian compassion, respect and love for fellow human beings and the environment, the belief in
God, and patriotism. Formula As community is a locus for sustained free interaction, trust, and bonding among the magazine’s readers and editors.
6 Goals of the Study
Constituted as a unique phenomenon in the Romanian contemporary journalistic environment, Formula As is a strong candidate for the case study inquiry. In an overview of case study research, Yin (2003) describes the case study approach as mostly congruent with explanatory research questions that deal with “a contemporary set of events, over which the investigator has little or no control” (9). In this case study I argue that Formula As champions for a recovery of the “imagined community” (to paraphrase
Anderson’s (1983, 6) notion of the “imaginary community of the nation”), of a public that is constituted rhetorically and that exists as a real aggregate not only in the Formula
As community of discourse but also in the very real influence of Formula As in the daily lives of its readers. The magazine’s readers (including the online readers from the
Romanian diaspora) are constituted in a virtual community centered on shared interests and values that is in fact instrumental in the shaping of public opinion through the critical discussion of a multitude of issues that are of interest to its members and to
Romanian society at large.
How is Formula As community constituted? What does “community” mean for the readers of Formula As magazine? In what way is storytelling contributing to the community‐ building process? These are the basic questions that I pose in this study.
To examine the manner in which a geographically fragmented public becomes a rhetorically constituted community that generates public sphere within Formula As but which has repercussions in the Romanian society, I will anchor the study in a theoretical framework that comprises notions as different as virtual communities, “imagined communities,” public sphere, and interactive journalism. Using Fisher’s (1995) theoretical concept of the narrative paradigm, this study will analyze the rhetorical artifacts provided by selected articles from the electronic edition of Formula As to gain insight into the issues that are critically debated and discussed in the forum of Formula
As and to understand the type of interactions established among the community of
Romanian readers.
7 Justification of Study
There are many reasons for conducting this study. First, a rhetorical analysis of the discursive space of Formula As will provide insight into the manner in which shared discursive practices that are built around a specific set of texts can bring about
“imagined communities” of participants whose sense of identity can be reinforced and fostered collectively. Reading and exchanging messages on a variety of topics that deal with Romanian culture enables both real and virtual readers (i.e., mostly Romanians in the diaspora) to remain connected to their place of origin and collectively participate in the creation of the Formula As ethos in a joint effort with the magazine’s staff. Today, the permanent readers within the Romanian diaspora who are spread around every corner of the world constitute more than 700,000 million of the magazine’s overall readership.
Online and print texts act as the “glue” that keeps Formula As community together triggering shared meanings and similar worldviews among the readers.
Secondly, an analysis of the community of Formula As and its rhetorical construction will attempt to explain the strong bonding and trust that members of the magazine display in their textual exchanges among one another and with the staff. For example, a great majority of the readers enjoy the magazine’s interactive features such as the “Health” forum (i.e., readers publicize alternative medicine remedies that they themselves tried or learned about from others) or the “S.O.S” section that enables readers to bring private matters to the fore of public discussion and to solicit help. Often times, the stories and issues that are debated by the readers go beyond textual existence and take on a life of their own. For example, members of the Formula As community frequently contribute with personalized donations and emotional support to all the solicitations for help that are posted in the magazine. On numerous occasions, readers actively contributed to the creation of public opinion on topics such as environmental concerns, animal rights, emigration, poor pensions, etc. While some of the issues have a more localized flavor, readers in the Romanian diaspora are often very actively involved in critically debating some of these topics and providing tangible solutions. As a magazine that practices social activism, Formula As has fostered a culture of openness
8 and positive discussion among its readers. Examining the rhetorical strategies that contribute to the opening of the private space to public opinion within the Formula As discursive space will provide a test for the assumption that the Internet in general and online journalism in particular contribute to the creation of public spheres.
Lastly, studying the discursive practices of an “imagined community” such as the one of Formula As is a new and challenging experience since few studies have examined the concept of virtual community and its relationship with the idea of the public sphere within a Romanian virtual community. Moreover, the study of online journalism from an audience perspective with the tools of rhetorical criticism is a new area of inquiry even for Western approaches.
