Competition Schedule Thursday, November 9, 2017 Le Theatre Andre Malraux 9 Place De Arts, 92500 Rueil-Malmaison, France

Total Page:16

File Type:pdf, Size:1020Kb

Competition Schedule Thursday, November 9, 2017 Le Theatre Andre Malraux 9 Place De Arts, 92500 Rueil-Malmaison, France Competition Schedule Thursday, November 9, 2017 Le Theatre Andre Malraux 9 Place de Arts, 92500 Rueil-Malmaison, France 10:15 AM - 10:45 AM Open Stage for Pre-Competitive Contemporary Group 1 (401 - 438) 10:45 AM - 12:00 PM Pre-Competitive Contemporary Competition Group 1 (Ages 9 - 10) (401 - 438) # Name (Age) School/Country Entry Title (Choreographer) Teacher 401 Ariana Rocha (9) Cab-Classical Academy Of Circus Child (Inana Wolfsdorf) Inana Ballet, Portugal Wolfsdorf, Susana Pott 402 Lara Vilaça (9) An-Dança, Portugal Blackbird (Ana Faria, Marta De Oliveira Soares) Marta De Oliveira Soares 403 Mafalda Regado (9) Oporto Ballet School, La Pettite Fille (Wagner Rodrigues) Sofia Portugal Marques Dos Santos, Jacinta Da Veiga Estima 405 Alisa Roshchyna (9) Vezhnovets Ballet School, Madame Alice (Yuliya Melnichuck) Maryna Belarus Vezhnovets 408 Sofia Viganò (9) A.B.C. Accademia Balletto Luna Park (Angelo Zizzi) Angelo Zizzi Classico, Italy 412 Vera Shpakouskaya (9) Vezhnovets Ballet School, Sprout Lives (Vezhnavets Maryna) Belarus Vezhnavets Maryna, Yuliya Milnichuk 415 Delilah Bennett-Cardy Graham School Of Dance & Embers (Aileen Graham, Judith (9) Theatre Arts, UK Harris) Aileen Graham, Judith Harris 417 Leonor Santos (9) Cab-Classical Academy Of Striped Pyjamas (Inana Wolfsdorf) Inana Ballet, Portugal Wolfsdorf, Susana Pott 418 Mia Matsunaga (10) Terpsichore, France Air Flow (Isablle Van Godtsenhoven) Jacqueline Coulouarn, Isablle Van Godtsenhoven 419 Leonor Almeida (10) Dna- Dance N´Arts School, My Hand My Way (Maria Rita Nogueira) Teresa Portugal Gouveia # Name (Age) School/Country Entry Title (Choreographer) Teacher 420 Alexandra Megharief School Of Russian Ballet, Variation On a Theme (Regina Zarhina) Regina (10) Spain Zarhina 421 Lara Leal (10) Cab-Classical Academy Of Parkinson (Inana Wolfsdorf) Inana Ballet, Portugal Wolfsdorf, Susana Pott 422 Eva Ignat (10) Ballet Art Romania, Romania Happiness (Levente Szasz) Levente Szasz 424 Eleanor Kershaw (10) Graham School Of Dance & Curious Undine (Aileen Graham, Judith Theatre Arts, UK Harris) Aileen Graham, Judith Harris 425 Ann-Sophie Vanden Giants Dansschool, Belgium Bruxelles (Leentje Blykers) Leentje Driessche (10) Blykers 426 Romane Cornu (10) Ballerina Dance Academy, Tarentelle (Petros Chrkhoyan, Carla France Berard) Carla Berard, Petros Chrkhoyan 427 Ana Maria Popescu (10) Ballet Art Romania, Romania Shelter (Levente Szasz) Levente Szasz 429 Charlotte Bean (10) Flixton Academy Of Breaking Free (Nikki Fitton) Nikki Fitton Performing Arts, UK 430 Alessia Fantin (10) A.B.C. Accademia Balletto Like a Storm (Angelo Zizzi) Angelo Zizzi Classico, Italy 431 Kseniya Kosava (10) Vezhnovets Ballet School, Tarantella (Vladimir Vasiliyev) Marina Belarus Vezhnovets, Ludmila Kudravtseva 432 Samanta Rusu (10) Cab-Classical Academy Of Unquiet Mind (Inana Wolfsdorf) Inana Ballet, Portugal Wolfsdorf, Susana Pott 435 Olimpia Carauleanu (10) Joy2Dance, Romania The Waiting (Alexandra Porumboiu) Alexandra Porumboiu, Rusa Elena 436 Martha Mabel Earthrowl Graham