THE LIGHT of TRUTH (The Satyartha Prakasha)
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Nag Hits Bull's
A Monthly Bulletin of Defence Research NEWSLETTER and Development Organisation www.drdo.gov.in NOVEMBER 2016 | VOLUME 36 | ISSUE 11 BANG ON NAG HITS Bull’s eYE IN FINAL DEVELOPMENTAL TRIALS Nag, the third generation fire-and-forget anti-tank missile developed by the DRDO, scored a “bull’s eye” successfully hitting targets in the final developmental trials held last month. INTERACTION >> p16 28th BRIG SK MAZUMDAR MEMORIAL ORATION INNOVATION >> p06 APPRECIATION >> p17 HoW DRDO IS KEEPING INDIAN AIR FORCE HONORARY DOCTORATE TO DRDO CHIEF MEN AND MATERIAL SAFE DR S CHRISTOPHER FROM THE DESK OF THE chairman Defence Research Development& Organisation NOVEMBER 2016 | VOLUME 36 | ISSUE 11 Dr. S. Christopher ISSN: 0971-4391 BROUGHT OUT BY: DPI, DRDO HQ SECRETARY PRINTED BY: DESIDOC, DELHI Department of Defence Research Websit e: www.drdo.gov.in and Development For Feedback, Pl Contact: DPI at [email protected] & Te l : 011-23011073; Fax: 011-23007636 CHAIRMAN LOCAL CORRESPONDENTS Defence Research and Ahmednagar: Lt Col. AK Singh, Vehicles Research & Development Establishment (VRDE); Ambernath: Dr Susan Development Organisation (DRDO) Titus, aNaval Materials Research Laboratory (NMRL); Balasore/Chandipur: Shri Santosh Munda, Integrated Test Range (ITR); Dr AK Sannigrahi, Proof & Experimental Establishment (PXE); Bengaluru: Shri Subbukutti S, very thought we think is creating our future. Imagine the Aeronautical Development Establishment (ADE); Smt MR thoughts in our organization emanating each day, with Bhuvaneswari, Centre for Airborne Systems (CABS); Smt members in different geographical locations, portfolios, labs, Faheema AGJ, Centre for Artificial Intelligence & Robotics work centres and age groups. The synergy in our thoughts can (CAIR); Ms Tripty Rani Bose, Centre for Military Airworthiness & Certification (CEMILAC); Smt Josephine Nirmala M, Defence create a formidable future for DRDO. -
ORCHESTRAL MANOEUVRES in the DARK (A.K.A. O.M.D.)
ORCHESTRAL MANOEUVRES IN THE DARK (a.k.a. O.M.D.) 7" SINGLES Electricity(Martin Zero Version)/Almost Factory FAC 6 05/79 [with white braille sleeve] Electricity(Mike Howlett Version)/Almost Din Disc DIN 2 09/79 [with printed black p/s] Electricity(LP Version)/Almost Din Disc DIN 2 09/79 [with printed black p/s] Red Frame, White Light/I Betray My Friends Din Disc DIN 6 02/80 Messages/Taking Sides Again Din Disc DIN 15 05/80 Enola Gay/Annex Din Disc DIN 22 09/80 Souvenir/Motion And Heart(Amazon Version)/Sacred Heart Din Disc DIN 24 08/81 [3 track edition with die-cut p/s] Joan Of Arc/The Romance Of The Telescope (Unfinished) Din Disc DIN 36 10/81 Maid Of Orleans(The Waltz Joan Of Arc)/Navigation Din Disc DIN 40 01/82 Genetic Engineering/4-Neu Virgin VS 527 02/83 Genetic Engineering/4-Neu Virgin VSY 527 02/83 [picture disc] Telegraph/66 And Fading Virgin VS 580 04/83 Telegraph/66 And Fading Virgin VSY 580 04/83 [picture disc] Locomotion/Her Body In My Soul Virgin VS 660 04/84 Locomotion/Her Body In My Soul Virgin VSS 660 04/84 [train shaped picture disc] Locomotion/Her Body In My Soul Virgin VSX 660 04/84 [competition p/s] Talking Loud And Clear/Julia's Song Virgin VS 685 06/84 Talking Loud And Clear/Julia's Song Virgin VSY 685 06/84 [picture disc] Tesla Girls/Garden City Virgin VS 705 09/84 Never Turn Away/Wrappup Virgin VS 727 11/84 Never Turn Away/Wrappup Virgin VSY 727 11/84 [picture disc] So In Love/Concrete Hands Virgin VS 766 05/85 So In Love/Concrete Hands//Maria Gallante/White Trash(Live) Virgin VSD 766 05/85 [gatefold double pack -
Shoprite Sues Town for $5.1M I! Die We a Town-Wi Funding 6 > Sum More Than Double Amount Sought in Original Lawsuit in the I K
