Vol. 2 Chap 1 Title
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Regional Rail Service the Vermont Way
DRAFT Regional Rail Service The Vermont Way Authored by Christopher Parker and Carl Fowler November 30, 2017 Contents Contents 2 Executive Summary 4 The Budd Car RDC Advantage 5 Project System Description 6 Routes 6 Schedule 7 Major Employers and Markets 8 Commuter vs. Intercity Designation 10 Project Developer 10 Stakeholders 10 Transportation organizations 10 Town and City Governments 11 Colleges and Universities 11 Resorts 11 Host Railroads 11 Vermont Rail Systems 11 New England Central Railroad 12 Amtrak 12 Possible contract operators 12 Dispatching 13 Liability Insurance 13 Tracks and Right-of-Way 15 Upgraded Track 15 Safety: Grade Crossing Upgrades 15 Proposed Standard 16 Upgrades by segment 16 Cost of Upgrades 17 Safety 19 Platforms and Stations 20 Proposed Stations 20 Existing Stations 22 Construction Methods of New Stations 22 Current and Historical Precedents 25 Rail in Vermont 25 Regional Rail Service in the United States 27 New Mexico 27 Maine 27 Oregon 28 Arizona and Rural New York 28 Rural Massachusetts 28 Executive Summary For more than twenty years various studies have responded to a yearning in Vermont for a regional passenger rail service which would connect Vermont towns and cities. This White Paper, commissioned by Champ P3, LLC reviews the opportunities for and obstacles to delivering rail service at a rural scale appropriate for a rural state. Champ P3 is a mission driven public-private partnership modeled on the Eagle P3 which built Denver’s new commuter rail network. Vermont’s two railroads, Vermont Rail System and Genesee & Wyoming, have experience hosting and operating commuter rail service utilizing Budd cars. -
Guide Des Polices
Guide des polices NPD4628-00 FR Epson Guide des polices Table des matières Droits d’auteur et marques Chapitre 1 Utilisation des polices Epson BarCode Fonts (Windows uniquement)............................................... 5 Configuration requise................................................................ 6 Installation des Epson BarCode Fonts.................................................. 6 Impression à l’aide des Epson BarCode Fonts............................................ 7 Caractéristiques des polices BarCode.................................................. 11 Polices disponibles..................................................................... 21 Mode PCL5....................................................................... 21 Modes ESC/P2 et FX................................................................ 23 Mode I239X....................................................................... 24 Mode PS 3........................................................................ 24 Mode PCL6....................................................................... 26 Impression d’échantillons de polices. .............................................. 28 Ajout de polices........................................................................ 29 Sélection des polices. ........................................................... 29 Chapitre 2 Jeux de symboles Présentation des jeux de symboles......................................................... 30 Mode PCL5.......................................................................... -
TUGBOAT Volume 26, Number 1 / 2005 Practical
TUGBOAT Volume 26, Number 1 / 2005 Practical TEX 2005 Conference Proceedings General Delivery 3 Karl Berry / From the president 3 Barbara Beeton / Editorial comments Old TUGboat issues go electronic; CTAN anouncement archives; Another LATEX manual — for word processor users; Create your own alphabet; Type design exhibition “Letras Latinas”; The cost of a bad proofreader; Looking at the same text in different ways: CSS on the web; Some comments on mathematical typesetting 5 Barbara Beeton / Hyphenation exception log A L TEX 7 Pedro Quaresma / Stacks in TEX Graphics 10 Denis Roegel / Kissing circles: A French romance in MetaPost Software & Tools 17 Tristan Miller / Using the RPM package manager for (LA)TEX packages Practical TEX 2005 29 Conference program, delegates, and sponsors 31 Peter Flom and Tristan Miller / Impressions from PracTEX’05 Keynote 33 Nelson Beebe / The design of TEX and METAFONT: A retrospective Talks 52 Peter Flom / ALATEX fledgling struggles to take flight 56 Anita Schwartz / The art of LATEX problem solving 59 Klaus H¨oppner / Strategies for including graphics in LATEX documents 63 Joseph Hogg / Making a booklet 66 Peter Flynn / LATEX on the Web 68 Andrew Mertz and William Slough / Beamer by example 74 Kaveh Bazargan / Batch Commander: A graphical user interface for TEX 81 David Ignat / Word to LATEX for a large, multi-author scientific paper 85 Tristan Miller / Biblet: A portable BIBTEX bibliography style for generating highly customizable XHTML 97 Abstracts (Allen, Burt, Fehd, Gurari, Janc, Kew, Peter) News 99 Calendar TUG Business 104 Institutional members Advertisements 104 TEX consulting and production services 101 Silmaril Consultants 101 Joe Hogg 101 Carleton Production Centre 102 Personal TEX, Inc. -
In the Vehicle Safety World, High-Tech Appears to Rule Supreme. a Recent MIT Study, Though, Has Proved How
TYPOGRAPHY TYPOGRAPHY Knowledge of all fonts In the vehicle safety world, high-tech appears to rule supreme. A recent MIT study, though, has proved how er Ky Pictures optimising typeface characteristicseiM couldDer s be a simple and hun ryan rG & t aGIN effective method of providingPe iM a significant reduction in ruce Mehler & b , MONOTY ELAB interface demandIT a G and associated distractions Jonathan Dobres,F M b AUTHOR COURTESY o IMAGES e have a strange relationship New Roman or clownish Comic touchscreen by the reader. At the same time, differences between the two typefaces. with typography. Every day Sans. More to the point, few people mounted in the letterforms must not become too Where Frutiger is open, leaving ample we see thousands of words realise that the design of typefaces simulator, with constrained or monotonous, lest the space between letters and the lines composed of millions of – and the way in which their strokes eye-tracking reader’s eye confuse a ‘g’ for a ‘9’. This of individual letterforms, Eurostile is letters. These letterforms and terminations play off each other cameras, an IR tension between legibility, consistency tighter and more closed. Eurostile also Wsurround us, inform us, and entice from letter to letter and word to word illumination pod and variation is at the heart of all enforces a highly consistent squared- us. Yet in our increasingly literate and – can have a significant impact on and the face typographic design. Consider Frutiger off style, while Frutiger allows for information-saturated society, we our ability to read and absorb what video camera – a typeface crafted in the ‘humanist’ more variety in letter proportions take them for granted, and rarely spare they are trying to communicate. -
Typographic Alignment
Typographic Alignment In typesetting and page layout, alignment or range, is the setting of text flow or image placement relative to a page, column (measure), table cell or tab. The type alignment setting is sometimes referred to as text alignment, text justification or type justification. Basic variations There are four basic typographic alignments: ▪ Flush left—the text is aligned along the left margin or gutter, also known as left-aligned or ragged right; ▪ Flush right—the text is aligned along the right margin or gutter, also known as right-aligned or ragged left; ▪ Justified—text is aligned along the left margin, and letter- and word-spacing is adjusted so that the text falls flush with both margins, also known as fully justified or full justification; ▪ Centered—text is aligned to neither the left nor right margin; there is an even gap on each side of each line. Note that alignment does not change the direction in which text is read; however text direction may determine the most commonly used alignment for that script. Flush