School Of Dance & Flight (Aileen Graham, Judith Law (10) Theatre Arts, UK Harris) Aileen Graham, Judith Harris 437 Amber Du Bois (10) Ballerino Dansstudio's, Take Me Back (Alejandra Garcia) Alejandra Belgium Garcia, Magali Berael 438 Beatrice Ravaglia (10) Laboratorio Danza & Teatro, Promenade (Heidi Pasini) Heidi Pasini, Italy Aida Mata 412A Vera Shpakouskaya (9) Vezhnovets Ballet School, Gipsy Dance (Vezhnavets Maryna) Belarus Vezhnavets Maryna 421A Lara Leal (10) Cab-Classical Academy Of For Melvil (Inana Wolfsdorf) Inana Ballet, Portugal Wolfsdorf, Susana Pott # Name (Age) School/Country Entry Title (Choreographer) Teacher 429A Charlotte Bean (10) Flixton Academy Of A Thousand Years (Sasha Woodward) Sasha Performing Arts, UK Woodward 431A Kseniya Kosava (10) Vezhnovets Ballet School, Shaping Me (Alexandra Buyalskaya) Belarus Alexandra Buyalskaya 12:00 PM - 12:15 PM Open Stage for Pre-Competitive Contemporary Group 2 (440 - 468 & 491 - 498) 12:15 PM - 1:15 PM Pre-Competitive Contemporary Competition Group 2 (Ages 11 & Men) (440 - 468 & 491 - 498) # Name (Age) School/Country Entry Title (Choreographer) Teacher 495A Sinkevich Nikita (10) Vezhnovets Ballet School, Espada (Vezhnovets Marina) Belarus Vezhnovets Marina 440 Lea Ellul Sullivan (11) Seed Dance Studios, Malta Inside Out (Marisha Bonnici) Marisha Bonnici 441 Franceszqua Ward (11) Independent, UK Me (Vanessa J Hooper, Samuel Percy) Vanessa J Hooper, Samuel Percy 442 Carolina Costa (11) Ent´Artes - Escola De Dança, Sagarra Jo (M. Carvalho) D. Sá Portugal Carneiro, M. Carvalho, P. Fiorucci 443 Veselina Ilieva (11) Nui, Bulgaria In Search For a (Jose De La Cruz) Rumiana Memory Malcheva 444 Ela Kaner (11) Independent, Turkey Dream (Ela Kaner) Hülya Aksular 448 Amélie Callens (11) Balletschool Raymonda, Childhood (Wendy Demeyere) Morgan Belgium Duquesne 449 Carolina Cecilia Marchi Laboratorio Danza & Teatro, Bella Da Pipistrello (R. Petit) Heidi Pasini, Aida (11) Italy Mata 450 Marta Pinto Correia (11) Oporto Ballet School, Happiness (Wagner Rodrigues) Sofia Portugal Marques Dos Santos, Jacinta Da Veiga Estima 451 Eleanor Kahn (11) Art* Center of the Arts, Cats (Dominique Delafield) Kuwait Dominique Delafield 452 Mya Kennel (11) Association Promodanse, Cavatine (Marina Kennel-Toumi) France Marina Kennel-Toumi 453 Sofia Palladini (11) Laboratorio Danza & Teatro, Danza Della Sciarpa (Heidi Pasini, Aida Mata Italy *Modified Fr. M. Petipa) Heidi Pasini, Aida Mata # Name (Age) School/Country Entry Title (Choreographer) Teacher 459 Nina Conan (11) Ecole De Danse Gicquello, En Mémoire De... (Adeline Guillemot) Martine France Gicquello 460 Beatriz Cardoso (11) Oporto Ballet School, Almost Empty (Emily Lukasewski) Sofia Portugal Marques Dos Santos, Jacinta Da Veiga Estima 464 Jasmine Atrous (11) Independent, France Les Noces De Figaro (Anne Mercereau) Anne Mercereau 465 Olivia Moulsdale (11) The Linda Lowry School Of La Vie En Rose (Linda Lowry) Linda Lowry Ballet, UK 466 Marina Saponaro (11) A.G.A. A.S.D., Italy I'm Not Scared (Monica Pasquinelli) Monica Pasquinelli 467 Margarida Magalhães Oporto Ballet School, Red Devil (Emily Lukasewski) Sofia (11) Portugal Marques Dos Santos, Jacinta Da Veiga Estima 468 Jantien Casier (11) Ballerino Dansstudio's, Breathing (Alejandra Garcia) Alejandra Belgium Garcia, Magali Berael 442A