Identity Politics Redux
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QUEER FILM Anniversary FESTIVAL #BQFF2019
THE BANGALORE 10th QUEER FILM Anniversary FESTIVAL #BQFF2019 I'm crying cuz I love you We’ve turned ten! And we didn’t make it so far on our own. One of the several perks of being a volunteer-run, community- funded event has been that friends from the community and of the community have come in, rolled up their sleeves, hitched up their hemlines and taken charge over the many years. From the first public film festival called ‘Bangalored’, held with our signature spread of mattresses at the Attakkalari Studios and helmed by the good folks of Pedestrian Pictures, Swabhava’s Vinay Chandran (who remains the longest- running festival director), Sangama, and the funding prowess of Bangalore’s former party starter Abhishek Agarwal, to the smaller festivals organised at a screening room in the Sona Towers, to its present avatar as the Bangalore Queer Film Festival – this festival has become its own beauty, its own beast. Over this decade-long journey, we’ve been held and nurtured by support groups like Good As You, We’re Here And Queer and All Sorts of Queers; individuals like Karthik Vaidyanathan, Nanju Reddy and Siddharth Narrain (who were part of the organising team in the early editions) and organisations like the Alliance Française de Bangalore and Goethe Institut/Max Mueller Bhavan. A question that everyone involved with the festival asks at its end: How did we make this happen again? And while we’ve come up with lots of lies to drive out these doubts, in truth: we have no real idea. -
2018 Holds a Spectacular Lineup of Films from All Around the World in Store for You, and Two Special Performances
“IT MUST BE LOVE ON THE BRAIN” “IT MUST BE LOVE ON THE BRAIN” t the 9th edition of BQFF, hosted along with our beloved partners the Goethe-Institut/Max Mueller Bhavan (GI / MMB), we present a staggering A89 films from over 30 countries. Like every previous year, this year’s festival will be breathless, wild, fun, strange and intense. It will put you on social overdrive, because let’s face it: some of you come just to meet your friends. Watch out for our three specially curated packages. One set of films brought to us by GI / MMB, including our Saturday night Centrepiece, Ein Weg (Paths), comes from the prestigious Berlinale festival in Germany. Another package of LGBT shorts from the UK is brought to us by a British Council international touring programme in association with BFI Flare. For the second time in our history, BQFF is collaborating with the film curator and archivist Thomas Waugh, founder-director of the Queer Media Database Canada-Québec. He will introduce and screen a package called “I Confess”, autobiographical shorts from the Canadian Queer Film Archive. This year we have something über special to announce: in 2017 The Bangalore Queer Festival Trust was set up as an independent entity that will work solely for the festival in the years to come, starting with the 10th Anniversay splash in 2019! We hope you will all stay with as collaborators, supporters, film lovers, performers and just generally a marvellously ragtag bunch of travellers in the future! To give you a quick recap of last year’s festival, BQFF 2017 (24-26 February 2017) was held at Alliance Française de Bangalore and the Goethe-Institut /Max Mueller Bhavan. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title The Politics of Describing Pleasure: The Discursive Limits of Categorizing Feminist and Queer Pornography Permalink https://escholarship.org/uc/item/9p49913c Author Moll, Cooper Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Politics of Describing Pleasure: The Discursive Limits of Categorizing Feminist and Queer Pornography A thesis submitted in partial satisfaction of the requirements for the degree Master of Library and Information Science in Information Studies by Cooper Thorson Moll 2017 © Copyright by Cooper Thorson Moll 2017 ABSTRACT OF THE THESIS The Politics of Describing Pleasure: The Discursive Limits of Categorizing Feminist and Queer Pornography by Cooper Thorson Moll Master of Library and Information Science University of California Los Angeles, 2017 Professor Michelle