A Mournful Homecoming
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The Daily Gamecock, TUESDAY, JANUARY 20, 2009
University of South Carolina Scholar Commons January 2009 1-20-2009 The aiD ly Gamecock, TUESDAY, JANUARY 20, 2009 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2009_jan Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, TUESDAY, JANUARY 20, 2009" (2009). January. 10. https://scholarcommons.sc.edu/gamecock_2009_jan/10 This Newspaper is brought to you by the 2009 at Scholar Commons. It has been accepted for inclusion in January by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. IInaugurationnauguration DDayay dailygamecock.com UNIVERSITY OF SOUTH CAROLINA TUESDAY, JANUARY 20, 2009 VOL. 102, NO. 78 ● SINCE 1908 Weather TODAY HIGH 36° TONIGHT LOW 24° TOMORROW HIGH 45° Inside SPORTS Keri Goff / THE DAILY GAMECOCK President-elect Barack Obama and his wife Michelle wave to the crowd in front of the Lincoln Memorial before his speech Sunday at the kickoff concert. Millions gather for inauguration Performers, speeches draw morning. “three simple words: We Are One.” same steps that Dr. Martin Luther “Being from Texas, we wanted A star-studded cast of performers King, Jr. made his famous speech crowds to Washington, D.C. to be somewhere that the people and speakers, including Bruce more than 40 years ago, took an for historic occasion around us shared the excitement Springsteen , U2, Tiger Woods and optimistic look towards the future. The men’s basketball we had,” she said. “This is once in a Morgan Freeman, took turns on “As I stand here tonight, what lifetime.” stage. -
Imsic We for Everyone in the Business of Music 2 JULY 1994 £2.80 What
[imsic we For Everyone in the Business of Music 2 JULY 1994 £2.80 What a waste How to spend £21 m for no qood reason at ail rCOMMENT I anythingper CD that's up to équivalent 5.2m units. to sales of consumée!are even worse. by the Itaffair, is a thetribute effecl t tant thing now is to heal the areThe even costs more of thehorrendous. MMC inquiry The despitethe industry's it ail we management have managed thî t m Nî'd be doing vement in their lot. Understand- pansoiie of out its to389 about pages^That's £54,000 forone each hell lesson of the past ISmonths It of ail this - as IGLESIAS STING, ART GARFUNKEL and DOLLYPARTON. Indudcs Ihe single 'CRAZY' as seen on GMT\ TheNick, Big LondonBreakfast, Tonight Good and Morning Surprise with Surprise. Ann ar » CD & MC 474738 2 • 4 COU MI1IA ►►►►►►►► CAN GEORGE WIN AT APPEAL? - p9 ► ►►►►►►►► Order from Sony Music Telcsales: 0296 3951; ■■■■ Managing Media Change Are you: Please contact: ® under pressure to keep down costs? Paul Styles ® rethinking your rôle in the emerging Head of Media Consulting marketplace? KPMG Management Consulting ® confused by the pace of technological David Murrell change? Head of Media & Entertainment e looking for new commercial opportunities? KPMG Peat Marwick If so, KPMG can help. 1 Puddle Dock London EC4V 3PD Building on our base as one of the world's Téléphoné 071 236 8000 leading accountancy firms, we have a specialist média group providing expertise in management consulting, corporate finance, stratégie analysis and tax, as well as audit. -
New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on Siriusxm
NEWS RELEASE New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on SiriusXM 7/15/2020 Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen channels to Launch at Noon ET for 30 days The Prince Channel returns through August 13 Each Dedicated Artist Channel, Authorized and Produced In Cooperation With The Artists and Their Teams, Features Career-Spanning Hits, Rare Recordings, Interviews, and More Limited-run channels to include guest hosts including Akon, Beck, Big Boi, Carlos Santana, Catherine Zeta-Jones, CeeLo Green, Cypress Hill, Demi Lovato, Dua Lipa, Foo Fighters (Dave Grohl and Taylor Hawkins), Michael Rapaport, Rosie Perez, Sean Lennon, Shawn