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Index

accident, 97–8 attention, 79, 218, 219, 220–2, 233, 236, see also accident prevention, 39–40, 42, 185 distraction accident statistics, 40–1 audience, 84, 102, 103, 110, 111, 112, 308 acculturation, 155–6 Augustine of Hippo, 191 acting, see playacting Austrian Criminal Code, 183–4, 186–7 adaptation, 164, 310–6 automatic writing (écriture automatique), 54, 60, Adler, Jeremy, 281 see also writing process Adorno, Theodor W., 263, 267, 268, 272–4, aviation, 13–14 310 Aeschylus, 186 bacteriology, 47–8 Aestheticism, 73, 74–5, 80, 202 Balázs, Béla, 91 Agamben, Giorgio, 190, 207 Bar Kochba (student organization), 156, 210, aggadah,213,269 211 agriculture, 177, see also horticulture Barthes, Roland, 277 alertness, 220, see also attention Bauer, Felice, 9, 11, 12, 26–7, 30–1, 34, 46, 50, Alexander the Great, 179–81, 214 120–2, 149, 195, 231, 243, 246–7, 304 alienation, 164, 235, 255, 263, 269, 273, 281 Baum, Oskar, 18, 87, 102, 227 allegory, 31, 276 Beckett, Samuel, 309, 316 Alt, Peter-André, 109 beginning, 55–7, 65, 69, 103, 298 Altenloh, Emilie, 113 Beissner, Friedrich, 65, 285–6 Alter, Robert, 213 Belgian Congo, 14 , see Man who Disappeared, The Benjamin, Walter, 76, 91, 92, 94, 95, 96, 97, 141, Anderson, Mark M., 45–6, 67, 78 163, 203, 205, 207, 213–14, 235, 236, 263–4, animal, 24, 43, 67, 77, 93, 232, 249, 250, 251, 267, 268–72, 273, 275, 306, 310 261 Bergmann, Hugo, 18, 156, 157, 203, 210 igure of the, 212, 271 Berlin, 27, 30, 51, 52, 88, 106, 149, 157, 168, 227, instinct, 43 233, 236, 260 stories, 51, 132, 252–3, 255, 268 Beschreibung eines Kampfes, see Kafka, Franz, anthropology, 201, 249–5 Description of a Struggle antisemitism, 34, 123, 124, 130–1, 135, 154–7, Bismarck, Fürst Otto von, 36 172–3, 181, 208, 264, 273, 302–3 Blei, Franz, 74, 75, 78, 261 anxiety,110,143,268 Blériot, Louis, 13, 14 ape, aping, 77, 212, 255 Bloch, Grete, 26, 27, 34, 296 apperception, 218, 220, 221, 222 Blüher, Hans, 226, 228 Arbeiter-Unfall-Versicherungs-Anstalt, see bodily constitution, 47, 92 Workers’s Accident Insurance body, 27, 30, 44–6, 52, 55, 67, 92–4, 98, 104, 118, Institute 121, 122, 228, 236, 238, 271 architecture, 40, 111, 137–44, 312 Brecht, Bertolt, 95, 269 art, 55, 60, 84, 202, 251, 253 Brehmer, Hermann, 47 artist, 43, 135, 251, 253, 293 Brenner, Der, 74, 193, 195 Assicurazioni Generali, 35, 185 Brentano, Franz, 78–80, 192, 218, 219

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332 Index

Brod, Max, 18, 20–21, 51, 74, 78, 82, 87, 89, 100, Czech-Jewish movement, 155–6 102, 103, 109, 113, 118, 121, 131, 151, 154, 157, 159, 162, 164, 167, 168, 192, 197, 200, 204, Dadaism, 76–7, 252 205, 211, 213, 227, 228, 231, 259, 260–3, 294, dance,91,92,93,132 295, 296, 298–300, 313 David, Claude, 308 ABigVenture,20 de Man, Paul, 275–6, 277, 278, 279, 280, 281 Paganism, Judaism, Christianity,204 death, 45, 49, 51, 52 Richard and Samuel,21,299 decadence, 45, 78 Tycho Brahe’s Path to God,281 deconstruction, 