Outline of the Study
In a nutshell, the study is organized into eleven chapters. The first four ground the study in the necessary theoretical and methodological foundation for the analysis (in the subsequent chapter) and provide a background of the Formula As community inquiry. The study’s last chapters present the rhetorical analysis of Formula As community in light of six major community conditions and discuss the implications for approaching community building from rhetorical perspectives.
Chapter Two of the study provides the necessary context for understanding the contribution of Formula As magazine within the Romanian cultural context. The chapter begins with an overview of Romanian media during and after communism that serves as a general context for the dissertation’s case study. Next, a detailed presentation and discussion of the Formula As magazine related to its community building and storytelling practices is presented.
Chapter Three comprises the theoretical framework for the study in detail. The chapter begins by surveying pertinent research in the areas of the public sphere and the
Internet, virtual communities, and interactive journalism. Scrutiny of the aforementioned directions in the literature will provide the conceptual framework for investigating the dynamic of the textual interactions within the Formula As community.
9 Chapter Four details the methodology that is used to analyze the rhetorical artifacts for the study and presents the virtual community conceptual model that forms the basis of the rhetorical analysis in the remaining portion of the dissertation. Thus, the chapter describes Fisher’s (1999) narrative paradigm and presents a general discussion of the rhetorical instruments with which to evaluate Formula As discursive practices in light of the artifacts that have been selected. To uncover the uniqueness of the Formula
As magazine virtual community, the conceptual model proposes a set of six conditions
(community self‐reference, common interests and goals, membership boundaries, shared history, common discursive space, and interactivity) as “lenses” for examining the Formula As social environment. The major questions that will be guiding the rhetorical analysis of the Formula As community in the subsequent chapters are: 1) Are the interactions that are exchanged within the Formula As discursive space constitutive of a community for its members?; 2) What does community mean for readers of this magazine?; and
3) What is the role of storytelling in the community building process?
The remaining chapters in the study constitute the analysis portion of the dissertation. Thus, each element of the virtual community conceptual model is the object of an individual chapter; nevertheless, throughout the analysis I pay special attention to the ways in which the community conditions are intertwined. Similarly, in each chapter—where appropriate‐‐ I draw on Paul Ricoeur’s hermeneutics perspective to discuss the role of interpretive discursive activities in building trust, solidarity, and collective identity in the Formula As virtual community.
Chapter Five examines the manner in which the magazine’s readers rhetorically construct the Formula As consciousness as reflected in their interactive cooperation and solidarity. The chapter also details the role of narrative reasoning in providing participants with a shared interpretive framework that can be adjusted for specific contexts in the process of interpreting the texts posted in the magazine.
Chapter Six investigates the relationship between Formula As individual members’ goals and group goals. In doing so, it identifies the basis of the participants’
10 cooperation in the exchange of naturistic remedies information and involvement in humanitarian work.
Chapter Seven explores the manner in which specific categories of Formula As participants imagine their community boundaries as well as individual and group identities.
Chapter Eight examines the Formula As community culture in its major components: a) the shared Romanian cultural heritage that brings together Romanian readers of Formula As regardless of temporal and spatial constraints; and b) the community’s history of interaction as it is reflected in the community norms and the storytelling practice. The chapter also includes an examination of the role of the storytelling practice in nurturing a culture of self‐disclosure and cooperation within the magazine’s community as well as empowering various marginalized voices in
Romanian society.
Chapter Nine details the ways in which participants adapt to the print and Web medium of interaction in the process of developing sociomental bonds through an examination of the most significant interpretive and discursive practices that are present in the Formula As community texts.
Chapter Ten uncovers the components of the norms of interaction that are adapted for an asynchronous environment by examining interactivity attributes derived from the magazine’s design and from the community’s interpretive practices.
Lastly, Chapter Eleven concludes the study with a discussion of the limitations and strengths of approaching community building from rhetorical perspectives and points out directions for future research related to the study’s approach.
11 CHAPTER TWO
THE FORMULA AS CONTEXT
Given that the Formula As community is constituted through the mediation of texts that are authored by people sharing a common language and cultural memory, I situate the Formula As magazine’s story within the historical and cultural context that permeates it. Beginning with an overview of the Romanian media during and after communism I contend that constituent elements contributed to the emergence of a magazine that achieved a high degree of identification with its readers. First, I discuss the relationship between government‐controlled and democratic mass media and
Romanian audiences, while paying attention to the rhetorical implications of the change in conversation styles for both audiences and rhetors. Second, I chart the Formula As magazine by detailing the publication’s path over the years and situating it within the
Romanian transition journalistic environment. The chapter concludes with a description of the publication’s mode of interaction with the readers especially as it pertains to the magazine’s most interactive sections, the “Health,” and the “S.O.S.” discussion spaces.
