Traditional Clothing
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001
Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001 Unlike most textiles, which are made of interworked yarns, beaten barkcloth is made of strips of the inner bark of trees such as the paper mulberry, breadfruit, or fig, pounded together into a smooth and supple fabric. It is an ancient craft, practiced in southern China and mainland Southeast Asia over 5,000 years ago. From there, the skill spread to eastern Indonesia and the Pacific Islands. While the technique is also known in South America and Africa, it is most closely associated with the islands of Polynesia. In Polynesia, the making of beaten barkcloth, or tapa, as it is commonly known, is primarily women's work. The technique is essentially the same throughout the Pacific Islands, with many local variations. Bark is stripped from the tree, and the inner bark separated from the outer. The inner bark is then pounded with wooden beaters to spread the fibers into a thin sheet. Large pieces of tapa can be made by overlapping and pounding together several smaller sheets. Women decorate the cloth in many ways, and techniques are often combined. Mallets carved or inlaid with metal or shell designs may impart a subtle texture to the surface. Color may be applied with stamps, stencils, freehand painting, or by rubbing dye into the tapa over a patterned board. Glazes may be brushed onto the finished cloth. Each tapa-producing culture has its own vocabulary of recognized decorative motifs. Many pattern names are drawn from the natural world, and the motifs appear as highly stylized images of local flora and fauna or simple geometric shapes. -
What Do People from Other Countries/Cultures Wear? 4-H Clothing and Textiles Project Part of the Family and Consumer Sciences 4-H Project Series
1-2 YEARS IN PROJECT What do People from Other Countries/Cultures Wear? 4-H Clothing and Textiles Project Part of the Family and Consumer Sciences 4-H Project Series Understanding Textiles (Fabric) Project Outcome: Global/ Ethnic- Identify various fabric as belonging to specific ethnic cultures. Project Indicator: Completed exploration of specific items worn in identified countries/cultures, the clothes worn during festivals/celebrations, and fabrics used. Do you know someone from another country? Or have you ever seen, in person or on TV, a festival or celebration from another country? Have you noticed that they wear clothes that are different from what you and I wear? While some of their celebrations are the same as ours, the clothes they wear may be different. It is fun and interesting to learn about what people from other countries wear during their festivals and celebrations. In learning this, you can also learn about the fabrics that they use to make their garments for these festivals. For this activity, you will learn about four different cultures, what they wear, especially for their festivals/celebrations or based on their religion, and what fabrics they make and use for clothing worn. Then you will be asked to do your own research to discover more about the clothing of these and other cultures. First, let’s define the word culture. Culture means: the beliefs and customs of a particular group of people which guides their interaction among themselves and others. A country can contain people from more than one cultural background. They may or may not observe the same celebrations or traditions in the same way. -
Baju Kurung Sebagai Pakaian Adat Suku Melayu Di Malaysia
Foreign Case Study 2018 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta BAJU KURUNG SEBAGAI PAKAIAN ADAT SUKU MELAYU DI MALAYSIA Selfa Nur Insani 1702732 Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta Abstract : Makalah ini merupakan hasil laporan Foreign Case Study untuk syarat publikasi ilmiah di Sekolah Tinggi Pariwasata Ambarrukmo Yogyakarta dengan Judul Baju Kurung Sebagai Pakaian Adat Suku Melayu di Malaysia. 1. PENDAHULUAN Penulis adalah seorang mahasiswi Sekolah Tinggi Pariwisata Ambarrukmo Yogyakarta (STIPRAM) semester VII jenjang Strata I jurusan Hospitality (ilmu kepariwisataan). Tujuan penulis berkunjung ke Malaysia adalah mengikuti Internship Program yang dilakukan oleh STIPRAM dengan Hotel The Royal Bintang Seremban Malaysia yang dimulai pada 15 September 2015 sampai dengan 11 Maret 2016 [1]. Selain bertujuan untuk Internship Program, penulis juga telah melakukan Program Foreign Case Study (FCS) selama berada di negari itu.Program FCS merupakan salah program wajib untuk mahasiswa Strata 1 sebagai standar kualifikasi menjadi sarjana pariwisata. Program ini meliputi kunjungan kebeberapa atau salah satu negara untuk mengkomparasi potensi wisata yang ada di luar negeri baik itu potensi alam ataupun budaya dengan potensi yang ada di Indoensia. Berbagai kunjungan daya tarik dan potensi budaya negeri malaysia telah penulis amati dan pelajari seperti Batu Cave, China Town, KLCC, Putra Jaya, Genting Highland, Pantai di Port Dikson Negeri Sembilan, Seremban, Arena Bermain I-City Shah Alam, pantai cempedak Kuantan pahang serta mempelajari kuliner khas negeri malaysia yaitu kue cara berlauk dan pakaian tradisional malasyia yaitu baju kurung. Malaysia adalah sebuah negara federasi yang terdiri dari tiga belas negara bagian dan tiga wilayah persekutuan di Asia Tenggara dengan luas 329.847 km persegi. Ibu kotanya adalah Kuala Lumpur, sedangkan Putrajaya menjadi pusat pemerintahan persekutuan. -
