Act 2 National Audience Research
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A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears -
Tina Turner Said: “I First Met Aisha During Early Rehearsals for Our Show
AISHA JAWANDO TO PLAY TITLE ROLE IN T I N A - T H E T I N A T U R N E R M U S I C A L AT THE ALDWYCH THEATRE Aisha Jawando, who has been with the Company since its world premiere in Spring 2018, steps up to play the title role in TINA – THE TINA TURNER MUSICAL from 8 October 2019. Having originally played Tina’s sister Alline Bullock, Jawando has subsequently performed the iconic role of Tina at certain performances. Tina Turner said: “I first met Aisha during early rehearsals for our show. She was in our original West End Company playing my sister Alline and I loved her performance. It has been special to watch her journey with us and see the development of her extraordinary talent. I am so pleased that Aisha will now lead our company through its next chapter here in London.” Aisha Jawando said: “I have loved being part of this show from the very beginning, and I am thrilled to have the opportunity to play this exceptional role. Tina Turner is such an inspirational woman and I hope that I continue to make her proud.” Based on the life of legendary artist Tina Turner, TINA – THE TINA TURNER MUSICAL will continue its open-ended run in London at the Aldwych Theatre with new seats on sale this Autumn. Jawando takes on the leading role from Nkeki Obi-Melekwe, who will join the Broadway company later this year to play Tina at certain performances. Adrienne Warren, who originated the role here in the West End, will lead the Broadway cast. -
Family Arts Conference Friday 13 March, Cadogan Hall & Royal Court
Family Arts Conference Friday 13 March, Cadogan Hall & Royal Court Theatre, London Delegate list First Name Surname Job Title Company Sam Adams Marketing Co-ordinator Salisbury Arts Centre Jacob Adams Festival Project Manager Attitude is Everything Jill Adamson Head of Engagement & Learning Hull Truck Theatre Sasha Alsop Development Co-ordinator ITC Olivia Amory Communications Co-ordinatory ITC Fiona Anderson Development Director artsdepot Rosie Angus Project manager, Schools Stellar Libraries CIC Susannah Armitage Producer Vox Motus Imogen Armstrong Director of Business development Family and Childcare Trust Katy Arnander Director of Artistic Programme Sadler's Wells Lucy Bampton Relationship Manager, Engagement and Audiences Arts Council England Chris Batstone Juice Festival Artistic Director NewcastleGateshead Initiative Alison Beattie Producer Story Pocket Theatre Stephen Beeny Communications Manager Half Moon Bryony Bell Learning & Participation Manager The Bridgewater Hall Jill Bennison Festival Co-ordinator Northern Children's Book Festival Neil Bennison Music Programme Manager Theatre Royal Nottingham Sudha Bhuchar Artistic Director Tamasha Theatre Company Annie Biddlecombe Regional Programming Ambassador Theatre Group Sarah Bird Director Wild Rumpus Jessica Birtwistle Marketing Campaigns Officer mac birmingham Charles Bishop General Manager Theatre Centre Christopher Block Participation Administrator Bournemouth Symphony Orchestra Matthew Blyth Audience Development Officer Arts Centre Washington Jay Bourley Theatre Manager ATG: -
Theatre Archive Project
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Stephen Wischhusen – interview transcript Interviewer: Dominic Shellard 4 September 2006 Theatre worker. Donald Albery; audiences; The Boys in the Band; The Caretaker; The Intimate Theatre, Lyceum Theatre Crewe; Palmers Green; lighting; rep; Swansea theatre; theatre criticism; theatre going; theatre owners; tickets and reservations. DS: Can we start by talking about your first experience as a theatre goer with the theatre? SW: My first experiences will have been when I was between the ages of five and seven, and will have been taken by my parents many times. Firstly, I remember going to the Finsbury Park Empire as a birthday treat to see Barbara Kelly in the touring version of Peter Pan. DS: What year would this be? SW: It could have been, I suppose, 1954 - can’t quite remember how old I was, but certainly between ’52 and ’54, and through the fifties going to the theatre was a regular thing. Yes. We had a television, it was bought for me - I suppose as an incentive to recover from pneumonia, and sadly I did recover and they were 51 guineas down the shoot! But we didn’t watch it all the time. There was a choice to be made, it wasn’t on all the time, it was on or it was off, and Saturdays we used to go to Wood Green Empire. Mainly it was taking, I guess, number two tours or number three tours in those days, of West End successes, so we will have seen a play, such as Meet Mr Callaghan… Reluctant Heroes I remember. -
Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
A PSILLAS Biog Audiocraft
