Daniela Kranz Phd Thesis
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UNIVERSITY of COLOGNE Annual Report 2016 UNIVERSITY of COLOGNE Annual Report 2016 Contents
UNIVERSITY OF COLOGNE Annual Report 2016 UNIVERSITY OF COLOGNE Annual Report 2016 Contents Foreword 5 Highlights 2016 6 Research 10 Teaching 38 University and Society 56 Honours 66 Personnel 76 Infrastructure 88 Governance 96 Donations 114 List of Abbreviations 119 Publication Details 120 University of Cologne Foreword 6 | 7 Professor Dr Axel Freimuth With its educational mandate and as an engine for research and innovation, the University of Cologne is making a major contribution to the development of our society. Universities stand for new ideas and current scientific developments and opportunities and makes it possib- change, often coming from a com- firmly embedded in social discourse. le for us to become involved in a pletely unexpected direction. They Our dynamic international network diverse range of areas. Moreover, are an engine for research and in- – with 85 partner universities and I would like to thank our many fri- novation and help to solve pressing more than 500 Faculty partnerships ends and benefactors as well as problems in our society. Moreover, – as well as the international and di- our collaboration partners for their they are in increasing demand as verse life on campus create a cosmo- continuous and generous support. educational institutions: Today, one politan and stimulating atmosphere Their commitment helps to stimula- in two young people in Germany and excellent opportunities for aca- te social discourse with and within starts a degree programme. Besi- demic exchange. our university, thus creating a fer- des preparing our students for a tile environment for contemporary professional career, the UoC’s stu- This Annual Report provides infor- research and teaching. -
Standardizing Minority Languages Costa James, Haley De Korne, Pia Lane
Standardizing Minority Languages Costa James, Haley de Korne, Pia Lane To cite this version: Costa James, Haley de Korne, Pia Lane. Standardizing Minority Languages: Reinventing Peripheral Languages in the 21st Century. Pia Lane, James Costa, Haley De Korne. Standardizing Minority Languages. Competing Ideologies of Authority and Authenticity in the Global Periphery„ Routledge, 2017. halshs-02105494 HAL Id: halshs-02105494 https://halshs.archives-ouvertes.fr/halshs-02105494 Submitted on 21 Apr 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1 Standardising Minority Languages Reinventing Peripheral Languages in the 21st Century James Costa, Haley De Korne, and Pia Lane 1. Introduction This book addresses a crucial, yet often overlooked dimension of minority language standardisation, namely, how social actors engage with, support, alter, resist and even reject standardisation processes. We look at standardi- sation processes as a political domain where social actors use standards as semiotic resources for articulating discourses on society. The chapters in this volume are therefore concerned first and foremost with social actors, their ideologies and practices, rather than with language per se. By considering the perspectives and actions of people who participate in or are affected by minority language politics, this volume aims to provide a comparative and nuanced analysis of the complexity and tensions inherent in minority lan- guage standardisation processes. -
North Rhine-Westphalia (NRW) / India
Page 1 of 13 Consulate General of India Frankfurt *** General and Bilateral Brief- North Rhine-Westphalia (NRW) / India North Rhine-Westphalia, commonly shortened to NRW is the most populous state of Germany, with a population of approximately 18 million, and the fourth largest by area. It was formed in 1946 as a merger of the provinces of North Rhine and Westphalia, both formerly parts of Prussia, and the Free State of Lippe. Its capital is Düsseldorf; the largest city is Cologne. Four of Germany's ten largest cities—Cologne, Düsseldorf, Dortmund, and Essen— are located within the state, as well as the second largest metropolitan area on the European continent, Rhine-Ruhr. NRW is a very diverse state, with vibrant business centers, bustling cities and peaceful natural landscapes. The state is home to one of the strongest industrial regions in the world and offers one of the most vibrant cultural landscapes in Europe. Salient Features 1. Geography: The state covers an area of 34,083 km2 and shares borders with Belgium in the southwest and the Netherlands in the west and northwest. It has borders with the German states of Lower Saxony to the north and northeast, Rhineland-Palatinate to the south and Hesse to the southeast. Thinking of North Rhine-Westphalia also means thinking of the big rivers, of the grassland, the forests, the lakes that stretch between the Eifel hills and the Teutoburg Forest range. The most important rivers flowing at least partially through North Rhine-Westphalia include: the Rhine, the Ruhr, the Ems, the Lippe, and the Weser. -