Islamic Art from the Collection, Oct. 23, 2020 - Dec
It Comes in Many Forms: Islamic Art from the Collection, Oct. 23, 2020 - Dec. 18, 2021 This exhibition presents textiles, decorative arts, and works on paper that show the breadth of Islamic artistic production and the diversity of Muslim cultures. Throughout the world for nearly 1,400 years, Islam’s creative expressions have taken many forms—as artworks, functional objects and tools, decoration, fashion, and critique. From a medieval Persian ewer to contemporary clothing, these objects explore migration, diasporas, and exchange. What makes an object Islamic? Does the artist need to be a practicing Muslim? Is being Muslim a religious expression or a cultural one? Do makers need to be from a predominantly Muslim country? Does the subject matter need to include traditionally Islamic motifs? These objects, a majority of which have never been exhibited before, suggest the difficulty of defining arts from a transnational religious viewpoint. These exhibition labels add honorifics whenever important figures in Islam are mentioned. SWT is an acronym for subhanahu wa-ta'ala (glorious and exalted is he), a respectful phrase used after every mention of Allah (God). SAW is an acronym for salallahu alayhi wa-sallam (may the blessings and the peace of Allah be upon him), used for the Prophet Muhammad, the founder and last messenger of Islam. AS is an acronym for alayhi as-sallam (peace be upon him), and is used for all other prophets before him. Tayana Fincher Nancy Elizabeth Prophet Fellow Costume and Textiles Department RISD Museum CHECKLIST OF THE EXHIBITION Spanish Tile, 1500s Earthenware with glaze 13.5 x 14 x 2.5 cm (5 5/16 x 5 1/2 x 1 inches) Gift of Eleanor Fayerweather 57.268 Heavily chipped on its surface, this tile was made in what is now Spain after the fall of the Nasrid Kingdom of Granada (1238–1492). -
Motorcycle Tour South Africa and Namibia, from Cape Town to Windhoek Motorcycle Tour South Africa and Namibia, from Cape Town to Windhoek
Motorcycle tour South Africa and Namibia, from Cape Town to Windhoek Motorcycle tour South Africa and Namibia, from Cape Town to Windhoek Duração Dificuldade Veículo de apoio 14 días Normal-Hard Sim Language Guia en,de Sim Namibia, a vast 830 thousand square kilometre expense of desert flanked by the icy Atlantic Ocean, is home to slightly less than 1.7 million citizens. That’s less than half the number of Cape Town residents. Unending roads stretch out as far as the eye can see under a sky that’s so big it can only be described as heavenly with space enough to truly breathe. The two-week trip starts in Cape Town and winds its way up our west coast to culminate in Namibia’s capital, Windhoek. With both on and off-road riding, the 2,100 miles city to city tour is an epic tribute to solitude and uninterrupted riding with out-of-this world scenery. Your on-road riding experience will be punctuated by some gravel road riding exploring such places as the mountainous Cedarberg region, the Northern Cape, one of the world’s oldest deserts as well as the Fish River Canon, the world’s second largest canyon. Approximately 50% of this tour is on dirt roads, some basic off-road riding skills are required. Itinerário 1 - - Cidade do Cabo - 0 Welcome. Almost all international flights arrive in Cape Town before midday. Our tour guide will meet you at the airport and taxi you directly to your hotel where you can freshen-up and perhaps have a light bite to eat. -
NAMIBIA Angola, Zambia,Namibia,Botswana,Zimbabweandsouthafrica
© Lonely Planet Publications 304 lonelyplanet.com NAMIBIA •• Highlights 305 extreme sports in Swakopmund ( p360 ), N a m i b i a HOW MUCH? take a safari through Etosha ( p332 ), hike Dune surfing US$25 the Fish River Canyon ( p385 ) and go on an exped ition through the northwest and Foreign newspaper US$1.70 along the Skele ton Coast ( p354 ). Night in a budget hotel US$12.50 Package of kudu biltong US$1 CLIMATE & WHEN TO GO Traditional German dinner US$6 Namibia’s climatic variations correspond Wedged between the Kalahari and the South Atlantic, Namibia enjoys both vast potential roughly to its geographical subdivisions. In and promise as one of the youngest countries in Africa. In addition to a striking diversity LONELY PLANET INDEX the