An Overview of Romanian Media During and After Communism
Prior to 1989, Romanian mass media (as all mass media during the forty‐two years of communist rule in Romania) was subsidized by the state, carefully controlled by the communist party serving as the communist regime’s favorite tool in disseminating the official ideology and in mobilizing the population. Romanian journalism during the communist rule stopped short of fulfilling the goals of objective reporting and informing the population on matters that were of interest to them as everywhere in the free world.
Instead, as Gross (1996) notes, Romanian journalism provided Romanians with a “diet of predigested, inauthentic, repetitive, highly limited information meant to persuade, assuage, encourage, warn, distract, and dissimulate” (20).
One of the unexpected consequences of government‐controlled mass media policies in Romania during the communist rule was that over time, a majority of the
12 Romanian population no longer trusted its indigenous media for information. Instead,
Romanians would develop oppositional readings of the official press (usually deriding such messages or looking for hidden meanings), rely on word‐of‐mouth, and most importantly, tune in to foreign broadcasts (e.g., Radio Free Europe, Voice of America,
BBC, and television stations that broadcast from the countries neighboring Romania).
For example, according to polls conducted by the U.S. Information Agency during the months following the 1989 Romanian revolution,9 “71” per cent of the Romanian population would regularly partake in the ritual of daily tuning in to foreign radio stations (Gross 1996, 46).
While Romania did not experience a strong dissident movement doubled by an underground press as Poland’s Solidarity political movement to qualify for some rudimentary public sphere (in the Habermasian tradition), nevertheless, listening to foreign radio broadcasts contributed to the nurturing of a covert atmosphere of resistance among the population. Romanians for example, would debate the news that they heard from Western media (and juxtapose such messages to other types of sources) among their own network of family and friends. In this sense therefore, the rhetorical activities of a great part of the population were in fact carving an “alternative public sphere” that was constituted mostly at the level of the private (rather than public) realm but which would impact individuals’ perception of social reality. Over time, repeated discussion and debate of the regime’s policies and of the rhetorically‐induced
“secondary” or “artificial reality” contributed to the gradual erosion of the regime’s ideology and to the population’s distrust in its own media (Shlapentokh 1986, xii).
Shlapentokh (1986) discusses how an authoritarian regime’s control over the population can be maintained, among other means, rhetorically. For example, in the former Soviet Union, as well as in the countries of Eastern Europe by extension, the regime’s dominant ideology was constituted through the interaction of the ideology’s two levels: 1) a “pragmatic level” (i.e., the social, “objective reality”) and 2) a
“mythological level” (i.e., the regime’s manipulation of language through slogans and
“myths having little in common with the ‘objective reality’” for the purpose of
13 legitimizing the social system). Overall, the ideology’s “mythological level” is especially responsible for imposing an “artificial, secondary reality” on the population who in fact, resented any imposition of values that did not resonate with their own social reality
(xii). It is widely acknowledged that living in communist regimes was at times often perceived as living a “big lie” that is, individuals would become aware of the gap between the ideology’s two levels and therefore experience feelings of alienation
(Shlapentokh 1986; Tong 1995). Individuals would cope with constraints and exigencies triggered by living in an artificial rhetorical environment for example, by choosing to dissociate between their own behavioral and verbal activities. Consequently, symbolic messages would only rhetorically indicate compliance with the regime’s imposed values and norms.
Romania and other post‐socialist countries of Eastern Europe or “New Europe‐— still struggle, more than a decade after the fall of communism, with a variety of socioeconomic and political legacies carried over from the socialist years that affect society at both micro‐and macro‐structural levels. High inflation rates, unemployment, and varying privatization pace contributed to a feeling of dissatisfaction of the population with the new elites (Bartlett 2000). Certainly, Eastern Europeans’ perceptions of transition differ across the region due to a multitude of factors, among most notably, different historical legacies, internal economic and political conditions, and external exigencies (Hunter and Ryan 2000).