141, 275–82 Buber, Martin, 18–20, 87, 156, 201, 202, 210, 211, decorum, 138, 141, 142, 143, see also architecture 260, 303 defamiliarization, 95, 255 Bunau-Varilla, Philippe, 14 degeneration, 92, 220 bureaucracy, 24, 33, 63, 163, 189, 232, 262, 269, Deleuze, Gilles, 263 273, 284, 307, 314, 315 Denkbild (thought image), 76, 236 Busoni, Ferruccio, 130, 133 Derrida, Jacques, 263, 275–6, 277, 278, 281 Butler, Judith, 281 desire, 28, 122, 132, 163, 217, 220, 241, 277 Devetsil,˘ 126 Camus, Albert, 265 Diamant, Dora, 21, 27–8, 34, 51, 52, 227 Capaldi, Peter, 310–11 Dickens, Charles, 63, 85, 178, 260 Franz Kafka’s It’s a Wonderful Life (1995), 310 Diederichs Verlag, 193, 195, 201 Castle, The, 20, 23, 24, 30, 33, 34, 42, 51, 61, 65–6, disgust, 28, 67, 208, 228–9 67, 68, 74, 75, 78, 79, 85–6, 95, 96–7, 134, displacement, 234, 236, 237, 238, 240 140, 154, 164, 189, 197, 223, 227, 234, 262, distraction, 79, 115, 219, 220–2, see also attention 267–8, 270, 273, 285, 289–90, 305, 307–8, Döblin, Alfred, 93, 220 313, 314–15 Dostoevsky, Fyodor, 63, 84, 85, 193, 201 censorship (wartime), 168, 173 Douglas, Stan, 315–16 child, childhood, 9, 30–1, 33, 49, 95, 104, 160, dream, 58, 111, 115–16, 172, 216, 227, 236, 252, 216, 241–7, 249–55, 270 260, 262, 272, 286, 288, 312 cinema, 93, 109–16, 236, 310, 311, 312, 313, 314, Duttlinger, Carolin, 109, 118, 121 315–16, see also ilm Dyk, Viktor, 165–6 silent cinema, 91, 92, 109, 110, 111–12, 114, 310, 316 Ehrenstein, Alfred, 124, 260 city, 27, 30, 32, 114, 233–40 Eigene, Der: Ein Blatt für männliche Kultur, class, 14, 30, 31, 33, 36, 112, 123, 191 226 clothing, 45, 140, 226 Eisner, Lotte, 94 codiication controversy, 186–8, 189 Eisner, Minze, 21, 177 cognitive dissonance, 288 emancipation cognitive science, 288 female, 29, 30, see also New Woman, women’s Cohn, Dorrit, 277, 278 movement Cold War, 312, 316 Jewish, 155, see also Zionism, Czech–Jewish colonialism, 176–81, 212, 253 movement communication,24,95,118,126,138,142,197, embodiment, 91, 280, 286 201, 235, 236, 278 emendations, 57–60 community, 19, 24, 42, 60, 94, 121, 134–5, 142–3, empirical research, 289, 290 164, 165, 172, 173, 187, 203–4, 209, 210, 211, ending, see conclusion 235, 239, 241, 253 eroticism, 32, 75, 121, see also homoeroticism conclusion, 57, 60–1, 68, 69, 103, 276, 287, 297, estrangement, see alienation 298 ethnography, 176, 249–55 Conrad, Joseph, 178, 179 ethno-nationalism, 149–54, 157, 208 construction industry, 37–8 existentialism, 263, 265, 272 Corngold, Stanley, 77, 273, 295 exoticism, 176–81, 253–4 criminology, 184 experimental psychology, 217, 218, 219, 220, 288 criminal psychology, 186–7 Expressionism, 64, 73, 74, 75, 76, 80, 93, 94, Czech–German relations, 149–57, 161, 167 202–3, 230, 251, 273 wartime tensions, 167–8, 170–2 Expressionist ilm, 93, 94, 313