left In English and most European languages where words are read left-to-right, text is often aligned ‘flush left’, meaning that the text of a paragraph is aligned on the left-hand side with the right- hand side ragged. This is the default style of text alignment on the World Wide Web for left-to-right text. Quotations are often indented. Flush right In other languages that read text right-to-left, such as Arabic and Hebrew, text is commonly aligned ‘flush right’. Additionally, flush- right alignment is used to set off special text in English, such as attributions to authors of quotes printed in books and magazines, and is often used when formatting tables of data. -
Improvements in Surface Transportation Signing
Improvements in Surface Transportation Signing A chronological overview of designs, research and field studies that includes the development of the Clearview type system and related application concepts to improve the consistency, performance, and visual quality of traffic control devices. Prepared for: Mr. Gregory Nadeau Mr. Mark Kehrli Administrator Director Office of the Administrator Transportation Operations Federal Highway Administration Federal Highway Administration Mr. Jeffrey Lindley Mr. Kevin Sylvester Associate Administrator MUTCD Office Office of Operations Federal Highway Administration Federal Highway Administration Prepared by: March 21, 2016 Donald T. Meeker, F. SEGD Meeker & Associates, Inc. Larchmont, NY This body of work started at this sleepy intersection off of I-84 in the state of Oregon. As part of a motorist information project for the Oregon Department of Transportation (ODOT), I was finally forced to look for the answers to questions that I had wondered for years. Why? 1) Why is the structure of this information so eclectic and seemingly dysfunctional? 2) We are taught that mixed case would be more readable (why isn’t book/magazine/newspaper text published in all upper case?); so why are conventional road guide sign destination names in all upper case letters? 3) Why is the destination name on that freeway guide sign so fat? Why does it appear that you can’t fit your finger through the center space of the small “e” and the letterforms chunk up when viewed at a distance? 2 3 A lot of information competing for your attention yet created as if it is to stand alone! And Oregon is not alone. -
Advanced CSS
www.allitebooks.com AdvancED CSS Joseph R. Lewis and Meitar Moscovitz www.allitebooks.com AdvancED CSS Copyright © 2009 by Joseph R. Lewis and Meitar Moscovitz All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner and the publisher. ISBN-13 (pbk): 978-1-4302-1932-3 ISBN-13 (electronic): 978-1-4302-1933-0 Printed and bound in the United States of America 9 8 7 6 5 4 3 2 1 Trademarked names may appear in this book. Rather than use a trademark symbol with every occurrence of a trademarked name, we use the names only in an editorial fashion and to the benefit of the trademark owner, with no intention of infringement of the trademark. Distributed to the book trade worldwide by Springer-Verlag New York, Inc., 233 Spring Street, 6th Floor, New York, NY 10013. Phone 1-800-SPRINGER, fax 201-348-4505, e-mail kn`ano)ju<olnejcan)o^i*_om, or visit sss*olnejcankjheja*_ki. For information on translations, please contact Apress directly at 2855 Telegraph Avenue, Suite 600, Berkeley, CA 94705. Phone 510-549-5930, fax 510-549-5939, e-mail ejbk<]lnaoo*_ki, or visit sss*]lnaoo*_ki. Apress and friends of ED books may be purchased in bulk for academic, corporate, or promotional use. eBook versions and licenses are also available for most titles. For more information, reference our Special Bulk Sales–eBook Licensing web page at dppl6++sss*]lnaoo*_ki+ejbk+^qhgo]hao. -
Typestyle Chart.Pub
