Buffalo Bill's Wild West Warriors

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Buffalo Bill's Wild West Warriors MEMBERS NEWSLETTER Volume 21, Number 6 November/December 2013 Buffalo Bill’s Wild West Warriors Photographs by Gertrude Käsebier 1 DIRECTor’s reporT Reflections on the Partnership between the City and The University of Tulsa By any measure, the progress The university provides support services for the museum MEMBERS NEWSLETTER of Gilcrease Museum in the last including accounting, maintenance, groundskeeping, Volume 21, Number 6 November/December 2013 five years has been nothing short of fundraising, and administration as contributions at a level remarkable. July 1, 2013 marked the that the museum and city would otherwise not be able to fifth anniversary of the partnership afford. The university has undertaken capital improvements In this Issue between the City of Tulsa and The that go beyond any obligation required under the University of Tulsa to manage and management agreement including renovations of the Vista strengthen Gilcrease Museum. It was Room, the restaurant and food services operations, exterior also the midway point in the 10-year signage, and grounds improvements. Dr. Duane H. King management agreement that has The City of Tulsa has benefitted by having its museum, been transformative for the museum. The partnership has one of the true treasures of Tulsa, funded and operated at substantially benefitted the museum, the university and the the highest level in its history with minimal impact on the city. The commitment to and the success of this partnership city’s budget. has facilitated the achievements made on every front. For years, Gilcrease Museum was known as one of The primary reason for this is the confidence that the Tulsa’s best kept secrets, operating hand-to-mouth on philanthropic community has had in the partnership and precariously limited funding. In 2008, Gilcrease began a the success the museum and the university have had in transition into a more vibrant and dynamic museum. Today, Joseph Henry Sharp, Studio Visitors Ceramic Jar oil on canvas, GM 0137.509 Acoma Pueblo, early 20th century obtaining support from government and private funding it is seen as an institution of national importance telling the clay and pigment, GM 54.4394 agencies for various programs. Since the partnership story of the American experience through its preeminent was announced in 2008, the museum’s benefactors collections of art, artifacts and archival records. It has have contributed more than $55.5 million in support of reaffirmed its status as the pride of Tulsa with beautiful museum operations, programs and capital improvements. grounds including 10 themed gardens surrounding the FEATURES More than half of this amount — $28.2 million — has museum. 4 been contributed in support of the Helmerich Center for As we look toward the future with optimism about the Wild West Warriors American Research now under construction just south of fulfillment of goals and meeting higher expectations, we are Historic images by renowned photographer the main museum building. cognizant of the fact that the advances that have been made Gertrude Käsebier will be on exhibit at The City of Tulsa has taken seriously its obligation to in recent years would not have been possible without the Gilcrease Museum. maintain the museum building and care for the collections. unwavering support of the City of Tulsa, The University The city supports improvements to the museum’s of Tulsa, the National Board, the Gilcrease Council, the infrastructure through appropriations from the 3rd Penny Trustees, donors, benefactors, members and constituencies. Sales Tax, capital improvement projects and bond issues. We are also mindful that the outpouring of support from the 7 The recent “Improve Our Tulsa” package on the ballot private sector results from confidence in a shared vision to Museum Store Events Nov. 12 included more than $9 million for museum elevate Gilcrease Museum to the next level. November and December bring special sales improvements. at the Museum Store including the Gene Waddell Jewelry Trunk Show, and annual As we reflect on the fifth anniversary of the partnership A special event for members is set for December 4. “A Conversation with Thomas between the city and university, we can appreciate the bronze and members sales. Gilcrease” featuring Doug Watson, Chautauqua performer, will be held at 2:30 p.m. benefits that it has brought to all parties. The university has Duane King See page 11 for more details. created a master’s degree program in museum science and Executive Director of Gilcrease Museum and management and is currently training the next generation TU Vice President for Museum Affairs DEPARTMENTS of museum professionals through quality classroom instruction and practical museum experience. More than 8 Zarrow Programs 40 active points of collaboration have been established 9 Education between the museum and 19 academic departments at TU. ON THE COVER Art and anthropology students have internships at Gilcrease, 14 Calendar Zitkala-Sa, Sioux Indian, photograph by Gertrude Käsebier. Photographs by