Maple Hill Jr. Pawprint Student Newspaper
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Violent Mercy| [Poems]
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1991 Violent mercy| [Poems] Marnie Bullock The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Bullock, Marnie, "Violent mercy| [Poems]" (1991). Graduate Student Theses, Dissertations, & Professional Papers. 4017. https://scholarworks.umt.edu/etd/4017 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY Copying allowed as provided under provision of the Fair Use Section of the U.S. COPYRIGHT LAW, 1976. Any copying for commercial purposes or financii gain may be undertaken only with the author's written consent. MontanaUniversity of VIOLENT MERCY Mamie Bullock B.A., Southern Illinois University, 1985 M.A., Southern Illinois University, 1989 Presented in partial fulfillment of the requirements for the degree of Master of Fine Arts University of Montana 1991 Approved by Dat UMI Number: EP35909 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Liu Po Shan Student News Issue 1: October 2015 Welcome Readers
Liu Po Shan Student News Issue 1: October 2015 Welcome Readers Dear readers, I would like to wel‐ as: music, sport, food and even a newspaper carefully. come you all to the irst edition of scary school lizard! We have put a Liu Po Shan Student News. his lot of time and effort into these arti‐ We in the Reporters Club have al‐ newspaper has been created by the cles and we are excited to share ready begun working on our form two Reporters Club during the them with you all. Please take the November issue and are excited to month of October. We have written time to read all our articles as we are share more articles with you in the about a wide variety of topics, such sure they will help you learn more future. about some interesting topics. We have also made a scavenger hunt for By he Reporters Club. you, to make sure you have read our Manga Review: read the full story on page 3. he Liu Po Shan Lizard: read the full story on page 12. 2 Liu Po Shan Student News gfCWXYI he lyrics of this song are very warm. Especially sung in Jonghyun's lovely voice. I think it is pretty good for making you guys feel more relaxed. his last song I want to introduce is G ot7's 'if you do'. https:// www.youtube.com/watch? K-POP SPECIAL Today, I am going to talk about some special things about K-pop this September and October. Now let me introduce some new Got7. -
SONG of the YEAR ARTIST/NON-ARTIST SONGWRITER of the YEAR CONTEMPORARY CHRISTIAN SOUTHERN GOSPEL/GOSPEL ARTIST of the YEAR
SONG of the YEAR DIVISION I / Category 1 Rules and Definitions: Candidates for Song of the Year will be determined using data provided by CCLI, Radio Charts (Singing News and BDS) and Soundscan to calculate the most impressions/audience impact across a songwriters body of work based on sales, airplay and church performance during the eligibility period. A craft committee composed of music publishers, producers, radio experts, and label representatives across the CCM, Southern Gospel and Gospel genres will be selected to review the final ten nominees to ensure qualitative (the character of the music) and quantitative (the number of impacting single) credibility of the outcome. A song is ineligible for Song of the Year if it has been in the top ten nominated songs the past two consecutive years or won the previous year. Dove Awards are presented to the songwriter(s) and publisher(s). ARTIST/NON-ARTIST SONGWRITER of the YEAR DIVISION I / Category 2-3 Rules and Definitions: The Songwriter of the Year categories will be determined using data provided by CCLI, Radio Charts (Singing News and BDS) and Soundscan to calculate the most impressions/audience impact across a songwriters body of work based on sales, airplay and church performance during the eligibility period. A craft committee composed of music publishers, producers, radio experts, and label representatives across the CCM, Southern Gospel and Gospel genres will be selected to review the final five nominees to ensure qualitative (the character of the music) and quantitative (the number of impacting single) credibility of the outcome. Category 2 Songwriter (Artist) - A songwriter who is actively recording their own material and came to prominence as a performer. -
No Legion Bingo
