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Introduction to "Solaris" Translated from Polish by Lech Keller Stanislaw Lem Is Unquestionably One of the Greatest Authors of SF in the Global History of This Genre
Acta Polonica Monashiensis Volume 2 Number 2 December 2002 Wojciech Kajtoch Introduction to "Solaris" Translated from Polish by Lech Keller Stanislaw Lem is unquestionably one of the greatest authors of SF in the global history of this genre. Thus inclusion of his works to the reading list1 is certainly a gesture, which acknowledges the reality. One could also regard this inclusion as an ennoblement of a genre, so far virtually ignored by the school administration because of its "lowly" origin (i.e. Verne's fantastic novels, targeted mostly for young people, and American "pulp" SF magazines of the 1930s). There are also different claims, namely that "Solaris" (and this novel is virtually unanimously regarded as the best work of Lem, the work, which introduced his works to the list of "must-read" books), is not really SF. The main reason is that "Solaris" can be read and interpreted as a psychological novel, thus in this context Lem is a "real", i.e. "mainstream" writer, actually not much interested in science and technology. In short: Lem is strictly speaking a "high brow" writer, rather than a "lowly" SF writer. It should be also noted the lack of regard to the cultural background (or its arbitrary selection), which was frequent in the interpretation of the post-Second World War literature, and common in the Polish secondary schools habit of reading every literary text as a direct reflection and appraisal of the real world. This way we have compiled a catalogue of the dangers threatening analysis of "Solaris', as it is done at the classes of Polish literature. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Heterotopia of the Film Solaris Directed by Andrei Tarkovski
Heterotopia of the film Solaris directed by Andrei Tarkovski Nicolae Sfetcu April 17, 2019 Sfetcu, Nicolae, "Heterotopia of the film Solaris directed by Andrei Tarkovski", SetThings (April 17, 2019), DOI: 10.13140/RG.2.2.15910.68169, MultiMedia Publishing (ed.), URL = https://www.setthings.com/en/heterotopia-of-the-film-solaris-directed-by-andrei-tarkovski/ Email: [email protected] This article is licensed under a Creative Commons Attribution-NoDerivatives 4.0 International. To view a copy of this license, visit http://creativecommons.org/licenses/by-nd/4.0/. A partial translation of: Sfetcu, Nicolae, "Filmul Solaris, regia Andrei Tarkovsky – Aspecte psihologice și filosofice", SetThings (2 iunie 2018), MultiMedia Publishing (ed.), DOI: 10.13140/RG.2.2.24928.17922, URL = https://www.setthings.com/ro/e-books/filmul-solaris-regia-andrei-tarkovsky-aspecte- psihologice-si-filosofice/ Heterotopia of the film Solaris directed by Andrei Tarkovski Jonathon Rosenbaum notes that Tarkovsky's Solaris, (Andrei Tarkovsky 1972) unlike Lem's novel, (Lem 2012) is rather anti-science fiction than science fiction. (Rosenbaum 1990, 60) Rosenbaum suggests that while the film is denying our archetypal space travel, the main concern is the psychological investigation of Kris Kelvin, while trying to rediscover a lost humanity in the face of technology and science. (Duffy 2003) As Tarkovsky noted, ”l am interested above all in the character who is capable of sacrificing himself and his way of life - regardless of whether that sacrifice is made in the name of spiritual values, or for the sake of someone else, or of his own salvation, or of all these things together.” (Andrey Tarkovsky 1996, 217) Andrew Tarkovsky's Solaris (1972) film can also be approached through the philosophy of mind, of key questions in this area. -
Edinburgh International Festival Society Papers
Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62. -
Inventory Acc.13182 Edith Macarthur