The transition from state‐socialism to democracy has also meant, from a rhetorical perspective, a shift from a top‐down, ideologically‐imposed Truth that constrained individuals in their choices and interpretation of reality, to the free, consensus‐building dynamic of a plurality of public spheres where truth is a product of conversations and various rhetorical agreements with others in society. A little over four decades of state socialist ideology sent seismic aftershocks to traditional Romanian values that, in most cases during the socialist regime, were, at best, confined to an individual’s private sphere but could not be openly exposed and engaged publicly without great risks to an individual’s security and well‐being. Values associated with an
14 individual’s religious beliefs (e.g., a majority of Romania’s population is Romanian‐
Orthodox), a woman’s reproductive10 choices, freedom11 of expression and of association, and with collective dignity are but a few examples of values that during the socialist rule were either banned from public discourse or were assigned a rhetorically dormant status. The collapse of communism in Romania in 1989 not only freed the population from an omniscient and insidious ideology but also marked the beginning of a process of rhetorical realignment to the new exigencies of living in a different social order with all the foreseen and unforeseen consequences that such a process may imply.
Unfortunately, the already low credibility of Romanian media bridged over to the post‐communist years despite an understandable short period of higher confidence levels in the aftermath of the 1989 revolution. Studies on Romanian post‐communist media generally acknowledge the existence of several identifiable intervals of media development in the transition from the old regime to democracy starting with the earliest televised events of the 1989 Romanian Revolution. Scholars, Romanian journalists and media analysts note the existence of a “honeymoon” period between
Romanian mass media, particularly television, and their audiences at the beginning of the 1990s (Gross 1996). By 1993, however, Romanian audiences’ confidence in their indigenous media dropped significantly due to a variety a causes, dealing mostly with the media’s own identity crisis as well as with the audiences’ confusion in the face of an overcrowded media environment (Gross 1996, 127).
Some of the post‐communist media entrepreneurs however, succeeded in creating media conglomerates with the help of foreign investors, such as the MediaPro12 group and the Intact media empire that each own several television and radio networks, radio stations, and various publications (Ulmanu 2002). Sometimes criticized13 for not serving the public interest and for receiving backing from political parties or political elites through more or less official alliances, commercial media in Romania and by extension in Eastern Europe are nevertheless an essential part of the media systems in each of the region’s countries, therefore contributing to media diversity (Gross 2002).
15 Foreign investment, while uneven in magnitude and across the region depending on each country’s transition phase and media laws’ progress (Hiebert 2002), has generally translated into better technical and professional journalistic resources that often positioned some commercial media into leading positions in their respective markets. In evaluating the potential role of commercial media in the New Europe media systems, Gross (2002) rightfully notes “the commercial media appear to be the only media having the financial wherewithal for the technological retooling and the training, both technical and journalistic, needed to become true mass media” (153). The
Romanian ProTV, Bucharest’s most popular television station (a company that was started in 1995 and a subsidy of the MediaPro group) outruns its competitors (including the public service national television and several other private stations) through a combination of smart audience segmentation (the station caters to the younger generation market), aggressive marketing, and professionalism.
Comparatively, the Romanian public television (RTV), a strategic asset14 and major symbol of the Romanian Revolution through its live broadcast of the fierce street fighting and through providing airtime to the public during the events of December
1989, has been rather slow in restructuring its technical equipment due to its dependence on public subscription money, annual budget allocations, and advertising.
Additionally, over the years, the Free Romanian television has generated a lot of public controversy through its infighting that involved hunger strikes on the part of the television’s free union members in the early 1990s over a series of management issues but also more publicly sensitive topics such as the need for television’s independence from the political arena.
In an overview of Romanian media in transition, Ulmanu (2002), citing figures from the Romanian Statistical Yearbook, notes that in 1996, Romania had “106 dailies and 1781 other periodicals,” compared to only “36 dailies and 459 other periodicals in
1989” for a population of 22 million people. While in the early 1990s a few national dailies (e.g., Romania Libera, Adevarul) peaked circulation numbers in the 1 to 2 million copies range, by 1995, dailies’ circulation numbers plunged to 100,000‐150,000 copies
16 due to an increase in printing and distribution costs, among other reasons, against a background of ever increasing general inflation (Gross 1996, 55; Ulmanu 2002). Local newspapers (usually in major Romanian cities) often compete for readership with national newspapers and a few succeeded in providing quality information for their audiences (e.g., Monitorul de Iasi in Iasi, Realitatea in Timisoara, Telegraf and Cuget Liber in
Constanta). Not surprisingly, the quality of Romanian reporting discourse also changed over time, from a highly polemicist and sensationalist tone in the first few post‐ revolution years to a more information based orientation in the subsequent years combined with strong entertainment or infotainment undertones.