arid Central Namib, summer daytime of cultures and national origins, Namibia is also a photographer’s dream – it boasts wild temperatures may climb to over 40°C, but seascapes, rugged mountains, lonely deserts, stunning wildlife, colonial cities and nearly 1L of petrol US$0.75 can fall to below freezing during the night. Rainfall is heaviest in the northeast, which unlimited elbow room. 1L of bottled water US$0.50-1 enjoys a subtropical climate, and along the Bottle of beer US$1 A predominantly arid country, Namibia can be divided into four main topographical re- Okavango River, rainfall reaches over 600mm Souvenir T-shirt US$5-10 annually. The northern and interior regions gions: the Namib Desert and coastal plains in the west, the eastward-sloping Central Plateau, Snack US$1-2 experience the ‘little rains’ between October the Kalahari along the borders with South Africa and Botswana, and the densely wooded and December, while the main stormy period bushveld of the Kavango and Caprivi regions. -
Cultural Dictionary and Directory
The Cultural Dictionary and Directory Of people from culturally and linguistically diverse backgrounds A resource to increase cultural understanding for service providers and encourage liaison between communities and key multicultural providers in the ACT A project of the Migrant and Refugee Settlement Services of the ACT Inc. With the support of the ACT Office of Multicultural, Aboriginal and Torres Strait Islander Affairs (Community Service Directory – ACT Government) Original publication by Sara Khalidi 1997 Revised and Edited by Fiona McIlroy 2003 Revised and Edited by Hannah Neumayer 2012 Cultural Dictionary & Directory 2012 - Project of the Migrant and Refugee Settlement Services of the ACT Inc. 1 PREFACE TO THE CULTURAL DICTIONARY The wealth of cultural diversity in Australia is arguably one of its major assets. Acknowledgement of difference and acceptance of each person’s unique qualities, as well as their particular blend of cultural influences can assist people to grow in cultural richness and social strength. However more often than not, perceptions and attitudes are based on the limited understandings we currently hold, and we are all prone to prejudice. The key to cultural understanding lies in an open mind. Given the rise in expressions of racist attitudes in recent times, it is more important than ever to remember that general statements about cultural backgrounds can lead to stereotyping. Stereotyping often undervalues individuals and cultures, and can be based on mistaken assumptions. It must be noted that the brief and general descriptions of a culture or country, such as the snapshots in this Cultural Dictionary, should never be applied in a blanket way to any individual or group. -
The Cultural Significance of Women's Textile Co Operatives in Guatemala
HECHO A MANO: THE CULTURAL SIGNIFICANCE OF WOMEN’S TEXTILE CO OPERATIVES IN GUATEMALA A* A thesis submitted to the faculty of 'ZQ IB San Francisco State .University M ^ In partial fulfillment of the requirements for the Degree Master of Arts In Humanities by Morgan Alex McNees San Francisco, California Summer 2018 Copyright by Morgan Alex McNees 2018 CERTIFICATION OF APPROVAL I certify that I have read Hecho a Mano: The Significance o f Women s Textile Cooperatives in Guatemala by Morgan Alex McNees, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master in Humanities at San Francisco State University. Cristina Ruotolo, Ph.D. Professor of Humanities —^ t y i t u A . to Laura Garci'a-Moreno, Ph.D. Professor of Humanities HECHOAMANO: THE CULTURAL SIGNIFICANCE OF WOMEN’S TEXTILE COOPERATIVES IN GUATEMALA Morgan McNees San Francisco, California 2018 After the civil war Mayan women in Guatemala are utilizing their traditional skills, specifically weaving, to rebuild communities and rediscover what it means to be Mayan today. This thesis will explore the impact of the textile market on the social standing of Mayan women and how weaving allows them to be entrepreneurs in their own right. I will also analyze the significance of Mayan textiles as a unifier and symbol of solidarity among the devastated Mayan communities, and the visual narratives depicted in the artwork and their relationship to the preservation of Mayan heritage. This research will focus on several women’s textile cooperatives in Guatemala. -
Fit and Appearance of Multi-Layered Cultural Garments
