History of the Byzantine Empire
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Byzantine Missionaries, Foreign Rulers, and Christian Narratives (Ca
Conversion and Empire: Byzantine Missionaries, Foreign Rulers, and Christian Narratives (ca. 300-900) by Alexander Borislavov Angelov A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2011 Doctoral Committee: Professor John V.A. Fine, Jr., Chair Professor Emeritus H. Don Cameron Professor Paul Christopher Johnson Professor Raymond H. Van Dam Associate Professor Diane Owen Hughes © Alexander Borislavov Angelov 2011 To my mother Irina with all my love and gratitude ii Acknowledgements To put in words deepest feelings of gratitude to so many people and for so many things is to reflect on various encounters and influences. In a sense, it is to sketch out a singular narrative but of many personal “conversions.” So now, being here, I am looking back, and it all seems so clear and obvious. But, it is the historian in me that realizes best the numerous situations, emotions, and dilemmas that brought me where I am. I feel so profoundly thankful for a journey that even I, obsessed with planning, could not have fully anticipated. In a final analysis, as my dissertation grew so did I, but neither could have become better without the presence of the people or the institutions that I feel so fortunate to be able to acknowledge here. At the University of Michigan, I first thank my mentor John Fine for his tremendous academic support over the years, for his friendship always present when most needed, and for best illustrating to me how true knowledge does in fact produce better humanity. -
The Arsenite Schism and the Babai Rebellion: Two Case Studies
THE ARSENITE SCHISM AND THE BABAI REBELLION: TWO CASE STUDIES IN CENTER-PERIPHERY RELATIONS by Hüsamettin ŞİMŞİR Submitted to the Institute of Social Sciences in partial fulfillment of the requirements for the degree of Master of Arts in History Sabancı University June 2018 © Hüsamettin Şimşir 2018 All Rights Reserved ABSTRACT THE ARSENITE SCHISM AND THE BABAI REBELLION: TWO CASE STUDIES IN CENTER-PERIPHERY RELATIONS Hüsamettin Şimşir M.A Thesis, June 2018 Thesis Supervisor: Dr. Fac. Member Ferenc Péter Csirkés This thesis aims to present an analysis of the interaction between Christians and Muslims in the west of Asia Minor at the end of the 13th and the beginning of the 14th centuries after two religious-social movements in the Byzantine and the Rum Seljuk Empires, the Arsenite Schism and the Babai Rebellion. After the unsuccessful rebellion of the Babais, antinomian dervishes who had migrated to the west of Asia Minor because of a heavy oppression as well as inquisition by the state and had a different religious belief apart from the mainstream religious understanding of the center initiated missionary activities in the regions along the Byzantine border. Accordingly, these dervishes had joined the military activities of the Turcoman chieftains against the Byzantines and interacted with the local Christian population and religious figures. As a result of this religious interaction, messianic and ascetic beliefs were increasingly present among the Greek-speaking population as well as spiritual leaders of western Anatolia. Since such interfaith and cross- cultural interaction had a considerable impact on the course of all these events, this thesis focuses on them to create a better understanding of the appearance of the Hesychasm in the Byzantine spiritual environment in the later period. -
Publications Without, However, Aspiring to Completeness. Paul
Jonathan Shepard publications without, however, aspiring to completeness. Paul Stephenson has provided a valuable review-article of secondary literature published in a western language on the history of the early Hungarians, while his book on Byzantium’s Balkan frontier sets the activities of Hungarians in the tenth century within the broader context of imperial Byzantine diplomacy, emergent Balkan polities and the needs of nomads. Stephenson and Tóth, building on the earlier work of Macartney and Göckenjan, point to the strong probability that the lands east of the Tisza were occupied by the De administrando’s Kavars (Kabaroi). These, in turn, may be associated with the “Khalisioi”/Kaliz, a grouping of Khazar provenance known from later Hungarian sources to have occupied the valley of the Tisza in the twelfth and thirteenth centuries. Constantine VII could well have drawn heavily on Kavar informants for his contemporary data about the Hungarians’ lands, and the De administrando’s generous coverage of this grouping in comparison with the other units of Hungarians becomes the more understandable. In addition, a number of scholars have independently reached the conclusion that imperial attention to, knowledge about, and policy towards a region or people fluctuated drastically in accordance with the empire’s ever- changing needs and apprehensions of perils. Stephenson’s book shows how adaptable Byzantine administrative arrangements were after the defeat of the Rus and the Bulgarians in 971. Comparable flexibility was applied to the northern borderlands after final victory over the Bulgarians had been won in 1018, and in the territories reconquered from the eastern Muslims in the 960s and 970s. -
Quipment of Georgios Maniakes and His Army According to the Skylitzes Matritensis
ΠΟΡΦΥΡΑ da un’idea di Nicola Bergamo “Saranno come fiori che noi coglieremo nei prati per abbellire l’impero d’uno splendore incomparabile. Come specchio levigato di perfetta limpidezza, prezioso ornamento che noi collocheremo al centro del Palazzo” La prima rivista on-line che tratta in maniera completa il periodo storico dei Romani d’Oriente Anno 2005 Dicembre Supplemento n 4 A Prôtospatharios, Magistros, and Strategos Autokrator of 11th cent. : the equipment of Georgios Maniakes and his army according to the Skylitzes Matritensis miniatures and other artistic sources of the middle Byzantine period. a cura di: Dott. Raffaele D’Amato A Prôtospatharios, Magistros, and Strategos Autokrator of 11th cent. the equipment of Georgios Maniakes and his army according to the Skylitzes Matritensis miniatures and other artistic sources of the middle Byzantine period. At the beginning of the 11th century Byzantium was at the height of its glory. After the victorious conquests of the Emperor Basil II (976-1025), the East-Roman1 Empire regained the sovereignty of the Eastern Mediterranean World and extended from the Armenian Mountains to the Italian Peninsula. Calabria, Puglia and Basilicata formed the South-Italian Provinces, called Themata of Kalavria and Laghouvardhia under the control of an High Imperial Officer, the Katepano. 2But the Empire sought at one time to recover Sicily, held by Arab Egyptian Fatimids, who controlled the island by means of the cadet Dynasty of Kalbits.3 The Prôtospatharios4 Georgios Maniakes was appointed in 1038 by the -
Sex, Lies, and Mosaics: the Zoe Panel As a Reflection of Change in Eleventh-Century Byzantium*
SEX, LIES, AND MOSAICS: THE ZOE PANEL AS A REFLECTION OF CHANGE IN ELEVENTH-CENTURY BYZANTIUM* Brian A. Pollick, University of Victoria Abstract The stereotype of Byzantine art as static and unchanging still compels Byzantine specialists to emphasize that change is readily evident in Byzantine art if one knows where and how to look for it. This paper is a case study about such change and how a unique set of social forces in the early eleventh century induced cultural change that resulted in new visual forms. The subject of this case study is the mosaic known as The Zoe Panel, located in the South Gallery of the Hagia Sophia in Constantinople. The panel depicts the Emperor Constantine IX presenting a bag of money to the enthroned Christ, while the Empress Zoe presents an imperial scroll probably signifying an ongoing grant. Although there has been much written about this mosaic, the fact that the moneybag and imperial scroll represent two new iconographic elements in imperial portraits has gone largely unnoticed. This study argues that the appearance of these new iconographic features is a direct reflection of the specific dynastic, economic and social circumstances in the Byzantine Empire in the early eleventh century. he stereotype of Byzantine art as static and unchanging still compels Byzantine specialists to emphasize that change is readily evident in Byzantine art if one knows where and how to look for it. This paper is a Tcase study about such change and examines how a unique set of political, economic and social forces in the early eleventh century induced socio-cultural change that resulted in new visual forms. -
Ordering Divine Knowledge in Late Roman Legal Discourse
Caroline Humfress ordering.3 More particularly, I will argue that the designation and arrangement of the title-rubrics within Book XVI of the Codex Theodosianus was intended to showcase a new, imperial and Theodosian, ordering of knowledge concerning matters human and divine. König and Whitmarsh’s 2007 edited volume, Ordering Knowledge in the Roman Empire is concerned primarily with the first three centuries of the Roman empire Ordering Divine Knowledge in and does not include any extended discussion of how knowledge was ordered and structured in Roman juristic or Imperial legal texts.4 Yet if we classify the Late Roman Legal Discourse Codex Theodosianus as a specialist form of Imperial prose literature, rather than Caroline Humfress classifying it initially as a ‘lawcode’, the text fits neatly within König and Whitmarsh’s description of their project: University of St Andrews Our principal interest is in texts that follow a broadly ‘compilatory’ aesthetic, accumulating information in often enormous bulk, in ways that may look unwieldy or purely functional In the celebrated words of the Severan jurist Ulpian – echoed three hundred years to modern eyes, but which in the ancient world clearly had a much higher prestige later in the opening passages of Justinian’s Institutes – knowledge of the law entails that modern criticism has allowed them. The prevalence of this mode of composition knowledge of matters both human and divine. This essay explores how relations in the Roman world is astonishing… It is sometimes hard to avoid the impression that between the human and divine were structured and ordered in the Imperial codex accumulation of knowledge is the driving force for all of Imperial prose literature.5 of Theodosius II (438 CE). -
Studia Translatorica Vol. 10
DOI: 10.23817/strans.10-28 Diana Cărburean Independent researcher/ Romania The Byzantine legal standard transposition strategies into the Romanian regulatory texts of the 17th century Abstract The Byzantine legal standard transposition strategies into the Romanian regulatory texts of the 17th century Unlike the Canon law texts available in the Romanian principalities – Moldavia and Wal- lachia – falling under the Slavic influence, the first legal acts which are subscribed to the secular law and which appear in 1646 [Carte Românească de Învățătură (en. Romanian Book of Learning) or Pravila lui Vasile Lupu (en. Vasile Lupu’s Code of Laws)] and in 1652 [Îndrep- tarea legii (en. The Law’s Rectification) orPravila lui Matei Basarab (en. Matei Basarab’s Code of Laws)] fall under the Greek-Byzantine influence. The present article aims to provide some information regarding the translation mechanisms applied by the Moldavian and Wallachian scholars of the 17th century who aimed at transposing the Byzantine Legal Standard to the everyday life of the two above mentioned Romanian principalities by means of fundamental procedures, such as “analysis (with the underlying meaning determination), transfer, restruc- turing, and testing” (Nida, 2004: 85) of the source message. The most precious information related to the translation process of those times is provided by the cases of untranslatability generated by the legal and terminological gap between the Receiver and the Transmitter. The identification and classification of these cases, but also the highlighting of the solutions the translator found to solve them, represent important steps in understanding the equivalenting process of two unequal legal systems that took place centuries ago in Eastern Europe, as illus- trated by the case of the two Romanian principalities and the Greek-Byzantine one. -
Introduction to Justinian's Novels in 529 A.D., in Order to Harmonize and Simplify Centuries of Roman Law, Emperor Justinian O
Introduction to Justinian’s Novels In 529 A.D., in order to harmonize and simplify centuries of Roman law, Emperor Justinian ordered the codification that became known as the Codex Iustinianus—the Code of Justinian. However, in the next few years he created many additional laws, and in 534 he incorporated these into a second edition of his Code that superseded the first. Only this second edition survives. (Click here for Justice Blume’s annotated, English translation of the Code.) After 534, throughout the remaining years of his long reign (527-565), Justinian continued to issue laws to meet changing circumstances. These new “constitutions” —Novellae