TYPESTYLE CHART This is an abbreviated list of the typestyles available from 2/90. ADA fonts are designated with either one or two asterisks. Those with two asterisks comply with ANSI A.117.1 standards for enhanced readability of tactile signage elements. Use typestyle abbreviations in parentheses when placing an order. For additional fonts not on this list, contact Customer Service at 800.777.4310. Albertus (ALC) Commercial Script Connected (CSC) Americana Bold (ABC) *Compacta Bold®2 (CBL) Anglaise Fine Point (AFP) Engineering Standard (ESC) *Antique Olive Nord (AON) *ITC Eras Medium®2 (EMC) *Avant Extra Bold (AXB) *Eurostile Bold (EBC) **Avant Garde (AGM) *Eurostile Bold Extended (EBE) *BemboTM1 (BEC) **Folio Light (FLC) Berling Italic (BIC) *Franklin Gothic (FGC) Bodoni Bold (BBC) *Franklin Gothic Extra Condensed (FGE) Breeze Script Connecting (BSC) ITC Friz Quadrata®2 (FQC) Caslon Adbold (CAC) **Frutiger 55 (F55) Caslon Bold Condensed (CBO) Full Block (FBC) Century Bold (CBC) *Futura Medium (FMC) Charter Oak (COC) ITC Garamond Bold®2 (GBC) City Medium (CME) Garth GraphicTM3 (GGC) Clarendon Medium (CMC) **Gill SansTM1 (GSC) TYPESTYLE CHART (CON’T) Goudy Bold (GBO) *Optima Semi Bold (OSB) Goudy Extra Bold (GEB) Palatino (PAC) *Helvetica Bold (HBO) Palatino Italic (PAI) *Helvetica Bold Condensed (HBC) Radiant Bold Condensed (RBC) *Helvetica Medium (HMC) Rockwell BoldTM1 (RBO) **Helvetica Regular (HRC) Rockwell MediumTM1 (RMC) Highway Gothic B (HGC) Sabon Bold (SBC) ITC Isbell Bold®2 (IBC) *Standard Extended Medium (SEM) Jenson Medium (JMC) Stencil Gothic (SGC) Kestral Connected (KCC) Times Bold (TBC) Koloss (KOC) Time New Roman (TNR) Lectura Bold (LBC) *Transport Heavy (THC) Marker (MAC) Univers 57 (UN5) Melior Semi Bold (MSB) *Univers 65 (UNC) *Monument Block (MBC) *Univers 67 (UN6) Narrow Full Block (NFB) *V.A.G. -
Frutiger (Tipo De Letra) Portal De La Comunidad Actualidad Frutiger Es Una Familia Tipográfica
Iniciar sesión / crear cuenta Artículo Discusión Leer Editar Ver historial Buscar La Fundación Wikimedia está celebrando un referéndum para reunir más información [Ayúdanos traduciendo.] acerca del desarrollo y utilización de una característica optativa y personal de ocultamiento de imágenes. Aprende más y comparte tu punto de vista. Portada Frutiger (tipo de letra) Portal de la comunidad Actualidad Frutiger es una familia tipográfica. Su creador fue el diseñador Adrian Frutiger, suizo nacido en 1928, es uno de los Cambios recientes tipógrafos más prestigiosos del siglo XX. Páginas nuevas El nombre de Frutiger comprende una serie de tipos de letra ideados por el tipógrafo suizo Adrian Frutiger. La primera Página aleatoria Frutiger fue creada a partir del encargo que recibió el tipógrafo, en 1968. Se trataba de diseñar el proyecto de Ayuda señalización de un aeropuerto que se estaba construyendo, el aeropuerto Charles de Gaulle en París. Aunque se Donaciones trataba de una tipografía de palo seco, más tarde se fue ampliando y actualmente consta también de una Frutiger Notificar un error serif y modelos ornamentales de Frutiger. Imprimir/exportar 1 Crear un libro 2 Descargar como PDF 3 Versión para imprimir Contenido [ocultar] Herramientas 1 El nacimiento de un carácter tipográfico de señalización * Diseñador: Adrian Frutiger * Categoría:Palo seco(Thibaudeau, Lineal En otros idiomas 2 Análisis de la tipografía Frutiger (Novarese-DIN 16518) Humanista (Vox- Català 3 Tipos de Frutiger y familias ATypt) * Año: 1976 Deutsch 3.1 Frutiger (1976) -
Guidelines for Bachelor and Master Theses Note 1: the Criteria Mentioned Below Shall Be Seen As Reference Point
Guidelines for Bachelor and Master theses Note 1: The criteria mentioned below shall be seen as reference point. Some topics might require different and/or altered criteria. In these cases, the criteria should be agreed upon individually with the supervisor. Additionally, for theses, which are conducted in cooperation with a corporate partner, the criteria naturally should meet customer needs and therefore should be altered accordingly. Note 2: If a student chooses more than one method (e.g. a survey plus interviews), the mentioned criteria apply to the central method of the theses. Criterion Bachelor Master Number of cited references ~ 30 ~ 60 Citation style Harvard style = parenthetical referencing Style guides