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"Borders in Southeast Europe" Akademie Für Politische Bildung
"Borders in Southeast Europe" Akademie für Politische Bildung / Academy for Civic Education Tutzing, September 30th to October 4th, 2019 Call for applications for master and doctoral students and post-doc students (Habilitierende) The Southeast Europe Association (Südosteuropa-Gesellschaft – SOG) is a non-profit organization that seeks to facilitate the exchange of expertise about Southeast Europe and with the countries of the region (see: www.sogde.org/suedosteuropa-gesellschaft/southeast-europe-association/). From September 30th to October 4th, 2019, the SOG will hold its 58. International Academic Week (in German: Internationale Hochschulwoche) to provide a forum for exchange and communication by bringing together experienced scholars and junior researchers doing empirical research on Southeast Europe. The conference venue is the Akademie für Politische Bildung in Tutzing on Lake Starnberg /Germany. The conference language will be English. The International Academic Week is one of the SOG`s most important events addressing early career scholars (master and doctoral students as well as Post-Doc researchers) from German-speaking countries, from Southeast Europe and other European countries. This year`s event focuses on Borders in Southeast Europe with an interdisciplinary approach under the academic direction of Dr. Jutta Lauth-Bacas (Cologne and Athens) and Prof. Dr. Christoph K. Neumann (Munich). The Southeast Europe Association`s International Academic Weeks aims at promoting academic discussions and international networking of leading specialists and younger academics. This year`s interdisciplinary Academic Week addresses students, researchers and scientists from various disciplines, especially from Migration Studies, History, Cultural Anthropology, Political Science, Cultural Studies, Sociology, Economic Sciences, Political Sciences, International Relations, etc. -
54Th Tutzing Symposium
Programme 27 – 30 September 2015 Evangelische Akademie Tutzing, Lake Starnberg, Germany 54th Tutzing Symposion Sustainable Phyto extracts – Trends, Perspectives and Visions www.dechema.de/tusy54 invitation The Subject Division Plant based Extracts – Products and Processes of ProcessNet (an initiative of DECHEMA – Society for Chemical Engineering and Biotechnology and VDI·GVC – Division Chemical and Process Engineering of the Association of German Engineers), is pleased to invite you to the 54th Tutzing Symposion: Sustainable Phyto Extracts – Trends, Perspectives and Visions, which will take place from 27 – 30 September 2015, Tutzing, Germany. Plant based extracts, i.e. phyto extracts, are important ingredients in a wide variety of market segments from pharmaceuticals, foods and fragrants to base chemicals. The generation of added value is as wide spread from breeding over processing up to marketing, whereas the products are per definition biodegradable. Parts of this economy are highly regulated and the regulation varies depending on local or regional legislation. Nevertheless, almost all European industries involved are under increasing international competition pressure. The Symposion is designed to foster exchange and discussion in the areas of sustainable plant production, novel manufacturing technologies, sustainable extraction, distillation and purification processes, application and marketing of extracts. The focus themes are complemented by ethical views, practical “exercises” with products containing or consisting of extracts and a workshop session to discuss and develop innovation strategies. The Tutzing Symposion will again provide a unique platform and ample time to exchange ideas between leading scientists and decision makers. The venue is located directly at the shores of Lake Starnberg 40 km south of Munich and is only about 30 (60) minutes away by train from Munich central station (airport). -
Franz Marc / August Macke L'aventure Du Cavalier Bleu