FRroAX.JVLT8,19a^ flanr^stnr Ettntbia Snalft Arerage Dailr CtoMatka Tha Wi Pto^baMMOiaCtaAiett a t O. K Appeals Board Crowd Gathers mt Town No Herald Heard Along Main Street 7,451 Tom orrow Grants Pleas And on Some of Manchettor^t Sidm StrooU, Too At Small Fire I from town wko latt for V Mandim tor< ■ A City of ViOagm Charm :UMm^ wttk tbo Int A numbar of mambara of tbo lo-fiwara unnecessary, but took part T- I vp*«leo unit o« UotTiMO- Three Exceptions'^ to cal Legion Poet are burned up at enthuaiaatically Just bacauae it Department Called at (FOURTEEN PAGES) PRICE THREE ____ifrookOBny VCOomtfor- NTo issue of the Manches the ca^v a) situation in town. And waa a lark and gave them a few VOL.LXL.n o . 235 to). MANCHBSTML CONN., MONDAY, JULY t, 1942 Oourant roporUr ter Evening Herald will Zoning Regulations the Legion isn’t alone In the' peeve. minutes out of school. Hour 'When Woihers - tb «it*o a Croat life, but be published tomorrow. Made at Meeting. Other organisations that~ would Came that filtaful day in Octo Returned to Town. aro woakonfaic " like to conduct camlvala can’t un ber, 1013, when the big school ■/ Independence Day. caught fire. Moat of the school Three exceptions to sonlng reg- derstand why they were tcM by lo Oantar Hbaa No, 8 of Fourdi of Jnty *Flrewor]u* in Europe rir„-r , , tO»bly, OOtbOUC cal pollca authoritlea that they kids thought It waa Just another ulaUons were granted lest night by driU and they filed out of the Manchester Fire Department waa lof Ooluabut, wU Bloottbla the Zoning Board of Appeals, one could not bring organised carni l|British Force Enemy called at< 11:20 last night to the at t o’clock, in front of vals or "shows” to town, and yet building in perfect order. -
A Championship Title for Kelly Gerber and DHR Whatta Money Man At
JUNE 13, 2017 Volume 11: Issue 32 In this issue... • Dash For Dollars Futurity, pg 13 • The American Qualifier #5, pg 24 • Pro Rodeos & World Standings, pg 25 fast horses, fast news • Great Lakes National NBHA, pg 33 Published Weekly Online at www.BarrelRacingReport.com - Since 2007 A Championship Title for Kelly Gerber and DHR Whatta Money Man at Bonus Race Finals By Tanya Randall Kelly Gerber and DHR Whatta Money Man (“Dinero”) claimed ASH OR ASH the a $6,112 1D Championship at the Bonus Race Finals, held June ASH OR ERKS D F C D F P SI 114 8-11 at the Lancaster Events Center in Lincoln, Neb. SI 93 “We’ve been reserve or third at so many big races, but we’ve PERKS finally got our big title,” said Gerber. The duo from Fairbury, Ill., OH WHATTA BOY SI 87 SI 86 were also second at last year’s Bonus Race Finals. DISCO JERRY On their first run on Saturday, Gerber and Dinero turned in a OH WHAT A ROSE TB 16.183, which ended up placing eighth for an additional $2,401. “I didn’t run in the Open, so I could focus on the Bonus,” noted FIRST A ROSE Gerber. “My first run, he blew off the third, so my goal on Sunday DHR WHATTA MONEY MAN SI 101 was to improve that barrel. On Sunday, he crowded the first and I 2006 BAY GELDING had to hold him off of it and I thought there was no way he could BENNIES BIG RED recover from that. -
Pianodisc Music Catalog.Pdf
Welcome Welcome to the latest edition of PianoDisc's Music Catalog. Inside you’ll find thousands of songs in every genre of music. Not only is PianoDisc the leading manufacturer of piano player sys- tems, but our collection of music software is unrivaled in the indus- try. The highlight of our library is the Artist Series, an outstanding collection of music performed by the some of the world's finest pianists. You’ll find recordings by Peter Nero, Floyd Cramer, Steve Allen and dozens of Grammy and Emmy winners, Billboard Top Ten artists and the winners of major international piano competi- tions. Since we're constantly adding new music to our library, the most up-to-date listing of available music is on our website, on the Emusic pages, at www.PianoDisc.com. There you can see each indi- vidual disc with complete song listings and artist biographies (when applicable) and also purchase discs online. You can also order by calling 800-566-DISC. For those who are new to PianoDisc, below is a brief explana- tion of the terms you will find in the catalog: PD/CD/OP: There are three PianoDisc software formats: PD represents the 3.5" floppy disk format; CD represents PianoDisc's specially-formatted CDs; OP represents data disks for the Opus system only. MusiConnect: A Windows software utility that allows Opus7 downloadable music to be burned to CD via iTunes. Acoustic: These are piano-only recordings. Live/Orchestrated: These CD recordings feature live accom- paniment by everything from vocals or a single instrument to a full-symphony orchestra. -