Acc.13182 October 2010 Inventory Acc.13182 Edith Macarthur National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Papers, circa 1942-2006, of Edith Macarthur, actor (b.1926). The collection includes scripts, photographs, press cuttings and other items of theatre and television memorabilia. Edith Macarthur’s stage career has taken her to most major producing theatres in Scotland, and to many in England. The variety of her range is demonstrated in the collection, from her early days with respected amateur company, the Ardrossan and Saltcoats Players, to acclaim with prestigious companies such as the Royal Lyceum, Citizens’, Gateway, Bristol Old Vic, Pitlochry Festival, Traverse and Royal Shakespeare. Leading roles in the canon of major plays by Arthur Miller, James Bridie, Anton Chekhov, Eugene O’Neill, Noel Coward and their like, and various acclaimed productions of ‘The Thrie Estaites’, established her stage reputation. Alongside runs a vein of comedy and variety, from the ‘Five Past Eight Shows’ of the 1950s at the Citizens’, to regularly playing Cinderella’s Fairy Godmother in pantomime during the 1980s and 1990s. There is also a considerable body of television work, from early series such as ‘The Borderers’ and ‘Sutherland’s Law’, and the renowned 1970s adaptation of ‘Sunset Song’, to the long-running Scottish Television soap, ‘High Road’. A milestone was the 1993 film ‘The Long Roads’ by John McGrath. At about this time Miss Macarthur was coming to the attention of less mainstream theatre-producers in Scotland. -
Your Lyceum Season for 2019/20
HELLO AND WELCOME TO YOUR LYCEUM SEASON FOR 2019/20 here’s a moment in Solaris, our opening show of the season, when Tan alien consciousness who has taken human form ruminates on the strange beauty of skin. This carapace which separates us from the rest of the world, but also allows us to experience touch. In this time of division reaching out and connecting with others is more vital than ever. This season all our shows speak to what divides and what unites us – how each of us become ‘we’. The season brings new voices and perspectives to our stage, whether they be from the barber shops of Nigeria, the invisible below-stairs world of a Jane Austen novel, or behind the walls of an infamous psychiatric hospital. We ask who are we and what can bring us together - it could be love, books, music, faith or ideas. Exploring these questions we can promise you, our theatrical community of Season Ticket Holders, a year full of pleasure and joy, wee delights and big questions, a shared experience in a fractured landscape. Photo: Aly Wight David Greig Artistic Director SHOWS INCLUDED IN YOUR SEASON TICKET 12 SEPTEMBER – 5 OCTOBER 2019 12 SEPTEMBER – 5 OCTOBER 2019 Royal Lyceum Theatre Edinburgh SOLARIS and Malthouse Theatre, Melbourne present SOLARIS A new play by David Greig 23 OCTOBER – 9 NOVEMBER 2019 Adapted from Stanisław Lem’s novel Directed by Matthew Lutton It was Malthouse Theatre’s Matthew Lutton who pressed Solaris, BARBER SHOP Stanisław Lem’s 1960s novel, into my hands with a plan that I should adapt it for the stage for him to direct. -
9781474437257 Refocus The
ReFocus: The Films of Andrei Tarkovsky 66616_Toymentsev.indd616_Toymentsev.indd i 112/01/212/01/21 111:211:21 AAMM ReFocus: The International Directors Series Series Editors: Robert Singer, Stefanie Van de Peer, and Gary D. Rhodes Board of advisors: Lizelle Bisschoff (University of Glasgow) Stephanie Hemelryck Donald (University of Lincoln) Anna Misiak (Falmouth University) Des O’Rawe (Queen’s University Belfast) ReFocus is a series of contemporary methodological and theoretical approaches to the interdisciplinary analyses and interpretations of international film directors, from the celebrated to the ignored, in direct relationship to their respective culture—its myths, values, and historical precepts—and the broader parameters of international film history and theory. The series provides a forum for introducing a broad spectrum of directors, working in and establishing movements, trends, cycles, and genres including those historical, currently popular, or emergent, and in need of critical assessment or reassessment. It ignores no director who created a historical space—either in or outside of the studio system—beginning with the origins of cinema and up to the present. ReFocus brings these film directors to a new audience of scholars and general readers of Film Studies. Titles in the series include: ReFocus: The Films of Susanne Bier Edited by Missy Molloy, Mimi Nielsen, and Meryl Shriver-Rice ReFocus: The Films of Francis Veber Keith Corson ReFocus: The Films of Jia Zhangke Maureen Turim and Ying Xiao ReFocus: The Films of Xavier Dolan -
