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TOUCHING the VOID Based on the Book by Joe Simpson Adapted by David Greig
Press Release –Monday 15th July 2019 Fiery Angel and Ambassador Theatre Group Productions present the Bristol Old Vic, Royal Lyceum Theatre Edinburgh, Royal & Derngate, Northampton, and Fuel production of TOUCHING THE VOID Based on the book by Joe Simpson Adapted by David Greig IMAGES CAN BE DOWNLOADED HERE TRAILER CAN BE DOWNLOADED HERE • PRODUCERS ANNOUNCE CASTING FOR THE WEST END TRANSFER OF TOM MORRIS’ PRODUCTION OF TOUCHING THE VOID • THE PRODUCTION WILL OPEN IN PREVIEWS AT THE DUKE OF YORK’S THEATRE ON NOVEMBER 9TH WITH AN OPENING NIGHT OF NOVEMBER 14TH • TICKETS ARE ON SALE NOW Casting has today been announced for Touching The Void. Following critically acclaimed runs at the Bristol Old Vic, Royal & Derngate, Northampton, Royal Lyceum Theatre Edinburgh, Hong Kong Festival and on Tour in the UK Tom Morris’ production of Touching the Void will see original cast members Fiona Hampton, Patrick McNamee and Josh Williams return to the show, joined by Angus Yellowlees. The show will open in the West End at the Duke of York’s Theatre previewing from November 9th for a strictly limited season with an opening night of November 14th. Fiona Hampton will play Sarah. Her theatre credits include: Much Ado About Nothing (Shakespeare’s Globe); Tamburlaine (Yellow Earth/Arcola Theatre and UK tour); A Midsummer Night’s Dream (New Wolsey Theatre); Private Lives (Octagon Theatre/New Victoria Theatre); Winter Hill, The Glass Menagerie, Tull, Of Mice and Men, Lighthearted Intercourse (all Octagon Theatre); Don’t Laugh (Cockpit Theatre); Playhouse Creatures (Chichester Festival Theatre); The Changeling (The Production Works/Southwark Playhouse); Roar, Clockheart Boy (Rose Theatre Kingston); The Merchant of Venice (Derby LIVE). -
The-Music-Of-Andrew-Lloyd-Webber Programme.Pdf
Photograph: Yash Rao We’re thrilled to welcome you safely back to Curve for production, in particular Team Curve and Associate this very special Made at Curve concert production of Director Lee Proud, who has been instrumental in The Music of Andrew Lloyd Webber. bringing this show to life. Over the course of his astonishing career, Andrew It’s a joy to welcome Curve Youth and Community has brought to life countless incredible characters Company (CYCC) members back to our stage. Young and stories with his thrilling music, bringing the joy of people are the beating heart of Curve and after such MUSIC BY theatre to millions of people across the world. In the a long time away from the building, it’s wonderful to ANDREW LLOYD WEBBER last 15 months, Andrew has been at the forefront of have them back and part of this production. Guiding conversations surrounding the importance of theatre, our young ensemble with movement direction is our fighting for the survival of our industry and we are Curve Associate Mel Knott and we’re also thrilled CYCC LYRICS BY indebted to him for his tireless advocacy and also for alumna Alyshia Dhakk joins us to perform Pie Jesu, in TIM RICE, DON BLACK, CHARLES HART, CHRISTOPHER HAMPTON, this gift of a show, celebrating musical theatre, artists memory of all those we have lost to the pandemic. GLENN SLATER, DAVID ZIPPEL, RICHARD STILGOE AND JIM STEINMAN and our brilliant, resilient city. Known for its longstanding Through reopening our theatre we are not only able to appreciation of musicals, Leicester plays a key role make live work once more and employ 100s of freelance in this production through Andrew’s pre-recorded DIRECTED BY theatre workers, but we are also able to play an active scenes, filmed on-location in and around Curve by our role in helping our city begin to recover from the impact NIKOLAI FOSTER colleagues at Crosscut Media. -