A Bases for Generating an Integrable Music Video Annotation Search
Title Piece : a bases for generating an integrable music video annotation search system Sub Title Author Mannschreck, Ryan Nicole Kunze, Kai Publisher 慶應義塾大学大学院メディアデザイン研究科 Publication year 2018 Jtitle Abstract Notes 修士学位論文. 2018年度メディアデザイン学 第655号 Genre Thesis or Dissertation URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=KO40001001-0000201 8-0655 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または出版社/発行者に帰属し、その権利は著作権法によって 保護されています。引用にあたっては、著作権法を遵守してご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. When quoting the content, please follow the Japanese copyright act. Powered by TCPDF (www.tcpdf.org) Master's Thesis Academic Year 2018 Piece: A Bases for Generating an Integrable Music Video Annotation Search System Graduate School of Media Design, Keio University Ryan Nicole Mannschreck A Master's Thesis submitted to Graduate School of Media Design, Keio University in partial fulfillment of the requirements for the degree of MASTER of Media Design Ryan Nicole Mannschreck Thesis Committee: Associate Professor Kai Kunze (Supervisor) Professor Matthew Waldman (Co-Supervisor) Professor Naohito Okude (Member) Abstract of Master's Thesis of Academic Year 2018 Piece: A Bases for Generating an Integrable Music Video Annotation Search System Category: Design Summary Picture in your mind's eye a music video that intrigued you. Whether it was the vibrant colors, the timely choreography set to the rhythmic beat, or the pretty face emoting, place that into your mind. You want to see it again. Enjoy those five minutes one more time. -
WASSUP??? April 2019
WASSUP??? April 2019 VOLUNTEER AWARD WINNERS Volunteer of the Quarter Awards: Team Chiefs, though award winners have not been selected for a while, please keep on submitting your choice for Volunteer of the Quarter and Volunteer of the Year according to the following schedule. To all Team Chiefs, please make your nominations for the Volunteer of the Quarter awards to Lou Nigro no later than (NLT) the 15th day of March, June, September, and December. If we do not receive nominations by the date above of each of the specified quarters, we will not name a Volunteer of the Quarter. NEW VOLUNTEERS We are continuously blessed with new people volunteering their time to help us here at the Museum. Since the last issue of the WASSUP, we have not added to our team of volunteers. The Museum is always looking for a “few good men & women” to add to our team. Please recruit your family members to volunteer @ the Museum. We are always in need of weekend docents especially and a couple of our Tuesday/Friday teams are also in desperate need of volunteers. LONG-TERM MUSEUM VISITORS PASSES For those who do not use a Government ID card to access the Base, a revised list of volunteers have been sent to the Base Access Control Officer for the new Defense Biometric Identification System (DBIDS) card that will allow you access to the base. This list includes the name of volunteer’s spouses, if applicable, or the parent/guardian of volunteers who have not already reached driving age. The Air Force-mandated background check on the individuals listed will be accomplished, at the Visitor’s Center when the DBIDS card is issued. -
"Ersatz As the Day Is Long": Japanese Popular
“ERSATZ AS THE DAY IS LONG”: JAPANESE POPULAR MUSIC, THE STRUGGLE FOR AUTHNETICITY, AND COLD WAR ORIENTALISM Robyn P. Perry A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Committee: Walter Grunden, Advisor Jeremy Wallach © 2021 Robyn P. Perry All Rights Reserve iii ABSTRACT Walter Grunden, Advisor During the Allied Occupation of Japan, Supreme Commander for the Allied Powers (SCAP) Douglas MacArthur set forth on a mission to Americanize Japan. One way SCAP decided this could be done was by utilizing forms of media that were already popular in Japan, particularly the radio. The Far East Network (FEN), a network of American military radio and television stations in Japan, Okinawa, Guam, and the Philippines, began to broadcast American country & western music. By the early 1950s, Japanese country & western ensembles would begin to form, which initiated the evolution toward modern J-pop. During the first two decades of the Cold War, performers of various postwar subgenres of early Japanese rock (or J-rock), including country & western, rockabilly, kayōkyoku, eleki, and Group Sounds, would attempt to break into markets in the West. While some of these performers floundered, others were able to walk side-by-side with several Western greats or even become stars in their own right, such as when Kyu Sakamoto produced a number one hit in the United States with his “Sukiyaki” in 1963. The way that these Japanese popular music performers were perceived in the West, primarily in the United States, was rooted in centuries of Orientalist preconceptions about Japanese people, Japanese culture, and Japan that had recently been recalibrated to reflect the ethos of the Cold War. -
Downloading and Streaming Has Been Taking a Toll on Music Producers and Artists
UC Berkeley Berkeley Undergraduate Journal Title Feminist Fans and Their Connective Action on Twitter K-Pop Fandom Permalink https://escholarship.org/uc/item/4c09h7w1 Journal Berkeley Undergraduate Journal, 33(1) ISSN 1099-5331 Author Lee, Yena Publication Date 2019 DOI 10.5070/B3331044275 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Berkeley Undergraduate Journal 1 FEMINIST FANS AND THEIR CONNECTIVE ACTION ON TWITTER K-POP FANDOM By Yena Lee Feminist Fans and Their Connective Action on Twitter K-pop Fandom 2 Berkeley Undergraduate Journal 3 fandoms5. Mel Stanfill6 questions the broad tendency in fandom studies to cast fans as rebels by showing how fans not only comply but also reinforce the stereotypes that mainstream culture projects against fans. In the same Introduction vein, Sophie Charlotte van de Goor7 reveals the constructed nature of fan communities by studying how members of 4chan/co/ and Supernatural slash communities adhere to the internalized notions of “normal behavior” as The past three years have been a time of painful awakening for Korea as the country has witnessed an unprece- defined by mainstream distinctions of good and bad fan practices. By analyzing the feminist counterpublic on dented polemical gender war in Korean society. Within the K-pop fandom, a series of fan-initiated hashtags such Twitter K-pop fandom in relation to the fandom discourse surrounding the movement, this research expands upon as #WeWantBTSFeedback have publicized the demand for feedback for issues of misogyny in idol start texts1 the aforementioned studies on intra-fandom tension to explore how some K-pop fans protested against and even and the K-pop industry. -
Fruits & Vegetables
ARTICHOKE ‘Imperial Star’ Sweet, mild flavored buds are round and thornless. Harvest at 4½” for best flavor. This is a new variety that produces big crops. Full sun and well-drained soil ANNUAL rich in organic matter. Fruits & Vegetables, Berries 3.25” pot $2.49/ Large Milaeger Pot $9.99 Herbs, and Fruit Trees ASPARAGUS ‘Jersey Knight’ PRICE GUIDE 2014 We’ve chose a top rated early bearing variety which features delicious green spears that are perfect for eating fresh. Disease resistant and easy to grow. Table of Contents: Jersey Giant will produce for years to come. Hardy in Fruits & Vegetables ... page 1 all zones. Matures in 2-3 years. Large Milaeger pot $11.99 (3 plants per pot) Tomatoes ...................... page 12 Herbs ............................. page 27 BEAN Berries ........................... page 32 ‘Blue Lake Bush’ A dependable, delicious variety. Heavy crop of Fruit Trees ................... page 35 tender, tasty beans. Ideal for fresh, cooked, freezing or canning. Best in sun with loose, loamy soil. Plump tender pods. Modern hybrid. 58 days. Prices and pot ‘Blue Lake Pole’ A dependable, delicious variety. Heavy crop of tender, tasty stringless beans. Pole beans yield longer sizes are subject than bush – up to frost. Ideal for fresh cooked, freezing or canning. Best in sun with loose, loamy soil. to change. Plant 4-6” apart at the base of poles, fences or trellis. Modern hybrid. 64 days. ‘Butterbean’ (Edamame) Edamame (ed-uh-mah-may) are immature soybeans in FRUITS & VEGETABLES the pod. They are commonly found in China and Japan 3 cell pack $1.99 and rapidly gaining popularity in the US.