'lifj • Spectacular town homes are on weekend tour. See page A-6. To subscribe, call (800) 300-9321 (:• TheW^stfield Record Thursday, May 16, 1996 A Forbes Newspaper 50 ShopRite sues town for $5.1M I! Die We a town-wi funding 6 > Sum more than double amount sought in original lawsuit in the I k. School auc • damages for lost profits and legal and other filed against the Planning Board last sum- evations, floor plans, and east and west fa- $ will focus oi l expenses. mer. cades to the borough, Garwood Planner ing changi . me Several weeks ago, the developer amend- Meanwhile, in Garwood, the legal cudgel Nientedt said. The developer had not, school fur* i Village Supermarkets is upping the ante ed a pending suit against the Planning is one half of what seems to be a two- ever, handed in Ms final site plans, hove on Wet in its legal poker game with the Westfield Board to include a count for unspecified pronged strategy by Village Supermarkets to must be reviewed by Qarwood's engines*^ Departing Planning Board. damages. lild a ShopRite on North Avenue, As its and planner before coming before the P-"-**" Schools Mat., -nuui and As- The supermarket developer filed legal pa- Under New Jersey law, the dollar amount lawsuit crawls through the courts, the devel- ning Board. sistant Superintendent for pers last week that lay the groundwork for a of damages sought are not specified in court oper is seemingly seeking final site approval "If we have enough time to review it, Business Rxbert Rader will lead to build the market just across the Westfield $5.1 million lawsuit against the board for complaints. -
Volume : 57 Issue No. : 57 Month : April, 2005
Volume : 57 Issue No. : 57 Month : April, 2005 ACHARYASHREE MAHAPRAJNA'S MESSAGE TO GENERAL MUSHARRAF DELIVERED BY LOKESH MUNI 'LOKESH' AT NEW DELHI ACHARVA MAHAPRAGYA NOMINATED FOR COMMUNAL HARMONY AWARD "Pakistan and India have similar problems and worries. We only can fight poverty, illiteracy and diseases rampant in our region, if our region is peaceful. Your efforts towards strengthening world peace and creating a non-violent society are commendable. I hold the belief that the ensuing atmosphere of peace will help us diverting the enormous defense expenditures to resolve the above-mentioned problems. To deal with contending issues the idea of Anekanta or non-absolutism, which talks of relative viewpoints, as given by Bhagwan Mahavira, can help. Meeting and dialogue are the first steps in this direction." April, New Delhi. The prestigious "Communal Harmony Award" will be given to Acharya Mahapragya, the founder of "Ahimsa Yatra" for His valuable contribution in the field of National Unity and Communal Harmony. According to the Foundation of National Communal Harmony, Govt. of India, this prestigious award for the year 2004 will be given to His Holiness Acharya Mahapragya at a grand function in the National Capital. This award is given for the unique contribution to the unity and communal harmony in the country. The Award Committee, presided by Shri Bhairon Singh Shekshawat, the Hon'ble Vice-President of India, has choosen Acharya Mahapragya for this award for His remarkable work among several nominees. In this award Rs. 2 lakh and a memorandum are presented. The spokesperson of Ahimsa Yatra Muni Lokprakash Lokesh has expressed his joy and said that this award would certainly be the award to the great values of Indian Culture. -
Vindhyavasini Temple – Mirzapur, U.P
