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ALL the PRETTY HORSES.Hwp
ALL THE PRETTY HORSES Cormac McCarthy Volume One The Border Trilogy Vintage International• Vintage Books A Division of Random House, Inc. • New York I THE CANDLEFLAME and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping. It was dark outside and cold and no wind. In the distance a calf bawled. He stood with his hat in his hand. You never combed your hair that way in your life, he said. Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time. -
A Bit Crazy, a Little Naughty and Very Entertaining
QPAC PRESENTS A bit crazy, a little naughty and very entertaining. 28 JANUARY – 6 MARCH 2021 CREMORNE THEATRE, QPAC PHOTOGRAPHER KTB MEDIA WELCOME BACK When we first conceived of Club Cremorne it was in response to the limitations of COVID-19 restrictions. But as is often the case, out of adversity came something positive and new. Club Cremorne was one of our first shows after the months-long closure and was so well received by audiences and such fun for our artists that we’ve brought it back. In this season we welcome back original ‘club members’ and are excited to introduce some electrifying new artists. So please, sit back and escape for a couple of hours. Take the evening into your own hands. Laugh, gasp, experience some new voices and imagine what’s possible. We’re on the edge of our seats, in a good way. John Kotzas Chief Executive, QPAC DAMIEN POWER MC In the last few years, comedian Damien Power has collected rave reviews, award nominations and the respect of his peers. What more do you people want?! He has been nominated for Most Outstanding Show at the Melbourne Comedy Festival three times, won the Director’s Choice Award, The Pinder Prize, and been nominated for the Helpmann Award for Best Comedy Performer in 2019. NOMINEE Best Comedy Performer, Helpmann Awards 2019 WINNER The Pinder Prize, Melbourne Comedy Festival 2017 Power’s stubbornly intellectual ambition really is something to be treasured. Truly remarkable. ★★★★★★★★½ HERALD SUN Delivered with the forceful swagger of a bar-room philosopher.” CHORTLE JACQUELINE FUREY BURLESQUE Jacqueline Furey is a purveyor of the beautiful and bizarre, and known for her unique brand of glamorous eroticism. -
ENGL 1102 Writing About Literature Readings Compiled, Annotated, and Edited by Rhonda L
ENGL 1102 Writing about Literature Readings Compiled, annotated, and edited by Rhonda L. Kelley Table of Contents Short Fiction ................................................................................................................................... 3 A Rose for Emily by William Faulkner ........................................................................................ 4 The Yellow Wallpaper by Charlotte Perkins Gilman ................................................................. 11 The Open Window by H. H. Munro (Saki) ............................................................................... 26 The Stranger by Katherine Mansfield ....................................................................................... 29 Guy de Maupassant, The Necklace ........................................................................................... 39 Edgar Allan Poe, The Tell-Tale Heart ....................................................................................... 46 Edgar Allan Poe, Cask of Amontillado ...................................................................................... 50 Edgar Allan Poe, The Masque of the Red Death ....................................................................... 56 Nathaniel Hawthorne, Young Goodman Brown ........................................................................ 61 Rappaccini's Daughter by Nathaniel Hawthorne ..................................................................... 73 Sir Arthur Conan Doyle, The Adventure of the Speckled Band ............................................... -
The Motion Picture Director (1925-1926)