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Fackel, Die (The Torch), 101, 187, 246 Greenberg, Jack, 295 family, 9–17, 28–9, 32–3, 52, 60, 97, 122, 123, 160, Greve, Anniken, 286–7 222, 241, 242, 246, 273 Gross, Hans, 184, 187 father, 11, 12, 30, 76, 253 guilt,22,26,31,89,163,189,232,243,245,261, father–son relationship, 9–10, 17, 19, 22, 28, 262, 270, 271 33, 202, 208–9, 216–17, 230–1, 242–3, Gunning, Tom, 110 270 gymnastics, 27, 45, 93, 226 Fechner, Gustav, 87, 217, 218 feminism, see emancipation (female), New Ha’am, Ahad, 211 Woman, women’s movement Haas, Willy, 216, 262–3, 264 Festinger, Leon, 288 Habsburg Empire, 29, 33, 37, 38, 41, 42, 123, 124, ictionality, 110 150, 151, 152, 154, 163, 167, 168, 169, 170, 173, ilm, 76, 92, 93, 109–16, 310–16, see also cinema 174, 181, 188, 208 ilm noir,316 halakha,209,213,264,269 in de siècle, 139, 202 Halley’s Comet (1910), 280 irmitas (irmness), 137, 139, 143 Haneke, Michael, 314–15 First World War, 38, 92, 152, 167–74, 181, 189, Das Schloss (1997), 314–15 195, 201, 203, 231, 268, 273 happiness, 143, 144, 167, 231, 253 war bonds, 171 Hardt, Ludwig, 100–1, 104 war veterans, 39, 46, 171, 185 Harnack, Adolf von, 203 Flaubert, Gustave, 63, 64, 84, 85, 103, 178 Hašek, Jaroslav, 157, 163–4 Bouvard and Pécuchet,84 Haskalah,155 Madame Bovary,84 Hauer, Karl, 246 Sentimental Education,65,84,104,191,195 health, 41, 44–52, 93 The Temptation of Saint Anthony,102 Hebrew (language), 27, 50, 106, 107, 155, 194, Three Stories,84 211, 213, 302 Foerster, Friedrich Wilhelm, 243–4, 245, 246 Heidegger, Martin, 275 food Hellerau, 241 food crisis, 172–3 Hermann, Erich, 118 Foucault, Michel, 41, 249 Hermann, Karl, 11, 12 Frank, Leonhard, 188 Hermsdorf, Klaus, 295 Franzos, Karl Emil, 187 Herzl, Theodor, 211 freedom, 77, 80, 169, 244, 255, 271 Hessler, Ferdinand, 117 Freud, Sigmund, 30, 79, 80, 187, 216–17, 219, Hirschfeld, Magnus, 226 225, 231, 262, 272, 286 Holmes, Oliver Wendell, 186 friendship, 18–25, 89, 118, 259 home (Heimat), 157, 237, 279 Homer, 128 gardening, 177, see also horticulture The Odyssey, 128, 129 gaze, 115 homoeroticism, 226, 227, 231 gender, 94, 122, 123, 225–32 homosexuality, 225–6, 227, 230, 231 relations, 32, 86 Horn, Vilém, 117 roles, 21, 226 horticulture, 32, 177 genealogy, 242, 250, 275 Huch, Ricarda, 188 generation, 10, 11, 15, 76, 167, 201, 230, 262 Huillet, Danièle, 311 generational change, 28–9, 208 humour, 78, 172, 264, 308, 314 gesture, 28, 76, 91–8, 107, 114, 163, 209, 229, 242, Husník, Jakub, 117 263, 270, 271, 272, 274, 310, 311 Husserl, Edmund, 275 Gilman, Sander, 19 hypochondria, 44 Goethe, Johann Wolfgang von, 64, 82, 83, 101, 105, 191 illness, 19, 44–52, 220, 288, see also tuberculosis Poetry and Truth,83 imagination, 112, 115 ‘’, 105 imperialism, 177–8 The Sorrows of Young Werther,191 indeterminacy, 287 Gothic novel, 83, 229 India, 180, 181 Greenberg, Clement, 264–5 industrialization, 12, 32, 152