L. Caswell, Chair This master’s thesis explores the stability and ramifications of two emergent categories of pornography: namely, feminist pornography and queer pornography. Though these terms— feminist and queer—have histories that connote resistance and disruption, they have been controlled and institutionalized in pornography to create a broader visibility and a deeper impact. These terms are analyzed in relation to two institutions that seek to control their meanings—the Feminist Porn Awards (FPAs) and PinkLabel.tv—and fourteen pornography studios that identify with either or both labels. I collected data from preexisting documents by implementing a content analysis. Two crucial findings suggest that 1) despite the foundational tenets of feminist and queer porn, as outlined by the FPAs and PinkLabel.tv, the studios did not always abide by them, and 2) strategic essentialism is a mode of temporarily fixing these categories to wield power in resistance to the naturalized mainstream power. -
Alternative Pornographies, Regulatory Fantasies and Resistance Politics
Alternative Pornographies, Regulatory Fantasies and Resistance Politics Zahra Zsuzsanna Stardust Bachelor of Arts (History) (University of Sydney) Bachelor of Laws (Hons) (University of Sydney) Master of Arts (Gender and Cultural Studies) (University of Sydney) Thesis submitted to fulfil requirements of a Doctor of Philosophy in the School of Arts and Media at the University of New South Wales. March 2019. Supervised by Professor Ramaswami Harindranath, Dr Daniel Joyce and Professor Kath Albury. 1 Contents Dissertation sheet ............................................................................................................................................ 5 Originality Statement ....................................................................................................................................... 6 Inclusion of Publications Statement .................................................................................................................. 7 Copyright and Authenticity Statement .............................................................................................................. 8 Abstract ........................................................................................................................................................... 9 Acknowledgements ........................................................................................................................................ 10 Relevant Publications and Presentations Arising from this Research .............................................................. -
Women's Sex/Porn Sanctuaries and Social Movements in Hong Kong and San Francisco
Porn Studies ISSN: 2326-8743 (Print) 2326-8751 (Online) Journal homepage: http://www.tandfonline.com/loi/rprn20 Women's sex/porn sanctuaries and social movements in Hong Kong and San Francisco Katrien Jacobs To cite this article: Katrien Jacobs (2018): Women's sex/porn sanctuaries and social movements in Hong Kong and San Francisco, Porn Studies, DOI: 10.1080/23268743.2018.1437998 To link to this article: https://doi.org/10.1080/23268743.2018.1437998 Published online: 07 Mar 2018. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rprn20 PORN STUDIES, 2018 https://doi.org/10.1080/23268743.2018.1437998 Women’s sex/porn sanctuaries and social movements in Hong Kong and San Francisco Katrien Jacobs Department of Cultural and Religious Studies, Chinese University of Hong Kong, Hong Kong ABSTRACT ARTICLE HISTORY This article analyzes the views and activities of sex activists and Received 5 July 2017 entrepreneurs in Hong Kong and San Francisco who were Accepted 5 February 2018 interviewed about the topic of queer and feminist pornography KEYWORDS and its relationship to social movements. Hong Kong in recent Hong Kong; San Francisco; years has become an exemplary East Asian protest site where pornography; feminism; questions of feminism, LGBTQ rights and erotic entertainment are LGBTQ; social activism; negotiated at the borders of a larger democracy movement. For democracy decades, San Francisco has been a mecca for LGBTQ activism, while also being at the forefront of queer pornography industries. -