MOTION PICTURE ^ / rrL£ Annie Beginning a Neiv Series WHY HOLLYWOOD? By EDWIN CAREWE Also Two Notable Serials THUNDERING SILENCE THE NIGHT BRIDE By H. H. Van Loan By Frederic Chapin At The Director’s Service! A new, fast-moving, Portable Unit of tre- mendous power — com- pletely self-contained — for broad SOUND- CASTING, makes its bid for Movie Fame in this issue of The Director. Now you can sway that “seething mob” with absolute comfort to your- self and your staff. Terms of rental on application. TUcker 3148 ? MOTION PICTURE Volume Two September Number Three 19 2 5 Dedicated to the Creation of a Better Understanding Between Those Who Make and Those Who See Motion Pictures OLKS, meet the “new” by and for the people of that Director; new in dress industry, and yet possessing F neither the limitations of the and in its increased num- CONTENTS ber of pages, and new in its strictly class or trade publica- added features of interest and Page tion, nor the diverified appeal entertainment value, but, in of the so-called “fan” maga- IN THE DIRECTOR’S CHAIR 5 spirit of helpfulness and sincere zines. George L. Sargent concern for the best interests Insofar as it may be possible 8 of the industry of which it is A TALE OF TEMPERAMENT The Director will endeavor a part, the same Director you George Landy to steer a middle course between these two have known in the past. CAMERA STUDIES OF SCREEN groups and cordially In the development of the solicits the co-operation of all 9 PERSONALITIES are “new” Director it is our pur- who actively concerned with pose, as we enter upon the WHY HOLLYWOOD? (A Series) 17 the making of motion pictures. -
Qp a C Unl Ocked
| CREMORNE THEATRE, QPAC | CREMORNE THEATRE, QPAC UNLOCKED QPAC 2020 12 SEPTEMBER - 3 OCTOBER WELCOME BACK The undimmed enthusiasm of our audiences and artists has been crucial as we prepared to reopen our doors. When the curtains came down at QPAC in March, we had no thought that our theatres would remain dark for so long. The events of these past few months have had sustained and unexpected impacts and will continue to change the way we approach creating live performance experiences. However, despite the relentless uncertainty, the arts and cultural sector remains a wellspring of reimagining and reinvention. The recent challenges have made us all appreciate anew the things that bring meaning to our lives and the tangible and significant role live performance plays in our communities. With its unique capacity to connect and communicate, art continues to bring us together, even while we are compelled to maintain our distance. At QPAC, we are conscious that it is a privilege for us to gather together like this while others around the world face so many challenges. We are determined to make the most of this time to change things up, rethink the way we use our theatres and the kind of performances we share with you. Club Cremorne was borne out of a desire to give over our stage to something a little bit different for QPAC and to also throw the spotlight on Queensland talent. We are excited to present this eclectic mix of artists to you: a little bit naughty, breathtaking, hilarious, edge-of-your-seat raw entertainment. -
The Flaming Forest
The Flaming Forest by James Oliver Curwood, 1878-1927 Published: 1921 J J J J J I I I I I Table of Contents Chapter I ... thru … Chapter XXVI J J J J J I I I I I Chapter I An hour ago, under the marvelous canopy of the blue northern sky, David Carrigan, Sergeant in His Most Excellent Majesty's Royal Northwest Mounted Police, had hummed softly to himself, and had thanked God that he was alive. He had blessed McVane, superintendent of "N" Division at Athabasca Landing, for detailing him to the mission on which he was bent. He was glad that he was traveling alone, and in the deep forest, and that for many weeks his adventure would carry him deeper and deeper into his beloved north. Making his noonday tea over a fire at the edge of the river, with the green forest crowding like an inundation on three sides of him, he had come to the conclusion—for the hundredth time, perhaps—that it was a nice thing to be alone in the world, for he was on what his comrades at the Landing called a "bad assignment." "If anything happens to me," Carrigan had said to McVane, "there isn't anybody in particular to notify. I lost out in the matter of family a long time ago." He was not a man who talked much about himself, even to the superintendent of "N" Division, yet there were a thousand who loved Dave Carrigan, and many who placed their confidences in him. Superintendent Me Vane had one story which he might have told, but he kept it to himself, instinctively sensing the sacredness of it. -
Easier to Run by Noelle Adams / Pfangirl Chapter 1 This One Was