and museum resources have been incorporated into the Käsebier will be on display at Gilcrease beginning November 24. See page 4 for more curriculum of a number of classes. information. GILCREASE NEWSLETTER GILCREASE NEWSLETTER 2 3 Historic images by renowned photographer Gertrude Käsebier to be exhibited at Gilcrease Museum In 1898, New York photographer Gertrude Käsebier watched the grand parade of Buffalo Bill’s Wild West show on its way to Madison Square Garden. Inspired by what she saw in the parade, Käsebier began a special project photographing the Lakota (Sioux) who where traveling with the show. The result was a set of prints that are among the most compelling of Käsebier’s celebrated body of work. Buffalo Bill’s Wild West Warriors: Photographs by Gertrude Käsebier will be on display at Gilcrease Museum from November 24, 2013 through February 2, 2014. The exhibition features more than 40 original platinum and gum-bichromate photographs printed from the original glass negatives, pictograph drawings made by the Gertrude Käsebier Joe Black Fox, Sioux Indian, photograph, ca. 1898 Lakota (Sioux) while at Käsebier’s studio and other items Smithsonian Institution, National Museum of American History, Kenneth E. Behring Center representing Buffalo Bill’s Wild West show from collections PG*69.236.022, 287543 at the Smithsonian and the Buffalo Bill Historical Center in Cody, Wyoming. The National Museum of American History’s Photographic History Collection has preserved more than 100 of Käsebier’s photos. A member preview of the exhibition is set for November BUFFALO BILL’s 23 from 10:00 a.m. to 3:00 p.m. That same afternoon at 2:00 p.m., Michelle Delaney, director of the Consortium for Understanding the American Experience for the Smithsonian Institution, will speak on the life and work of Gertrude Käsebier. Käsebier (1852-1934) was raised in the Plains territory WILD WEST of Iowa and Colorado. She eventually moved to New York City with her mother, where she married Edward Käsebier in 1873. Though she had long been interested in art, Käsebier only began her formal training after her children entered high school. In 1888, she enrolled in the Pratt Institute to study painting and photography. Käsebier WARRIORS explored the creative and technical aspects of photography. Following classes in Paris and apprenticeships with a Photographs by German photographic chemist and a Brooklyn portrait Gertrude Käsebier photographer, Käsebier opened her first professional studio Platinum Portrait of American Horse and wife, Sioux Indians Gertrude Käsebier photograph, ca. 1898, Smithsonian Institution, National Museum of American History, in 1898 in New York City. Kenneth E. Behring Center PG*69.236.089, 287543 GILCREASE NEWSLETTER Gertrude Käsebier GILCREASE NEWSLETTER Plenty Wounds, Sioux Indian, photograph, ca. 1898 4 Smithsonian Institution, National Museum of American History, 5 Kenneth E. Behring Center PG*69.236.094, 287543 Gertrude Käsebier Gilcrease Museum Store Events Zitkala Sa, Sioux Indian and activist photograph, ca. 1898 Smithsonian Institution, National Museum of American History, Kenneth E. Behring Center PG*69.236.103, 287543PG*69.236.103, 287543 Annual Bronze Sale November 22 – 24, 2013 The Gene Waddell All bronze sculptures in the Jewelry Trunk Show Museum Store are November 16 – 17, 2013 30 percent off. As a third generation trading company, Waddell No other discounts Trading has developed into one of the finest Indian apply. jewelry traders in the country. Waddell features the finest in historic contemporary jewelry with an eye to collector quality natural southwestern turquoise. What Käsebier was a leading member of the pioneering photographic makes Waddell Trading so unique is the quality of the movement known as pictorialism, which emphasized a subjective, jewelry created by the master jewelers they feature and painterly approach to photography rather than a documentary represent. one. She achieved immediate success — attracting wealthy clients, Come shop the trunk show for gifts for that special exhibiting her work, and receiving enthusiastic reviews. In addition someone. Outlaw, to portraits, Käsebier produced photographic landscapes and figure by Frederic Remington studies. In 1902, Käsebier joined noted American photographer Alfred Stieglitz and others to found the Photo-Secession, an organization Annual Members Sale Celebrate the Season that promoted pictorialism. Käsebier was an active member of December 6 – 8, 2013 Stieglitz’s circle, which included Edward Steichen and Clarence Give the Gift of Membership White. Her work was featured in the inaugural issue of Steiglitz’s All Members receive 25 percent off all store Share the gift of art and discovery with family, friends, periodical Camera Work, and she had an important exhibition at merchandise. Excludes marked down items. colleagues, teachers and others on your list. A Gilcrease 291, Stieglitz’s radical New York gallery. The Museum Store is a great place to purchase holiday Museum Gift Membership lasts 365 days and includes By 1907 she had begun to drift from the Photo-Secession, gifts.
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