Queer Sex Work
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sunderland University Institutional Repository 18 Queering porn audiences Clarissa Smith, Feona Attwood and Martin Barker Introduction A small but important niche, queer porn has grown out of initiatives like the Porn Film Festival Berlin in Europe, the Canadian Feminist Porn Awards and productions by American-based filmmakers such as Shine Louise Houston, Courtney Trouble and Madison Young, who have all attempted ‘to playfully affirm sexuality and reinvent new representations of desire and pleasure’ (Ryberg 2013: 142). Queer pornography is, for many commentators, not just representation but an expression of politics struggling against stereotyping and conventional, normative sexual identities and practices (Attwood 2010; Jacobs 2007; Moorman 2010). One of the ways in which queer porn might have particular political valence is in its promotion as a form of collaboration and, as Florian Cramer writes, the ‘replace[ment] of the rhetoric of artifici- ality in mainstream pornography … with a rhetoric of the authentic: instead of mask-like bodies normalized using make-up, wigs, and implants, the authentic person is exposed’ (Cramer 2007: 174). What then do viewers make of these representations? Hill-Meyer recently suggested that the queer audience ‘values diversity over cookie-cutter scenes, pleasure over fluids, and authenticity over façade’ (Hill- Meyer 2013: 157). In the virtual absence of systematic research on queer por- nographies and their consumers, this chapter draws on a major online survey of porn consumers undertaken at pornresearch.org.1 A wide range of respondents, across all ages, completed the questionnaire. -
Pornohealing
PORNOHEALING Pornography as a healing process for individuals with a history of sexual violence Master of Arts & Culture in Gender Studies Sotiria-Chrysovalanti (Sonia) Patrinou, 5919797 Thesis Supervisor: Gianmaria Colpani Second Reader: Jamila Mascat [Utrecht, 2017] Acknowledgements This thesis, required a lot of emotional effort in order to be composed. As a result, I would like to express my deepest gratitude to all of my interviewees, because they gave me the chance to be their audience and because through their stories I am also sharing mine. [1] Contents: 1. Introduction________________________________________________________3 2. Chapter 1: A Biography of Porn 1.1 Porn: The Golden Years________________________________________7 1.2 The Sex Wars and Beyond_____________________________________10 1.3 Pornography as a Healing Process_______________________________15 3. Chapter 2: Blue Filmography/ Pink Politics1 2.1 Too Much Pussy? Much More Pussy! ____________________________19 2.2 Silver Shoes________________________________________________22 2.3 Dirty Diaries_______________________________________________24 4. Chapter 3: Pornohealing: From Theory to Practice 3.1. Porn Taste: A Web-Based Survey_______________________________27 3.2 Interviews: Sharing Three Stories_______________________________34 5. Conclusion________________________________________________________39 6. Literature_________________________________________________________41 1 During the 1980's, pornographic content in video cassettes was sealed using a blue tape, hence -
UNIVERSITY of CALIFORNIA Santa Barbara Haptic Media
UNIVERSITY OF CALIFORNIA Santa Barbara Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Media Studies by Diana M. Pozo Committee in charge: Professor Anna Everett, Chair Professor Constance Penley Professor Michael Curtin Professor Mireille Miller-Young Professor Lisa Cartwright December 2016 The dissertation of Diana M. Pozo is approved. ____________________________________________ Constance Penley ____________________________________________ Michael Curtin ____________________________________________ Mireille Miller-Young ____________________________________________ Lisa Cartwright ____________________________________________ Anna Everett, Committee Chair November 2016 Haptic Media: Sexuality, Gender, and Affect in Technology Culture, 1959–2015 Copyright © 2016 by Diana M. Pozo iii ACKNOWLEDGEMENTS I could not have finished this project without the many people who touched me along the way. My