Top 10 Sa Music 'Media Edia
MUSIC TOP 10 SA MUSIC 'MEDIA EDIA UNITED KINGDOM GERMANY FRANCE ITALY Singles Singles Singles Singles 1 Queen Bohemian Rhapsody/These Are.. (Parlophone) 1 U 96 - Das Boot 1 (Polydor) J.P. Audin/D. Modena - Song Of Ocarina (Delphine) 1 Michael Jackson - Black Or White (Sony Music) 2 Wet Wet Wet - Goodnight Girl (Precious) 2 Michael Jackson - Black Or White (Sony Music) 2 Patrick Bruel - Qui A Le Droit (RCA) 2 G.Michael/E.John - Don't Let The Sun...(Sony Music) 3 The Prodigy - Everybody In The Place (XL) 3 Salt -N -Pepe - Let's Talk About Sex (Metronome) 3 Michael Jackson - Black Or White (Epic) 3 R.Cocciante/P.Turci - E Mi Arriva II Mare (Virgin) 4 Ce Ce Peniston - We Got A Love Thong )ABM) 4 Nirvana - Smells Like Teen Spirit (BMG) 4 Mylene Farmer - Je T'Aime Melancolie (Polydor) 4 Hammer - 2 Legit 2 Quit (EMI) 5 Kiss - God Gave Rock & Roll To ... (Warner Brothers) 5 Monty Python - Always Look On The... (Virgin) 5 Frances Cabrel - Petite Marie (Columbia) 5 D.J. Molella - Revolution (Fri Records) 6 Wonder Stuff - Welcome To The Cheap Seats (Polydor) 6 G./Michael/EJohn - Don't Let The Sun... (Sony Music) 6 Bryan Adams -I Do It For You (Polydor) 6 Bryan Adams -I Do It For You (PolyGram) 7 Kym Sims - Too Blind To See It (east west) 7 Genesis - No Son Of Mine (Virgin) 7Indra - Temptation (Carrere) 7 49ers - Move Your Feet (Media) 8 Des'ree - Feel So High (Dusted Sound) 8 Rozalla - Everybody's Free (Logic) 8 Dorothee - Les Neiges De L'Himalaya (Ariola) 8 LA Style -James Brown Is Dead (Ariola) 9 Kylie Minogue - Give Me A Little (PWL) 9 KLI/Tammy Wynette -Justified.. -
Book Reviews 1988 COMPILED by GEOFFREY TEMPLEMAN
Book Reviews 1988 COMPILED BY GEOFFREY TEMPLEMAN Touching the Void Joe Simpson ]onathan Cape, 1988, Pp174, £10·95 In 1985 Joe Simpson and Simon Yates set out to climb the W face of Siula Grande in the Peruvian Andes. They succeeded in their objective after three days and started on the descent of the N ridge in atrocious snow conditions. After a night on the ridge they continued their slow progress, breaking through cornices and having short falls, until one such fall resulted in Simpson breaking his leg. Yates started lowering Simpson down the W face, and they had almost reached the bottom when Simpson shot off over an overhanging cliff and was left hanging. After a considerable length of time in which nothing could be done, Yates cut the rope. Giving Simpson up for dead, he made his way back to Base Camp and, during the next three days, sorted out Simpson's belongings, burnt his clothes and prepared to leave camp. It was then that Simpson arrived in a state of exhausted delirium, having escaped from the deep crevasse into which he had fallen and crawled and hopped over the long glacier and moraine. The book recounts the story in a graphic and frank way. The psycho logical trauma following the decision to cut the rope; the thoughts engendered by being trapped in a deep crevasse with a broken leg; the embarrassment of the eventual meeting: these things are written about in depth and with a clarity that is only too well understood. You know Simpson will survive, but the tale is like a thriller - I almost said, a cliff-hanger - progressing from one dramatic situation to the next. -