Language and Space
Language and Space An International Handbook o Linguistic Variation Volume 2: Language Mapping Edited by Alred Lameli Roland Kehrein Stean Rabanus Oprint De Gruyter Mouton 180 II. Traditions 9. Mapping Dutch and Flemish 1. Introduction 2. Prescientific linguistic maps or dialect data covering the entire Dutch language area 3. Dialect surveys 4. Linguistic atlases of the entire Dutch language area 5. Linguistic atlases or maps covering a Dutch region (regional atlases) 6. Special linguistic atlases or linguistic maps 7. Conclusion 8. Atlases 9. References 1. Introduction The beginnings and growth of dialectology in the Netherlands and Flanders can only be discussed against the background of the situation in neighboring countries. In reaction to the Enlightenment, the Romantic period brought with it an interest in and apprecia- tion of prescientific culture and nostalgia for the past. More attention came to be paid to art, myths, fairy tales and the language of ordinary people past and present, as op- posed to the Enlightenment period interest in cultured standard language. The new focus was imported from the France of Rousseau and the Germany of Schiller. But later devel- opments in the Netherlands and Flanders did not take place in isolation either. Thus, the German linguist Georg Wenker and his French colleague Jules Gillie´ron were the unmistakable precursors of Dutch linguistic atlas projects, while the work of Jean Se´guy and of Hans Goebl served as models for dialectometry in our region. In section 2 of this chapter, we take a brief look at prescientific linguistic maps and dialect collections. In section 3, dialect surveys that have not been developed into linguis- tic atlases are discussed. -
Imsic We for Everyone in the Business of Music 2 JULY 1994 £2.80 What
[imsic we For Everyone in the Business of Music 2 JULY 1994 £2.80 What a waste How to spend £21 m for no qood reason at ail rCOMMENT I anythingper CD that's up to équivalent 5.2m units. to sales of consumée!are even worse. by the Itaffair, is a thetribute effecl t tant thing now is to heal the areThe even costs more of thehorrendous. MMC inquiry The despitethe industry's it ail we management have managed thî t m Nî'd be doing vement in their lot. Understand- pansoiie of out its to389 about pages^That's £54,000 forone each hell lesson of the past ISmonths It of ail this - as IGLESIAS STING, ART GARFUNKEL and DOLLYPARTON. Indudcs Ihe single 'CRAZY' as seen on GMT\ TheNick, Big LondonBreakfast, Tonight Good and Morning Surprise with Surprise. Ann ar » CD & MC 474738 2 • 4 COU MI1IA ►►►►►►►► CAN GEORGE WIN AT APPEAL? - p9 ► ►►►►►►►► Order from Sony Music Telcsales: 0296 3951; ■■■■ Managing Media Change Are you: Please contact: ® under pressure to keep down costs? Paul Styles ® rethinking your rôle in the emerging Head of Media Consulting marketplace? KPMG Management Consulting ® confused by the pace of technological David Murrell change? Head of Media & Entertainment e looking for new commercial opportunities? KPMG Peat Marwick If so, KPMG can help. 1 Puddle Dock London EC4V 3PD Building on our base as one of the world's Téléphoné 071 236 8000 leading accountancy firms, we have a specialist média group providing expertise in management consulting, corporate finance, stratégie analysis and tax, as well as audit. -
New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on Siriusxm
NEWS RELEASE New Streaming Channels with Music's Legendary and Game-Changing Artists to Launch Today on SiriusXM 7/15/2020 Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen channels to Launch at Noon ET for 30 days The Prince Channel returns through August 13 Each Dedicated Artist Channel, Authorized and Produced In Cooperation With The Artists and Their Teams, Features Career-Spanning Hits, Rare Recordings, Interviews, and More Limited-run channels to include guest hosts including Akon, Beck, Big Boi, Carlos Santana, Catherine Zeta-Jones, CeeLo Green, Cypress Hill, Demi Lovato, Dua Lipa, Foo Fighters (Dave Grohl and Taylor Hawkins), Michael Rapaport, Rosie Perez, Sean Lennon, Shawn Mendes and more Click HERE to download individual channel logos through 7/21/20. NEW YORK, July 15, 2020 /PRNewswire/ -- SiriusXM announces the launch of its latest collection of exclusive radio channels dedicated to iconic musicians starting today at Noon ET. SiriusXM's presents brand new channels from Beastie Boys, Bob Marley, Coldplay, Michael Jackson and Queen, plus the return of The Prince Channel, that will be available through August 13 on the SiriusXM app, internet connected devices and smart speakers in your home. SiriusXM has collaborated with these legendary artists and their teams to create unique, hand-crafted radio channels that listeners and fans will nd nowhere else. For information on these new music channels dedicated to iconic artists head over to https://www.siriusxm.com/newchannels. Beastie Boys Channel will feature classic bangers, deep cuts, rarities and live recordings celebrating the legacy and inuence of Michael "Mike D" Diamond, Adam "ADROCK" Horovitz and the late Adam "MCA" Yauch. -