are offered by AMA and APA Structure of the theses Same for all types: Cover sheet (from our homepage, with signature) Cover sheet (individually designed) Table of content List of figures (optional) List of tables (optional) Abstract and (optional) Executive Summary a. Empirical Theses Introduction Method Results and Discussion issues b. Literatur Review Introduction Method Results = Review per se General Discussion focusing on managerial/practical implications c. Case Study Introduction Method Alternatives (theory-driven) Analyses of alternatives Discussion Same for all types: Cited references Appendix Formatting Font style Times New Roman Font size 12 pt. Line spacing 1,5-spaced Typographic alignment justified Topics An international scope is desirable Emphasize of the theses Application-oriented Science-oriented Interviews -
Hanlon V. Village of Clarendon Hills
2016 IL App (2d) 151233-U No. 2-15-1233 Order filed August 31, 2016 NOTICE: This order was filed under Supreme Court Rule 23 and may not be cited as precedent by any party except in the limited circumstances allowed under Rule 23(e)(1). ______________________________________________________________________________ IN THE APPELLATE COURT OF ILLINOIS SECOND DISTRICT ______________________________________________________________________________ SUSAN HANLON and PHILIP ALTVATER, ) Appeal from the Circuit Court ) of Du Page County. Plaintiffs-Appellants, ) ) v. ) No. 13-CH-3370 ) THE VILLAGE OF CLARENDON HILLS ) and 88 PARK AVENUE, LLC, ) Honorable ) Terence H. Sheen, Defendants-Appellees. ) Judge, Presiding. ______________________________________________________________________________ JUSTICE BIRKETT delivered the judgment of the court. Justices McLaren and Hudson concurred in the judgment. ORDER ¶ 1 Held: The Village was not required to comply with the procedures set forth in its ordinances where the procedures were self imposed and not required under State statutes; thus, the dismissal of plaintiffs’ claim that the preliminary PUD plan approval had lapsed and the judgment following trial that the Village either had followed or did not need to follow its own procedures was not erroneous. The Village’s grant of preliminary PUD approval was not unreasonable and arbitrary. ¶ 2 Following a bench trial in the circuit court of Du Page County in which the trial court upheld the planned unit development (PUD) of defendant, 88 Park Avenue LLC, and -
Ussc Foundation
USSC FOUNDATION Sign Legibility The Impact of Color and Illumination USSCF ON-PREMISE SIGNS / RESEARCH CONCLUSIONS SIGN LEGIBILITY IMPACT OF COLOR AND ILLUMINATION ON TYPICAL ON-PREMISE SIGN FONT LEGIBILITY A Research Project of the UNITED STATES SIGN COUNCIL FOUNDATION By Beverly Thompson Kuhn Philip M. Garvey Martin T. Pietrucha Of the Pennsylvania Transportation Institute The Pennsylvania State University University Park, PA © 1998 United States Sign Council Fooundation, Inc. All Rights Reserved USSC FO UNDATION Published by the United States Sign Council Foundation as part of its on-going effort to provide a verifiable body of knowledge concerning the optimal usage of signs as a vital source of communicative resource within the built environment For further information concerning the United States Sign Council Foundation and its educational, research, and public awareness activities, contact The United States Sign Council Foundation 211 Radcliffe Street, Bristol, Pennsylvania 19007-5013 215-785-1922 www.usscfoundation.org TABLE OF CONTENTS Page 1. BACKGROUND ........................................................................................................................1 2. RESEARCH OBJECTIVES .......................................................................................................3 3. FIELD RESEARCH ...................................................................................................................5 Overview..............................................................................................................................5