DOCSLIB.ORG

Brolga Page I

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Brolga Page I Point of no return: Exploring katabatic narrative and deterritorialisation in the Australian outback novel A thesis submitted in fulfilment of the requirements for the degree of Masters of Fine Art (Creative Writing and Research). Brendan Telford (BA/BEd) Creative Industries Queensland University of Technology July 2012 Keywords Katabasis, territoriality, deterritorialisation, outback fiction, hero’s journey Brolga Page i Abstract This thesis consists of the novel Brolga and an exegesis examining in what ways the ideas of katabasis and deterritorialisation inform an understanding of descent narratives in contemporary Australian outback fiction. When writing the creative piece, it was observed that Joseph Campbell’s Hero’s Journey was an imprecise model for my manuscript and indeed for many of the contemporary novels I had read written in similar outback settings. On analysis a better fit lies in the idea of a heroic journey from which there is no clear return from the underworld. This narrative form is defined in this thesis as a katabatic narrative. To unpack this narrative trope, the inverse of territoriality, deterritorialisation, is used as a lens to examine the complex thematic and symbolic resonances of the outback in both Brolga and analogous works of contemporary outback fiction. Brolga Page ii Table of Contents Contents Keywords .....................................................................................................................................i Abstract ...................................................................................................................................... ii Table of Contents ...................................................................................................................... iii Statement of Original Authorship ............................................................................................. iv Acknowledgements .................................................................................................................... v Creative Work ............................................................................................................................ 1 Exegesis ................................................................................................................................. 118 1. Introduction ....................................................................................................................... 118 2. THE HERO’S JOURNEY ........................................................................................................ 120 3. KATABASIS AND DESCENT NARRATIVE .............................................................................. 122 4. HEART OF DARKNESS AS KATABATIC NARRATIVE ............................................................. 126 5. THE OUTBACK .................................................................................................................... 129 5.1 Defining the Outback ................................................................................................... 129 5.2 Outback as frontier – notions of boundaries .............................................................. 131 5.3 Boundaries in contemporary Australian fiction and in Brolga .................................... 133 6. TERRITORIALITY ................................................................................................................. 136 6.1 Definition of territoriality ............................................................................................ 136 6.2 Failure of territoriality in contemporary Australian outback fiction ........................... 138 6.3 Effect of territoriality in Brolga ................................................................................... 141 7. DETERRITORIALISATION .................................................................................................... 142 7.1 Definition of deterritorialisation ................................................................................. 142 7.2 Deterritorialisation as oppressed ................................................................................ 145 7.3 Deterritorialisation’s place in the history of the Australian Outback ......................... 147 7.4 Effectiveness of deterritorialisation in contemporary Australian outback fiction ...... 149 7.5 Effect of deterritorialisation on Brolga ....................................................................... 157 8. CONCLUSION ..................................................................................................................... 159 REFERENCES CITED ................................................................................................................ 161 APPENDIX 1............................................................................................................................ 166 Brolga Page iii Statement of Original Authorship The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person except where due reference is made. Signature: Date: 20 November 2012 Brolga Page iv Acknowledgements Craig Bolland (supervisor), Kim Moody (edit), Ellen Thompson, Catherine Haden, Louisa Rossitto, Sam Martin, Tim Milfull, Lee McGowan, Alison Tebbutt, John & Sue Telford, Sara Page, Marjorie Tanks, Luke Wilkie. Brolga Page v Creative Work BROLGA A novel by Brendan Telford ‘A man’s past is not simply a dead history…it is a still quivering part of himself, bringing shudders and bitter flavours and the tinglings of a merited shame.’ George Eliot Brolga Page 1 ONE He let his forehead rest against the bus window, looking through himself at the blurred shapes beyond. Not much could be made out, the night blending with the landscape to become one black anomaly. The coolness of the glass soothed his aching body. The bus interior was dark, the only illumination coming from the luminescent digital clock at the front above the windshield. Music from an iPod floated faintly from somewhere across the aisle. A small girl no older than five occupied the seat opposite. At the beginning of the journey, she had been a ball of combustible energy. She now lay snuggled into the chair, quiet, the occasional infantile murmur passing her lips as she slept. He had been at the bus terminal two hours before the departure time printed on his ticket. He sat close to the glass doors, watching the comings and goings of the passengers and their various acquaintances. How would each embrace, handshake, lingering kiss shape the overall paths of these strangers’ lives? Was this a last goodbye? The first of many happy reunions? Were the lesbians who verged on heavy petting gratuitously in lust for each other, or desperate in the realisation that their parting once again left them alone? Was the man with the red silk tie happy because of the journey that lay ahead, or because of what he was leaving behind? He wiped a sweaty palm across his face, the stubble rasping against his skin. Light filtered through one of the station windows. He stared at the motes of matter that danced in the golden rays, dirt mixing with dead skin, dust melding with discarded particles, memories, all forgotten. He had alighted his bus without fanfare. His departure from this world was without fuss. There was no party, big send-off, or last hurrah to mark his inception into the ‘real world’, one seen as working five days a week for the majority of the calendar year, having responsibilities such as car and home loans, union fees, and beer other than XXXX Bitter. “We don’t want you forgetting what you’re leaving behind, y’know!” Brolga Page 2 He looked at the clock. The party would have been winding down about now, everyone making plans to head out into the city. If they bothered to have the party. They probably would have. Without him there, they would have had to think up another reason to drink, which would inevitably be that he wasn’t there. He stretched his legs as far under the seat in front of him as he could, trying as he did so to work the knot out of the middle of his back. He tried to make as little noise or movement as possible, but before long the girl stirred from her sleep, opening her eyes to look at him. She yawned, rubbing her half-opened eyes with tiny fists. “Sorry,” he whispered. “Go back to sleep.” “What time is it?” the girl mumbled. “Two in the morning.” “Oh.” She straightened a little in her seat, still gazing bleary-eyed at him. “That’s pretty early, hey?” “Hey,” Amos replied softly. “Go back to sleep.” “How come you aren’t sleeping?” the girl asked. He looked at her. The girl’s face was purity – pink rosy cheeks framed by red curls, large blue eyes, the lightest touch of freckles across the bridge of her nose. He looked at her and felt the emptiness open wide inside him. His mouth quivered, his tongue unsure of its proper movements. He rested his head against the glass. “Just go back to sleep,” he whispered. The bus travelled on through the night. ____________________ Thump. Brolga Page 3 He started, swivelling around in fuzzy awareness, looking for eyes in the darkness, piercing his fragile exterior. No one stirred. The girl had acquired a blanket, huddling beneath it, a protective shell to the night. Her chest rose in quick heaves, deflated in rapid troughs. He eased over her, out into the aisle. The only light
Load more

Recommended publications
  • Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
    Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll.
    [Show full text]
  • The Ithacan, 1990-10-04
    Ithaca College Digital Commons @ IC The thI acan, 1990-91 The thI acan: 1990/91 to 1999/2000 10-4-1990 The thI acan, 1990-10-04 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1990-91 Recommended Citation Ithaca College, "The thI acan, 1990-10-04" (1990). The Ithacan, 1990-91. 6. http://digitalcommons.ithaca.edu/ithacan_1990-91/6 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1990-91 by an authorized administrator of Digital Commons @ IC. • ~ I :ii Ithaca. wetlands' construction Fairyland shattered by adminis­ Midnight Oil gives held Up tration indecisiveness anticlimactic performance .•• page 6 ... page 7 ... page 9 ,, ... ,,1,'-•y•'• ,,1. :CJ<,·')• ..... The ITHACAN The Newspaper For The Ithaca College Community Vol. 58, No. 6 October 4, 1990 24 pages Free Arrests. conti:n-ue despite warning lcm." 'crackdown' on parties on South neighborhoods. 75 student arrests over--past three weeks Dave Maley, Manager of Public Hill. McEwen said that he needs at "I expect students to think of this By Joe Porletto Holt, head of the IC office of cam­ Information for IC, said that when least one additional officer, but there area as their home," McEwen said. The weekend of Sept. 28 resulted pus"' safety, addressed the party students are off-campus they must isn't room in the city budget for it McEwen said that studcn ts wouldn't in 26 arrests of college students on proolem.