Carolina Costa (11) Ent´Artes - Escola De Dança, Sky (R. Flores) D. Sá Carneiro, P. Portugal Fiorucci 491 Iara Neto (9) Ent´Artes - Escola De Dança, Jag (M. Carvalho) D. Sá Carneiro Portugal M. Carvalho M. Carvalho P. Fiorucci 495 Sinkevich Nikita (10) Vezhnovets Ballet School, Silent Moon (Kovaliov Jurii) Kovaliov Jurii Belarus 498 Paolo Leanza (11) Anime Scalze, Italy Pinocchio Er Her (Anna Lombardo) Anna Lombardo 1:15 PM - 2:15 PM INTERMISSION 2:00 PM - 2:15 PM Open Stage for Pre-Competitive Classical Group 1 (401 - 438) 2:15 PM - 3:45 PM Pre-Competitive Classical Competition Group 1 (Ages 9 - 10) (401 - 438) # Name (Age) School/Country Variation (Choreographer) Teacher 412A Vera Shpakouskaya (9) Vezhnovets Ballet School, Peasant Pas Giselle (J.Perrot,J.Coralli) Belarus Vezhnavets Maryna 431A Kseniya Kosava (10) Vezhnovets Ballet School, Cupid Don Quixote (M.Petipa) Marina Belarus Vezhnovets 401 Ariana Rocha (9) Cab-Classical Academy Of Kitri Act III Don Quixote (M.Petipa) Inana Wolfsdorf, Ballet, Portugal Susana Pott # Name (Age) School/Country Variation (Choreographer) Teacher 403 Mafalda Regado (9) Oporto Ballet School, Harlequinade (M.Petipa) Sofia Marques Portugal Dos Santos, Jacinta Da Veiga Estima 404 Prune Kaufmann (9) Ecole Chorégraphique De Paquita (M.Petipa) Edouard Garcin Lyon, France 405 Alisa Roshchyna (9) Vezhnovets Ballet School, La Bayadere (M.Petipa) Maryna Belarus Vezhnovets 406 Faye Griffiths (9) Seed Dance Studios, Malta Princess Florine (M.Petipa) Mireille Coleiro Sleeping Beauty 407 Victoria Dailly (9) Ballerino Dansstudio's, Three Shades (M.Petipa) Magali Berael Belgium La Bayadere 409 Sasha Casolani (9) Seed Dance Studios, Malta Princess Florine (M.Petipa) Mireille Coleiro Sleeping Beauty 410 Tiphaine Cordellier (9) Temps De Flèche, France Paquita (M.Petipa) Emmanuelle Rousse 411 Kristina Ridikas (9) Academie De Danse Vienna, Princess Florine (M.Petipa) Oleksandr Austria Sleeping Beauty Masljiannikov 412 Vera Shpakouskaya (9) Vezhnovets Ballet School, Three Odalisque (M.Petipa) Vezhnavets Belarus Le Corsaire Maryna 413 Elina Silvanovich (9) Vezhnovets Ballet School, Paquita (M.Petipa) Marina Belarus Vezhnovetz, Katsiaryna Silvanovich 414 Anna Guletskaya (9) Independent, Russia Fairy Doll (S.Legat) Svetlana Pavlova 415 Delilah Bennett-Cardy Graham School Of Dance & Swanhilda Coppelia (A.St.Leon) Aileen Graham, (9) Theatre Arts, UK Judith Harris 416 Angelica Melillo (9) Ecole Et Conservatoire De Paquita (M.Petipa) Ellada Mex , Danse Di Ellada Mex, Italy Marina Bondar 417 Leonor Santos (9) Cab-Classical Academy Of Swanhilda Coppelia (A.St.Leon) Inana Wolfsdorf , Ballet, Portugal Susana Pott 418 Mia Matsunaga (10) Terpsichore, France Princess Florine (M.Petipa) Jacqueline Sleeping Beauty Coulouarn 419 Leonor Almeida (10) Dna- Dance N´Arts School, Harlequinade (M.Petipa) Teresa Gouveia, Portugal Catarina Pinho 421 Lara Leal (10) Cab-Classical Academy Of Paquita (M.Petipa) Susana Pott, Ballet, Portugal Inana Wolfsdorf # Name (Age) School/Country Variation (Choreographer) Teacher 422 Eva Ignat (10) Ballet Art Romania, Romania La Fille Mal Gardee (B.Nijinska,D.Romanoff) Iolanda Petrescu 423 Anna Chalaya (10) Children's Art School 11 Cupid Don Quixote
Recommended publications
  • Scottsdale Arabian Horse Show Feb 16 2017 Result Back# Horse Name