RECLAIMING INTEGRITY THROUGH LANDSCAPE DESIGN INTERVENTIONS: A CASE OF MAA SHEETLA CHAUKIYATEMPLE, JAUNPUR, U.P. MASTER OF LANDSCAPE ARCHITECTURE SHIVANI PALIWAL 2013MLA003 SCHOOL OF PLANNING AND ARCHITECTURE, BHOPAL NEELBAD ROAD, BHAURI, BHOPAL – 462030 MAY 2015 [Type here] RECLAIMING INTEGRITY THROUGH LANDSCAPE DESIGN INTERVENTIONS: A CASE OF MAA SHEETLA CHAUKIYATEMPLE, JAUNPUR, U.P. A DESIGN THESIS Submitted in partial fulfilment of the requirements for the award of the degree of MASTER OF LANDSCAPE ARCHITECTURE By SHIVANI PALIWAL 2013MLA003 Under the Guidance of AR. SONAL TIWARI SCHOOL OF PLANNING AND ARCHITECTURE, BHOPAL NEELBAD ROAD, BHAURI, BHOPAL – 462030 MAY 2015 RECLAIMING INTEGRITY THROUGH LANDSCAPE DESIGN INTERVENTIONS: A CASE OF MAA SHEETLA CHAUKIYA TEMPLE, JAUNPUR, U.P. ACKNOWLEDGEMENT This work would not have taken shape without the help and guidance of various institutions, organizations and eminent personalities. I would like to convey my deep gratitude to - My guide Asst. Prof. SONAL TIWARI (School of Planning and Architecture, Bhopal), for her academic guidance, and teaching me deeper insights of landscape architecture. Without her clear vision through all stages of work, this dissertation would not have been possible. I am also very thankful to Dr. Savita Raje for her guidance and encouragement throughout, also to Mrs. Savita Punde for directing my vision at the initial stage of this thesis. I want to thank my parents, my sister Shagun & family members who devoted so much of their time & energy to me, without their physical or moral support this project would not have been a success story. Last but not the least a thanks to all my friends especially Antara and Pankaj who infused confidence and came up with helpful tips & suggestions, in the successful culmination of this project. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Wolfram's Parzival
1 Wolfram's Parzival A retelling of the Grail Legend Antonio Marques 2014 2 CONTENTS BOOK I: The Black Queen ............................................................... 3 BOOK II: The White Queen ........................................................... 10 BOOK III: The Fool ........................................................................ 20 BOOK IV: Condwiramurs .............................................................. 35 BOOK V: The Grail Castle .............................................................. 44 BOOK VI: Arthur ........................................................................... 58 BOOK VII: Obilot ........................................................................... 71 BOOK VIII: Antikonie ..................................................................... 88 BOOK IX: Trevrizent ...................................................................... 99 BOOK X: Orgeluse....................................................................... 120 BOOK XI: The Castle of Wonders ................................................ 135 BOOK XII: Cidegast ..................................................................... 144 BOOK XIII: Klingsor ..................................................................... 157 BOOK XIV: Gramoflanz ............................................................... 171 BOOK XV: Feirefiz ....................................................................... 172 BOOK XVI: Lohengrin .................................................................. 173 3 BOOK -
Angela Fraleigh
ANGELA FRALEIGH BORN 1976 Beaufort, SC EDUCATION 2003 Master of Fine Arts, Yale University School of Art, New Haven, CT 1998 Bachelor of Fine Arts, Boston University, Boston, MA SELECTED SOLO EXHIBITIONS 2020 University of Alabama, Tuscaloosa, AL (forthcoming) Inman Gallery Houston, TX (forthcoming) The Darkness Still Has Work To Do, Reading Public Museum, Reading, PA (forthcoming) Shadows Searching for Light, Swope Art Museum, Terre Haute, IN 2019 Sound the Deep Waters, Delaware Art Museum, Wilmington, DE 2018 Shadows Searching for Light, Edward Hopper House Museum, Nyack, NY The Bones of Us Hunger for Nothing, Sordoni Art Gallery, Wilkes University, Wilkes- Barre, PA 2017 Watching the Moon Move, 527 Madison Ave, New York, NY The Breezes at Dawn Have Secrets to Tell, Peters Projects, Santa Fe, NM 2016 Between Tongue and Teeth, Everson Museum of Art, Syracuse, NY 2015 Lost in the Light, Vanderbilt Mansion, Hyde Park, NY 2014 Ghosts in the