    [Show full text]
  • The Web That Has No Weaver
    THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine.
    [Show full text]
  • Australian Elegy: Landscape and Identity
    Australian Elegy: Landscape and Identity by Janine Gibson BA (Hons) Submitted in fulfilment of the requirements for the degree of (Doctor of Philosophy) Deakin University December, 2016 Acknowledgments I am indebted to the School of Communication and Creative Arts at Deakin University (Geelong), especially to my principal supervisor Professor David McCooey whose enthusiasm, constructive criticism and encouragement has given me immeasurable support. I would like to gratefully acknowledge my associate supervisors Dr. Maria Takolander and Dr. Ann Vickery for their interest and invaluable input in the early stages of my thesis. The unfailing help of the Library staff in searching out texts, however obscure, as well as the support from Matt Freeman and his helpful staff in the IT Resources Department is very much appreciated. Sincere thanks to the Senior HDR Advisor Robyn Ficnerski for always being there when I needed support and reassurance; and to Ruth Leigh, Kate Hall, Jo Langdon, Janine Little, Murray Noonan and Liam Monagle for their help, kindness and for being so interested in my project. This thesis is possible due to my family, to my sons Luke and Ben for knowing that I could do this, and telling me often, and for Jane and Aleisha for caring so much. Finally, to my partner Jeff, the ‘thesis watcher’, who gave me support every day in more ways than I can count. Abstract With a long, illustrious history from the early Greek pastoral poetry of Theocritus, the elegy remains a prestigious, flexible Western poetic genre: a key space for negotiating individual, communal and national anxieties through memorialization of the dead.
    [Show full text]
  • MAMA Brand Partnerships 2014
    BRAND PARTNERSHIPS INTRODUCTION MAMA & Company is one of the U.K’s leading live entertainment businesses, operating an eclectic portfolio of both festival brands and live music venues. Its core strategy continues to focus on the development and delivery of consumer-built entertainment concepts that create unique platforms for all types of emerging artistic talent. ! Our four festivals span every genre from new music, lifestyle and arts through to contemporary pop and dance, and our 9 live music venues include both historic 2,000 capacity concert halls, as well as smaller, iconic music bars and performance spaces. This makes MAMA the perfect partner for any brand wishing to build and develop their audience and to engage with millions of 18 - 30 year old avid music fans. FESTIVALS VENUES MAMA BRAND PARTNERSHIPS We devise and deliver the most innovative, exciting and effective brand led, multi- platform solutions to millions of music fans every year. ! From unique content-lead (live music and curatorial) solutions on our festival sites, through to brand programming, promotion and media support, To create the most dynamic experiences, we interact closely with key talent across MAMA & Company to ensure the activity is authentic, credible and above all, effective. Over a decade of producing the UK’s leading, sell-out and award winning Festivals: The Great Escape Somersault 18-30 18-40 20,000 per day (3,000 Delegates) 15,000 per day New Music Seekers Outdoor Enthusiasts 3 days 4 days Lovebox Wilderness 18-34 25-45 40,000 per day 30,000 per day Urban Influencers ABC1 Opinion Formers 2 days 4 days Nine of the country’s most iconic live music venues, hosting 1.7 million gig-goers every year: The Jazz Cafe Hoxton Square Bar & Kitchen 350 cap.