    Results by Class: Scottsdale Arabian Horse Show Feb 16 2017 Result Back# Horse Name / Sire x Dam Owner / Breeder Handler Page: 1 Class#: 1G Arabian Hunter Pleasure JTR 17-18yrs 16 Shown Judge:Terri Delbridge Jody LaSalle Lisa Jo White 1 1071 C HONDO Wolf Springs Ranches Inc Anna Redmond ENZO X ENCHANTES BEY Bill Cunningham 2 1685 JUSTTINIAN Lauren Ambrosini Lauren Ambrosini JUSTIFY X SHAHMAICA BEY Robert C Or Janene M Boggs 3 1871 REDEMPTION H Alyssa or Marlene Tomusiak Alyssa Tomusiak MILLENNIUM LOA X JORDONA Peggy Heathcott 4 1030 SF AHEIR OVERDRESSED Michelle Kurth or Tiffany Kurth Madison Schwanz AFIRES HEIR X SF ALEXIS Springwater Farms Arabians LLC 5 284 PALADIN LL LMJ Investments LLC Julia Nastri MAGNUM CHALL HVP X NV GYPSY Leslie A Lurken DANCER 6 1972 CP GUNCYN ROSES Kirsten Luedde Kirsten Luedde CYTOSK X BARBS MIST Cal Poly Pomona 7 1750 KAYCEE OF JEWYLLS LAS Kathryn M Schwartz Abigail Buschette SHOWKAYCE X KHNIGHT JEWYLL LAS Lavoy Shepherd 8 1442 JUSTA HOOT Bailey and Jessica Mirmelli Bailey Mirmelli JUSTAFIRE DGL X FSR BARBARA Michael J or Victoria J Mangan 9 1759 ATLANTIS SC Charles or Christine or Adam Rickart Mikenna Laventure ODYSSEY SC X CARISMRETA Sparkle Creek LLC 10 753 KYROS ROMEO Wendy or Kaitlyn Ruonavaara Kaitlyn Ruonavaara DA VALENTINO X SR MAGIC MERCY Charlene L Strong Class#: 1H Arabian Hunter Pleasure JTR 15-16yrs 16 Shown Judge:Terri Delbridge Jody LaSalle Lisa Jo White 1 1043 DA SOVEREIGN Emma or Jody Freeland Emma Freeland SUNDANCE KID V X DA FAITH Dolorosa Arabians LTD 2 1881 ARAMIS LBA+ Ali Brady and Matthew
    [Show full text]
  • Lakes a to Z Help Guide
    Main Office & Service Center 1-866-437-8076 • www.medoraco.com 3225 Highway 22, Dickinson, ND 58601 Lakes A to Z Help Guide Introduction and Legalities. Below is information on key words for lakes (in alphabetical order) with the purpose to give lay people a basic understanding of lakes based on Medora’s experience. Medora is grateful to the many researchers whose papers contributed to lake science, and is sorry that the nature of this document does not allow for individual credits to be given. Please let Medora know if you would like to see terms corrected, improved, or added. Medora's lake knowledge is based partly on study, but also strongly on field work. Since 2002, Medora’s US field crews have performed more actual lake water quality tests, on thousands of water bodies, with boats and instruments, than any other organization we know of in the world. Medora's lake machines, SolarBee˚ (larger, spacing to 35 acres each) and Aeration Plus˚ (smaller, spacing to 5 acres each), are now successful in 450 lakes, storm water ponds, reuse ponds, and other fresh water bodies in the US and various other countries. These water bodies range in size from 1- 10,000 acres, with some machines deployed for full lake treatment and others for partial lake treatment. They include an estimated 200 raw water reservoirs that supply water treatment plants, some over 40 MGD. The mechanisms for this success are shown below at the term "circulation". Medora estimates that its experience and success rate is 15X higher than any other method of lake restoration worldwide, which is usually defined as the reduction or elimination of cyanobacteria blooms, aka blue-green algae blooms, harmful algae blooms, or HABs.
    [Show full text]
  • Swiss Dance Awards 2013 Award Winners
    Federal Department of Home Affairs FDHA Federal Office of Culture FOC Swiss Dance Awards 2013 Award winners Index Awards 2 «Swiss Dance Award»: Martin Schläpfer ............................................................................... 2 «Special Dance Award»: Théâtre Sévelin 36 ......................................................................... 2 «Outstanding Female Dancer»: Yen Han ............................................................................... 3 «Outstanding Male Dancer»: Foofwa d’Imobilité .................................................................... 4 Competition: «Current Dance Works» 5 «Sideways Rain»: Alias Cie / Guilherme Botelho ................................................................... 5 «Disabled Theater»: Theater HORA / Jérôme Bel ................................................................. 6 «From B to B»: ZOO / Thomas Hauert ................................................................................... 7 «Diffraction»: Cie Greffe / Cindy Van Acker ........................................................................... 8 June Johnson Dance Prize 9 «Dark side of the moon»: Asphalt Piloten / Anna Anderegg ................................................... 9 Schweizer_Tanzpreis_2013_Anhang_EN.docx Swiss Dance Awards 2013 - Award winners Awards «Swiss Dance Award»: Martin Schläpfer Martin Schläpfer was born in 1959 and grew up in the Appenzell region. At the age of 15, he switched from figure skating to ballet. Just two years later he was chosen as the best Swiss dancer
    [Show full text]
  • Nussknacker Und Mausekönig
    NUSSKNACKER UND MAUSEKÖNIG BEGLEITMATERIALIEN FÜR DEN UNTERRICHT 1 Inhalt Besetzung Nussknacker und Mausekönig 4 Garantiert jugendfrei 20 Wie E.T.A. Hoffmanns Nussknacker kastriert wurde Vorbemerkungen 5 Eine hochromantische, düstere Geschichte 22 Portrait Ballett Zürich 6 Gespräch mit Christian Spuck Lebenslauf von Christian Spuck 25 Einführung 6 Der Wendige 26 Handlung und Musik 8 Dominik Slavkovský 1. Akt 8 2. Akt 10 Treffen mit der Kostümbildnerin Buki Shiff 28 Lebenslauf Buki Shiff 30 Romantik 11 Romantik und Kunstmärchen 11 Ideen für den Unterricht 31 Tanzstile, Ausdrucksformen und Bewegungssprachen 31 E.T.A. Hoffmann – Jurist, Musiker und Schriftsteller 12 Wenn Dinge lebendig werden – erfinde deine eigene fantastische Geschichte 33 Nussknacker sein 34 Die Erzählung Nussknacker und Mausekönig 14 Non-verbale Kommunikation 35 Die Geschichte des Balletts Der Nussknacker 15 Kleines Tanzlexikon 36 Das Libretto 15 Erklärungen zu Fachausdrücken aus dem Bereich Bühnentanz, Musik und Bühne Die Musik 15 Musikalischer Aufbau des Balletts 16 Merkblatt zum Vorstellungsbesuch im Opernhaus Zürich 40 Die Choreografie 17 Die Uraufführung 17 Literatur, Musik, Links und Quellenangaben 41 Weitere Fassungen 17 Die Künstler des Nussknackers von 1892 18 Musik – Pjotr Iljitsch Tschaikowski 18 Libretto und Konzeption der Choreografie – Marius Petipa 19 Choreografie – Lew Iwanow 19 Nussknacker und Mausekönig Vorbemerkungen Ballett von Christian Spuck nach dem gleichnamigen Märchen von E.T.A. Hoffmann Neufassung des Szenariums von Claus Spahn, Musik von Pjotr
    [Show full text]
  • Obituaries Buffalo News 2010 by Name
    Obituaries as found in the Buffalo News: 2010 Date of Place of Date, Page of Last Name/Maiden First Name M.I. Age Death Death/Birth/Residence Date, Page detailed obit Abbarno Vincent "Lolly" A. 9/26/2010 Kenmore, NY 9-30-2010: C4 Abbatte/Saunders Murielle A. 87 1/11/2010 1-13-2010: B4 Abbo Joseph D. 57 5/31/2010 Lewiston, NY 6-3-2010: B4 Brooksville, FL; formerly of Abbott Casimer "Casey" 12/19/22009 Cheektowaga, NY 4-18-2010: C6 Abbott Phillip C. 3/31/2010 4-3-2010: B4 Abbott Stephen E. 7/6/2010 7-8-2010: B4 Abbott/Pfoetsch Barbara J. 4/20/2010 5-2-2010: B4 Abeles Esther 95 1/31/2010 2-4-2010: C4 Abelson Gerald A. 82 2/1/2010 Buffalo, NY 2-3-2010: B4 Abraham Frank J. 94 3/21/2010 3-23-2010: B4 Abrahams/Gichtin Sonia 2/10/2010 died in California 2-14-2010: C4 Abramo Rafeala 93 12/16/2010 12-19-2010: C4 Abrams Charlotte 4/6/2010 4-8-2010: B4 Abrams S. "Michelle" M. 37 5/21/2010 Salamanca, NY 5-23-2010: B4 Abrams Walter I. 5/15/2010 Basom, NY 5-19-2010: B4 Abrosette/Aksterowicz Sister Mary 6/18/2010 6-19-2010: C4 Refer to BEN 2-21-2010: B6/7/8 for more possible Abshagen Charles, Jr. L. 73 2/19/2010 North Tonawanda, NY 2-22-2010: B8 information Acevedo Miguel A. 10/6/2010 Buffalo, NY 10-27-2010: B4 Achkar John E.
    [Show full text]
  • Swan Lake 3Rd Act, Pas De Deux, the Black Swan, Variation
    #RosetaMauri2017 Spotlight on variations! Swan Lake 3rd act, pas de deux, the Black Swan, variation MALE VARIATION By Carlos Labiós I have chosen this variation, because in my opinion is the variation par excellence for the male dancer. It has everything that is requested at the technical and acting level. The dancer has to have a very refined technique for this variation in terms of the jump and the spin, as well as an exquisite elegance at the moment of performing the steps. The dancer must possess a perfect control of the jump plus a perfect double tour en l'air, especially for the final part of the variation, since there is a series of tours en l'air facing the audience, in which the technique using the 5th position while jumping is very important. In terms of stamina, is not very complicated since the variation allows the dancer to breath enough. Let's not forget that we are playing the Prince! He is still thinking about the lake where he met Odette. He has already ruled out marrying any other princess. But, now, he is enthusiastic about Odile, although he hasn’t lost his nobility, which is reflected upon the variation. Musically it is a perfect variation for the male dancer technique, with pauses, with weight, with a perfect push to use the jump and with a melody that I personally adore. I love both the beginning and the middle part with the jumps to the second and arabesque, and especially the grand finale with the tour en l'air and the final pirouettes.
    [Show full text]
  • Incidents of Lawlessness- Tileodore Roosevelt Bags His
    Incidents of Lawlessness­ and expense of keeping our convicts ...The nun1ber is increasing and Tileodore Roosevelt Bags His Men with our largely increasing population it will continue to increase."1 During the 1880's in western Dakota, lawbreakers were certainly by Dr. Aaron Woodard a feature of life. One account described the area as follows, ''Little Missouri was a terrible place, .. .it was wild and wooly... there were n1any of them, outcasts of society, reckless, greedy and conscienceless; One feature of the Old West that is known to almost everyone is fugitives fron1 justice with criminal records and gunn1en who lived the role of the outlaw and the lawman. A staple of western 1novies by crooked ga~nbling and thievery of every sort."2 There were also and novels, this duel between good and evil figures prominently into brutal murders in Dakota, including the case of George Miller, who American culture-then and now. Many modern "Americanisms" have murdered a Baptist minister and his 6 year old daughter with an axe their beginning in this struggle for law and order in the West. The classic and knife in 1885. There was also the 1894 case, shortly after North showdown at high noon in some dusty western town between a lone Dakota statehood, of Albert Bomberger who murdered six members sheriff or marshal and a gang of cutthroats remains a popular topic for of the same family after he was apparently denied the chance to westerns but also, in a somewhat modified form, for modern action films. engage his romantic intentions towards the youngest daughter of the family.
    [Show full text]
  • Dau's Blue Book 1908
    Central Library of Rochester and Monroe County · Miscellaneous Directories Central Library of Rochester and Monroe County · Miscellaneous Directories Rochester Tels., 3333-5933 Bell, 2912 Main Electric Lighting Electric, Gas and Combination Fixtures, Art Mosaics. Table Lamps. Lighting Novelties. Welsbach Repairs. Electric Wiring for Light, Heat and Power Transmission. Bell and Telephone Installation and Repairs Prompt and efficient Rochester Public Library Reference Book Not For Circulation ABNER . ^X^Nl J ''ADAM S Uontractor Fine Hardwood Floors Contracts made for hardwood floors of every approved thickness and style, laid and finished complete in old or new houses Western Ne-iv York Agency Wood-Mosaic Flooring Company 29 East Avenue Rochester, N. Y. Central Library of Rochester and Monroe County · Miscellaneous Directories 3 9077 05345 8660 Choice f loftier?, "25CUNTONAVE.,N>S 2Decoration£, $alms, FROCH|2EJ^L f c™$ ™* f lotomng plants Home Phone IQ48 Bell Phone 666 Mai. Ereb ©• ©tcfeforb Storage and Manufacturing Co. AWNINGS, SANITARY BED- DING & UPHOLSTERING Furniture & Merchandise Moved Packed & Shipped Celebrated Nantucket The only First-class Storage Hammocks House in the City 359-373 State Street Rochester, N. 2 12-18 Frankfort Street Central Library of Rochester and Monroe County · Miscellaneous Directories HOME PHONE 2367 BELL MAIN 594-Y Creamy T% /f¥T \f Absolutely and Rich MILK\/l I I Iv. No Sediment KEPT SCRUPULOUSLY CLEAN FROM THE HEALTHY COW TO OUR STER­ ILIZED BOTTLE Hay den Bros. Milk Co. 574 West Avenue ESTABLISHED 1882 HOME PHONE 287 INCORPORATED 1906 BELL PHONE 121 CHASE Cayford C& Sons Livery Co. Coaches, Coupes and all Kinds of Livery 30 and 32 N.
    [Show full text]
  • Coppelia-Teacher-Resource-Guide.Pdf
    Teacher’s Handbook 1 Edited by: Carol Meeder – Director of Arts Education February 2006 Cover Photo: Jennifer Langenstein – Pittsburgh Ballet Theatre Principal Dancer Aaron Ingley – Pittsburgh Ballet Theatre Corps de Ballet Dancer Ric Evans – Photographer 2 Introduction Dear Educator, We have often thanked you, the academic community and educators of our children, for being partners with us in Arts Education. We have confirmed how the arts bring beauty, excitement, and insight into the experience of everyday living. Those of us who pursue the arts as the work of our lives would find the world a dark place without them. We have also seen, in a mirror image from the stage, how the arts bring light, joy, and sparkle into the eyes and the lives of children and adults in all walks of life. Pittsburgh Ballet Theatre strives not only to entertain but to demonstrate the significance and importance of presenting our art in the context of past history, present living, and vision for the future. In this quest we present traditional ballets based on classic stories revered for centuries, such as Coppelia and Cinderella; and contemporary ballets by artists who are living, working, and creating everyday, such as our jazz program Indigo In Motion and the premiers we have done to the music of Sting, Bruce Springsteen, and Paul Simon. In this way we propel our art into the future, creating new classics that subsequent generations will call traditional. It is necessary to see and experience both, past and present. It enhances our life and stirs new ideas. We have to experience where we came from in order to develop a clear vision of where we want to go.