Just as with daily newspapers, the weeklies market has withered since the early
1990s but a number of such publications endured and even thrived. For example, the satirical weekly Academia Catavencu managed to increase its circulation from 30,000 copies in 1995 to 55,000‐60,000 copies in 2002. Similarly, Formula As, a health‐oriented weekly that combines social and political stories with domestic and ecological issues started with a circulation of 15,000 copies in 1991 and increased more than a dozen times in size by 1999. According to a 1999 IMAS (a Romanian market research agency) poll that surveyed more than twenty five national weeklies with circulation numbers ranging from 5,000 to 200,000 copies, Formula As clearly set itself apart with a market share of almost 17% and with a readership of eight readers per copy (i.e., 200,000 copies weekly)
(Formula As 363). The success “formula” (to paraphrase the magazine’s title in an approximate translation) for Formula As is due to a unique blend of grassroots journalism, high quality reporting and resourceful marketing policies (i.e., the magazine only started to use advertising in its pages in 1999), among other things. Since 1998,
Formula As started to place its contents online in a sister web site that, just as the magazine itself, has undergone gradual change over time to better address the needs of the magazine’s online audience that is currently estimated at 700,000 readers, a majority of these located outside Romania. The online edition of the magazine is a major avenue for Romanian diasporic communities to remain in contact with the Romanian culture.
17 The Formula As Magazine
With a relatively small audience in the 1990s, Formula As, a general interest
Romania magazine with a strong health‐related emphasis, has grown into a large publication for the Romanian audiences due to the type of interactive journalism that it promotes in its print and online editions. Actively involved in the Romanian social life,
Formula As facilitates reader‐reader interaction in its various sections and is actively involved in creating public opinion on issues that are of interest to its readers.
The online edition of Formula As functions, in terms of its communication with the readers, as a moderated discussion board. For example, information is posted in the interactive sections of the magazine through the editors who act as gatekeepers in coordinating the questions and answers from the readers. However, due to technological limitations, the exchange of messages between the readers and the editors and among the readers is not synchronous (as in typical online group communication)— there is a delayed time (i.e., the magazine appears in a weekly format) between the posting of the question and its corresponding answer. To compensate for this shortcoming or perhaps to preserve the uniqueness of the magazine and to avoid legal complications, the editors’ contribution to the interactive sessions (for both the printed and the online editions) is kept to a minimum. They mainly aggregate the information originating from the readers and post it in the pages of the magazine.
The major theme of the magazine can be summarized as “healthy body and spirit” and has been maintained over time. Sections such as “Editorial,” “Health,”
“Romanian Spirituality,” “S.O.S,” “Recipes,” “and “Animal World” have been the core of the magazine since the first issue of Formula As and they have been included in the online edition as well. The “Health” and the “S.O.S” sections, for example, are very popular as they are designed in an interactive format based on the exchange of information among readers and as an avenue for readers to bring private matters to the fore of public discussion and solicit help. Specifically, the “Health” section follows a
“questions and answers” pattern in that the readers can learn about various medical conditions, most of them life‐threatening, choose from among the alternative medicine
18 treatments posted by the readers, and evaluate the validity of specific treatment options in the “appreciation” subsection where readers express their gratitude to those whose medical advice they followed.
The magazine’s most enduring, equally captivating and yet tragic section is its
“S. O. S.” column. It is the page that holds letters from the readers in story format.
Week after week, Romanians in need and who can no longer cope on their own, be they young or old, in good health or disabled, members of the Formula As readership community or simply first‐time readers, tell their stories. These are not the average
“Letter to the Editor” kind‐of‐stories that one is often tempted to overlook in the case of mainstream magazines or newspapers but stories of extreme physical and emotional suffering, of struggle with adverse life circumstances, desperate cries for help from individuals and families who have nowhere else to turn for help. A majority of these narratives reach their target in fellow Formula As readers from Romania or abroad, people sometimes not much better off than those who write for help but who, as one reader aptly put it, “are able to endure their own destitution but cannot but take pity in that of others.” 15 Monthly, Formula As presents a detailed account of the distribution of readers’ donations16 through the magazine’s non‐profit foundation and publishes follow‐up messages to the pleas for help that had been submitted.