    [Show full text]
  • Roadside Picnic
    ROADSIDE PICNIC Arkady and Boris Strugatsky Translated from the Russian by Antonina W. Bouis Cryptomaoist Editions FROM AN INTERVIEW BY A SPECIAL CORRESPONDENT FROM HARMONT RADIO WITH DOCTOR VALENTINE PILMAN, RECIPIENT OF THE NOBEL PRIZE IN PHYSICS FOR 19.. "I suppose that your first serious discovery, Dr. Pilman, should be considered what is now called the Pilman Radiant?" "I don't think so. The Pilman Radiant wasn't the first, nor was it serious, nor was it really a discovery. And it wasn't completely mine, either." "Surely you're joking, doctor. The Pilman Radiant is a concept known to every schoolchild." "That doesn't surprise me. According to some sources, the Pilman Radiant was discovered by a schoolboy. Unfortunately, I don't remember his name. Look it up in Stetson's History of the Visitation -- it's described in full detail there. His version is that the radiant was discovered by a schoolboy, that a college student published the coordinates, but that for some unknown reason it was named after me." "Yes, many amazing things can happen with a discovery. Would you mind explaining it to our listeners, Dr. Pilman?" "The Pilman Radiant is simplicity itself. Imagine that you spin a huge globe and you start firing bullets into it. The bullet holes would lie on the surface in a smooth curve. The whole point of what you call my first serious discovery lies in the simple fact that all six Visitation Zones are situated on the surface of our planet as though someone had taken six shots at Earth from a pistol located some- where along the Earth-Deneb line.
    [Show full text]
  • View of the Colony Itself (Being on the Top Floor of the Security Building Has Its Rewards, If Only That One Reward Was a Nice Sunset Every Now and Again)
    The Bright Garden by Alex Puncekar Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Northeast Ohio Master of Fine Arts Program YOUNGSTOWN STATE UNIVERSITY May, 2017 The Bright Garden Alex Puncekar I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Alex Puncekar, Student Date Approvals: Christopher Barzak, Thesis Advisor Date Imad Rahman, Committee Member Date Eric Wasserman, Committee Member Date Dr. Salvatore A. Sanders, Dean of Graduate Studies Date ABSTRACT Calli Hayford lives on Kipos, a recently colonized planet far from Earth. Amongst the jungles and ravenous animals that threaten the various settlements across the planet’s surface, Calli is dealing with something much more dire: her sick mother, who is slowly dying from an unknown sickness. With funds scarce, Calli decides to do the impossible: to locate auracite, a rare mineral native to Kipos, in the hopes that it will provide her with the money to afford a cure. She leaves home with her friend, the sly and scruffy Sera, and encounters a whole new world outside of her own, one that will force her to answer questions she never knew she needed to answer: how far is she willing to go for someone she loves? iii Table of Contents Prologue 1 Chapter 1 6 Chapter 2 21 Chapter 3 35 Chapter 4 57 Chapter 5 80 Chapter 6 92 Chapter 7 123 Chapter 8 136 Chapter 9 156 Chapter 10 165 Chapter 11 192 Chapter 12 220 Chapter 13 245 Chapter 14 260 Chapter 15 279 Chapter 16 296 Chapter 17 313 Chapter 18 333 Chapter 19 358 Chapter 20 374 Chapter 21 387 iv Chapter 22 397 Epilogue 403 v Prologue Diana Hayford remembers Autumn.
    [Show full text]
  • The Dead Heart Midnight Oil
    Musik der Welt The Dead Heart Midnight Oil Walfgang Martin Stroh Das Jahr 2000. In Sydney werden die Olympi- Ihrem Goldmedaillensieg die (verbotene) Aborigines- schen Spiele durchgeführt. Wohl zum ersten Mal Flagge gezeigt. In der Abschiedszeremonie durfte die wird die Welt mit dem Schicksal und der aktuellen australische Gruppe „Midnight Oil“ einen Song aus Situation der australischen Aborigi- ihrer 1987 veröffentlichten CD „Diesel and Dust“ nes konfrontiert. Wegen erwarteter singen. (und auch durchgeführter) Proteste der australischen Ureinwohner orga- „THE DEAD HEART“ ALS MINIMALIS- nisiert die Festspielleitung zahlreiche TISCHE ROCKMUSIK symbolische Aktionen, um den Abo- Die originale Musik von „The Dead Heart“ ist in rigines entgegenzukommen und die vieler Beziehung elementar und minimalistisch. Gut Olympischen Spiele als eine „power- 50% der Musik bedienen sich eines simplen „du- ful healing statement for Aboriginal dup, du-dup“ über einem Achtel-Ostinato (s. Abb. Australia“ (Geoff Clark, Gründer der „NB1 – Thema Moll“ auf S. ??). Cover der CD „Aboriginal and Torres Strait Islander Einzige Abwechslung in diesem minimalistischen „Diesel And Dust“ von Commission“) zu inszenieren. Die legendäre Abori- Spiel ist der gelegentliche Wechsel von Moll nach 1987 gines-Spitzensportlerin Cathy Freeman hat nicht nur Dur mit kurzer Unterbrechung des Ostinatos (s. die Olympische Fackel entzündet, sondern auch nach Abb. „NB2 – Thema Dur“ auf S. ??) 44 Musik der Welt Praxis des Musikunterrichts 136 Midnight Oil In den Videos der 2017er-Tour sieht man, dass der Die 1971 gegründete Rock-Band The Farm 1987er-Minimalismus von einem Sound gewohn- aus Sydney gab sich 1976 den Namen Mid- ter Rockmusik – durch akustische und elektrische night Oil in Anspielung auf eine Redensart Gitarren, E-Bass, Schlagzeug, Synthi und Gesang – „burning of the midnight oil“ für „Arbeiten bis abgelöst worden ist.