Sound Designer: Mr Avgoustos Psillas Avgoustos established AudioCarft Scandinavia in 2020 after 12 years at Autograph Sound in London, where he worked as a sound designer. Autograph Sound is a leading British sound design and equipment hire company, responsible for numerous theatre productions in the UK and abroad, including: Hamilton, Les Misérables, Wicked!, Mamma Mia!, Book of Mormon, Marry Poppins, Matilda, Harry Potter and the cursed child and many others. Avgoustos’ designer credits for musical theatre and theatre: The Sound of Music Stockholm Stadsteater Circus Days and Night Malmö Opera & Circus Cirkör Matilda The Musical Royal Danish Theatre Funny Girl Malmö Opera Sweeney Todd Royal Danish Opera BIG The Musical Dominion Theatre, London Blues in the Night The Kiln Theatre Matilda The Musical Malmö Opera The Ferryman St James Theatre, on Broadway, NY Kiss Me Kate Opera North, London Coliseum Pippin Malmö Opera Elf The Musical The Lowry, Manchester BIG The Musical Theatre Royal Plymouth & Bord Gais, Dublin Oliver! The Curve, Leicester AGES The Old Vic, London Pygmalion Garrick Theatre, London Strangers on a Train Gielgud Theatre, London Spamalot The Harold Pinter Theatre, London Spamalot (Remount) London Playhouse EPIDEMIC The Musical The Old Vic, London Henry V Open Air Theatre Regent’s Park Hobson’s Choice Open Air Theatre Regent’s Park Winter’s Tale Open Air Theatre Regent’s Park AudioCraft Scandinavia AB | Svanvägen 59, 611 62, Nyköping, Sweden e: [email protected] | t: +44 79 50292095 | Organisation no: 559281-2035 | VAT -
Magic Goes Wrong to Miraculously Extend Until August 2020
Press Release: Monday 20th January 2020 MAGIC GOES WRONG TO MIRACULOUSLY EXTEND UNTIL AUGUST 2020 Mischief Theatre, the Olivier award-winning company behind The Play That Goes Wrong, is flabbergasted to announce a new booking period for Magic Goes Wrong, with tickets now on sale until 30th August 2020. Created with magic legends Penn & Teller, this is the second production as part of Mischief Theatre’s residency at the Vaudeville Theatre. In the latest ‘Goes Wrong’ comedy to hit the West End, the original Mischief company play a hapless gang of magicians presenting a charity event. As the accidents spiral out of control, so does their fundraising target! The Magic Goes Wrong cast includes: Bryony Corrigan Spitzmaus Roxy Faridany Eugenia Dave Hearn The Blade Henry Lewis Mind Mangler Jonathan Sayer Mickey Henry Shields Sophisticato Nancy Zamit Bär The cast is completed by Natasha Culley, Lauren Ingram, Laurence Pears, Sydney K Smith and Liv Spencer. Magic Goes Wrong is directed by Adam Meggido, designed by Will Bowen with costume designs by Roberto Surace. Lighting design is by David Howe, with Sound Design by Paul Groothuis and Video & Projection Design by Duncan McLean. Ben Hart is the Magic Consultant. The Composer is Steve Brown, alongside Movement Director Ali James and Associate Director Hannah Sharkey. Mischief Theatre Ltd. was founded in 2008 by a group of acting graduates of LAMDA and began as an improvised comedy group. Mischief performs across the UK and internationally with original scripted and improvised work and also has a programme of workshops. Mischief Theatre’s other current 1 London productions are The Play That Goes Wrong and The Comedy About A Bank Robbery, performing at the Duchess Theatre and Criterion Theatre respectively. -
Inventory Acc.13182 Edith Macarthur
Acc.13182 October 2010 Inventory Acc.13182 Edith Macarthur National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, circa 1942-2006, of Edith Macarthur, actor (b.1926). The collection includes scripts, photographs, press cuttings and other items of theatre and television memorabilia. Edith Macarthur’s stage career has taken her to most major producing theatres in Scotland, and to many in England. The variety of her range is demonstrated in the collection, from her early days with respected amateur company, the Ardrossan and Saltcoats Players, to acclaim with prestigious companies such as the Royal Lyceum, Citizens’, Gateway, Bristol Old Vic, Pitlochry Festival, Traverse and Royal Shakespeare. Leading roles in the canon of major plays by Arthur Miller, James Bridie, Anton Chekhov, Eugene O’Neill, Noel Coward and their like, and various acclaimed productions of ‘The Thrie Estaites’, established her stage reputation. Alongside runs a vein of comedy and variety, from the ‘Five Past Eight Shows’ of the 1950s at the Citizens’, to regularly playing Cinderella’s Fairy Godmother in pantomime during the 1980s and 1990s. There is also a considerable body of television work, from early series such as ‘The Borderers’ and ‘Sutherland’s Law’, and the renowned 1970s adaptation of ‘Sunset Song’, to the long-running Scottish Television soap, ‘High Road’. A milestone was the 1993 film ‘The Long Roads’ by John McGrath. At about this time Miss Macarthur was coming to the attention of less mainstream theatre-producers in Scotland. -
