Internal Expansion Uniquely

Total Page:16

File Type:pdf, Size:1020Kb

Internal Expansion Uniquely BS"D By Moshe Mickey Davis Internal Expansion Uniquely In search of balance between my heart and head. 1 BS"D Thoughts Abound Like surfing waves of thought, in this writing, our author brings many ideas to our attention. So, dear reader, hang ten. It's his story (history) about how the author writes about his intention to confront a beast, bare handed; fighting against the evil spirit within and winning the battle. It's all about a real live person who lived in the late twentieth century, a person who battled with mental illness most of his seven decades upon the face of the earth; demanding of himself to acquire self-control so as to associate with mankind. The author has taught himself to communicate in the language of mental imbalance, a reality universal in the modern era; defined in short: People want to believe that what they think is true, and refuse to be convinced otherwise! That goes to say that people don't communicate much at all. They use phrases to get their message across. The utility of speech is its power to achieve the maximum with the least effort possible. This is a fact common amongst all the elements of nature, remain in a restive state until compelled forward by the will to survive. Nowadays, even the electronic answering services are programmed to address all possibilities, and we are forced to communicate in their language of short enquiries that require only binary operations; press number - get reply. Then there's the story about the bus driver whom the passenger asked, "how long until I disembark," The passenger repeated the question and got the same answer many times, "I'll tell you when we get there," said the bus driver! His wife waited at one of his bus stops, and when the door opened, seized the opportunity to ask him, "When will you be home for lunch"? The driver replied, "I'll tell you when we get there," as he had been instructed to respond to every such question. People live and communicate what exactly it is that they want in terms of their life's limitations and capabilities. Anything else is an alien articulation. Nowadays, "if you want," is a command to applied to gain our cooperation; "if you want to believe me then good, but if not, too bad for you." We have been convinced that we live in utter dependence upon the authorities to protect us from any threats to our existence. These doctrines spew out malevolence towards any other opinion that any one may have, such as the example of how we view climate catastrophe, which in our times has become a political issue. Do sane people denigrate everything that doesn't coincide to their opinion? They fuel their madness with hysterical inclination; they scandalize to death anyone who rejects their view. As inculcated into their thinki ng by the authorities, their opinion is always right. It's as though a matter of their personal honor to be thought right. With such intensity do they argue it becomes a matter of life and death. Do academics have reliability? Well, they're supposed to us e a system called "the scientific method," to eliminate every possibility except the one conclusion that stands up to every investigation. Would that an elected official, whose job is to serve the public, propagate a view that was not to the liking of the general public, do they not react negatively and label it as a myth, a scam? This theory about global warming asserts that the present course of events may be causing a threat to the well-being of mother Earth and her creatures. Certain members of 2 BS"D the USA government in the year 2017 call it a hoax. To not put my head between the mountains, our author claims there is much to be done to overcome damages perpetuated against the environment; seas filled with plastics, rivers and skies filled with pollutants, and etc. Is one who claims that there is a Climatic Catastrophe a psychotic person; paranoid that that somebody is out to harm them, do they seek grandiose glory beyond their reach of reality? They are stating an opinion based on the attestations of scientis ts. In the twentieth year of the twentieth hundred (double twenty - 2020) of the secular-calendar, the above-mentioned argument repeats itself with regard to what's going on with the Coronavirus Plague. Then there's the Evangelicals who dispute science altogether, and stick their tongues out from the mask less lips, and with an upturned nose. Such conduct repeats itself again with regard to the transition of the newly elected President. The arguments are so fierce on both sides of the issues that people are bereft of their human image. We can only hope to keep ourselves above such negativity, and draw no conclusions regarding a situation with which no-one has ever had to deal with before. An ever-expanding universe of digital information floods our brains, m uch of which is contradictory. We are in a quandary as to how relate to it. What's common to most humanity; at every reach of the globe, is that we have fallen into a bottomless abyss, above which, stand the technocrats who pride themselves in what they proclaim to have achieved. "We've wired the world!" There are people walking around with microchips implanted under their skin, as required by their employers. Once upon a time, a bank client would talk things over with