Mendes and more Click HERE to download individual channel logos through 7/21/20. NEW YORK, July 15, 2020 /PRNewswire/ -- SiriusXM announces the launch of its latest collection of exclusive radio channels dedicated to iconic musicians starting today at Noon ET. SiriusXM's presents brand new channels from Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen, plus the return of The Prince Channel, that will be available through August 13 on the SiriusXM app, internet connected devices and smart speakers in your home. SiriusXM has collaborated with these legendary artists and their teams to create unique, hand-crafted radio channels that listeners and fans will nd nowhere else. For information on these new music channels dedicated to iconic artists head over to https://www.siriusxm.com/newchannels. Beastie Boys Channel will feature classic bangers, deep cuts, rarities and live recordings celebrating the legacy and inuence of Michael "Mike D" Diamond, Adam "ADROCK" Horovitz and the late Adam "MCA" Yauch. -
Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) Spring 5-1-2021 Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums Caroline Pollard Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Part of the Applied Statistics Commons, Categorical Data Analysis Commons, and the Statistical Models Commons Recommended Citation Pollard, Caroline, "Use of Linear Discriminant Analysis in Song Classification: Modeling Based on Wilco Albums" (2021). Honors Theses. 1909. https://egrove.olemiss.edu/hon_thesis/1909 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. USE OF LINEAR DISCRIMINANT ANALYSIS IN SONG CLASSIFICATION: MODELING BASED ON WILCO ALBUMS By Caroline Pollard A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford, MS May 2021 Approved By ______________________________ Advisor: Professor John Latartara ______________________________ Reader: Professor Gerard Buskes ______________________________ Reader: Professor Michael Worthy © 2021 Caroline Pollard ALL RIGHTS RESERVED ACKNOWLEDGEMENTS I would like to extend a big thank-you to my readers, Dr. Buskes and Dr. Worthy, and especially my advisor, Dr. Latartara. It has such a pleasure working under and with these knowledgeable professors. They have kindly offered guidance and critiques through this process, and my argument and writing would not be as strong without their work on this as well. -
Salvati Dal Rock and Roll
SENTIREASCOLTARE online music magazine GIUGNO N. 32 Wilco salvati dal rock and roll Hans Appelqvist King Kong Laura Veirs Valet Keren Ann Feist Low PelicanStars Of The Art Lid Of Fighting Smog I Nipoti Marino del CapitanoJosé Malagnino Cristina Zavalloni Parts & Labor Billy Nicholls Dead C The Sea And Cake Labrador Akoustic Desease Buffys eSainte-Marie n t i r e a s c o l t a r e WWW.AUDIOGLOBE.IT VENDITA PER CORRISPONDENZA TEL. 055-3280121, FAX 055 3280122, [email protected] DISTRIBUZIONE DISCOGRAFICA TEL. 055-328011, FAX 055 3280122, [email protected] MATTHEW DEAR JENNIFER GENTLE STATELESS “Asa Breed” “The Midnight Room” “Stateless” CD Ghostly Intl CD Sub Pop CD !K7 Nuovo lavoro per A 2 anni di distan- Matthew Dear, uno za dal successo di degli artisti/produt- critica di “Valende”, È pronto l’omonimo tori fra i più stimati la creatura Jennifer debutto degli Sta- del giro elettronico Gentle, ormai nelle teless, formazione minimale e spe- sole mani di Mar- proveniente da Lee- rimentale. Con il co Fasolo, arriva al ds. Guidata dalla nuovo lavoro, “Asa Breed”, l’uomo di Detroit, si nuovo “The Midnight Room”, sempre su Sub voce del cantante Chris James, voluto anche rivela più accessibile che mai. Sì certo, rima- Pop. Registrato presso una vecchia e sperduta da DJ Shadow affinché partecipasse alle regi- ne il tocco à la Matthew Dear, ma l’astrattismo casa del Polesine ed ispirato forse da questa strazioni del suo disco, la formazione inglese usuale delle sue produzioni pare abbia lasciato sinistra collocazione, il nuovo album si districa mette insieme guitar sound ed elettronica, ri- uno spiraglio a parti più concrete e groovy. -