Inventory Acc.13182 Edith Macarthur
Acc.13182 October 2010 Inventory Acc.13182 Edith Macarthur National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, circa 1942-2006, of Edith Macarthur, actor (b.1926). The collection includes scripts, photographs, press cuttings and other items of theatre and television memorabilia. Edith Macarthur’s stage career has taken her to most major producing theatres in Scotland, and to many in England. The variety of her range is demonstrated in the collection, from her early days with respected amateur company, the Ardrossan and Saltcoats Players, to acclaim with prestigious companies such as the Royal Lyceum, Citizens’, Gateway, Bristol Old Vic, Pitlochry Festival, Traverse and Royal Shakespeare. Leading roles in the canon of major plays by Arthur Miller, James Bridie, Anton Chekhov, Eugene O’Neill, Noel Coward and their like, and various acclaimed productions of ‘The Thrie Estaites’, established her stage reputation. Alongside runs a vein of comedy and variety, from the ‘Five Past Eight Shows’ of the 1950s at the Citizens’, to regularly playing Cinderella’s Fairy Godmother in pantomime during the 1980s and 1990s. There is also a considerable body of television work, from early series such as ‘The Borderers’ and ‘Sutherland’s Law’, and the renowned 1970s adaptation of ‘Sunset Song’, to the long-running Scottish Television soap, ‘High Road’. A milestone was the 1993 film ‘The Long Roads’ by John McGrath. At about this time Miss Macarthur was coming to the attention of less mainstream theatre-producers in Scotland. -
Page 1 of 115 WELCOME Welcome to the Theatre Royal & Royal Concert
WELCOME Welcome to the Theatre Royal & Royal Concert Hall’s season brochure, covering February to May 2019. IMPORTANT BOOKING INFORMATION Please be aware that bookings are subject to fees, unless stated otherwise, and that discounts may not be available for certain seating areas and performances. Customers with disabilities, we recommend you check the availability of discounts at the time of booking. Please contact the Box Office for further details. Where fees apply, it is £3 per transaction for orders in person and by phone, £2 per transaction online. Further details are on our website - trch.co.uk/fees. AN UPDATE FROM EMILY MALEN Hello and welcome to the Nottingham Theatre Royal and Royal Concert Hall's events listing for February to May 2019. Page 1 of 115 This listing includes details of forthcoming productions at the Theatre Royal and Royal Concert Hall and well as venue news and information. Forthcoming sign language interpreted performances include RSC’s Romeo & Juliet, Friday 22 February at 7.30pm. Semi-integrated signer provided by RSC. Benidorm Live, Wednesday 27 March at 7.30pm. Interpreted by Laura Miller. Rock of Ages, Thursday 4 April at 7.30pm. Interpreted by Caroline Richardson. Motown the Musical, Thursday 25 April at 7.30pm. Interpreted by Donna Ruane. Forthcoming captioned performances include The Full Monty, Saturday 9 February at 7.30pm. Captioned by Stagetext Page 2 of 115 RSC’s Romeo & Juliet, Saturday 23 February at 1.30pm. Captioned by the RSC. Opera North – The Magic Flute, Saturday 23 March at 7pm. Captioned by Opera North. Benidorm Live, Thursday 28 March at 7.30pm. -
Mario Giammetti Nell’Economia Di Una Band Come I Genesis, Piena Di Virtuosi E Grossi Personaggi, La Figura Di Mike Rutherford È Spesso Un Po’ Nell’Ombra