the bank manager and they would settle on procedures amicably. In order to comply with the simple regulations, to receive any of the benefits society doles out, we have to tender control over all data pertaining to our private matters. Relinquish our privacy! There is no privacy, no trust, and no mutual respect: humanity has been stripped of our soul. We are people bereft of raison d'etre (the purpose of life). We turn to hysteria in order to pursue the only expression of humanity that engages us in our lives. And where do I, your author, stand in all this? Take this phrase, "I, your author" maybe as I'm writing these words, I'm really doing this as a spy; discussing personality traits that the Greedy Marauders (Meganomists) have implanted into your character (by brainwashing you). By reading this, you're unconsciously subscribing, literally agreeing to them. In the modern era, most of our minds are subject to subliminal advertising, and it's only a step from there to political ideology. They dictate what we believe and they dole out personalities in order for the game to be interesting. Take the elections of 2020, nobody is a winner. The virtually invisible ruling class has the active control over all the puppet strings. One might undergo a slight introspection, to tune into his inner self -hatred. The negativity within; an evil entity unto itself, which has to be neutralized. How do we determine as to which ideology we shall attach ourselves as loyal believers, willing to do anything so we're considered part of those for whom the shared principle is sacred? We consume slogans and phrases that identify us as 3 BS"D members of the group that secures our loyalty. What I once considered reprehensible is now my custom, and the opposite. The author of this treatise touches on the double-whammy principle in effect here; they cause us irremediable insecurity, and then exploit our need for a feeling of community in which the individual is ensured he or she may live happily ever after. Or as the believers have it, All is Heavenly Ordained. For hoe many decades hav e people been saying, "It is as it is, there is nothing we can do about it," and other such slogans. One has to take hold of him or herself; assert restraint, express patience, be happy with his or her portion. Reality is ever filled with effervescence. Contrarily, there is so much digital awareness of events taking place around the globe; we can contemplate absolutely contradicting reports, and arrive at certainty only with great difficulty. One force seems to control more and more, maybe I should look out for my future by becoming allied to their philosophy. In fact, the author has studied the cultures of human populations through the span of known history, and has arrived at the conclusion that we mostly spend our lives worrying about the unknown, and perhaps trying to conquer it. I've believed in things that seem to be established truths, and now consider these patterns of thought no longer relevant to my well-being. I have devised individualistic ideas that nobody else could perceive as true, for so long , it could be that they are expressions of insanity. In order for us to share the matter at hand, we must delve into the language of mental disturbance. No, not that! The plague of insanity is debased by general society (either it's catchy or it will make mine worse, or worse yet, convince me of the similarities to my own personality). There might be those of you who will have said, "I'm not crazy," but are we qualified to make a diagnosis? This vicious circle becomes the geometry of asserting a theorem, "He's insane, and I'm so like him in many ways, therefore I'm a nut case too." Contrarily, people tell everyone they're nuts, crazy, and out of their mind; and we all get bothered when they do, because there's no defense against such defamation.
Recommended publications
  • ALL the PRETTY HORSES.Hwp
    ALL THE PRETTY HORSES Cormac McCarthy Volume One The Border Trilogy Vintage International• Vintage Books A Division of Random House, Inc. • New York I THE CANDLEFLAME and the image of the candleflame caught in the pierglass twisted and righted when he entered the hall and again when he shut the door. He took off his hat and came slowly forward. The floorboards creaked under his boots. In his black suit he stood in the dark glass where the lilies leaned so palely from their waisted cutglass vase. Along the cold hallway behind him hung the portraits of forebears only dimly known to him all framed in glass and dimly lit above the narrow wainscotting. He looked down at the guttered candlestub. He pressed his thumbprint in the warm wax pooled on the oak veneer. Lastly he looked at the face so caved and drawn among the folds of funeral cloth, the yellowed moustache, the eyelids paper thin. That was not sleeping. That was not sleeping. It was dark outside and cold and no wind. In the distance a calf bawled. He stood with his hat in his hand. You never combed your hair that way in your life, he said. Inside the house there was no sound save the ticking of the mantel clock in the front room. He went out and shut the door. Dark and cold and no wind and a thin gray reef beginning along the eastern rim of the world. He walked out on the prairie and stood holding his hat like some supplicant to the darkness over them all and he stood there for a long time.