The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System
UCLA UCLA Entertainment Law Review Title "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System Permalink https://escholarship.org/uc/item/96d414rm Journal UCLA Entertainment Law Review, 11(1) ISSN 1073-2896 Author Norek, Josh Publication Date 2004 DOI 10.5070/LR8111027056 Peer reviewed eScholarship.org Powered by the California Digital Library University of California "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System Josh Norek* TABLE OF CONTENTS I. INTRODUCTION ........................................... 84 II. HISTORICAL OVERVIEW OF SAMPLING ................... 86 III. THE PRESENT SAMPLE CLEARANCE PRACTICE ........... 89 IV. PROBLEMS WITH THE CURRENT SYSTEM OF NEGOTIATED SAMPLE CLEARANCES: TIME & FINANCIAL COST ........ 90 V. THE FOUR PRIMARY CATEGORIES OF SAMPLES ......... 91 A. Qualitatively Insignificant Sample .................... 92 B. Qualitatively Significant Sample of Three Seconds or Less Used Only Once ................................ 92 C. Qualitatively Significant Sample of Three Seconds or Less That Is Looped and Occurs Repeatedly ......... 93 D. Qualitatively Significant Sample Greater Than Three Seconds .............................................. 93 VI. A SUGGESTED NEW LICENSING SCHEME FOR SOUND RE- CORDING SAMPLE CLEARANCES ......................... 93 VII. ARGUMENTS FOR -
Ill Communication: Race, Gender, & Sexuality in Hip
Ill Communication: Race, Gender, & Sexuality in Hip Hop Discourse Communication Studies Syllabus – Summer 2012 Instructor: Jackie Arcy Course Description This course will provide a comprehensive overview of contemporary cultural critiques of race, gender, and sexuality by hip hop scholars and activists. We will consider the use of hip-hop as a form of cultural and political activism that forces Americans to confront key social justice issues including: sexual and gender violence, homophobia, and destructive representations of black and brown masculinity and femininity in U.S. popular culture. We will explore how hip hop discourse reiterates, challenges, and critiques dominant social structures. Specifically, this course will investigate representations of social inequalities related to race, gender, and sexuality in hip hop. We will be concerned with the process of cultural critique. How is hip hop framed in popular culture? How does hip hop challenge social inequalities? How does hip hop reinforce dominant social structures? To pursue these questions, each student will work in groups responsible for creating their own critique in the hip hop remix project. The project should be conceived to interrogate the readings and viewings; to raise questions and issues around the material and its presentation; and to critique the relationship of hip hop in popular culture Course Goals • To explore theoretical and popular debates about hip hop music’s impact on race, gender, and sexuality. • To engage the larger social, economic and political histories that produce hip hop and its impact on popular culture. • To explore how race, gender, and sexuality shape popular culture and impact our perspectives. • To demonstrate critical thinking skills and utilize theoretical frameworks in Communication Studies. -
Strictly Jungsworld
# 1998/30 dschungel https://jungle.world/artikel/1998/30/strictly-jungsworld Strictly Jungsworld Von harald peters Die Beastie Boys veröffentlichen schon wieder ein neues Album. Wie immer hat sich nichts geändert Irgendwann muß es ja mal raus: Die Beastie Boys können nicht rappen. Im zwölften Jahr nach "Licensed To Ill" gröl-reimen sie noch immer wie ehedem. Einer gibt die Zeile vor, ein zweiter steigt ein, zu dritt komplettiert man dann den Vers. Wie damals, als sie mit "Fight For Your Right" ihren ersten Hit hatten. In jede Kamera, die ihnen über den Weg lief, hielten sie Dosen ihres Lieblingsbieres, um sich das Budweiser anschließend erst über und dann in den Kopf zu gießen. Selbstredend hackevoll torkelten und rüpelten sich die Anfangzwanziger über die Bühnen dieser Welt, die sie mit viel Gespür für Hau-Drauf- Ästhetik zuvor mit Käfigen ausstaffiert hatten, in denen halbnackte Frauen tanzten, während in der Bühnenmitte ein riesiger Hydraulik-Pimmel Bier oder was auch immer in die Menge pumpte. Jahre später dann: Hipsterkönige, von vielen geliebt. Wie das kommt, ist leicht zu erklären. Du bist ein Junge aus gutem Hause, findest dein Leben langweilig, schwänzt dosiert den Unterricht und rauchst auf dem Schulhof Zigaretten ohne Filter. Dann hörst du diesen Song: "Fight For Your Right to Party". Im dazugehörigen Video siehst du, wie die Beastie Boys - so heißt die Band, ganz neu, kennt kein Schwein - eine Spießer-Party aufmischen. Voll kraß. Dann kommen die Eltern nach Hause. Na, das gibt Ärger. So eine Party hättest du auch gern. Solche Partys gibt es bei dir aber nicht. -
Hip-Hop Realness and the White Performer Mickey Hess
Critical Studies in Media Communication Vol. 22, No. 5, December 2005, pp. 372Á/389 Hip-hop Realness and the White Performer Mickey Hess Hip-hop’s imperatives of authenticity are tied to its representations of African-American identity, and white rap artists negotiate their place within hip-hop culture by responding to this African-American model of the authentic. This article examines the strategies used by white artists such as Vanilla Ice, Eminem, and the Beastie Boys to establish their hip- hop legitimacy and to confront rap music’s representations of whites as socially privileged and therefore not credible within a music form where credibility is often negotiated through an artist’s experiences of social struggle. The authenticating strategies of white artists involve cultural immersion, imitation, and inversion of the rags-to-riches success stories of black rap stars. Keywords: Hip-hop; Rap; Whiteness; Racial Identity; Authenticity; Eminem Although hip-hop music has become a global force, fans and artists continue to frame hip-hop as part of African-American culture. In his discussion of Canadian, Dutch, and French rap Adam Krims (2000) noted the prevailing image of African-American hip-hop as ‘‘real’’ hip-hop.1 African-American artists often extend this image of the authentic to frame hip-hop as a black expressive culture facing appropriation by a white-controlled record industry. This concept of whiteÁ/black interaction has led white artists either to imitate the rags-to-riches narratives of black artists, as Vanilla Ice did in the fabricated biography he released to the press in 1990, or to invert these narratives, as Eminem does to frame his whiteness as part of his struggle to succeed as a hip-hop artist. -
Beastie Boys Gratitude Mp3, Flac, Wma
Beastie Boys Gratitude mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop / Rock / Funk / Soul Album: Gratitude Country: US Released: 1992 Style: Alternative Rock, Conscious, Funk MP3 version RAR size: 1738 mb FLAC version RAR size: 1362 mb WMA version RAR size: 1165 mb Rating: 4.8 Votes: 449 Other Formats: ADX APE VOC MP3 MP4 AIFF DTS Tracklist Hide Credits 1 Gratitude (LP Version) 2:45 2 Stand Together (Live At French's Tavern, Sydney, Australia) 2:29 Finger Lickin' Good (Government Cheese Remix) 3 4:13 Remix – Hurricane 4 Gratitude (Live At Budokan) 4:25 5 Honky Rink (Previously Unreleased) 2:10 Companies, etc. Made By – Capitol Jax Credits Mastered By – Tom Baker Producer – Beastie Boys, Mario Caldato Jr. Notes Track four was recorded live at Budokan on the 16th of September 1992. Issued in a standard jewel case with front and rear inserts, black disc tray. Barcode and Other Identifiers Barcode (Text): 0777-7-15944-2-7 Matrix / Runout: 15944-2 MO L2A17A Y 1-1-1 CAPITOL JAXY JAX Other versions Category Artist Title (Format) Label Category Country Year Y 0777 7 15951 