Franz Marc / August Macke L’aventure du Cavalier bleu 6 mars – 17 juin 2019 Musée de l’Orangerie Jardin des Tuileries 75001 Paris Département de la communication Directrice : Amélie Hardivillier Responsable du Pôle presse : Marie Dussaussoy Attachée de presse : Gabrielle Lacombe Téléphone : 01 40 49 49 20 Courriel : [email protected] 1 2 Sommaire 1. Communiqué de presse 5 2. Press release 7 3. Parcours de l'exposition 11 4. Chronologie 39 5. Liste des œuvres présentées 47 6. Cartels développés 57 7. Publication 61 8. Extraits du catalogue 65 9. Programmation autour de l’exposition 73 10. Liste des visuels disponibles pour la presse 81 11. Mécène de l’exposition 91 12. Partenaires Médias 93 13. Informations pratiques 97 3 4 1. Communiqué de presse Franz Marc / August Macke Franz Marc, Le Rêve [Der Traum], 1912, Madrid, Museo Nacional Thyssen-Bornemisza © Museo Nacional Thyssen-Bornemisza, Madrid L’aventure du Cavalier bleu 6 mars – 17 juin 2019 Musée de l’Orangerie Niveau -2, espace d’exposition temporaire Unis par une profonde amitié, Franz Marc (1880-1916) et August Macke (1887-1914) comptent au rang des artistes majeurs du mouvement expressionniste allemand Der Blaue Reiter (Le Cavalier bleu). Alors que s’achève le cycle de commémorations de la fin de la Première guerre mondiale, le musée de l’Orangerie consacre, pour la première fois à Paris, une exposition aux deux peintres allemands, morts tous deux sur le front en France. C’est à Munich en 1910 qu’a lieu la rencontre entre August Macke, âgé de vingt- August Macke, Joueuse de luth (Lautenspielerin) Paris, Centre Pompidou - trois ans, et Franz Marc, son aîné de sept ans. -
XA04C0175 After the Reactor-Accident in Tschernobyl Radioactive Fission Products Reached During the Night on April, 30Th,1986, the South Bavarian Region
Effect and consequences of the reactor-accident in Tschernobyl on the fish population in Bavaria Wulf Liinsmann XA04C0175 After the reactor-accident in Tschernobyl radioactive fission products reached during the night on April, 30th,1986, the south bavarian region. They were washed out by heavy rains in the early hours of the afternoon, causing a contamination of the total biosphere. It is known from radio-eclogical studies, that radionuclides concentrate in fish meat. Ionising radiation may lead to an internal radiation exposition of human beings via food chains. It was for that reason necessary to follow up the temporal development in order to prevent injures through ionising radiation. The Bavarian Institute for Water Research started on May, 5th, a project in connection with fish consumption and investi- gated fish meat for radioactivity, originated from 3 different biotopes: a) rivers b) fish-farms c) lakes in the prealpine region Altogether approximately 700 fishes were examined until the end of October. Fish-meat contained until the middle of May besides Cs 134 and Cs 137 also the short-living radionuclides J 131 and Te132 (20 - 30 Bq/kg fresh meat). After that date could only Cs 134 and Cs 137 be demon- strated. Since both cesium-isotopes in the Tschernobyl-fallout occur in a 1:2 ratio, only the result of Cs 137 are reported. to a and b During the whole investigation period Cs 137 concentrations of 0 - 50 Bq/kg in fresh meat could be demonstrated in fishes of rivers all over Bavaria, only occasionally values occured up to 100 Bq/kg. -
Mapping Indicators of Lake Ecology at Lake Starnberg, Germany
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Institute of Transport Research:Publications Mapping indicators of lake ecology at Lake Starnberg, Germany – First results of Sentinel-2A Katja Dörnhöfer(1), Peter Gege(2), Bringfried Pflug(3) , Natascha Oppelt(1), (1)Kiel University, Department of Geography, Ludewig-Meyn-Str.14, 24098 Kiel (Germany) Email:[email protected], [email protected] (2)German Aerospace Center, Remote Sensing Technology Institute, Oberpfaffenhofen, 82234Weßling (Germany) Email:[email protected] (3)German Aerospace Center, Remote Sensing Technology Institute, Rutherfordstr. 