    [Show full text]
  • A Bit Crazy, a Little Naughty and Very Entertaining
    QPAC PRESENTS A bit crazy, a little naughty and very entertaining. 28 JANUARY – 6 MARCH 2021 CREMORNE THEATRE, QPAC PHOTOGRAPHER KTB MEDIA WELCOME BACK When we first conceived of Club Cremorne it was in response to the limitations of COVID-19 restrictions. But as is often the case, out of adversity came something positive and new. Club Cremorne was one of our first shows after the months-long closure and was so well received by audiences and such fun for our artists that we’ve brought it back. In this season we welcome back original ‘club members’ and are excited to introduce some electrifying new artists. So please, sit back and escape for a couple of hours. Take the evening into your own hands. Laugh, gasp, experience some new voices and imagine what’s possible. We’re on the edge of our seats, in a good way. John Kotzas Chief Executive, QPAC DAMIEN POWER MC In the last few years, comedian Damien Power has collected rave reviews, award nominations and the respect of his peers. What more do you people want?! He has been nominated for Most Outstanding Show at the Melbourne Comedy Festival three times, won the Director’s Choice Award, The Pinder Prize, and been nominated for the Helpmann Award for Best Comedy Performer in 2019. NOMINEE Best Comedy Performer, Helpmann Awards 2019 WINNER The Pinder Prize, Melbourne Comedy Festival 2017 Power’s stubbornly intellectual ambition really is something to be treasured. Truly remarkable. ★★★★★★★★½ HERALD SUN Delivered with the forceful swagger of a bar-room philosopher.” CHORTLE JACQUELINE FUREY BURLESQUE Jacqueline Furey is a purveyor of the beautiful and bizarre, and known for her unique brand of glamorous eroticism.
    [Show full text]
  • ENGL 1102 Writing About Literature Readings Compiled, Annotated, and Edited by Rhonda L
    ENGL 1102 Writing about Literature Readings Compiled, annotated, and edited by Rhonda L. Kelley Table of Contents Short Fiction ................................................................................................................................... 3 A Rose for Emily by William Faulkner ........................................................................................ 4 The Yellow Wallpaper by Charlotte Perkins Gilman ................................................................. 11 The Open Window by H. H. Munro (Saki) ............................................................................... 26 The Stranger by Katherine Mansfield ....................................................................................... 29 Guy de Maupassant, The Necklace ........................................................................................... 39 Edgar Allan Poe, The Tell-Tale Heart ....................................................................................... 46 Edgar Allan Poe, Cask of Amontillado ...................................................................................... 50 Edgar Allan Poe, The Masque of the Red Death ....................................................................... 56 Nathaniel Hawthorne, Young Goodman Brown ........................................................................ 61 Rappaccini's Daughter by Nathaniel Hawthorne ..................................................................... 73 Sir Arthur Conan Doyle, The Adventure of the Speckled Band ...............................................
    [Show full text]
  • The Motion Picture Director (1925-1926)
    MOTION PICTURE ^ / rrL£ Annie Beginning a Neiv Series WHY HOLLYWOOD? By EDWIN CAREWE Also Two Notable Serials THUNDERING SILENCE THE NIGHT BRIDE By H. H. Van Loan By Frederic Chapin At The Director’s Service! A new, fast-moving, Portable Unit of tre- mendous power — com- pletely self-contained — for broad SOUND- CASTING, makes its bid for Movie Fame in this issue of The Director. Now you can sway that “seething mob” with absolute comfort to your- self and your staff. Terms of rental on application. TUcker 3148 ? MOTION PICTURE Volume Two September Number Three 19 2 5 Dedicated to the Creation of a Better Understanding Between Those Who Make and Those Who See Motion Pictures OLKS, meet the “new” by and for the people of that Director; new in dress industry, and yet possessing F neither the limitations of the and in its increased num- CONTENTS ber of pages, and new in its strictly class or trade publica- added features of interest and Page tion, nor the diverified appeal entertainment value, but, in of the so-called “fan” maga- IN THE DIRECTOR’S CHAIR 5 spirit of helpfulness and sincere zines. George L. Sargent concern for the best interests Insofar as it may be possible 8 of the industry of which it is A TALE OF TEMPERAMENT The Director will endeavor a part, the same Director you George Landy to steer a middle course between these two have known in the past. CAMERA STUDIES OF SCREEN groups and cordially In the development of the solicits the co-operation of all 9 PERSONALITIES are “new” Director it is our pur- who actively concerned with pose, as we enter upon the WHY HOLLYWOOD? (A Series) 17 the making of motion pictures.