Easier to run By Noelle Adams / pfangirl Chapter 1 This one was eager. She was still fumbling with a fistful of keys when she felt lips against the nape of her neck. Fingers slid inside the collar of her shirt, pushing the fabric off her shoulder, plucking at her bra strap. She let herself be turned around. Instantly his mouth was on hers. She threw her arms around his neck as he drove them back against the door. His hands slid up and down her sides, over the curve of her breasts, her ribs, her hip bones exposed over the top of her ridiculous skinny jeans So much for the fake courtesy of inviting him back to her place for another drink. Even if his fingers weren't happily exploring, his probing tongue made his intentions perfectly clear. She preferred it this way. No stupid societal-imposed courting games and layers of lies to veil their wants. It was straightforward, unlike so much in life. Needs identified and then satisfied. A simple two-step dance. One. Two. Repeat. Somehow, working blind and backwards, she managed to insert the right key into the lock. She turned the door handle and they shuffled inside the flat, their kiss still unbroken. The lamp in the living room had been left on so there was no need to grope for a switch. That was a good thing. She was drunk. Laughably, despite everything she had done over the past five years, it was the only way she could work up the courage to do what she was doing. -
Jack London Burning Daylight
JACK LONDON BURNING DAYLIGHT 2008 – All rights reserved Non commercial use permitted BURNING DAYLIGHT by Jack London PART I CHAPTER I It was a quiet night in the Shovel. At the bar, which ranged along one side of the large chinked-log room, leaned half a dozen men, two of whom were discussing the relative merits of spruce-tea and lime-juice as remedies for scurvy. They argued with an air of depression and with intervals of morose silence. The other men scarcely heeded them. In a row, against the opposite wall, were the gambling games. The crap-table was deserted. One lone man was playing at the faro-table. The roulette-ball was not even spinning, and the gamekeeper stood by the roaring, red-hot stove, talking with the young, dark-eyed woman, comely of face and figure, who was known from Juneau to Fort Yukon as the Virgin. Three men sat in at stud-poker, but they played with small chips and without enthusiasm, while there were no onlookers. On the floor of the dancing-room, which opened out at the rear, three couples were waltzing drearily to the strains of a violin and a piano. Circle City was not deserted, nor was money tight. The miners were in from Moseyed Creek and the other diggings to the west, the summer washing had been good, and the men's pouches were heavy with dust and nuggets. The Klondike had not yet been discovered, nor had the miners of the Yukon learned the possibilities of deep digging and wood-firing. -
By Jack London
BURNING DAYLIGHT by Jack London www.writingshome.com Jack London – Burning daylight 2 www.writingshome.com Jack London – Burning daylight Part I Chapter I FRONTPIECE "He saw Dede coming out of the door" It was a quiet night in the Tivoli. At the bar, which ranged along one side of the large chinked-log room, leaned half a dozen men, two of whom were discussing the relative merits of spruce-tea and lime-juice as remedies for scurvy. They argued with an air of depression and with intervals of morose silence. The other men scarcely heeded them. In a row, against the opposite wall, were the gambling games. The crap-table was deserted. One lone man was playing at the faro-table. The roulette-ball was not even spinning, and the gamekeeper stood by the roaring, red-hot stove, talking with the young, dark-eyed woman, comely of face and figure, who was known from Juneau to Fort Yukon as the Virgin. Three men sat in at stud-poker, but they played with small chips and without enthusiasm, while there were no onlookers. On the floor of the dancing-room, which opened out at the rear, three couples were waltzing drearily to the strains of a violin and a piano. Circle City was not deserted, nor was money tight. The miners were in from Moseyed Creek and the other diggings to the west, the summer washing had been good, and the men's pouches were heavy with dust and nuggets. The Klondike had not yet been discovered, nor had the miners of the Yukon learned the possibilities of deep digging and wood-firing. -
Gender, Power, and Performance: Representations of Cheerleaders in American Culture