2, 12489 Berlin-Adlershof (Germany), Email: [email protected] map invasive macrophytes [7]. Our study aimed to test ABSTRACT Sentinel-2A (S-2A) data for their suitability for estimating water constituents, shallow water bottom With the advent of Sentinel-2A new, unprecedented coverage and water depth. For the entire processing we opportunities emerged for analyzing lakes by remote used freely available software. We applied Sen2Cor sensing with respect to spatial, radiometric, spectral and atmospheric correction [8] and the Water Colour temporal resolution. This study is based on a Sentinel- Simulator WASI-2D [9] for analyzing the water body. 2A scene acquired at Lake Starnberg, an oligotrophic, In situ measured reflectance spectra and water samples peri-alpine lake. Atmospheric correction with Sen2Cor enabled an evaluation of modelling results. worked well showing, however, a small overcorrection in some bands. The lake was analyzed with WASI-2D 2. METHODOLOGY for suspended particulate matter (SPM) and absorption by coloured dissolved organic matter (aCDOM(440)) in 2.1. -
7' in München
wendet, sondern für jede Einzelscheibe auf Grund eines Gipsabgusses ein genau ange paßtes Deckglas hergestellt. Infolge der hohen Kosten des Abgußverfahrens wird im all gemeinen die einfachere Behandlung vorzuziehen sein, um so mehr als der künst lerische Reiz der Oberflächenbewegung aus größerer Entfernung wenig bemerkbar ist. Gewisse Bedenken erwecken die Reflexbildungen in der Deckschicht; doch werden sie praktisch kaum wirksam. Daß der gelatineartige Glanz der Fensterflügel im Haupt saal der Ausstellung nur durch das aus technischen Gründen hier ungedämpft ein fallende Gegenlicht hervorgerufen wird, zeigt ein Blick auf die Knorrflügel im gegen lichtfreien Vorsaal und die (der tatsächlichen Entfernung im Kirchenraum mehr ent sprechenden) Oberlichtfenster im Hauptsaal. Die in den Kirchen eintretendeEinstaubung wird den Glanz noch mehr verdrängen. Es gibt bereits völlig reflexfreies Glas; doch ist es vorerst noch zu teuer. Auch nach dieser Richtung wird eine tragbare Lösung angestrebt. Das neue Verfahren genügt allen denkmalpflegerischen Anforderungen: Festigung des Schwarzlotes, Schutz vor Beschädigung und atmosphärischen Einwirkungen, Sicherung des Bestandes ohne Veränderung des Originals. Sollten sich wider Erwarten Mängel ergeben oder später ein noch besseres Verfahren gefunden werden, so können —- im Gegensatz zu der starken Erhitzung beim Nachbrennverfahren — die Deckscheiben schon bei mäßiger Erwärmung ohne Beschädigung des Originals abgelöst werden. So bietet das neue Verfahren, das auch die Zustimmung des Bayerischen Landesamtes für Denkmalpflege gefunden hat, gegenüber den bisher bekannten Methoden viele Vor teile. Das restaurierte Knorrfenster soll demnächst zur Erprobung unter den üblichen Wind- und Wetterbedingungen versuchsweise in St. Lorenz eingesetzt werden. Die Aktualität des Verbundglasverfahrens kann angesichts der durch Kriegseinwirkung, Ausglasung (Spannungsverlust der mürben Fenster) und Bergung entstandenen Schäden an Glasmalereien gar nicht überschätzt werden. -
Dissident Artists' Associations of Germany 1892-1912
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1984 Dissident Artists' Associations of Germany 1892-1912 Mary Jo Eberspacher Eastern Illinois University This research is a product of the graduate program in History at Eastern Illinois University. Find out more about the program. Recommended Citation Eberspacher, Mary Jo, "Dissident Artists' Associations of Germany 1892-1912" (1984). Masters Theses. 2826. https://thekeep.eiu.edu/theses/2826 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date Author I respectfully request Booth Library of Eastern Illinois University not allow my thesis be reproduced -
The Blue Rider