    [Show full text]
  • Qp a C Unl Ocked
    | CREMORNE THEATRE, QPAC | CREMORNE THEATRE, QPAC UNLOCKED QPAC 2020 12 SEPTEMBER - 3 OCTOBER WELCOME BACK The undimmed enthusiasm of our audiences and artists has been crucial as we prepared to reopen our doors. When the curtains came down at QPAC in March, we had no thought that our theatres would remain dark for so long. The events of these past few months have had sustained and unexpected impacts and will continue to change the way we approach creating live performance experiences. However, despite the relentless uncertainty, the arts and cultural sector remains a wellspring of reimagining and reinvention. The recent challenges have made us all appreciate anew the things that bring meaning to our lives and the tangible and significant role live performance plays in our communities. With its unique capacity to connect and communicate, art continues to bring us together, even while we are compelled to maintain our distance. At QPAC, we are conscious that it is a privilege for us to gather together like this while others around the world face so many challenges. We are determined to make the most of this time to change things up, rethink the way we use our theatres and the kind of performances we share with you. Club Cremorne was borne out of a desire to give over our stage to something a little bit different for QPAC and to also throw the spotlight on Queensland talent. We are excited to present this eclectic mix of artists to you: a little bit naughty, breathtaking, hilarious, edge-of-your-seat raw entertainment.
    [Show full text]
  • The Flaming Forest
    The Flaming Forest by James Oliver Curwood, 1878-1927 Published: 1921 J J J J J I I I I I Table of Contents Chapter I ... thru … Chapter XXVI J J J J J I I I I I Chapter I An hour ago, under the marvelous canopy of the blue northern sky, David Carrigan, Sergeant in His Most Excellent Majesty's Royal Northwest Mounted Police, had hummed softly to himself, and had thanked God that he was alive. He had blessed McVane, superintendent of "N" Division at Athabasca Landing, for detailing him to the mission on which he was bent. He was glad that he was traveling alone, and in the deep forest, and that for many weeks his adventure would carry him deeper and deeper into his beloved north. Making his noonday tea over a fire at the edge of the river, with the green forest crowding like an inundation on three sides of him, he had come to the conclusion—for the hundredth time, perhaps—that it was a nice thing to be alone in the world, for he was on what his comrades at the Landing called a "bad assignment." "If anything happens to me," Carrigan had said to McVane, "there isn't anybody in particular to notify. I lost out in the matter of family a long time ago." He was not a man who talked much about himself, even to the superintendent of "N" Division, yet there were a thousand who loved Dave Carrigan, and many who placed their confidences in him. Superintendent Me Vane had one story which he might have told, but he kept it to himself, instinctively sensing the sacredness of it.
    [Show full text]
  • Easier to Run by Noelle Adams / Pfangirl Chapter 1 This One Was
    Easier to run By Noelle Adams / pfangirl Chapter 1 This one was eager. She was still fumbling with a fistful of keys when she felt lips against the nape of her neck. Fingers slid inside the collar of her shirt, pushing the fabric off her shoulder, plucking at her bra strap. She let herself be turned around. Instantly his mouth was on hers. She threw her arms around his neck as he drove them back against the door. His hands slid up and down her sides, over the curve of her breasts, her ribs, her hip bones exposed over the top of her ridiculous skinny jeans So much for the fake courtesy of inviting him back to her place for another drink. Even if his fingers weren't happily exploring, his probing tongue made his intentions perfectly clear. She preferred it this way. No stupid societal-imposed courting games and layers of lies to veil their wants. It was straightforward, unlike so much in life. Needs identified and then satisfied. A simple two-step dance. One. Two. Repeat. Somehow, working blind and backwards, she managed to insert the right key into the lock. She turned the door handle and they shuffled inside the flat, their kiss still unbroken. The lamp in the living room had been left on so there was no need to grope for a switch. That was a good thing. She was drunk. Laughably, despite everything she had done over the past five years, it was the only way she could work up the courage to do what she was doing.