The contributors’ stories are real, portraying actual people, each with his or her identity and life struggle who come alive before our eyes. The letters’ authors, generally, are people who lived and enjoyed better times in their lives, but who, due to a combination of circumstances (e.g., temporary unemployment, lack of basic resources or of an informal support network, family crises, disability and extreme illness, emigration struggles, old age, to name but a few of the most common predicaments) are now unable to survive solely on their own. Sharing one’s story with the rest of the readers has both tangible, outcome‐oriented implications for those who request help but also functions as a symbolic experience for all readers. Storytelling is a way of engaging the world, of making sense of our existence; it is a rhetorical journey into our own identities and those of others. Even though Formula As readers may not be a community that follows
19 traditional sociological definitions, it is, however, a thriving social environment that comes to life through the readers’ mediated messages. The imagined community is not, however, imaginary; the stories of Formula As authors, together with its readers, represent the lived reality of different voices, often insufficiently heard, in the Romanian society.
On average, Formula As posts on a weekly basis approximately twelve to fifteen messages from each category; due to space constraints, messages might take several issues until they are finally posted in the “questions” subsection unless they are truly emergency situations. The “S.O.S” section usually features several segments following the “questions and answers” and “appreciation” pattern and an additional feature titled
“letter of the week,” that is, a narrative that presents various social topics from the readers’ perspective. The actual headings for the “S.O.S” section are as follow: “letter of the week”—occasionally titled “open debate letters,” “emergencies,” and
“appreciation.”
In the late 1990s, the magazine introduced a new section titled “Romanian diaspora” which contains interviews with successful Romanians who relocated to other countries. Similarly, the number of messages coming from Romanians who offer donations‐‐via the magazine‐‐to anyone who posts a message requesting help in the
“S.O.S” section has increased considerably. Due to the large number of solicitations and donations received, the editorial staff has become very active in posting detailed accounts concerning the manner in which those in need have used the help coming from other readers. In this way, those readers who made contributions are updated on the results of their donations. As a rule, Formula As posts feedback letters from the exact persons who requested help or sometimes expresses thanks on behalf of those readers.
In review, this chapter situates the Formula As magazine and the community that has developed around it within the broader context. Social, political, and economic linkages with both the socialist and transition frames have shaped Romanian audiences’ expectations of their mass media as well as the journalists’ own perceptions of their profession. Even though socioeconomic and political legacies that carried over from the
20 socialist years often impacted negatively the Romanian media environment, the Formula
As magazine succeeded to grow at a steady rate and become one of the most popular weeklies of the transition years. With a still growing readership, the Formula As editorial team has designed a magazine that responds to the readers’ need for exchanging information and establishing connections with one another, for becoming civically involved in their own community and the Romanian society at large.
21 CHAPTER THREE
THEORETICAL FRAMEWORK
Technology has always played an important role in the process of constituting community by shaping our understanding of space, time and proximity. Historically, changes from technological advances in the areas of transportation, architecture, among other things, to advances in communications technologies such as the telegraph, radio,
TV, satellites, and the Internet have impacted our sense of interconnectedness and our perceptions of community. The Internet in particular, through its unique technical attributes in terms of how information is stored, reproduced, and circulated, has unquestionable potential for becoming a modality for connecting individuals and cultures and a challenge to old patterns of social interaction. Even though people continue to rely on traditional media for their information needs, the Internet has become an important competitor. In the United States for example, Klotz (2004) notes that “the number of daily consumers of online news went from less than 1 percent in
1995 to about 16 percent in 2002” (125). As convenience seems to be the driving force behind people’ s turn to the Internet for news consumption, the accuracy of the online content can pose serious threats. The author further observes that a potential way to
“reconcile the two cases appears to be that people will get their online news from traditional organizations” (Klotz 2002, 131).