THE BLUE RIDER 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 1 222.04.132.04.13 111:091:09 2 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 2 222.04.132.04.13 111:091:09 HELMUT FRIEDEL ANNEGRET HOBERG THE BLUE RIDER IN THE LENBACHHAUS, MUNICH PRESTEL Munich London New York 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 3 222.04.132.04.13 111:091:09 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 4 222.04.132.04.13 111:091:09 CONTENTS Preface 7 Helmut Friedel 10 How the Blue Rider Came to the Lenbachhaus Annegret Hoberg 21 The Blue Rider – History and Ideas Plates 75 with commentaries by Annegret Hoberg WASSILY KANDINSKY (1–39) 76 FRANZ MARC (40 – 58) 156 GABRIELE MÜNTER (59–74) 196 AUGUST MACKE (75 – 88) 230 ROBERT DELAUNAY (89 – 90) 260 HEINRICH CAMPENDONK (91–92) 266 ALEXEI JAWLENSKY (93 –106) 272 MARIANNE VON WEREFKIN (107–109) 302 ALBERT BLOCH (110) 310 VLADIMIR BURLIUK (111) 314 ADRIAAN KORTEWEG (112 –113) 318 ALFRED KUBIN (114 –118) 324 PAUL KLEE (119 –132) 336 Bibliography 368 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 5 222.04.132.04.13 111:091:09 55311_5312_Blauer_Reiter_s001-372.indd311_5312_Blauer_Reiter_s001-372.indd 6 222.04.132.04.13 111:091:09 PREFACE 7 The Blue Rider (Der Blaue Reiter), the artists’ group formed by such important fi gures as Wassily Kandinsky, Franz Marc, Gabriele Münter, August Macke, Alexei Jawlensky, and Paul Klee, had a momentous and far-reaching impact on the art of the twentieth century not only in the art city Munich, but internationally as well. Their very particular kind of intensely colorful, expressive paint- ing, using a dense formal idiom that was moving toward abstraction, was based on a unique spiritual approach that opened up completely new possibilities for expression, ranging in style from a height- ened realism to abstraction. -
A Year in ART the Activity Book
A Year in ART The Activity Book A Year in ART The Activity Book PRESTEL Munich . London . New York Welcome! Do you like drawing and painting? Is art one of your favorite subjects at school? Are you observant? Do you like trying to solve puzzles? If you have answered “yes” to any of these questions, then this book is just right for you! So you don’t much like visiting art museums? And you sometimes find art rather boring? Then it’s high time that you discovered how much fun art can really be! Just try it out! This book can lead you on a wonderful journey of discovery into the world of art. Soon you will have no time to be bored! In this book you are about to find 365 adventures in art waiting to be discovered: Let your imagination run wild! Can you think up stories to match pictures? I spy with my Solve tricky puzzles based little eye … on artworks in a variety you need sharp eyes of quizzes. for our observation games. Everyone is an artist! And much, much more. Here you can color or complete great works of art; you will also find lots of suggestions for pictures of your own. Have fun! 1 January Franz Marc, Haystacks in the Snow, 1911, Franz Marc Museum, Kochel am See Paintings can look like many things to many people. This painting by Franz Marc is like that. The shapes suggest snow covered mountains, or pears covered with melted ice cream or frosting. Can you think of other things? 2 January Pieter Brueghel the Younger, Winter Landscape, 1601, Kunsthistorisches Museum, Vienna People have enjoyed ice skating for hundreds of years. -
32542932 Lese 1.Pdf
4527_BlauerReiter_180211_DE_rl.indd I 06.07.11 09:24 EINLADUNG Es ist für Kunstinteressierte, die in ein Thema »einsteigen« wol- len, oftmals schwer, in der Fülle der Literatur die richtige Tür zu Þ nden. Kommen Sie herein, Sie werden sich nicht langweilen! Das Ziel dieses Buches ist eine unterhaltsame, aber auch fundier- te Einführung in die Welt des »Blauen Reiter«. Die ersten sechs Kapitel führen den Leser in die spannende Zeit von 1908 bis zum Ersten Weltkrieg und lassen ihn teilhaben an der Entstehung der Gruppe. Die Anschauungen der Künstler wer- den ebenso geschildert wie ihr Kampf um eine neue Kunst und ihre oft komplizierten Beziehungen untereinander. Auch werden die wichtigen Werke vorgestellt und deren Bedeutung untersucht. Im letzten Kapitel gibt es Entdeckungen zu machen, wo überall in Bayern der »Blaue Reiter« seine Spuren hinterlassen hat. Es werden nicht nur die Museen vorgestellt, in denen man die Werke von Kandinsky & Genossen bewundern kann, son- dern – soweit das heute noch möglich ist – auch die Orte der Handlung. Wo lebten diese Künstler, wo hatten sie ihre Ateliers und wo befand sich der berühmte Salon von Marianne von Werefkin, in dem die Künstler tranken, rauchten und nächtelang disputierten? Mein großer Dank gilt der exzellenten Kennerin des »Blauen Reiter«, Frau Dr. Annegret Hoberg vom Lenbachhaus München, die mich zu diesem Vorhaben ermunterte und der ich wichtige Hinweise verdanke. Dieses Buch widme ich meinen Enkelkindern Jonathan, Gabriel und Rebecca. 