James Newton Howard Alan Silvestri Carter Burwell Jan A. P. Kaczmarek and More Composers Describe Their Recent Hits Plus Reviews and More

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James Newton Howard Alan Silvestri Carter Burwell Jan A. P. Kaczmarek and More Composers Describe Their Recent Hits Plus Reviews and More Volume 10, Number 1 Original Music Soundtracks for Movies and Television MAX MEMORIES pg 24 The BEST and the Rest FSM’s Annual Roundup of the Year That Was James Newton Howard Alan Silvestri Carter Burwell Jan A. P. Kaczmarek And More Composers Describe Their Recent Hits Plus Reviews and More $7.95 U.S. • $8.95 Canada contents January/February 2005 DEPARTMENTS COVER STORY 2 Editorial 10 The Best and Worst of 2004 The Magazine That From The Aviator to Sideways, from Harry Potter and the Almost Wasn’t. Prisoner of Azkaban to Van Helsing, and from Troy to, well, Troy, last year offered up plenty of fodder for film music 4 News fans. Now strap yourself in as our FSM contributors Hordes of Awards. chime in on the State of Film Music, 2004. 5 Record Label Round-up 10 The End of All Things! What’s on the way. By Jon & Al Kaplan 5 Now Playing 10 The way of the future. Movies and CDs in 15 The Hits...and Misses release. By Jeff Bond 6 Concerts Film music performed 18 Arbitrary Musings around the globe. By John Takis 7 Upcoming Film Assignments 19 Coulda Been a Cover! Who’s writing what By Joe Sikoryak for whom. 20 The Best of the Year 9 Mail Bag By Doug Adams Elmer. 33 Score FEATURES More reviews, includ- ing A Series of Unfortunate 24 Memories of Max 24 Recollecting the past. Events, Sideways, Alexander, FSM is proud to publish this historical interview with and Mary Poppins. Max Steiner, circa 1967. In Part 1, the Golden Age maestro talks about composing Gone With the Wind, 47 Tech Talk his relationships with Selznick, Cukor and others, To Remaster or Not to and cigars. Remaster? By Myrl A. Schreibman 36 FSM Marketplace 28 Composers of the Roundtable As part of our year-end wrap-up, today’s top film composers comment on their respective 2004 projects. By Jeff Bond 15 Living in the present. FILM SCORE MAGAZINE (ISSN 1077-4289) is published ten times a year (with double issues in May/June and November/December) for $36.95 per year by Vineyard Haven LLC., 8503 Washington Blvd, Culver City, CA 90232. Periodicals postage paid at Culver City, CA and additional mailing offices. POSTMASTER: Send address changes to Film Score Monthly, 8503 Washington Blvd, Culver City, CA 90232 FILM SCORE MAGAZINE 1 JANUARY/FEBRUARY 2005 EDITORIAL The Magazine That Almost Wasn’t Volume 10 • Number 1 Or, how FSM came back from the brink agazine publishing is one of the world’s interesting for you to read, and the most inspiring EDITORIAL STAFF dumbest financial endeavors. All we for us to write. This issue provides a glimpse of Founder & Publisher Mdo is lose money. In the past, Film Score things to come: Want more Golden Age coverage? LUKAS KENDALL Monthly has been able to beat the odds by acting Don’t miss Part One of an archival interview with as a “loss leader” for our Classic CDs (most maga- Max Steiner from 1967. It’s a funny, fascinating Executive Editor zines survive by ad sales or they close in less than and lively portrait. How ’bout a little tech talk? JONATHAN Z. KAPLAN five years.) Our strategy worked pretty well, as Take an inside look at mastering and remastering Managing Editor long as we were distributing CDs ourselves—but also in this issue. And the new year wouldn’t be TIM CURRAN we have successfully transferred our retail store complete with our annual Best of the Worst, fea- Creative Director to Screen Archives Entertainment (thanks for your turing the kind of lively writing certain to amuse JOE SIKORYAK patient support). It was a risky financial move but some and annoy others. Editor-at-Large it had to be done—the burden of mail order was FSM has always been a struggle to produce; JEFF BOND ruining our lives, and more importantly, we we have a small, if devoted, staff and everybody Copyeditor wanted to concentrate