Mario Giammetti Nell’economia di una band come i Genesis, piena di virtuosi e grossi personaggi, la figura di Mike Rutherford è spesso un po’ nell’ombra. Nella prima fase del gruppo, del resto, il suo ruolo è quello del portatore d’acqua: un bassista solido (e stupidamente sottovalutato), un grande chitarrista ritmico e un innovatore della 12 corde, ma raramente in primo piano. Quando va via Hackett, coraggiosamente si spinge a suonare la chitarra solista pur non possedendo la fluidità necessaria, e questo, se possibile, lo rende ancora più defilato. Ma è solo apparenza. Perché in realtà Rutherford non è soltanto il partner compositivo ideale di Banks, insieme al quale costituisce l’ossatura del suono Genesis di sempre, ma anche la persona capace di prendere le grandi decisioni. Come quando pone fine all’esperienza con Ray Wilson. Un carattere forte e determinato, a dispetto dell’aria rilassata e indolente, che ha finito col regalargli anche un meritato successo semisolistico con Mike & The Mechacnis. Il progetto parallelo di Rutherford ha venduto oltre 10 milioni di dischi in tutto il mondo, e non si arriva a certe cifre solo per affezione a una band gloriosa! Un maestro della melodia (quella di enormi hit come The Living Years, All I Need Is A Miracle, Silent Running e Over My Shoulder), ma anche un grande regista, Mike, capace di pescare talenti dall’ombra e di valorizzarli degnamente. Come nel caso del team compositivo formato con il cantautore BA Robertson e il produttore Chris Neil. Come Paul Carrack e Paul Young, i cantanti che hanno contraddistinto la fase più fortunata dei Mechanics, proprio quest’anno tornati alla ribalta con due nuovi vocalist (Andrew Roachford e Tim Howar). -
AMA Scotland
Culture Republic Royal Scottish National Orchestra University AMA of Glasgow Edinburgh Museums and Galleries Mercat Tours Ltd National Museums Scotland Glasgow Life Dance Base Scottish Scotland Chamber Orchestra Scottish Ensemble Royal Conservatoire of Scotland Culture Perth And Kinross Limited ON with Fife Cultural Trust Cryptic Museums Galleries Scotland Citizens Theatre The Media Shop Scotland The Brunton An Lanntair National Theatre of Scotland Creative Scotland Imaginate Dundee Rep Theatre Scottish Opera Wasps studios Festival & King’s Theatres Edinburgh Lung Ha Theatre Company Dundee Contemporary Arts National Youth Choir of Scotland Leisure and Culture Dundee BBC Scottish Symphony Orchestra Ticketline Perth Theatre & Concert Hall The Gaiety Theatre Cumbernauld Theatre Shetland Arts Development Agency Centre for the Moving Image Eden Court Theatre & Cinema Tron Theatre Edinburgh International Science Festival Puppet Animation Scotland Ambassador Theatre Group Venues Ltd Traverse Theatre YDance Aberdeen Performing Arts Royal Lyceum Theatre Edinburgh The Beacon Museum Red61 Stellar Quines Theatre Company Borderline Theatre Company Youth Theatre Arts Scotland Cultural Enterprise Office Edinburgh International Book Festival Edinburgh Art Festival Scottish Ballet Macrobert Arts Centre Aberdeen City Council Scottish Fisheries Museum Usher Hall Edinburgh International Festival Centre For Contemporary Arts Historic Scotland Falkirk Community Trust “The AMA has been “The AMA works with its Culture Republic Royal Scottish National Orchestra University Join the AMA invaluable in my career and members in Scotland of Glasgow Edinburgh Museums and Galleries Mercat Tours Ltd Join our diverse network of I’m so proud to be giving to help you realise your National Museums Scotland Glasgow Life Dance Base Scottish members working to reach back as a board member. -
What, Me Worry?