S011630 Brettenham House Brochure V10.Indd
Striking. The Thames & Covent Garden on your doorstep. Brettenham House is a magnificent building adjacent to Waterloo Bridge overlooking the Thames. Its powerful presence is accentuated by its Art Deco façade and positioning on the west side of Lancaster Place. Hyde Park Green Park Mayfair Oxford Street Regent Street Tottenham Court Road St James’s Charing Cross Station Covent Garden Holborn Waterloo Temple CHANCERY LANE HOLBORN CULTURE O R N H O L B H I G H 1 Adelphi Theatre 9 Theatre Royal, Drury Lane 10 M Lincoln’s I 2 Savoy Theatre 10 National Theatre TOTTENHAM COURT ROAD N Inn Fields U 4 Place. T A 3 London Coliseum 11 S E T E Royal Festival Hall T R E S A G S T 4 I L H E S H I G K 4 Noël Coward Theatre 12 Cambridge Theatre 0 The area benefi ts from I 0 N G 5 Garrick Theatre 13 Proud Galleries 15 S W London’s most historic A 6 14 6 Y Lyceum Theatre National Portrait Gallery 5 M theatres, galleries and 7 The Duchess Theatre 15 Southbank Centre IN Seven U 4 8 Dials T A Fortune Theatre E opera houses that are 12 12 S A 4 COVENT GARDEN 8 8 steeped in tradition A 9 7 WINE & DINE 4 0 10 13 16 0 and history. 1 Savoy Kaspar’s 10 Ivy COVENT D Seafood Bar & Grill 11 N 11 R A Inner Cucina Asellina GARDEN 7 4 S T 6 A Temple 2 Savoy American Bar 3 6 5 12 Hawksmoor Seven Dials LEICESTER SQUARE 17 7 Gardens Amenities are unrivalled with some 14 15 4 3 Gordon’s Wine Bar 13 Dishoom 4 8 Somerset House TEMPLE A 3 2 1 1 of the best eateries, hotels and cafés 5 4 Polpo Covent Garden 4 14 Petersham Nurseries Leicester the city has to off er on your doorstep. -
CV Bryan Woltjen 2014
Bryan Woltjen Theatrical Design 72B Deptford High St London SE8 4RT www.bryanwoltjen.com 11/33 Pakenham St Fremantle WA 6160 U.K. +44 (0)786 122 9882 [email protected] Australia +61 (0) 417 960 200 A graduate of the Western Australian Academy of Performing Arts, Bryan has designed set, costume and puppets for a diverse range of theatre makers across Australia, India and the U.K. In 2008 he undertook a series of three residencies across India researching puppetry and devising new works. He is the recipient of two W.A. Equity Guild Awards for Best Set Design: in 2005 for ‘The Visit’ (Black Swan State Theatre Company) and in 2009 for ‘Far Away’ (Black Swan State Theatre Company). Bryan also lectures, facilitates and speaks on Design, Puppetry and Theatre-making. PRODUCTIONS 2014 Designer Mrs Horton’s Finger (creative development) Dirty Market Theatre Designer Dash Arts Dacha (Дача) at Latitude Festival UK directed by Tim Supple & Josephine Burton Designer The Golden Bird directed by Amelia Bird Designer & Maker He Had Hairy Hands for Kill the Beast & The Lowry Puppet Maker Wulamanayuwi & the Seven Pamanui (2014 tour) for Darwin Festival 2013 Set & Costume Designer The Enchanted Story Trail for Rose Theatre Kingston & RHS Wisley Set & Costume Designer Roost for Gomito directed by Amelia Bird Design Consultant Oxbow Lakes for Dirty Market Theatre directed by Georgina Sowerby & Jon Lee Set Designer & Puppet Maker Jennifer Skylark & the Seagull’s Handbook for Greenwich Theatre & Powderkeg Designer After the Tempest for Teatro Vivo directed -
ISPA International Society for the Performing Arts
International Society for the ISPA Performing Arts TODAY’S FUTURE FOR THE ARTS NEW YORK CONGRESS JANUARY 8–10, 2019 Theatre buildings by theatre people for theatre people. Clockwise from top left: Linbury Theatre, Royal Opera House; The Yard at Chicago Shakespeare Theater; Hudson Theatre, Broadway; Studio Theatre, Bristol Old Vic. MESSAGE FROM THE CHAIR OF ISPA Dear Friends, ransitions. We all think about them. Some of us worry about them. But we are all impacted by them. As much as we may try to be present each moment of our days, it is the rare person who does not ponder what comes next. Transitions can be as exhilarating as they are scary. In these times of rapid-fire change and volatility (mostly beyond our personal control), it is Teasy to default to a position of wanting to hang on to what we know. Stay the course. Be steady. Reduce risk. WELCOME Yet continuing to do the same thing that works for us today may be the very act that fails us tomorrow. Our Congress Co-chairs Collette Brennan and Steinunn Ragnarsdóttir have given us a brilliantly provocative theme to consider with an array of thought-leaders from within our field and beyond offering varied perspectives on how we might navigate the inevitability of the transitions we encounter. For me, transitions is a particularly apt theme as I prepare to pass on the chairmanship of ISPA to our colleague Tisa Ho. As an ISPA member for 20 years and board member for most of that time, I have been fortunate to work with so many gifted members who have given selflessly in leading ISPA through incredible Transitions.