    [Show full text]
  • Reviving Ballet in the Nineteenth Century: Music, Narrative, and Dance in Delibes's Coppélia by Arthur E. Lafex Submitted To
    Reviving Ballet in the Nineteenth Century: Music, Narrative, and Dance in Delibes’s Coppélia By Copyright 2013 Arthur E. Lafex Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Music. ________________________________ Chairperson Alicia Levin ________________________________ Paul R. Laird ________________________________ David Alan Street Date Defended: April 15, 2013 The Thesis Committee for Author (Arthur E. Lafex) certifies that this is the approved version of the following thesis: Reviving Ballet in the Nineteenth Century: Music, Narrative, and Dance in Delibes’s Coppélia ________________________________ Chairperson Alicia Levin Date approved: April 15, 2013 ii Abstract Léo Delibes (1836-1891) wrote ballet scores that have inspired composers and have entertained generations of ballet lovers. His scores have been cited for their tunefulness, appropriateness for their narrative, and for their danceability. However, Delibes remains an obscure figure in music history, outside the musical canon of the nineteenth century. Likewise, his ballet music, whose harmonic resources are conventional and whose forms are variants of basic structures, has not received much scholarly and theoretical attention. This thesis addresses Delibes’s music by examining his ballet score for Coppélia, its support of narrative and also its support of dance. Chapter 1 begins with a historical view of ballet and ballet music up to the time of Delibes. Following a biographical sketch of the composer, a review of aspects of the score for Giselle by his mentor, Adolphe Adam (1803-1856) establishes a background upon which Delibes’s ballets can be considered.
    [Show full text]
  • The Sisters in Crime Newsletter Volume XXII • Number 3 September 2009
    IInnSSiinnCC The Sisters in Crime Newsletter Volume XXII • Number 3 September 2009 SinC Puts Forward StroPnick. MgarySis anlawaardt- eat tfheoRefreren2ce D0esk0and9as -the2lib0rary1’s PR0 co - ByCRlicohébyeers,tabuItsitletriubl,y PseeamsstlPikereyessitderednayt that winning poet and short ordinator. One of the very best parts of her job is Libby Hellmann called to ask if I’d consider tak - story writer and former bringing writers — especially mystery writers — ing a spot on the Sisters in Crime National Board recording engineer. She to the library. “There is absolutely nothing better of Directors. These four years have been chal - lives in Nashville. than for a library user to tell me they have been lenging and so very rewarding and it’s with mixed Treasurer Kathryn reading a mystery author because they met her at feelings that I step down. On behalf of the nomi - R. Wall is the author of the library and that they can’t wait for her next nating committee, I am delighted to offer SinC Covenant Hall and book to come out!” members a very strong slate for the 2009-2010 eight previous Bay Tan - Nancy Martin board. Elections will take place at Bouchercon in ner mysteries set in the (Member At Large) Indiana. If you’re not planning to attend, please Mary Saums Low Country of South wrote more than 40 ro - vote by mail, using the ballot on page 15 in this is - Carolina. The Mercy mance novels before sue. And now, the slate: Oak , released in 2008, turning to her real pas - President-elect was a Southeastern In - sion – murder myster - Marcia Talley is the dependent Book - ies.
    [Show full text]
  • Chin-Yen Han RN, BN, MN (Emergency Nursing)
    Queensland University of Technology Faculty of Health School of Nursing Emergency Department Nurses’ Experience of Implementing Discharge Planning for Emergency Department Patients in Taiwan: A Phenomenographic Study Chin-Yen Han RN, BN, MN (Emergency Nursing) Submitted for the award of Doctor of Philosophy July 2008 TABLE OF CONTENTS ABSTRACT ................................................................................................... 6 CHAPTER ONE BACKGROUND AND SIGNIFICANCE OF STUDY ................................. 8 1.0 Introduction .......................................................................................... 8 1.1 Discharge Planning in Contemporary Emergency Nursing Practice ... 9 1.1.1 Emergency nurses ― the key to discharge planning .................... 9 1.1.2 Dilemmas for emergency nurses ................................................. 12 1.2 Development of Discharge Planning in Taiwan ................................ 16 1.2.1 Importance of discharge planning in the emergency department in Taiwan .............................................................................................. 16 1.2.2 Historical development of discharge planning in Taiwan .......... 17 1.3 Summary ............................................................................................ 19 1.4 Aim and Objective of the Research ................................................... 20 1.5 Overview of Chapters ........................................................................ 20 CHAPTER TWO LITERATURE REVIEW ...........................................................................
    [Show full text]