Casting Complete for Goodspeed's Moving New Musical Hi, My Name Is
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] CASTING COMPLETE FOR GOODSPEED’S MOVING NEW MUSICAL HI, MY NAME IS BEN A Modern-Day Fairytale About Communication And Connection Hi, My Name is Ben begins May 17 at The Terris Theatre EAST HADDAM, CONN., APRIL 11, 2019: Goodspeed Musicals continues its commitment to innovative, thought-provoking new works with Hi, My Name is Ben, the inspirational true story of one man who impacted the lives of all those around him without speaking a word. Written by Scott Gilmour and Claire McKenzie while in residence at the Johnny Mercer Writers Colony at Goodspeed, this hope-filled musical will run May 17 – June 9, 2019 at The Terris Theatre in Chester, CT. This production is supported in part by the Richard P. Garmany Fund at the Hartford Foundation for Public Giving The true story of one ordinary man and his extraordinary life. From his tiny room in New York City, Bernhardt Wichmann III changed the lives of those around him without ever speaking a word. Using just his notepad, pen and open heart, Ben turned a neighborhood of strangers into a community of friends, before finally encountering a miracle of his own. Featuring an uplifting, folk-inflected score by award-winning Scottish writing team Noisemaker in association with Dundee Rep, one of Scotland’s leading theatres, this is the story of how one man with nothing somehow changed everything. Ben will be played by Joel Rooks, who has performed in several Broadway shows including Fish in the Dark, The Royal Family, Say Goodnight Gracie, Taller Than a Dwarf, The Tenth Man, The Sisters Rosensweig, and Frankie and Johnny in the Clair de Lune. -
Science Fiction Stories with Good Astronomy & Physics
Science Fiction Stories with Good Astronomy & Physics: A Topical Index Compiled by Andrew Fraknoi (U. of San Francisco, Fromm Institute) Version 7 (2019) © copyright 2019 by Andrew Fraknoi. All rights reserved. Permission to use for any non-profit educational purpose, such as distribution in a classroom, is hereby granted. For any other use, please contact the author. (e-mail: fraknoi {at} fhda {dot} edu) This is a selective list of some short stories and novels that use reasonably accurate science and can be used for teaching or reinforcing astronomy or physics concepts. The titles of short stories are given in quotation marks; only short stories that have been published in book form or are available free on the Web are included. While one book source is given for each short story, note that some of the stories can be found in other collections as well. (See the Internet Speculative Fiction Database, cited at the end, for an easy way to find all the places a particular story has been published.) The author welcomes suggestions for additions to this list, especially if your favorite story with good science is left out. Gregory Benford Octavia Butler Geoff Landis J. Craig Wheeler TOPICS COVERED: Anti-matter Light & Radiation Solar System Archaeoastronomy Mars Space Flight Asteroids Mercury Space Travel Astronomers Meteorites Star Clusters Black Holes Moon Stars Comets Neptune Sun Cosmology Neutrinos Supernovae Dark Matter Neutron Stars Telescopes Exoplanets Physics, Particle Thermodynamics Galaxies Pluto Time Galaxy, The Quantum Mechanics Uranus Gravitational Lenses Quasars Venus Impacts Relativity, Special Interstellar Matter Saturn (and its Moons) Story Collections Jupiter (and its Moons) Science (in general) Life Elsewhere SETI Useful Websites 1 Anti-matter Davies, Paul Fireball. -
Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick's <Em>2001: a Space Odyssey</Em> and Andrei Tark