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institutions, 41, 42, 96, 153, 154, 206, 212, 222, Kafka, Hermann, 9–10, 12, 15, 19, 155, 160, 208, 253, 255, 267, 314 227, 243 insurance, 35–7, 185–6 Kafka, Julie (née Löwy), 9, 10–11, 33, 155, 160 accident insurance, 35–43, see also Worker’s Kafka, Ludwig, 9 Accident Insurance Institute Kafka, Ottilie (‘Ottla’), 9, 11, 30, 32–3, 34, 49, interpretation, 20, 62, 149, 205, 212, 213, 261, 74, 119–20, 177, 192 263, 264, 272, 273, 278, 287, 290, 304–5 Kafka, Valerie (‘Valli’), 9, 11, 32, 34, 121 intimacy, 46, 65, 119–20, 122, 126, 160, 165, 255 Kafkaesque, 189, 284, 285, 288, 310, 314 irony, 192, 308 Kaiserpanorama, 115–16, 117–18, 236 Iser, Wolfgang, 287 Kant, Immanuel, 187, 191, 192 Kepler, Johannes, 281 Janouch, Gustav, 21 Key, Ellen, 243, 245 Jellinek, Georg, 186 Kierkegaard, Søren, 87–8, 192, 193, 194, 195–8, Jesenká, Milena, 27, 28, 29, 34, 50, 51, 83, 86, 154, 203, 204, 263 157, 160, 227, 236, 278, 296, 302, 303, 304 Klages, Ludwig, 91 Jhering, Rudolf von, 186, 187 Kleist, Heinrich von, 64, 82, 83, 84, 103, 191, 306 journals, 74–5, 76 ‘Anecdote from the last Prussian War’, 101 Joyce, James, 74, 76, 227, 279, 302–3, 307 Michael Kohlhaas,64,83,102,191 Portrait of the Artistas a Young Man, 302 Klic,ˇ Karl, 117 Ulysses,74,279 Klopstock, Robert, 21, 51, 52, 88, 195, 196, 197, Judaism, 50, 87, 106, 130, 132, 171, 191, 202, 203, 198, 227 204, 208–14, 264–5, 269 Kmen, 160, 162 assimilation, 11, 124, 208–9, 212, 214 Koch, Hans-Gerd, 296 Jewish identity, 18, 19, 130, 210, 264 Koch, Robert, 47 Jewish legends, 87, 151, 201, 213 Kohn, Hans, 260 scholarly tradition, 33, 88, 191, 213–14 Kokoschka, Oskar, 91, 93 Jüdisches Volksheim (Jewish People’s Home, Kracauer, Siegfried, 235, 236, 262, 267–9, 270, Berlin), 21, 27, 30, 243, 246 271, 273 Kraft-Ebing, Richard von, 225, 227 Kafka, Angelus, 10, 11, 13 Kramáˇr, Karel, 168, 173 Kafka, Elisabeth (‘Elli’), 9, 11, 32, 34, 51, 241, Kraus, Karl, 101, 102, 187, 194, 273, 303 244 Kuleshov, Lev, 93 Kafka, Franz, see also individual titles for the Kundera, Milan, 306 novels ‘At the Building of the Great Wall of China’, Laban, Rudolf von, 93 36,140,141,142,173,189,212,238,253,263, Landarzt, Ein, see Kafka, Franz, ACountry 268, 269 Doctor ‘’, 68, 76, 140, 179, 183, 237, language, 92, 129, 132, 138, 251, 263, 272, 277, 238, 275, 276, 310, 312 281, see also Hebrew (language), Yiddish ‘’, 24, 51, 137, 143, 179, 189, 253, language 268, 315 language policy, 151, 153–4 A Country Doctor, 15, 57, 66–7, 74, 75, 85, 100, linguistic ambivalence, 307 128, 179, 193, 214, 268, 286, 290 multilingualism, 153–4, 303–4 Description of a Struggle, 22, 75, 78, 79, 228 Lasker-Schüler, Else, 64, 100, 104 ‘Hunter Gracchus, The’, 152, 254 law, 40, 183–9, 206–7, 213, 232, 237–8, 264 ‘’, 210, 212, 253, 290 crisis of law, 186–9 ‘Joseine, the Singer ...’, 77, 128, 133–4, 135, Free Law, 186, 189 252–3, 255 PureLaw,186,189 ‘The Judgement’, 12, 22, 33, 54–6, 57, 63, 67, Leavis, F. R., 264 76, 78, 103, 153, 160, 183, 209, 216–17, 225, legal positivism, 186 230, 233, 236, 276, 287, 304 legal realism, 186 ‘TheNewAdvocate’,140,179–81,189,214, legend, 142, 165 271 Leibniz, Gottfried Wilhelm, 218 ‘Report to an Academy’, 160, 178, 210, 253, 255 letter writing, 118, 236, 278–9, 296 ‘The Trees’, 283 Lindner, Gustav Adolf, 218, 221