constitutiones, or Novels—never were compiled officially. Private manuscript collections were made of them in the East, though, and these collections appeared later in the West. Starting in the Renaissance, and continuing into the 20th century, scholars made critical editions of the Novels that incorporated elements from the three major collections and from other manuscripts, as they were discovered. (For a detailed history of the transmission process and the various compilations, see The Creation and Transmission of Justinian’s Novels at the Novels’ History link on this web site.) In making the English translation set out here, Justice Fred H. Blume used the Latin version established in the best-regarded critical edition of the Novels—that of Schoell and Kroll, which is volume three in Mommsen, Kruger, Schoell and Kroll’s Corpus Juris Civilis.1 (Volume one contains the Digest and Institutes, volume two, the Code.) Schoell and Kroll’s now-standard edition follows the Greek Collection of 168 in adding a group of 13 Justinian edicts after the 168 novels proper. -
Middle Byzantine Numismatics in the Light of Franz Füeg's Corpora Of
This is a repository copy of Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/124522/ Version: Accepted Version Article: Jarrett, J orcid.org/0000-0002-0433-5233 (2018) Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata. Numismatic Chronicle, 177. pp. 514-535. ISSN 0078-2696 © 2017 The Author. This is an author produced version of a paper accepted for publication in Numismatic Chronicle. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ REVIEW ARTICLE Middle Byzantine Numismatics in the Light of Franz Füeg’s Corpora of Nomismata* JONATHAN JARRETT FRANZ FÜEG, Corpus of the Nomismata from Anastasius II to John I in Constantinople 713–976: Structure of the Issues; Corpus of Coin Finds; Contribution to the Iconographic and Monetary History, trans. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
The Silk Road in World History
The Silk Road in World History The New Oxford World History The Silk Road in World History Xinru Liu 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2010 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Liu, Xinru. The Silk Road in world history / Xinru Liu. p. cm. ISBN 978-0-19-516174-8; ISBN 978-0-19-533810-2 (pbk.) 1. Silk Road—History. 2. Silk Road—Civilization. 3. Eurasia—Commerce—History. 4. Trade routes—Eurasia—History. 5. Cultural relations. I. Title. DS33.1.L58 2010 950.1—dc22 2009051139 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper Frontispiece: In the golden days of the Silk Road, members of the elite in China were buried with ceramic camels for carrying goods across the desert, hoping to enjoy luxuries from afar even in the other world. -
Syrian Orthodox from the Mosul Area Snelders, B
Identity and Christian-Muslim interaction : medieval art of the Syrian Orthodox from the Mosul area Snelders, B. Citation Snelders, B. (2010, September 1). Identity and Christian-Muslim interaction : medieval art of the Syrian Orthodox from the Mosul area. Peeters, Leuven. Retrieved from https://hdl.handle.net/1887/15917 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/15917 Note: To cite this publication please use the final published version (if applicable). 2. The Syrian Orthodox in their Historical and Artistic Settings 2.1 Northern Mesopotamia and Mosul The blossoming of ‘Syrian Orthodox art’ during the twelfth and thirteenth centuries is mainly attested for Northern Mesopotamia. At the time, Northern Mesopotamia was commonly known as the Jazira (Arabic for ‘island’), a geographic entity encompassing roughly the territory which is located between the Euphrates and Tigris rivers, and lies north of Baghdad and south of Lake Van. 1 In ecclesiastical terms, this region is called Athur (Assyria). 2 Early Islamic historians and geographers distinguished three different districts: Diyar Mudar, Diyar Bakr, and Diyar Rabi cah. Today, these districts correspond more or less to eastern Syria, south-eastern Turkey, and northern Iraq, respectively. Mosul was the capital of the Diyar Rabi cah district, which ‘extended north from Takrit along both banks of the Tigris to the tributary Ba caynatha river a few kilometres north of Jazirat ibn cUmar (modern Cizre) and westwards along the southern slopes of the Tur cAbdin as far as the western limits of the Khabur Basin’.