4527_BlauerReiter_180211_DE_rl.indd II 06.07.11 09:24 4527_BlauerReiter_180211_DE_rl.indd III 06.07.11 09:24 Eckhard Hollmann DER BLAUE REITER PRESTEL MÜNCHEN ∙ LONDON ∙ NEW YORK 4527_BlauerReiter_180211_DE_rl.indd IV 06.07.11 09:24 1. -
Extreme Stress Events in the Alpine Forests: Management Experiences Based on Recent Occurrences
1 Extreme stress events in the Alpine forests: management experiences based on recent occurrences WP6 Handbook MANFRED project – Extreme stress events in the Alpine forests MANFRED project – Extreme stress events in the Alpine forests 2 Table of Contents Preface ............................................................................................................................................................... 3 Section I – Forest Fires ....................................................................................................................................... 5 Table I‐1: synoptic table: forest fires extreme events collected within the MANFRED project. ................. 10 I.2 Glossary of categories and keywords ..................................................................................................... 11 I.3 SUBJECT INDEX ....................................................................................................................................... 17 Section II – Biotic disturbances ........................................................................................................................ 20 Table II‐1: synoptic table: biotic extreme events collected within the MANFRED project. ........................ 22 II.2 Glossary of categories and keywords .................................................................................................... 23 II.3 SUBJECT INDEX ..................................................................................................................................... -
Stephen Ongpin Fine Art
STEPHEN ONGPIN FINE ART HEINRICH CAMPENDONK Krefeld 1889-1957 Amsterdam The Horse in the Port (Das Pferd am Hafen) Watercolour and pencil on paper. 481 x 604 mm. (19 x 23 3/4 in.) Provenance Private collection, in 1972 Galerie Wolfgang Ketterer, Munich, in 1976 Anonymous sale, Amsterdam, Christie’s, 22 May 1991, lot 543 Kunsthandel Louk Brons, Amsterdam in 1996 Private collection, Holland, until 2012. Literature Andrea Firmenich, Heinrich Campendonk 1889-1957: Leben und expressionistisches Werk, Recklinghausen, 1989, no.975. Exhibited Düsseldorf, Städtische Kunsthalle, Heinrich Campendonk: Gemälde, Aquarelle, Hinterglasilder, Grafik, 1972-1973, no.128 Bonn, Städtisches Kunstmuseum, Heinrich Campendonk: Gemälde, Aquarelle, Hinterglasilder, Grafik, 1973, no.128 Brussels, Palais des Beaux-Arts, Heinrich Campendonk, 1973, no.106 Munich, Galerie Wolfgang Ketterer, Heinrich Campendonk - Edith van Leckwyck, 1976, no.20. A painter, stained glass artist and printmaker, Heinrich Campendonk was invited by Franz Marc and Wassily Kandinsky to become a member of the Munich artist’s group Der Blaue Reiter (The Blue Rider) in 1911. Later that year he exhibited his work in the first exhibition of Der Blaue Reiter, and his paintings were illustrated in the Blaue Reiter almanac. Campendonk was an admirer of primitive art and folklore, and animals figure often in his work. His paintings of animals in nature, often mystical in tone, were influenced by the work of Marc, although unlike him Campendonk often included figures in his compositions. His first prints were published in Herwarth Walden’s magazine Der Sturm in 1912. After the First World War and the deaths of Marc and August Macke, Campendonk’s style changed.