Copyright by Allison Elaine Wright 2012 The Dissertation Committee for Allison Elaine Wright Certifies that this is the approved version of the following dissertation: Gender, Power, and Performance: Representations of Cheerleaders in American Culture Committee: Elizabeth S.D. Engelhardt, Supervisor Janet M. Davis Mark C. Smith Mary C. Kearney Janice Todd Gender, Power, and Performance: Representations of Cheerleaders in American Culture by Allison Elaine Wright, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 To my parents, Cecil and Jane Wright Acknowledgements The process of researching and writing this dissertation has left me with innumerable debts. It is my pleasure to finally acknowledge some of them here. First and foremost, I would like to thank my dissertation advisor, Elizabeth Engelhardt, for her continued support of this project and me. She has been an ideal mentor and advisor, offering astute critiques of my writing and challenging me to reach further in my analyses. I am especially grateful for her confidence; her belief in me and in this project often gave me the strength for one more sentence, one more paragraph, one more draft. It is not an exaggeration to say this would not be possible without her guidance. I am forever indebted to her and thankful for her wisdom; I strive to emulate her peerless scholarship and fierce dedication to the teaching profession. I would also like to thank the members of my dissertation committee. -
Contents PROOF
PROOF Contents List of Illustrations viii Acknowledgements ix Prologue: From Pinewood to Hollywood 1 Introduction: The British Connection: Themes and Theory 6 1 Early Invaders: The First British Wave 30 2 Sound and Vision: British Filmmakers and the Politics of Pre-War Hollywood 63 3 Movies for the Masses: The British in the Second World War 107 4 Post-War Directions: Ealing Escapism and the Menace of McCarthy 127 5 Atlantic Crossing 152 Notes 174 Select Bibliography 185 Index 189 vii July 22, 2010 7:29 MAC/PNL Page-vii 9780230_229235_01_prex PROOF 1 Early Invaders: The First British Wave “I went to Worthing to recover from Hollywood.” Playwright and screenwriter Edward Knoblock’s quote about wanting to get away from California after a spell in the film community appears to match much of the British reaction to Hollywood in the formative years Illustration 3 Edward Knoblock, 4th from left relaxing with friends. Photograph reproduced courtesy of the National Portrait Gallery, London. 30 July 22, 2010 7:50 MAC/PNL Page-30 9780230_229235_04_cha01 PROOF Early Invaders: The First British Wave 31 of film. What drove Knoblock to the Sussex seaside town after the expo- sure of Los Angeles is not entirely clear, but the impulse to retreat to a world of quintessential Englishness has often appeared to be the rai- son d’être for many British writers and directors of the era who were quickly appalled by the brash commercialism of the Hollywood film industry. In Knoblock’s case, it was an even more fascinating compunc- tion that took hold of him because he was American born (originally Edward Knoblauch of German parents in New York in 1874), but ended up residing in Britain for much of his life. -
DOCISENT ISSUE Short Stories
DOCISENT ISSUE ID 199 926 FL 009 892 AUTHOR Laygo, Teremito Comp. TITLE The Well of Time. EighteenShort Stories from Philippine Contesporary Literature. 11STITOTION Asian American BilingualCenter, Berkeley, Calif. SPURS AGlOCV Office of Bilingual Educationand Minority Languages Affairs (ED), fashington,D.C. PUB DATE 78 NOTE 236p.: Icor a related docusent,see FL 009 893. AVAILABLE FROM National Dissemination andAssessment Center, School of Education, California State University,5151 State University Drive, Los Angeles,CA 90032 ($4.95) EDRS PRICE mr01 Plus Postage. PC'Not Availablefrom EDRS. DESCRIPTORS Anthologies: Bicultdralism: *BilingualEducation: Cultural Activities: CulturalAwareness: *English (Second Language): *Literature Appreciation: Secondary Education: SecondLanguage Instruction: Short Stories IDENTIFIERS Bilingual Education Act 1968:*Filipinos: Secondary Education Act 1967_ ABSTRACT I collection of eighteen short storiesby Filipino writers is presented. The selectionsrepresent a variety of images of Filipino culture, both urban andrural, and-life styles in northern and southern Philippines. The ais ofthe anthology is that tbe student will learn to empathize withexperience rendered in language, appreciate the Filipino writer's artand crtft, and understand the short story as a literary form. Themestories are intended to be taught in grades 9-12 ina bilingual education setting. 7.1e book is divided into four sections: (1)Hom and Country, (2) Of Identity and Fasily, (3) A Sense of History, and(4) Of Change and Values. Stories by the following authorsare included: Narciso G. Reyes, Carlos IP:flowing Bionvenido N. Santos, EV.M. Gonzales,Manuel E. krguilla. Aida Rivera Ford, Roman 1. de laCruz, Rogelio R. Sikat, J. Eddie Infants, Nick Joaquin, J. C. DionisiocGilda Cordero-Fernando, E.