our efforts on producing here does double and triple duty (hence our DEBBIE NOTKIN soundtrack albums. So… occasional lateness.) It’s easy to forget what a dif- Contributing Writers Film Score Magazine is now bimonthly. Six issues ferent world it was when FSM was founded back DOUG ADAMS a year, not 10. Outside of this newsstand publica- in 1990: There was no Internet, and it was pretty DAVID COSCINA tion, we are not changing our name because that’s lonely being a fan of film music. At that time, the ANDREW GRANADE too complicated—we’ll just reinforce our acro- most important thing a publication could offer MARK GRIFFIN nym—not unlike the way Kentucky Fried Chicken was frequency. Now there’s news everywhere, with STEVEN A. KENNEDY has renamed itself KFC because they don’t want quick-fix resources like soundtrackcollector.com ANDREW KIRBY people to think of fried food. Anyway, just call us and imdb.com, not to mention a thriving online IAN D. THOMAS FSM like always. community of fellow fans. Today, the most impor- DARREN MACDONALD MYRL A. SCHREIBMAN But, while our frequency will be reduced, the tant thing this publication can strive for is depth. JOHN TAKIS issues themselves will be enlarged. After this one, Perhaps we should have changed our schedule CARY WONG FSM will grow to 64 pages, and we may even years ago, but we’re changing it now. We want sport color pages here and there. This expan- to keep producing our magazines and CDs, so sion is largely made possible by way of our we can share the excitement of film music, past, BUSINESS STAFF long standing and supportive relationship with present and future. Our number one concern is to Schumann Printers—thanks again! keep you, our loyal readers, satisfied—and coming Editorial & Subscriptions The cover price is going up for newsstand buy- back for more. 8503 Washington Blvd. ers, from $4.95 to $7.95. (This after years of people We promise to deliver issues that compensate Culver City, CA 90232 telling us we could charge three times that and for quantity with quality. We hope you’ll stick PH. 310-253-9595 FAX 310-253-9588 still sell.) Subscription prices will stay the same— around for years to come. Thanks for your won- E-MAIL [email protected] please keep in mind we have not changed them derful support and understanding, as always. since 1999. The mathematically inclined among Sales & Marketing Manager you will realize this is a less obvious way of rais- BOB HEBERT ing the price, because the same money is now 8503 Washington Blvd. bringing you fewer issues; however, six issues a Culver City, CA 90232 year of 64 pages still delivers 384 pages, not such a PH. 323-962-6077 big drop from 480 pages (10 issues of 48 each). Lukas Kendall, Publisher FAX 310-253-9588 Moreover, regular departments like News, Mail Bag, and Score aren’t going to grow all that much. We’re pledging to put the extra pages each issue Our Website is updated five times weekly! Point your browser at: to good use, covering the kind of substantive WWW.FILMSCOREMONTHLY.COM feature stories that have always been the most Joe Sikoryak, Creative Director © 2005 Vineyard Haven LLC. THE FINE PRINT: Subscriptions are being recalculated to give you an adjusted number of issues over the same period of time: Printed in the U.S.A. Two years gets you 12 issues, not 20; 1 year gets you 6 issues, not 10; and 6 months gets you 3 issues, not 5. You will receive customary renewal notices and other than that, you don’t have to worry about a thing. If you feel as Lando Calrissian did, being treated unfairly by Darth Vader—sorry, but we’re broke! Of course, you can cancel your subscription same as always—but we hope you won’t. Instead, we hope you’ll continue to appreciate us as much as we do you. JANUARY/FEBRUARY 2005 2 FILM SCORE MAGAZINE EDITORIAL Get fast, friendly, expert service www.intrada.com $14.99 $15.99 $19.99 Get the latest and greatest film music on CD at www.intrada.com. We stock thousands of soundtracks from around the world and post updates as soon as new titles arrive. 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