    [Show full text]
  • Jack London Burning Daylight
    JACK LONDON BURNING DAYLIGHT 2008 – All rights reserved Non commercial use permitted BURNING DAYLIGHT by Jack London PART I CHAPTER I It was a quiet night in the Shovel. At the bar, which ranged along one side of the large chinked-log room, leaned half a dozen men, two of whom were discussing the relative merits of spruce-tea and lime-juice as remedies for scurvy. They argued with an air of depression and with intervals of morose silence. The other men scarcely heeded them. In a row, against the opposite wall, were the gambling games. The crap-table was deserted. One lone man was playing at the faro-table. The roulette-ball was not even spinning, and the gamekeeper stood by the roaring, red-hot stove, talking with the young, dark-eyed woman, comely of face and figure, who was known from Juneau to Fort Yukon as the Virgin. Three men sat in at stud-poker, but they played with small chips and without enthusiasm, while there were no onlookers. On the floor of the dancing-room, which opened out at the rear, three couples were waltzing drearily to the strains of a violin and a piano. Circle City was not deserted, nor was money tight. The miners were in from Moseyed Creek and the other diggings to the west, the summer washing had been good, and the men's pouches were heavy with dust and nuggets. The Klondike had not yet been discovered, nor had the miners of the Yukon learned the possibilities of deep digging and wood-firing.
    [Show full text]
  • By Jack London
    BURNING DAYLIGHT by Jack London www.writingshome.com Jack London – Burning daylight 2 www.writingshome.com Jack London – Burning daylight Part I Chapter I FRONTPIECE "He saw Dede coming out of the door" It was a quiet night in the Tivoli. At the bar, which ranged along one side of the large chinked-log room, leaned half a dozen men, two of whom were discussing the relative merits of spruce-tea and lime-juice as remedies for scurvy. They argued with an air of depression and with intervals of morose silence. The other men scarcely heeded them. In a row, against the opposite wall, were the gambling games. The crap-table was deserted. One lone man was playing at the faro-table. The roulette-ball was not even spinning, and the gamekeeper stood by the roaring, red-hot stove, talking with the young, dark-eyed woman, comely of face and figure, who was known from Juneau to Fort Yukon as the Virgin. Three men sat in at stud-poker, but they played with small chips and without enthusiasm, while there were no onlookers. On the floor of the dancing-room, which opened out at the rear, three couples were waltzing drearily to the strains of a violin and a piano. Circle City was not deserted, nor was money tight. The miners were in from Moseyed Creek and the other diggings to the west, the summer washing had been good, and the men's pouches were heavy with dust and nuggets. The Klondike had not yet been discovered, nor had the miners of the Yukon learned the possibilities of deep digging and wood-firing.
    [Show full text]
  • Gender, Power, and Performance: Representations of Cheerleaders in American Culture
    Copyright by Allison Elaine Wright 2012 The Dissertation Committee for Allison Elaine Wright Certifies that this is the approved version of the following dissertation: Gender, Power, and Performance: Representations of Cheerleaders in American Culture Committee: Elizabeth S.D. Engelhardt, Supervisor Janet M. Davis Mark C. Smith Mary C. Kearney Janice Todd Gender, Power, and Performance: Representations of Cheerleaders in American Culture by Allison Elaine Wright, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 To my parents, Cecil and Jane Wright Acknowledgements The process of researching and writing this dissertation has left me with innumerable debts. It is my pleasure to finally acknowledge some of them here. First and foremost, I would like to thank my dissertation advisor, Elizabeth Engelhardt, for her continued support of this project and me. She has been an ideal mentor and advisor, offering astute critiques of my writing and challenging me to reach further in my analyses. I am especially grateful for her confidence; her belief in me and in this project often gave me the strength for one more sentence, one more paragraph, one more draft. It is not an exaggeration to say this would not be possible without her guidance. I am forever indebted to her and thankful for her wisdom; I strive to emulate her peerless scholarship and fierce dedication to the teaching profession. I would also like to thank the members of my dissertation committee.
    [Show full text]
  • Contents PROOF
    PROOF Contents List of Illustrations viii Acknowledgements ix Prologue: From Pinewood to Hollywood 1 Introduction: The British Connection: Themes and Theory 6 1 Early Invaders: The First British Wave 30 2 Sound and Vision: British Filmmakers and the Politics of Pre-War Hollywood 63 3 Movies for the Masses: The British in the Second World War 107 4 Post-War Directions: Ealing Escapism and the Menace of McCarthy 127 5 Atlantic Crossing 152 Notes 174 Select Bibliography 185 Index 189 vii July 22, 2010 7:29 MAC/PNL Page-vii 9780230_229235_01_prex PROOF 1 Early Invaders: The First British Wave “I went to Worthing to recover from Hollywood.” Playwright and screenwriter Edward Knoblock’s quote about wanting to get away from California after a spell in the film community appears to match much of the British reaction to Hollywood in the formative years Illustration 3 Edward Knoblock, 4th from left relaxing with friends. Photograph reproduced courtesy of the National Portrait Gallery, London. 30 July 22, 2010 7:50 MAC/PNL Page-30 9780230_229235_04_cha01 PROOF Early Invaders: The First British Wave 31 of film. What drove Knoblock to the Sussex seaside town after the expo- sure of Los Angeles is not entirely clear, but the impulse to retreat to a world of quintessential Englishness has often appeared to be the rai- son d’être for many British writers and directors of the era who were quickly appalled by the brash commercialism of the Hollywood film industry. In Knoblock’s case, it was an even more fascinating compunc- tion that took hold of him because he was American born (originally Edward Knoblauch of German parents in New York in 1874), but ended up residing in Britain for much of his life.
    [Show full text]
  • DOCISENT ISSUE Short Stories
    DOCISENT ISSUE ID 199 926 FL 009 892 AUTHOR Laygo, Teremito Comp. TITLE The Well of Time. EighteenShort Stories from Philippine Contesporary Literature. 11STITOTION Asian American BilingualCenter, Berkeley, Calif. SPURS AGlOCV Office of Bilingual Educationand Minority Languages Affairs (ED), fashington,D.C. PUB DATE 78 NOTE 236p.: Icor a related docusent,see FL 009 893. AVAILABLE FROM National Dissemination andAssessment Center, School of Education, California State University,5151 State University Drive, Los Angeles,CA 90032 ($4.95) EDRS PRICE mr01 Plus Postage. PC'Not Availablefrom EDRS. DESCRIPTORS Anthologies: Bicultdralism: *BilingualEducation: Cultural Activities: CulturalAwareness: *English (Second Language): *Literature Appreciation: Secondary Education: SecondLanguage Instruction: Short Stories IDENTIFIERS Bilingual Education Act 1968:*Filipinos: Secondary Education Act 1967_ ABSTRACT I collection of eighteen short storiesby Filipino writers is presented. The selectionsrepresent a variety of images of Filipino culture, both urban andrural, and-life styles in northern and southern Philippines. The ais ofthe anthology is that tbe student will learn to empathize withexperience rendered in language, appreciate the Filipino writer's artand crtft, and understand the short story as a literary form. Themestories are intended to be taught in grades 9-12 ina bilingual education setting. 7.1e book is divided into four sections: (1)Hom and Country, (2) Of Identity and Fasily, (3) A Sense of History, and(4) Of Change and Values. Stories by the following authorsare included: Narciso G. Reyes, Carlos IP:flowing Bionvenido N. Santos, EV.M. Gonzales,Manuel E. krguilla. Aida Rivera Ford, Roman 1. de laCruz, Rogelio R. Sikat, J. Eddie Infants, Nick Joaquin, J. C. DionisiocGilda Cordero-Fernando, E.
    [Show full text]