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Liska, Vivian, 212 Musil, Robert, 114–15, 216 literary inluences, 63–5, 78, 162–6 The Confusions of Young Törless,191 Löwy, Alfred, 11, 14 The Man without Qualities,187 Löwy, Jizchak, 19, 106–7, 209–10, 303 Posthumous Papers of a Living Author, 114 machine, 46, 63, 86 myth, 31, 82, 128, 150, 161, 251, 263, 268, 270, man–machine interaction, 39 271, 273–4 wood planing machines, 39, 185 Maimon, Salomon, 88, 191 Napoleon, 180–1 Malinowski, Bronislaw, 254 narrative technique, 65–9, 78 Man who Disappeared, The, 15, 23–4, 60, 62, 64, narrative perspective, 65–6, 80, 285–6 68, 80, 85, 86, 95, 114, 122, 123, 128, 134, national discourse, 152, 153 227, 228–9, 233, 237, 243, 245, 270, 271, naturalism, 31, 74 307, 311 nature, 31, 249–50 Mann, Thomas, 64, 77, 82, 83, 100, 101, 227, negative space, 142 228, 306 Nemcová,ˇ Božena, 154, 161, 164 Marcus Aurelius, 192, 194 nervousness, see neurasthenia Marinetti, Filippo Tommaso, 13 Neumann, Gerhard, 57, 204, 284 marriage, 9, 11, 12, 28–9, 30, 32–3, 83, 84, 85, 195, neurasthenia, 220, 273 227 New Woman, 27, 30, 32, see also emancipation Marschner, Dr Robert, 37, 38, 40, 41 (female), women’s movement masculinity, 12, 31, see also gender New York City, 15, 64, 233, 237, 311 masochism, 227 Nietzsche, Friedrich, 77–8, 89, 164, 165, 193–4, mass culture, 109, 112, 235, 268, 273 195, 201, 202, 205, 275 mass-production, 119–20, 272 Birth of Tragedy, The,129 maximal stress cooperation (MSC), 142 Human, All Too Human,194 medicine, 47, 217 On the Genealogy of Morals, 77, 193 history of, 46–8 Thus Spoke Zarathustra, 77, 87, 193 memory,126,212,217,220 Nijinsky, Vaslav, 91, 93 metabolism, 140 noise, 130, 131, 133–4, 135, 218 Metamorphosis, The, 12, 19, 33, 56, 57, 62, 67, 86, Nordau, Max, 211 123, 128, 179, 216, 227, 230, 231, 233, 253, 277, 285, 286, 287, 288, 302, 310, 311 observer, see spectator Meyerhold, Vsevolod, 93 Oedipus complex, 30, 216–17, 230–1 military battleields, 169, 174, see also First World oligopticon, 41 War orality, 121 Miller, Joseph Hillis, 278–9 Orientalism, 176, 177–8 minor literature, 210, 311, see also small literature orientation, 201, 235 misogyny, 28, 31, see also gender outsider, igure of the, 165, 166, 172, 173, 174, mobilization (1914), 167, see also First World War 179 modernism, 14, 73–80, 114, 165, 216, 265, 311, 314 Palestine, 32, 120, 156, 174, 211, 212, see also inPrague,157,161–3 Zionism modernist miniature, 76 parable, 62, 63, 68, 95, 163, 205, 206–7, 213, 237, modernity, 28, 126, 200, 201, 205–7, 214, 235 238, 255, 270, 272, 273, 274, 310, 312 montage, 125, 126 paradox, 204–5, 284 mother, 9, 30–1, 32–3, 217, 245–6 sliding paradox, 57, 204, 284 motherliness, see mother paranoia, 24, 41 Muir, Willa and Edwin, 62, 304–5 parasite, see vermin Münsterberg, Hugo, 113 parents, 241–2, 243, 246 Murphy, Richard, 287 Paris, 45, 78, 84, 94, 97, 103, 106, 153, 157, 233, music, 46, 128–5, 212, 253, 255, 273, 302, 304, 237, 316 307 Pasley, Malcolm, 300, 305, 307 absolute music, 128–9 patriarchy, 30, 31, 33, 230 unmusicality, 131, 135 patriotism, 168, 170–2