Sunlight, Inman Gallery, Houston, TX 2011 by the time I tell you it will all be forgotten, Inman Gallery, Houston, TX far as my eyes could see, University of the Arts, Philadelphia, PA 2008 and I would shine in answer/ being/ without becoming, PPOW Gallery, New York, NY 2007 not one girl it think/ who looks on the light of the sun/ will ever have wisdom/ like this, Inman Gallery, Houston, TX even, Heimbold Visual Art Center, Sarah Lawrence College, Bronxville, NY if not, winter, James Harris Gallery, Seattle, WA 2006 then, for just a moment, Moravian College, Bethlehem, PA there i still my thirst, Women -
AGNIESZKA STASZCZYK* the Magic Weapon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Jagiellonian Univeristy Repository The Polish Journal of the Arts and Culture Nr 9 (1/2014) / ARTICLE AGNIESZKA STASZCZYK* (Jagiellonian University) The Magic Weapon – Its Appearance, Acquisition and Application as Described in Texts of Hindu Tradition ABSTRACT In the tradition of India, various weapons play a crucial role in the continuous battle between gods and demons, as well as between humans. The more powerful the weapon, the more certain the victory; thus, any sword used in a battle should be as strong and ef- fective as possible, or even should be magic. Any warrior, the man of the kṣatriya class, can be provided with a weapon of this kind and hence properly supported and victorious in a fight. Gods and humans may use many swords: maces, wheels, thunderbolts, bows and arrows, axes, spears, etc. They may also use words – mantras – against an adversary, as demonstrated in the numerous texts of the Hindu realm. Besides, in order to obtain a magic weapon or make a sword charmed, some practices or ceremonies using mantras as magic formulae may be performed. It is important for every warrior to be skilful in the use of his weapon in battle and in making a weapon magic. The gods themselves may support a hero by bestowing a weapon upon him or a hero may exert himself as well to win magic arms, for example by fighting a duel with a deity. In the world of myths and heroic deeds the methods are unlimited. -
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Wildflowers E-Edition
Crawling Back to You A critical and personal breakdown of Tom Petty’s masterpiece, “Wildflowers” by Nick Tavares Static and Feedback editor Static and Feedback | www.staticandfeedback.com | September, 2012 1 September, 2012 Static and Feedback www.staticandfeedback.com ooking at the spine of the CD, it’s would resume, the music would begin, and clear that the color has mutated a I’d lie with my head on my pillow and my L bit through the years, trapped in hands over my stomach, eyes closed. sunbeams by windows and faded from it’s Sometimes, I’d be more alert and reading brown paper bag origins to a pale bluish the liner notes tucked away in the CD’s grey. The CD case itself is in excellent booklet in an effort to take in as much shape save for a few scratches, spared the information about this seemingly magic art cracks and malfunctioning hinges so many form as possible. other jewel boxes have suffered through The first time I listened to Wildflowers, I drops, moves and general carelessness. All was in high school, in bed, laying out in all, the disc holds up rather well. straight, reading along with the lyrics, More often than not, however, it sits inspecting the credits, the thanks and the on the shelf, tucked below a greatest hits photographs included with this Tom Petty collection and above a later album. Thanks solo record. One hour, two minutes and 41 to technology, the more frequent method seconds later, I felt an overwhelming rush, a of play is the simple mp3, broadcasting out warmth that covered my entire body from of a speaker the size of the head of a head to toe and reached back within my pencil’s eraser mounted above the skull to fill my insides.