SOEP-IS 2018—ILANGUAGE: Variables from Innovative Language Modules
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics DIW Berlin / SOEP (Ed.) Research Report SOEP-IS 2018 - ILANGUAGE: Variables from innovative language modules SOEP Survey Papers, No. 851 Provided in Cooperation with: German Institute for Economic Research (DIW Berlin) Suggested Citation: DIW Berlin / SOEP (Ed.) (2020) : SOEP-IS 2018 - ILANGUAGE: Variables from innovative language modules, SOEP Survey Papers, No. 851, Deutsches Institut für Wirtschaftsforschung (DIW), Berlin This Version is available at: http://hdl.handle.net/10419/219075 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative -
The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System
UCLA UCLA Entertainment Law Review Title "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System Permalink https://escholarship.org/uc/item/96d414rm Journal UCLA Entertainment Law Review, 11(1) ISSN 1073-2896 Author Norek, Josh Publication Date 2004 DOI 10.5070/LR8111027056 Peer reviewed eScholarship.org Powered by the California Digital Library University of California "You Can't Sing without the Bling": The Toll of Excessive Sample License Fees on Creativity in Hip-Hop Music and the Need for a Compulsory Sound Recording Sample License System Josh Norek* TABLE OF CONTENTS I. INTRODUCTION ........................................... 84 II. HISTORICAL OVERVIEW OF SAMPLING ................... 86 III. THE PRESENT SAMPLE CLEARANCE PRACTICE ........... 89 IV. PROBLEMS WITH THE CURRENT SYSTEM OF NEGOTIATED SAMPLE CLEARANCES: TIME & FINANCIAL COST ........ 90 V. THE FOUR PRIMARY CATEGORIES OF SAMPLES ......... 91 A. Qualitatively Insignificant Sample .................... 92 B. Qualitatively Significant Sample of Three Seconds or Less Used Only Once ................................ 92 C. Qualitatively Significant Sample of Three Seconds or Less That Is Looped and Occurs Repeatedly ......... 93 D. Qualitatively Significant Sample Greater Than Three Seconds .............................................. 93 VI. A SUGGESTED NEW LICENSING SCHEME FOR SOUND RE- CORDING SAMPLE CLEARANCES ......................... 93 VII. ARGUMENTS FOR -
Ill Communication: Race, Gender, & Sexuality in Hip
Ill Communication: Race, Gender, & Sexuality in Hip Hop Discourse Communication Studies Syllabus – Summer 2012 Instructor: Jackie Arcy Course Description This course will provide a comprehensive overview of contemporary cultural critiques of race, gender, and sexuality by hip hop scholars and activists. We will consider the use of hip-hop as a form of cultural and political activism that forces Americans to confront key social justice issues including: sexual and gender violence, homophobia, and destructive representations of black and brown masculinity and femininity in U.S. popular culture. We will explore how hip hop discourse reiterates, challenges, and critiques dominant social structures. Specifically, this course will investigate representations of social inequalities related to race, gender, and sexuality in hip hop. We will be concerned with the process of cultural critique. How is hip hop framed in popular culture? How does hip hop challenge social inequalities? How does hip hop reinforce dominant social structures? To pursue these questions, each student will work in groups responsible for creating their own critique in the hip hop remix project. The project should be conceived to interrogate the readings and viewings; to raise questions and issues around the material and its presentation; and to critique the relationship of hip hop in popular culture Course Goals • To explore theoretical and popular debates about hip hop music’s impact on race, gender, and sexuality. • To engage the larger social, economic and political histories that produce hip hop and its impact on popular culture. • To explore how race, gender, and sexuality shape popular culture and impact our perspectives. • To demonstrate critical thinking skills and utilize theoretical frameworks in Communication Studies. -
Strictly Jungsworld