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pedagogy, 241–7 rivalry, 22 Black Pedagogy, 242 Rivière, Jacques, 91, 92 reform pedagogy, 243–6 Robertson, Ritchie, 180–1, 285–6 perception, 79, 112, 113–14, 115, 118, 194, 218–19, Roerich, Nicholas, 91 221, 222, 234 Rokitansky, Carl von, 46 performance, 101–2, 311 Rumburg (Rumburk), 171, 173 Phelan, James, 287 Russia, 12, 15, 22, 34, 56, 93, 217 phenomenology, 79, 275, 279 philosophy, 87–9, 191–8 Sacher-Masoch, Leopold von, 29, 86, 227, 228, photography, 117–26, 236 229, 231 half-tone process, 122 Venus in Furs, 86, 227 Pick,Otto,124,157,162,259 sadism, 163 Pinter, Harold, 309 Said, Edward W., 177–8 Pinthus, Kurt, 113 sanatorium, 45, 46–7, 48, 49, 51 Plato, 82, 89, 102, 192, 193 Sartre, Jean-Paul, 265 playacting, 209, 271 Schafsteins Grüne Bändchen, 86, 247 Plessner, Helmuth, 94 Schiele, Egon, 93 Politzer, Heinz, 284 Schloss, Das, see Castle, The Pollak, Oskar, 18, 82, 149, 169, 192, 227 Schoeps, Hans Joachim, 204 polyglotism, see multilingualism Scholem, Gershom, 20, 207, 213–14, 264, 271 pornography, 86, 228, 229 Schopenhauer,Arthur,89,102,129,193,194,195 postcards, 117, 118–20 Schreber,DanielGottlobMoritz,242,243 postcolonialism, 177–9, 181 Second Vienna School, 130 power, 22, 32, 33, 76, 95, 122, 132–3, 177, 178, 217, secularization, 29, 200, 205–7 228, 238, 271, 273, 311, 316 self-observation, 18, 219–20, 223 Prague, 29, 30, 117, 149–57, 159–60, 168, 169, 172, sensory threshold, 218 188, 203, 210–11, 233, 234, 280, 302 sexuality, 18, 31, 67, 216, 225–32, 269 Prague Circle, 259 shame, 96, 271 presence, 119–20, 121, 122 shielding, 138, 140, 141 Primitivism, 249–55 short prose, 62, 63, 76, 83, 100, 101, 210, 212, Process, Der, see Trial, The 259 prostitution, 30, 31 silence, 68, 128, 130, 133–4, 135, 160, 168, 239, Protestantism, 151, 203, 206 254 psychoanalysis, 79, 80, 216–17, 225, 262, 286 Simmel, Georg, 30, 235 psychological monism, 79, 80 simplicity, 63, 83, 270, 283–4, 287, 298 psychology, 78–80, 114, 217–23, 250–1, 286–90 singing, 105–6, 133–5 public relations, 37–9 Sizemore, Christine, 288 public space, 152, 238 small literature, 154, 161, 165, see also minor punishment, 187, 193, 232, 242, 243 literature punishment fantasies, 78, 230–2 Soderbergh, Steven puriication, 45–6, 52 Kafka (1991), 312–14, 315 soldiers, 39, 92, 123–4, 170, 174, 189 race, 31, 176, 251 solitude, 74, 212 railway, 14–15, 114, 233, 235 Sophocles, 216 reading process, 283–91, see also writing process sound, 109, 111, 129, 130, 134, 135, 218, 304, 308, realism, 31, 115, 284, 288, 310 315 reality, 76, 109, 115, 219, 221, 251, 252, 260, 268, space, 138, 176–7, 178–81, 233–4, 237 277, 288, 313, 314 spectacle, 109, 110–12, 118 recitation, 100–7 spectator, 109, 110, 111, 112, 113, 114–15, 116, 117 religion, 88, 193, 200–7, 208 Stach, Reiner, 78, 194 representation, 91, 109, 115, 118–22, 260, 267, Stekel, Wilhelm, 216 310 Stoppard, Tom, 309 Reuß, Roland, 293, 297, 299, 300 Straub, Jean-Marie, 311 revolution, 94, 142, 174, 273 Stravinsky, Igor, 91 risk classiication, 40–1 Strindberg, August, 83, 85–6