6 Beastie Gratitude (12", Capitol Y 0777 7 15951 6 US 1992 5 Boys Single) Records 5 Beastie Gratitude (CD, Capitol DPRO-79558 DPRO-79558 US 1992 Boys Maxi, Promo) Records Capitol Finger Lickin' SPRO-79559, Beastie Records, SPRO-79559, Good / Gratitude US 1992 SPRO-79565 Boys Capitol SPRO-79565 (12", Promo) Records Related Music albums to Gratitude by Beastie Boys Max Tannone - Beastie Boys - Doublecheck Your Head Beastie Boys - Beastie Boys Anthology - Beastie Boy Bisque Beastie Boys - Root Down EP Beastie Boys - Check Your Head Beastie Boys - "Pass The Mic" Beastie Boys - Ill Communication Beastie Boys - Beastie Boys Edition Beastie Boys - Beastie Boys - Jimmy James Beastie Boys - Alive (Live). -
They Are Trying to Break Your Heart 1St Edition Free
FREE THEY ARE TRYING TO BREAK YOUR HEART 1ST EDITION PDF David Savill | 9781632865465 | | | | | This documentary about the first days of COVID in Wuhan will break your heart – BGR Debuting as a rough-and-tumble alt-country act and evolving into a mature and eclectic indie rock ensemble, Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, who disbanded in Wilco's debut album, A. Being There was the first Wilco album with multi-instrumentalist Jay Bennett, and his creative input proved invaluable on 's bent pop compendium Summerteeth and their breakthrough effort, 's cool and expressive Yankee Hotel Foxtrot. After Bennett was voted out of the band, Wilco went through a period of creative uncertainty, but with They Are Trying to Break Your Heart 1st edition Sky Blue Sky, an effort that was both challenging and an organic expression of their ideas, a new lineup of the group featuring guitarist Nels Cline hit their stride on-stage and in the studio. After launching their own label with 's The Whole Love, Wilco delivered some of their most challenging and free-spirited work. Uncle Tupelo played their final show on May 1,and a few weeks later, Tweedy and three of his former UT bandmates -- bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston -- began work on their first album under their new name, Wilco. The group's birth happened so quickly that they didn't have a lead guitarist when they started recording, and Brian Henneman, a longtime friend and founder of the Bottle Rockets, sat in for the sessions. -
Jay Farrar Discography
Jay Farrar discography The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist.AlbumsNotes*fnb|1 Uncle Tupelo from 1987 to 1992 included Jay Farrar, Jeff Tweedy and Mike Heidorn *fnb|2 Uncle Tupelo from 1993 to 1994â¦Â The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist. Albums. Notes. *fnb|1 Uncle Tupelo from 1987 to 1992 included Jay Jay Farrar - MusicVideos , Songs, Lyrics - Free listen on RadioVolna.net. Jay Farrar. views 49. Repetition on the radio 0. Add to favorites. Popular songs. Jay Farrar - Feel Free. Jay Farrar - Feed Kill Chain. Jay Farrar - Clear Day Thunder. Jay Farrar - Vitamins. Jay Farrar - Damaged Son. Jay Farrar - All of Your Might. Jay Farrar - Voodoo Candle. Jay Farrar - Damn Shame. Jay Farrar - Fool King's Crown. Jay Farrar - Highwood. More. Video Clips. Jay Farrar discography (Q6166601). From Wikidata. Jump to navigation Jump to search. Also known as. English. Jay Farrar discography. No description defined. Statements. instance of. discography. 0 references. performer. Jay Farrar. 0 references. Sitelinks. Wikipedia(1 entry). edit. enwiki Jay Farrar discography. Wikibooks(0 entries). edit. The Jay Farrar discography covers recordings with Uncle Tupelo, Son Volt, Gob Iron, and as solo artist. For faster navigation, this Iframe is preloading the Wikiwand page for Jay Farrar discography. Home. News. Random Article. Install Wikiwand. Follow Us. Send a suggestion. Complete your Jay Farrar record collection. Discover Jay Farrar's full discography. Shop new and used Vinyl and CDs. Co-founder of Uncle Tupelo with Jeff Tweedy, Jay Farrar left in 1993 (causing the band to dissolve) to form Son Volt.