Among the first to value the immense potential of the Internet, newspapers and magazines that made online versions available to their readers combine the traditional role of public opinion formation and creation of public spheres with the new interactive features of the Internet (Schultz 2000). Interactivity in online journalism generally refers to a variety of features such as the presence of search engines, discussion forums, chat rooms, online polls, and electronic mail that enable online readers to interact with the staff as well as with other readers. Providing the readers with feedback channels and archives of past issues can potentially increase public deliberation on issues of common interest and ultimately strengthen community ties.
22 Traditionally, as a form of mediated communication, newspapers address a collective audience that becomes unified through the consumption of texts that foster a common identity among individuals. To make sense of the world through access to the same disseminated material can, roughly speaking, contribute to the creation of a sense of interconnectedness among the members of an audience that is geographically dispersed (be it at a narrowly or broadly conceived level). In a study of early newspapers, Anderson (1983) observes that a readership community is linked in what he termed “imagined community,” or a way for readers to establish some form of a mental connection (6). The commonality of shared meanings brings about common purpose, collective identity, and a sense of belonging for the community members. The discursive space in online newspapers can, if adequately exploited, provide both readers and staff with the equivalent of the town square and vivid public spheres where participants engage in critical debate about issues that are of interest to the community of readers.
In light of the preceding argument it is apparent that to better understand
Formula As—a nontraditional weekly Romanian magazine that has successfully constituted into a virtual community that shapes public opinion on a series of social issues—a unique theoretical framework is needed. In response to this need, this chapter brings together an eclectic theoretical framework that contains pertinent research in the areas of the public sphere and the Internet, virtual communities, and interactive journalism. The chapter concludes with the research questions that will guide the rhetorical analysis of the Formula As community texts.
23 The Public Sphere and the Internet
The application of Habermas’ (1989) model of the “public sphere” and his theory of “communicative action” to the context of the Internet as well as discussions concerning the Internet’s potential for reviving communities have triggered much debate in scholarly circles and in the media since the 1990s. Habermas’ s (1989) concept of the “public sphere,” originally phrased as the “bourgeois public sphere,” referred to a phenomenon that emerged in the bourgeois societies of 18th century England, France and
Germany. In Habermas’s (1989) view, the “public sphere” originated in the “intimate sphere” of the bourgeois family and expanded into the literary and the political public spheres (54). In defining the bourgeois public sphere, Habermas (1989) emphasizes private individuals’ role in engaging in critical discussion:
The bourgeois public sphere may be conceived above all as the sphere of private
people come together as a public; they soon claimed the public sphere regulated
from above against the public authorities themselves, to engage them in a debate
over the general rules governing relations in the basically privatized but publicly
relevant sphere of commodity exchange and social labor. The medium of this
political confrontation was peculiar and without historical precedent: people’s
public use of their reason (27).
As autonomous or private spaces, the literary salons, coffeehouses, and early newspapers represented fora where criticism of public authority occurred among individuals who had equal communicative status. For example, Habermas (1989) observes that one of the main characteristics of the public spheres was that “they preserved a kind of social intercourse that, far from presupposing the equality of status, disregarded status altogether” (36).
While critics acknowledge the significance of the assumption of equality regarding the bourgeois public sphere, some recent scholarship, particularly feminist historiography (Landes 1988) questioned the validity of this claim by offering new insight into the gender relations in the bourgeois societies (Calhoun 1997). Others, such as Fraser (1997) argue that “bracketing of social inequalities in deliberation” is a
24 misleading assumption about the public sphere in that the societal context undoubtedly has an impact on the public sphere by reinforcing existing power relations predominant in society (120). The correction to Habermas’s (1989) conception of the bourgeois society would be, according to Fraser (1997), the elimination of “systemic social inequalities” so that all members in society can enjoy “participatory parity” (121).
Eliminating relations of dominance in society to ensure equality in the discursive arena can prove an important aspect of the public spheres that involve the mass media of communication. Currently, discussions about the Internet as a medium of mass communication ultimately involve both criticism and praise for the Internet’s potential in providing arenas of cultural transmission and circulation of information. Compared to other media of mass communication, the Internet is perceived less critically in terms of the type of communication that it facilitates. Due to the Internet’s interactive attributes, information flow has changed from one‐way as in most mass media to two‐ way where every participant can be both a receiver and a producer of information. For example, unlike other types of communication systems, the “dialogical space” provided by the Internet allows for the free exchange of information among relatively equal participants who can adopt multiple roles (Slevin 2000, 184). Moreover, formerly marginalized “voices” in society have now an additional forum where they can be heard and contribute to the reconceptualization of public opinion.