# 1998/30 dschungel https://jungle.world/artikel/1998/30/strictly-jungsworld Strictly Jungsworld Von harald peters Die Beastie Boys veröffentlichen schon wieder ein neues Album. Wie immer hat sich nichts geändert Irgendwann muß es ja mal raus: Die Beastie Boys können nicht rappen. Im zwölften Jahr nach "Licensed To Ill" gröl-reimen sie noch immer wie ehedem. Einer gibt die Zeile vor, ein zweiter steigt ein, zu dritt komplettiert man dann den Vers. Wie damals, als sie mit "Fight For Your Right" ihren ersten Hit hatten. In jede Kamera, die ihnen über den Weg lief, hielten sie Dosen ihres Lieblingsbieres, um sich das Budweiser anschließend erst über und dann in den Kopf zu gießen. Selbstredend hackevoll torkelten und rüpelten sich die Anfangzwanziger über die Bühnen dieser Welt, die sie mit viel Gespür für Hau-Drauf- Ästhetik zuvor mit Käfigen ausstaffiert hatten, in denen halbnackte Frauen tanzten, während in der Bühnenmitte ein riesiger Hydraulik-Pimmel Bier oder was auch immer in die Menge pumpte. Jahre später dann: Hipsterkönige, von vielen geliebt. Wie das kommt, ist leicht zu erklären. Du bist ein Junge aus gutem Hause, findest dein Leben langweilig, schwänzt dosiert den Unterricht und rauchst auf dem Schulhof Zigaretten ohne Filter. Dann hörst du diesen Song: "Fight For Your Right to Party". Im dazugehörigen Video siehst du, wie die Beastie Boys - so heißt die Band, ganz neu, kennt kein Schwein - eine Spießer-Party aufmischen. Voll kraß. Dann kommen die Eltern nach Hause. Na, das gibt Ärger. So eine Party hättest du auch gern. Solche Partys gibt es bei dir aber nicht. -
Hip-Hop Realness and the White Performer Mickey Hess
Critical Studies in Media Communication Vol. 22, No. 5, December 2005, pp. 372Á/389 Hip-hop Realness and the White Performer Mickey Hess Hip-hop’s imperatives of authenticity are tied to its representations of African-American identity, and white rap artists negotiate their place within hip-hop culture by responding to this African-American model of the authentic. This article examines the strategies used by white artists such as Vanilla Ice, Eminem, and the Beastie Boys to establish their hip- hop legitimacy and to confront rap music’s representations of whites as socially privileged and therefore not credible within a music form where credibility is often negotiated through an artist’s experiences of social struggle. The authenticating strategies of white artists involve cultural immersion, imitation, and inversion of the rags-to-riches success stories of black rap stars. Keywords: Hip-hop; Rap; Whiteness; Racial Identity; Authenticity; Eminem Although hip-hop music has become a global force, fans and artists continue to frame hip-hop as part of African-American culture. In his discussion of Canadian, Dutch, and French rap Adam Krims (2000) noted the prevailing image of African-American hip-hop as ‘‘real’’ hip-hop.1 African-American artists often extend this image of the authentic to frame hip-hop as a black expressive culture facing appropriation by a white-controlled record industry. This concept of whiteÁ/black interaction has led white artists either to imitate the rags-to-riches narratives of black artists, as Vanilla Ice did in the fabricated biography he released to the press in 1990, or to invert these narratives, as Eminem does to frame his whiteness as part of his struggle to succeed as a hip-hop artist. -
Selling the Economic Miracle Economic Reconstruction and Politics in West Germany, 1949-1957 Monograph Mark E
MONOGRAPHS IN GERMAN HISTORY VOLUME 18 MONOGRAPHS Selling the Economic Miracle Economic the Selling IN GERMAN HISTORY Selling The Economic Miracle VOLUME 18 Economic Reconstruction and Politics in West Germany, 1949-1957 Mark E. Spicka The origins and nature of the “economic miracle” in Germany in the 1950s continue to attract great interest from historians, economists, and political scientists. Examining election campaign propaganda and various public relations campaigns during this period, the author explores ways that conservative political and economic groups sought to construct and Selling the sell a political meaning of the Social Market Economy and the Economic Miracle, which contributed to conservative electoral success, constructed a Economic new understanding of economics by West German society, and provided legitimacy for the new Federal Republic Germany. In particular, the Miracle author focuses on the Christian Democratic Union/Christian Social Union’s (CDU/CSU) approach to electoral politics, which represented the creation of a more “Americanized” political culture reflected in the Economic Reconstruction borrowing of many techniques in electioneering from the United States, and Politics in West such as public opinion polling and advertising techniques. Germany, 1949-1957 Mark E. Spicka is Associate Professor of History at Shippensburg University in Pennsylvania. He received his Ph.D. from the Ohio State University in 2000 and was a Fulbright Scholar in Germany in 1996/1997. He has published a number of articles that have appeared in German Politics and Society, German Studies Review, and The Historian. Spicka E. Mark Cover Image: “Erhard keeps his promises: Prosperity for all through the social market economy” 1957 Bundestag election poster by Die Waage, Plakatsammlung, BA Koblenz.