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-1-2010 Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris Keith Cavedo University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Cavedo, Keith, "Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris" (2010). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/1593 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris by Keith Cavedo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Lawrence Broer, Ph.D. Victor Peppard, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: April 1, 2010 Keywords: Film Studies, Science Fiction Studies, Alien Identity, Human Identity © Copyright 2010, Keith Cavedo Dedication I dedicate this scholarly enterprise with all my heart to my parents, Vicki McCook Cavedo and Raymond Bernard Cavedo, Jr. for their unwavering love, support, and kindness through many difficult years. Each in their own way a lodestar, my parents have guided me to my particular destination. -
Dragonfly Dragonfly
DRAGONFLY STORYTELLING & STORY A ACTINGCTING FOR EARLY YEARS CHILDREN A COMPREHENSIVE PACK FOR EARLY YEARS STAFF INTRINTRODUCTIODUCTIODUCTIONONONON Dragonfly is an intensive Early Years project that uses creative arts to empower the child. The aims of Dragonfly are to place the child at the heart of his or her own learning and enhance the nursery community, making it a community where the children listen and speak freely. Citizens Learning & TAG has been developing the technique for 2 years now and over 800 children aged 3- 5 years have already participated in our programme. Citizens Learning & TAG is one of the major players in the children and young people’s theatre sector in Scotland. TAG is part of the Citizens Theatre in the Gorbals. This pack has been designed for Early Years teachers to use in the classroom. Included in the pack is a step by step guide to the technique, allowing teachers and nursery staff to gain confidence in their ability. There are also examples of stories that real children have told us. These stories may be useful when the technique is first introduced, as it is useful to have a bank of stories at hand. We hope you enjoy using this pack and find it helpful. Your feedback is always welcome and you can contact Citizens Learning & TAG at any time through our website www.tagwww.tag----theatre.co.uktheatre.co.uk or by phoning Angela Smith on 0141 418 6271. THE PROJECT Dragonfly puts play, storytelling and story acting at the heart of the classroom. Each child is granted the space to be listened to and acknowledged. -
Citizens Theatre and Originally Created with the Traverse Theatre
Untitled Projects In association with the Citizens Theatre and originally created with the Traverse Theatre. revisited Photography: Tommy Ga-Ken Wan / Design: After the News Untitled Projects In association with the Citizens Theatre and originally created with the Traverse Theatre. * revisited devised by Stewart Laing *“Theatre of conversation and exchange” http://en.wikipedia.org/wiki/salon_(gathering) Citizens Theatre, Glasgow 15th – 23rd March 2013 Inside The Salon Speakers having spent some time discussing war, death, terror and killing in the media, he Host — Stewart Laing Thanks to the Wellcome Trust for their is now producing a book of love stories Salonnière — Muriel Gray support of our Speakers Programme with his friend Lucretia Chauvel, entitled Salonnière — Donna Rutherford Coup de Foudre. Pianist — Edward Cohen Part of Wonder: Art and Science on Gramophone DJ — Jack Wrigley the Brain Friday 15th March 2013 Major Domo — Edd Crawley 2 Mar-10 Apr Dr Fabienne Collignon Photographer — Tommy Ga-Ken Wan A season to light up the mind with film, Half Lives Singer — Ginny Wilson theatre, music, talks and participation. Fabienne Collignon is a Lecturer in #wonderseason Contemporary Literature at the University Guides barbican.org.uk/wonder of Sheffield. She is particularly interested Lorna Duguid, Christine Hamilton, in American techno-culture and machine Nick Millar, Lesley MacDonald, Thursday 14th March 2013 aesthetics. Her work to date focuses Jana Robert, Steve Slater, Dr Fabienne Collignon mainly on cold war dream weapons and Drew Taylor, Emilia Weber Half Lives their implantations in the land. Fabienne Collignon is a Lecturer in Ushers Contemporary Literature at the University Professor Seth Grant Vasso Georgiadou of Sheffield.