When applied to the context of the Internet, Habermas’s (1989) assumption about equality of status among participants within the communicative action domain leads to both utopic and dystopic views. For example, in the utopian camp, among many other attributes, the Internet is acclaimed as a medium that promotes equal access to discourse in that traditional cleavages of class, gender, and race are not reinforced in cyberspace discourse or they are made less relevant (Norris 2004). Similarly, the Internet provides visibility for individuals and groups previously marginalized in society (Nip 2004; Shaw
1997); opens up new avenues for public opinion formation through forums for free discussion and anti‐authoritarian discourse (Antonijevic 2002); facilitates unprecedented
25 circulation of information and renders an immense capacity for the development of solidarity and trust among disconnected individuals (Herron and Bachman 2000).
However, while the Internet has an enormous potential for improving communication it can also hinder communication due to the lack of regulation of its use and the relatively high costs of building new information infrastructure (Thussu 2000).
For example, some extremist groups use the Internet as a platform to propagate hate material nationally and globally. Glassman (2000) observes that Internet growth in
Eastern Europe for example, also brought a proliferation of online hate speech content denigrating various cultural groups in the Balkans. Further, the so‐called “digital divide,” that is, the inequality that pervades Internet access is a major criticism when examining the concept of the public sphere within the context of the Internet. It is widely known that Internet access reflects the asymmetries in global resource distribution. Most new communication infrastructure is concentrated in the world’s richest regions and countries while the less affluent countries run the risk of being left out of the global electronic network due to the high costs involved in building such infrastructure as well as the prohibitive costs of telephone access (UNDP 2004).
Within the global environment, the number of Internet users is increasing— although at different rates across countries and regions. The global Internet population increased from 605.60 million in September 2002 (NUA Internet Surveys) to 964 million in November 2005 (Internet World Stats). Even though the dynamic of Internet users’ growth by region has changed since 2002, that is, Europe and Asia each outnumber
North America, the rate of Internet penetration is still highest in the latter region
(November 2005 Internet World Stats). Comparatively, Africa and Middle East regions, while achieving significant growth since 2002, still lag behind the rest of the world in the global distribution of Internet users. Apart from substantiating the claim of the so‐called
“digital divide”—a statement concerning the potential of the Internet in maintaining and even deepening the gap between the information “haves” and the “have‐nots” worldwide, Internet demographics can also illustrate how, diachronically, the numbers of Internet users have changed dramatically.
26 In Europe, disparities exist between the European Union countries, the candidate states (Bulgaria, Croatia, Romania, and Turkey), and the rest of Europe. Thus, the rate of Internet penetration in the European Union has reached almost 50 percent compared to only 17.5 percent for the candidate states in November 2005 (Internet World Stats).
Among the former communist countries, Internet penetration rates differ due to the unequal growth in their telecommunications sector mainly caused by the privatization of the previously state‐owned telecommunications system.
In Hungary, for example, one of the most reform‐oriented countries in the region, the number of Internet users increased from 100.000 in 1997 (NUA Surveys 2002) to 3 million; the Internet penetration rate is of 30.2 percent in November 2005 (Internet
World Stats). Romania, on the other hand, emphasized the development of its telecommunications system, particularly in the area of IT networks only within the late
1990s. Despite delays, Romania’s Internet penetration rate rose from 12 percent of its population in 2003 (NUA Surveys) to 23.1 percent in November 2005 (Internet World
Stats) after the liberalization17 of the telecom market that occurred in January 2003.
Currently, Romania has almost 5 million Internet users (“Population
Explosion”/ClickZ). According to 2004 data, Internet access in Romania is secured from work (44 percent), home (39 percent), Internet cafes (8 percent), high schools and universities (6 percent) and friends homes (2 percent) (Roibu 2004). Although Internet access in Romania is still expensive for the average Romanian citizen, especially broadband and cable, in 2002, about half of the Internet population in Romania went online at least once a week (Ulmanu 2002). Romanian businesses, NGOs, government agencies, and media outlets are increasingly taking advantage of the Web’s features and
Romanian publications have been among the first to start an online presence.
The public sphere created through the Internet can avoid the so‐called