dissertation committee—Anna Everett, Constance Penley, Michael Curtin, Mireille Miller-Young, and Lisa Cartwright—made this unique piece of research possible with their openness, as well as their many areas of diverse expertise. Many others at UC Santa Barbara were instrumental to my intellectual and personal development, including members of my MA committee Janet Walker, Lisa Parks, and Charles Wolfe; Paul Amar, who I worked with as a manuscript editor during the later years of my dissertation; and Edward Branigan, whose library office was an idyllic retreat for the first year of the project. My research would not have been possible without a number of collaborators and mentors. Some of my earliest helpers were those I met or heard speak at the conferences I attended for this project, including Heather Kelley, Kyle Machulis, Maggie Mayhem, Dee Dennis, Mark Kernes, Kelly Holland, Lafe Spietz, Jiz Lee, and Shine Louise Houston, among many others. -
To Feminist Porn Book- the Politics of Producing Pleasure
Published in 2013 by the Feminist Press at the City University of New York Te Graduate Center 365 Fifh Avenue, Suite 5406 New York, NY 10016 feministpress.org Introduction copyright © 2012 by Tristan Taormino, Celine Parreñas Shimizu, Constance Penley, and Mireille Miller-Young Selection and compilation copyright © 2012 by Tristan Taormino, Celine Parreñas Shimizu, Constance Penley, and Mireille Miller-Young Individual copyrights retained by contributors. All rights reserved. A version of “Out of Line: Te Sexy Femmegimp Politics of Flaunting It!” copyright 2010 by Loree Erickson frst appeared in Sex Matters: Te Sexuality and Society Reader, 3rd Ed., eds. Mindy Stombler et al. (Upper Saddle River, NJ: Prentice Hall, 2010) 135–40. No part of this book may be reproduced, used, or stored in any information retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior written permission from the Feminist Press at the City University of New York, except in the case of brief quotations embodied in critical articles and reviews. First printing February 2013 Cover design by Herb Tornby, herbthornby.com Text design by Drew Stevens Library of Congress Cataloging-in-Publication Data Te feminist porn book : the politics of producing pleasure / edited by Tristan Taormino, Celine Parreñas Shimizu, Constance Penley, and Mireille Miller-Young. pages cm ISBN 978-1-55861-818-3 1. Pornography—Political aspects. 2. Feminism. 3. Women—Sexual behavior. 4. Sexual freedom. I. Taormino, Tristan, 1971– HQ471.F45 2013 306.7—dc23 2012043903 Contents Introduction: The Politics of Producing Pleasure 9 Constance Penley, Celine Parreñas Shimizu, Mireille Miller-Young, and Tristan Taormino PART I. -
Global Information Society Watch 2015 Sexual Rights and the Internet
Global InformatIon SocIety Watch 2015 Sexual rights and the internet AssociAtion for Progressive communicAtions (APc) And HumAnist institute for cooPerAtion witH develoPing countries (Hivos) Global Information Society Watch 2015 Sexual rights and the internet Steering committee Anriette Esterhuysen (APC) Will Janssen (Hivos) Coordinating committee Monique Doppert (Hivos) Valeria Betancourt (APC) Mallory Knodel (APC) Jac sm Kee (APC) Nadine Moawad (APC) Project coordinator Roxana Bassi (APC) Editor Alan Finlay Assistant editor, publication production Lori Nordstrom (APC) Proofreading Valerie Dee Stephanie Wildes Graphic design Monocromo [email protected] Phone: +598 2400 1685 Cover illustration Matías Bervejillo Financial support provided by Humanist Institute for Cooperation with Developing Countries (Hivos) APC and Hivos would like to thank the Swedish International Development Cooperation Agency (Sida) for its support for Global Information Society Watch 2015. Published by APC and Hivos 2015 Printed in USA Creative Commons Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/ Some rights reserved. ISBN 978-92-95102-41-5 APC-201510-CIPP-R-EN-P-232 Table of contents Preface ............................................................... 5 CounTrY rEPorTS Anriette Esterhuysen and Will Janssen “Be obedient, be normal, do not stand out...” .... 47 Alan Finlay ThEmATIC rEPorTS Albania ..............................................................49 Civil rights Defenders and one World Platform Kanaga’s -