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studio, 117, 122–3 Vienna, 40, 51, 84, 124, 151, 157, 167, 233, 236 Štyrský, Jindˇrich, 126 violence, 129, 133, 173, 228, 229, 231, 242, 243, 244 Surrealism, 73, 252 voice, 101, 102, 104, 105–6, 107, 134, 315 surveillance, 84, 168, 316 voyeurism, 225 Swift, Jonathan, 241–2 Symbolism, 162, 202, 203 Wackenroder, Wilhelm Heinrich, 129 Wagner,Benno,295 tactility, 112, 121 Wagner, Richard, 130, 201 Talmud, 33, 204, 206, 213, 264 ‘total work of art’, 130, 255 technology, 13, 39, 40, 92, 93, 200, 268, 310, Warburg, Aby, 91 312 Weber, Max, 206 Teige, Karel, 126 Weiner, Richard, 162–3, 164 theatre, 15, 83, 95, 101, 106, 112, 153, 159, 270, Weininger, Otto, 31, 225 see also Yiddish theatre Weiss, Ernst, 21–2, 259 theology, 203–5 Welles, Orson Timms, Edward, 286 Trial, The (1962), 312, 315–16 trade inspectorates, 41 Weltanschauung, 200–2 traic, 57, 67, 114, 115, 233, 236, 239 Weltsch,Felix,18,20,49,131,156,191,211,227, transformation, 52, 54, 58, 93, 124, 212, 254, 286, 259, 262 287 Werfel, Franz, 62, 102, 104, 151, 162, 172, 188, translation, 42, 63, 66, 68, 160, 210, 297–8, 202, 227–8, 303 302–9 Wilde, Oscar, 75, 225, 228 cultural translation, 157, 305 Wohryzeck, Julie, 50 poetics of, 42 women’s movement, 29, 30, see also transportation, 113, 114, 185, 235, 236, see also emancipation (female), New Woman travel Worker’s Accident Insurance Institute for the trauma, 92, 174, 216, 228, 229 Kingdom of Bohemia, 35, 37–42, 44, 46, travel, 86, 114, 118, 126, 176–81 49, 50, 96, 154, 168, 171, 174, 185, 189, 293, Trial, The,23,24,26,31–2,42,56,58,60–1, 295 65–6, 75, 78, 85, 89, 92, 95, 128, 150, 168, writing process, 54–61, 113, 177, 280, 297 179, 183, 185, 187, 188–9, 206, 207, 213, ‘im Ergrifensein’, 297 220–2, 227, 229, 233, 237–8, 242, 262, 267, intransitive writing, 277 270, 272, 273, 275, 277, 285, 288, 299, 300, Wundt, Wilhelm, 91, 217, 251 307, 311, 312, 313, 316 tuberculosis, 15, 32, 35, 44, 45, 46–52, 74, 172, xenophobia, 172 195, 211, 304 Yiddish uncanny, 143, 200, 270, 279, see also Freud, language, 28, 29, 87, 106, 107, 155, 165, 210, Sigmund 211, 302, 303, 307 United States of America, 15, 34, 186, 264 theatre,19,20,83,87,91,106–7,132,153,202, urban migration, 150, 152, 155–6 209–10, 264, 302 utilitas (commodity), 137 Zionism, 18–19, 20, 87, 156, 157, 177, 181, 194, Vancura,ˇ Vladislav, 162 210–12,262,264 venustas (delight), 137 Zischler,Hanns,109,113 vermin, 19, 124, 286 Zürau aphorisms, 87, 89, 204–5, 270 Verschollene, Der, see Man who Disappeared, The Zürau (Siˇrem), 9, 11, 32, 49, 50, 172, 173, 177, Verwandlung, Die, see Metamorphosis, The 194, 195, 204

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