Best of Both Fact and Fiction Texts Best of Both 23.07.08_PRINT.indd 1 23/7/08 17:50:45 Editing and activities by Kate Oliver Cover: Blaise Thompson Chapter title pages: Rebecca Scambler Printed by: Gutenberg Press Published by the English and Media Centre, © 2008 ISBN: 978-1-906101-03-9 Thanks to: Barbara Bleiman, Michael Simons and Lucy Webster for help in finding and selecting the texts. Fran Stowell and Rebecca Scambler for help with the text. Kate Chapman & Alison Boardman, Hornsey School for Girls, Laura Knight, Battersea Technology College, Angharad Ryder Owen, Norbury Business and Enterprise College, Nina Rosenzweig, CEA, Islington for advice on the choice of texts. Penguin Books Ltd for ‘Note to Sixth-Grade Self’ by Julia Orringer from How to Breathe Underwater (2005); ‘Chin Up, My Little Angel – Winning is for Losers’ by Jeremy Clarkson from The World According to Clarkson (2005); The Wylie Agency (UK) Ltd for ‘How the Water Feels to the Fishes’ by Dave Eggers from How the Water Feels to the Fishes (2007); Lucinda Roy and Jean Naggar Literary Agency for ‘Seeing Things in the Dark’ by Lucinda Roy from Go Girl! The Black Woman’s Book of Travel and Adventure, ed Elaine Lees (1999); Barbara Bleiman for ‘A Perfect Afternoon’ (2008); Sebastian Coe and London 2012 for ‘My Heroes Were Olympians’ (2005); Jerome Monahan and Stuart Pearce for ‘The Voice Coach’ (2008); Little Brown for ‘Treasure’s Pocket Money’ by Gina Davidson from Treasure – the Trials of a Teenage Terror (1993, 1996); ‘Tournament’ by Matthew Polly from American Shaolin -
Homestar Karaoke Song Book
HomeStar Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 10cc Avril Lavigne Good Morning Judge HSW216-04 Sk8er Boi HSW001-07 2 Play B.A. Robertson So Confused HSW022-10 Bang Bang HSG011-08 50 Cent Bang Bang HSW215-01 In Da Club HSG005-05 Knocked It Off HSG011-10 In Da Club HSW013-06 Knocked It Off HSW215-04 50 Cent & Nate Dogg Kool In The Kaftan HSG011-11 21 Questions HSW013-01 Kool In The Kaftan HSW215-05 ABBA To Be Or Not To Be HSG011-12 Chiquitita HSW257-01 To Be Or Not To Be HSW215-09 Chiquitita SFHS104-01 B.A. Robertson & Maggie Bell Dancing Queen HSW251-04 Hold Me HSG011-09 Does Your Mother Know HSW252-01 Hold Me HSW215-02 Fernando HSW257-03 B2K & P. Diddy Fernando SFHS104-02 Bump, Bump, Bump HSW001-02 Gimme Gimme Gimme (A Man After Midnight) HSW257-04 Baby Bash Gimme Gimme Gimme (A Man After Midnight) SFHS104-04 Suga Suga HSW024-09 I Do, I Do, I Do, I Do, I Do HSW252-03 Bachelors, The I Have A Dream HSW258-01 Chapel In The Moonlight HSW205-03 I Have A Dream SFHS104-05 I Wouldn't Trade You For The World HSW205-09 Knowing Me, Knowing You HSW257-07 Love Me With All Of Your Heart HSW206-02 Knowing Me, Knowing You SFHS104-06 Ramona HSW206-06 Mama Mia HSW251-07 Bad Manners Money, Money, Money HSW252-05 Buona Sara HSW204-02 Name Of The Game, The HSW258-09 Hey Little Girl HSW204-05 Name Of The Game, The SFHS104-13 Just A Feeling HSG011-03 S.O.S. -
Lynsey De Paul
2 don’t understand why so many people are angry with the recent iTunes promotion of U2’s new album. Now, don’t get me wrong. I am not saying this because I am a fan of the band, or because I think it is a remarkable record. It’s not, and I’m not. The band have made much better records in the past, and they have made considerably worse ones. That isn’t the issue. There have been times in my life when I have been quite impressed with the band’s output, although I would never have called myself a true blue fan. But that isn’t the issue either. The issue is why are so many people incensed by the fact that iTunes paid the band an undisclosed sum (said to be in the multiple millions) to send a copy of the record to everybody who had an iTunes account on the day in question? Those beneficiaries included Dear Friends, me, by the way – twice. Welcome to another issue of Gonzo Weekly The album can be removed from your playlists magazine. For the first time in quite a few with a couple of clicks of a mouse, and although issues, our own life has quietened down I believe it is slightly more complicated if you somewhat; Weird Weekends have come and have an iPhone, I truly don’t think it is going to gone, grand-daughters have been born, and we be that much of an issue. are back in the relative safety of our own little sanctum in North Devon. -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint.