Download Booklet
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Roger Steptoe, Including a Performance Diary, May Be Found at for News of Recent Works, Please See
ROGE R STEPTOE Stainer & Bell CONTENTS Biographical Note .............................................................2 Orchestral Works ..............................................................3 Solo Voice and Orchestra ..................................................3 Solo Instrument and Orchestra .........................................4 Chorus and Orchestra ......................................................5 Works for Choir ................................................................6 Vocal Works......................................................................7 Chamber Music ................................................................8 Music for Strings ............................................................11 Music for Wind ...............................................................12 Music for Solo Piano .......................................................12 Discography....................................................................13 Note biographique ...........................................................14 Alphabetical List of Works ..............................................16 Please see the back cover for Ordering Information. Further information about the music of Roger Steptoe, including a performance diary, may be found at www.stainer.co.uk/steptoe.html For news of recent works, please see www.rogersteptoe.com September 2015 1 ROGER STEPTOE In a postmodern era often characterised by various aesthetic movements, it is especially enriching to encounter an artist like Roger Steptoe, -
Guitar Syllabus
TheThe LLeinsteinsteerr SScchoolhool ooff MusMusiicc && DDrramama Established 1904 Singing Grade Examinations Syllabus The Leinster School of Music & Drama Singing Grade Examinations Syllabus Contents The Leinster School of Music & Drama ____________________________ 2 General Information & Examination Regulations ____________________ 4 Grade 1 ____________________________________________________ 6 Grade 2 ____________________________________________________ 9 Grade 3 ____________________________________________________ 12 Grade 4 ____________________________________________________ 15 Grade 5 ____________________________________________________ 19 Grade 6 ____________________________________________________ 23 Grade 7 ____________________________________________________ 27 Grade 8 ____________________________________________________ 33 Junior & Senior Repertoire Recital Programmes ________________________ 35 Performance Certificate __________________________________________ 36 1 The Leinster School of Music & Drama Singing Grade Examinations Syllabus TheThe LeinsterLeinster SchoolSchool ofof MusicMusic && DraDrammaa Established 1904 "She beckoned to him with her finger like one preparing a certificate in pianoforte... at the Leinster School of Music." Samuel Beckett Established in 1904 The Leinster School of Music & Drama is now celebrating its centenary year. Its long-standing tradition both as a centre for learning and examining is stronger than ever. TUITION Expert individual tuition is offered in a variety of subjects: • Singing and -
University Profile
PROPOSAL PIANO RECITAL, WORKSHOP and/or LECTURE CLARE HAMMOND, piano SAMPLE PROGRAMME 1 SAMPLE PROGRAMME 2 DEBUSSY COUPERIN Estampes (12’) Selection from Pièces de Clavecin, 6e ordre (8’) MENDELSSOHN WOOLRICH Andante and Rondo Capriccioso (6’) Pianobook IX (10’) BEETHOVEN RAVEL Sonata No. 8 in C minor, Op. 13 ‘Pathétique’ (22’) Le Tombeau de Couperin (25’) INTERVAL INTERVAL LYAPUNOV Three Études d’Exécution Transcendante (16’) RAVEL Sonatine (12’) CHOPIN Selection from Études, Op. 25 (18’) SIMAKU Hommage à Kurtag (6’) KAPUSTIN Three Studies in Different Intervals (9’) RACHMANINOV Variations on a Corelli Theme, Op. 42 (20’) Listen to audio demos of Lyapunov and Kapustin at: www.clarehammond.com/etude.html SAMPLE WORKSHOPS ACADEMIC LECTURE as an example of practice-based research Performance classes with instrumentalists (Includes demonstrations at the piano) and vocalists Creative responses to disability and the Individual coaching for pianists performer's prerogative in Benjamin Britten's Diversions, op. 21 Composition workshops on writing for the piano, with undergraduate and postgraduate The pianist Paul Wittgenstein lost his right arm during the students First World War and subsequently commissioned a large number of piano works, solo, chamber and concerto, for Chamber coaching for ensembles the left hand. In 1940 he asked Benjamin Britten to compose a left-hand piano concerto, Diversions, op. 21. Individual academic supervisions with Britten was initially enthusiastic but the genesis of the students working within Performance work was marred by disagreements between composer Studies, on nineteenth- and twentieth- and performer concerning scoring and structure. century pianism, on virtuosity, or on the Wittgenstein's score of Diversions is littered with relationship between performer and embellishments, modifications and recomposed passages composer. -
VAUGHAN WILLIAMS His Broadcasting Career Covers Both Radio and Television
557643bk VW US 16/8/05 5:02 pm Page 5 8.557643 Iain Burnside Songs of Travel (Words by Robert Louis Stevenson) 24:03 1 The Vagabond 3:24 The English Song Series • 14 DDD Iain Burnside enjoys a unique reputation as pianist and broadcaster, forged through his commitment to the song 2 Let Beauty awake 1:57 repertoire and his collaborations with leading international singers, including Dame Margaret Price, Susan Chilcott, 3 The Roadside Fire 2:17 Galina Gorchakova, Adrianne Pieczonka, Amanda Roocroft, Yvonne Kenny and Susan Bickley; David Daniels, 4 John Mark Ainsley, Mark Padmore and Bryn Terfel. He has also worked with some outstanding younger singers, Youth and Love 3:34 including Lisa Milne, Sally Matthews, Sarah Connolly; William Dazeley, Roderick Williams and Jonathan Lemalu. 5 In Dreams 2:18 VAUGHAN WILLIAMS His broadcasting career covers both radio and television. He continues to present BBC Radio 3’s Voices programme, 6 The Infinite Shining Heavens 2:15 and has recently been honoured with a Sony Radio Award. His innovative programming led to highly acclaimed 7 Whither must I wander? 4:14 recordings comprising songs by Schoenberg with Sarah Connolly and Roderick Williams, Debussy with Lisa Milne 8 Songs of Travel and Susan Bickley, and Copland with Susan Chilcott. His television involvement includes the Cardiff Singer of the Bright is the ring of words 2:10 World, Leeds International Piano Competition and BBC Young Musician of the Year. He has devised concert series 9 I have trod the upward and the downward slope 1:54 The House of Life • Four poems by Fredegond Shove for a number of organizations, among them the acclaimed Century Songs for the Bath Festival and The Crucible, Sheffield, the International Song Recital Series at London’s South Bank Centre, and the Finzi Friends’ triennial The House of Life (Words by Dante Gabriel Rossetti) 26:27 festival of English Song in Ludlow. -
OTHER WORLDS 2019/20 Concert Season at Southbank Centre’S Royal Festival Hall Highlights 2019/20
OTHER WORLDS 2019/20 Concert season at Southbank Centre’s Royal Festival Hall Highlights 2019/20 November Acclaimed soprano Diana Damrau is renowned for her interpretations of the music of Richard Strauss, and this November she sings a selection of her favourite Strauss songs. Page 12 September October Principal Conductor and Mark Elder conducts Artistic Advisor Vladimir Elgar’s oratorio Jurowski is joined by The Apostles, arguably Julia Fischer to launch his greatest creative the second part of Isle achievement, which of Noises with Britten’s will be brought to life elegiac Violin Concerto on this occasion with alongside Tchaikovsky’s a stellar cast of soloists Sixth Symphony. and vast choral forces. Page 03 Page 07 December Legendary British pianist Peter Donohoe plays his compatriot John Foulds’s rarely performed Dynamic Triptych – a unique jazz-filled, exotic masterpiece Page 13 February March January Vladimir Jurowski leads We welcome back violinist After winning rave reviews the first concert in our Anne-Sophie Mutter for at its premiere in 2017, 2020 Vision festival, two exceptional concerts we offer another chance presenting the music in which she performs to experience Sukanya, of three remarkable Beethoven’s groundbreaking Ravi Shankar’s works composed Triple Concerto and extraordinary operatic three centuries apart, a selection of chamber fusion of western and by Beethoven, Scriabin works alongside LPO traditional Indian styles. and Eötvös. Principal musicians. A love story brought to Page 19 Pages 26–27 life through myth, music -
8Th RESIDENTIAL SUMMER MUSIC ACADEMY
13th – 20th July 2013 CANDILI, EUBOEA, GREECE 8th RESIDENTIAL SUMMER MUSIC ACADEMY Applications are invited to Singers and Lute Players, to attend a week of Masterclasses, Lessons, Concerts, and related activities, with the Counter-Tenor, Michael Chance, in the historic and stunning setting of Candili, on the Island of Euboea (Εύβοια), Greece. As in the past, there will be a range of musical activity, with ample opportunity to attend classes, have private tuition, work with accompanists, perform daily, and enjoy leisure time on the famed estate. The landscape around Candili is idyllic, with natural forest, mountains, and beaches all close by. Michael Chance We are delighted to welcome our distinguished friends, Lyric Soprano Lynne Dawson, Head of the School of Vocal Studies at RNCM, Manchester, UK, Lutenist Paul Beier, with whom Michael regularly performs, and the experienced Alexander Technique teacher Fiona Tree, of the Royal Conservatorium in The Hague, Holland. There will be harpsichord and piano accompaniment available for singers in lessons and classes. The cost will be 700 Euros for the full week or 350 Euros for the final days (Thursday morning, 18th July – Saturday evening, 20th July), during which the final concert will take place. This covers Lynne Dawson accommodation, three daily meals, and all tuition. Single rooms may be possible by arrangement. The cost for non-participating partners, or friends, will be 65 Euros per day, on a room-sharing basis. You are invited to send your application, using the form at http://www.michaelchancecountertenor.co.uk/masterclasses/ Please include a short biography, and singing experience. Successful applicants will then receive more details about the content of the course, and the request to pay a registration fee of 50 Euros, by bank transfer. -
Download Publication
CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Issam Kourbaj 'Imploded, Burnt, Turned to Ash' Performance
Press Release Issam Kourbaj Imploded, burnt, turned to ash, 2021 Howard Theatre, Downing College, Cambridge Live-streamed drawing and sound performance in collaboration with composer Richard Causton and soprano Jessica Summers Issam Kourbaj, Burning, 2020 15 March 2021, 5pm This performance by the Syrian-born and Cambridge- I will then burn the final drawing and place the based artist Issam Kourbaj marks the tenth anniversary remaining ash in a glass box. This will be exhibited in of the Syrian uprising – a crisis that resulted in violent a sacred space to memorialise every victim of the last armed conflict and ongoing civil war. Kourbaj’s decade, while also being dedicated to all Syrians lost, performance will take place on the 15 March, the first displaced and still suffering from this ongoing crisis. day of the unrest a decade ago. The artist describes his project in his own words below: Towards the end of the performance, the viewer will hear words written by myself, set to music by renowned To mark the tenth anniversary of the Syrian uprising, composer Richard Causton (Faculty of Music, University which was sparked by teenage graffiti in March 2011, of Cambridge) and sung by soprano Jessica Summers. this drawing performance will pay homage to those young people who dared to speak their mind, the masses Issam Kourbaj who protested publicly, as well as the many Syrian eyes that were, in the last ten years, burnt and brutally closed This project is a collaboration between the artist, forever. Kettle’s Yard, The Heong Gallery and The Fitzwilliam Museum (all part of the University of Cambridge). -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland. -
Challenges, Changes, Achievements a Celebration of Fifty Years of Geography at the University Plymouth Mark Brayshay
Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University Plymouth Mark Brayshay Challenges, Changes, Achievements A Celebration of Fifty Years Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University of Plymouth Mark Brayshay Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University of Plymouth IV Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University of Plymouth MARK BRAYSHAY University of Plymouth Press V VI Paperback edition first published in the United Kingdom in 2019 by University of Plymouth Press, Roland Levinsky Building, Drake Circus, Plymouth, Devon, PL4 8AA, United Kingdom. ISBN 978-1-84102-441-7 Copyright © Mark Brayshay and The School of Geography, Earth and Environmental Sciences, University of Plymouth, 2019 A CIP catalogue record of this book is available from the British Library. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the author and The School of Geography, Earth and Environmental Sciences, University of Plymouth Printed and bound by Short Run Press Limited, Bittern Road, Sowton Industrial Estate, Exeter EX2 7LW This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
TOCC0458DIGIBKLT.Pdf
AN AUTOBIOGRAPHICAL OUTLINE, WITH SOME THOUGHTS ON MY PIANO MUSIC by Robert Saxton My background has been an important factor in my compositional journey since I began writing music at the age of six. My paternal grandmother, an excellent amateur pianist, came from a Yorkshire Church of England family, while my grandfather, her husband, a fne amateur singer, was frst-generation Anglo-Jewish, one side of the family being from Lithuania, the other from Russia. My maternal grandfather, a Cambridge mathematician and later senior civil servant, had been born in Kraków, in southern Poland, in the later nineteenth century; his physicist cousin, also Polish, became one of Einstein’s research assistants at Princeton; my maternal grandmother was from a Jewish family which had emigrated to the UK from Hamburg during the frst half of the nineteenth century. Her brother, Vivian Van Damm, managed the Windmill Teatre in the London West End, and her sister, Florence, who emigrated to New York, having been a photographer for the Sufragette movement, ran a celebrated Broadway studio, photographing the premiere of Porgy and Bess and taking iconic pictures of Fred Astaire, Al Jolson, the Gershwins, Oscar Hammerstein II and Leonard Bernstein, among others. I was brought up as an observant (although not Orthodox) Jew, simultaneously attending morning assembly at school (with Anglican’ hymns and prayers) and religious-education classes, and so the Judaeo-Christian heritage was, and remains, essential to me, although I am not, and never was, conventionally ‘religious’. I had already been writing music for three years when my parents – my father a former army ofcer before becoming a barrister, and my mother, a hospital doctor – told me, then a nine-year-old, that, as they could not help me with my compositions, I should take advice. -
Barry the One-Armed Pianist 6’49 Over Centuries
2 OBJECTS AT AN EXHIBITION INTRODUCTION TO OBJECTS AT AN EXHIBITION Every musical instrument is, in a sense, ‘Objects at an Exhibition’ may be heard Aurora Orchestra • Nicholas Collon conductor a machine. But, in science museums as a commentary on our technological they are machines of unusual interest civilisation and culture. It was important and potency for visitors, because music for the project that each of the selected 1 Thea Musgrave Power Play 6’35 is a key site for the interaction between composers would have the opportunity 2 Christopher Mayo Supermarine 12’08 science, technology and culture. to pick-out from the Museum’s hundreds 3 Claudia Molitor 2TwoLO 11’42 Music, if you like, provides a perfect of thousands of objects one that held a exemplifi cation of how technology and particular resonance for them. Most of 4 David Sawer Coachman Chronos 9’14 the arts have developed hand in hand these commissions started with an open- 5 Gerald Barry The One-Armed Pianist 6’49 over centuries. There are whole varieties ended bespoke tour for the composers 6 Barry Guy “Mr Babbage is Coming to Dinner!” 9’10 of music that could not exist without of the Museum’s spaces, when it was certain technological developments, an possible in a spatial dialogue to unite Total 55’43 observation that not only applies in the each composer with the object that more obvious case of genres dependent would become the particular subject of on modern electronics, but also with their composition. Aurora Orchestra older machines such as the tenor This project has been, from the start, an saxophone or the overstrung piano.