Journal of Textile Engineering & Fashion Technology Research Article Open Access Comparing physical to virtual: fit and appearance of multi-layered cultural garments Abstract Volume 6 Issue 2 - 2020 This study sought to expand the use of virtual technology to include multi-layered non- Bai Li, Kelly Cobb, Huantian Cao western cultural garments and compare these complex garments, physically and virtually. Department of Fashion and Apparel Studies, The University of In addition, 3D simulation of non-western garments could benefit the emerging Chinese Delaware, USA market. The study included five parts: material selection, avatar customization, physical multi-layered garment construction, virtual multi-layered garment construction, and Correspondence: Kelly Cobb, Department of Fashion and evaluation of the physical and virtual garment appearance and fit using an online survey. Apparel Studies, The University of Delaware, USA, Tel 302-831- This study found that multi-layered cultural garments could be relatively effectively 6132, Email simulated in virtual software, such as EFI Optitex. Moreover, number of fabric layers did not significantly affect either appearance or fit similarity between virtual and physical Received: March 06, 2020 | Published: April 07, 2020 garments. Based on these results, it can be concluded that virtual presentation has great potential as a tool to evaluate the appearance of a garment in a relatively simple and quick way. Keywords: fit, appearance, garments, 3D virtual prototyping, culture, fashions, apparel Introduction EFI Fabric Library, developing 2D and 3D patterns via EFI Optitex pattern drafting software, creating physical and virtual garments, and The traditional model of apparel product development requires conducting an on-campus survey. -
BHUTAN @Appeal for the Release of Tek Nath Rizal: Prisoner of Conscience
£BHUTAN @Appeal for the Release of Tek Nath Rizal: Prisoner of Conscience Tek Nath Rizal, a prisoner of conscience and a former member of the National Assembly and Royal Advisory Council, is spending his fourth year in prison in Bhutan. He was sentenced to life imprisonment on 16 November 1993, but granted a pardon by King Jigme Singye Wangchuck three days later. However, the pardon was made conditional on the Governments of Nepal and Bhutan resolving the problem of the southern Bhutanese refugees living in refugee camps in Nepal. In January 1994, he was transferred to Chamgang prison from Thimphu Central prison where he had been reportedly held in handcuffs. Amnesty International believes that he is a prisoner of conscience held for the peaceful exercise of his rights to freedom of expression and association and is calling for his immediate and unconditional release. Tek Nath Rizal was sentenced to life imprisonment on 16 November 1993 by the High Court in Thimphu after a trial which lasted 10 months. He was found guilty of four out of nine offences under the Thrimshung Chhenpo (General Law of the Land) and the National Security Act 1992. The charges of which he was found guilty included treasonable acts against the Tsa-Wa-Sum (King, Country and People), attempts to create misunderstanding or hostility between Bhutan and friendly countries, and "sowing communal discord" between different communities in the Kingdom. Tek Nath Rizal had been first arrested in 1988 after petitioning the King about alleged unfair practices adopted during the 1988 census operation, including retroactive application of the 1985 Citizenship Act. -
A Synopsis of the Information Shared by Students at Sharing Our Cultures 2019 Cameroon – Clothing, Dance, and Music Milka
A synopsis of the information shared by students at Sharing Our Cultures 2019 Students are sharing their own cultures and not necessarily the official culture of their country. Choose 5 words from each culture that are unfamiliar to you and find out more about them. Write about your culture, choose how you want to present your information and share it with others. Cameroon – Clothing, Dance, and Music Milka Measho, Jessica Mutoba, Gloria Mwadi, Arlette Nelemang Cameroon cloths (fabrics) are often made in factories with wax prints and designs printed on them. They are sold in markets and stores to individuals who get the cloths sewn into a design of their choice. Traditional attires vary greatly from one region to the other, and are defined by religion, tribal heritage, climate, customs, and beliefs. Kabba, Boubou, Foulard, Gant, Chechia, Kwa, and Gandura are some types of clothing worn by both men and women. Dance plays a major role in Cameroon, which has more than 200 traditional dances. Each dance is associated with a different event or ceremony. Some popular dances are: Bikutsi is a rhythmic style which originated with the present day Beti people. Bikutsi means “thump the earth” because dancers use their feet to stamp down the ground in a rhythmic pattern. Makossa is a noted popular Cameroonian urban musical style. It uses strong elastic bass rhymes and prominent brass. The meaning is “I dance” in the Douala language. Instruments used are Xylophone, drums, balafon, tambourines, bass, horns castanets, tom-toms, and jingle calabashes. China - Spring Festival Xuanzhu Chen (Sophia), Yufan Feng, Yan Hezhong, Yuging Huang (Carrie), Zhengqing Wang, Yunmeng Li There are two calendars in China.