The Discursive Limits of Categorizing Feminist and Queer Pornography
UNIVERSITY OF CALIFORNIA Los Angeles The Politics of Describing Pleasure: The Discursive Limits of Categorizing Feminist and Queer Pornography A thesis submitted in partial satisfaction of the requirements for the degree Master of Library and Information Science in Information Studies by Cooper Thorson Moll 2017 © Copyright by Cooper Thorson Moll 2017 ABSTRACT OF THE THESIS The Politics of Describing Pleasure: The Discursive Limits of Categorizing Feminist and Queer Pornography by Cooper Thorson Moll Master of Library and Information Science University of California Los Angeles, 2017 Professor Michelle L. Caswell, Chair This master’s thesis explores the stability and ramifications of two emergent categories of pornography: namely, feminist pornography and queer pornography. Though these terms— feminist and queer—have histories that connote resistance and disruption, they have been controlled and institutionalized in pornography to create a broader visibility and a deeper impact. These terms are analyzed in relation to two institutions that seek to control their meanings—the Feminist Porn Awards (FPAs) and PinkLabel.tv—and fourteen pornography studios that identify with either or both labels. I collected data from preexisting documents by implementing a content analysis. Two crucial findings suggest that 1) despite the foundational tenets of feminist and queer porn, as outlined by the FPAs and PinkLabel.tv, the studios did not always abide by them, and 2) strategic essentialism is a mode of temporarily fixing these categories to wield power in resistance to the naturalized mainstream power. Since this thesis is about categories and queering, two seemingly opposed ideologies, it is concerned with how categories are queered, ii and how the queer can be temporarily stabilized to render itself visible and potent, ultimately leaving a trace that can be analyzed and contextualized historically, leaving room for catalogers to amend and alter content to fit categories prone to transformation. -
The Role of Creative Communities and Entrepreneurs in Producing Digital Content Without Formal Intellectual Property the Case of Alternative Pornography
UNIVERSITÉ DE STRASBOURG - SCUOLA SUPERIORE DI STUDI UNIVERSITARI E DI PERFEZIONAMENTO SANT’ANNA ÉCOLE DOCTORALE ED221 AUGUSTIN COURNOT Bureau d’économie théorique et appliquée - UMR 7522 En cotutelle avec le Laboratory of Economics and Management THÈSE présentée par : Kim-Marlène LE soutenue le : 12 septembre 2018 pour obtenir le grade de : Docteur de l’université de Strasbourg Discipline/ Spécialité : Sciences économiques The Role of Creative Communities and Entrepreneurs in Producing Digital Content without Formal Intellectual Property The Case of Alternative Pornography THÈSE dirigée par : PÉNIN Julien Professeur, Université de Strasbourg NUVOLARI Alessandro Professeur, Scuola Superiore Sant’Anna RAPPORTEURS : SUIRE Raphaël Professeur, Université de Nantes MARENGO Luigi Professeur, Libera Università Internazionale degli Studi Sociali AUTRES MEMBRES DU JURY : SZOSTAK Bérangère Professeur, Université de Lorraine MARTINELLI Arianna Assistant Professor, Scuola Superiore Sant’Anna Ecole Doctorale Augustin Cournot Doctoral School of Economics of Sant’Anna DOCTORAL THESIS THE ROLE OF CREATIVE COMMUNITIES AND ENTREPRENEURS IN PRODUCING DIGITAL CONTENT WITHOUT FORMAL INTELLECTUAL PROPERTY The Case of Alternative Pornography LE Kim-Marlène to obtain the degree of Doctor of Philosophy from the Université de Strasbourg and Scuola Superiore Sant’Anna Doctoral committee Thesis supervisors Julien Pénin (Université de Strasbourg) Alessandro Nuvolari (Scuola Superiore Sant’Anna) External referees Raphaël Suire (Université de Nantes) Luigi Marengo (Libera Università Internazionale degli Studi Sociali “Guido Carli”) Internal referees Bérangère Szostak (Université de Lorraine) Arianna Martinelli (Scuola Superiore Sant’Anna) The public defence shall be held on 12th September 2018. SUMMARY Digitisation and the Internet have brought tremendous change to the exchange of information and content, transforming the creation, distribution and consumption of audiovisual material.