    [Show full text]
  • Volume 17 2016 Hard Work and Sweat
    ime kills buildings he alien’s opaque Tas much as it kills Thelmet turned people. The shattered toward me. A single windows and the pinpoint of crimson empty space felt light glowed dully crowded. Even years at its crest. So far later, it smelled of as I could tell, the Volume 17 2016 hard work and sweat. helmet was made Light came in every entirely of a matte crack and hole like black alloy. The water in a sinking armor was similarly ship, and I loved flat and nondescript, the way the light sharpened and played in the room. I angular at the joints preferred to come to the silos during the day; I but relatively light-looking, made of thin layers loved the way the place looked, almost sad and of some metal I’d already seen deflect bullets at broken and empty inside, but beautiful in all its point-blank range. Lights blinked at his elbows mysterious ways. I often thought maybe people and knees. In the smoke and dust-dimmed could be that way, too. light of the half-wrecked hallway, I could make Brandon James Poppert, out a single symbol etched into the breastplate, “Empty Building, Empty Soul” a circle bisected by a stylized shape not unlike the Nike swoosh. I considered reaching for a gun, but I knew that was pointless. I n small intervals across the kitchen table, considered trying a hand-to-hand fight, but Ihe shared the mayhem of that time spent even if that armor didn’t have strength assists, overseas, revealing sounds that echoed through it was still a combat-trained alien in a suit of the night and images of an astonishing orange super dense metal armor against unarmored, glow that burst in the sky so close that he non-combat-trained me.
    [Show full text]
  • Adventure Time, Volume 4 Free
    FREE ADVENTURE TIME, VOLUME 4 PDF Ryan North,Braden Lamb,Shelli Paroline,Pendleton Ward | 1 pages | 11 Feb 2014 | Kaboom | 9781608863518 | English | Los Angeles, CA, United States Adventure Time Vol. 4 by Ryan North Goodreads helps you keep track Volume 4 books you want to read. Want to Read saving…. Want Adventure Time Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Adventure Time Vol. Adventure Time Vol. Braden Lamb Illustrations. Shelli Paroline Goodreads Author Illustrations. The highly anticipated fourth volume Volume 4 the all-ages bestseller Adventure Time is here! After a nice battle of ice and saving princess, Finn and Volume 4 discover a series of dungeons just ready for exploring! It's a fun time with pals and Collecting the latest arc of the fan-favorite series with loads of extra materials in this beautiful hardcover edition! Get A Copy. Paperbackpages. More Details Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Adventure Time Vol. See 1 question about Adventure Time Vol. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your Volume 4 of Adventure Time Vol. Oh well, I guess it's okay, since the adventure is inside a dungeon he created!!! What time is it? Is sad Ice King backstory time!!! It breaks my heart every time it is mentioned anywhere!!! Not a big fun of the s Polynomial! Not a big fun of the story line there basically is none but the Adventure Time and the characters are rad as usual! Aug 30, Henry rated it really liked it.
    [Show full text]
  • Universidade De São Paulo Escola De Comunicações E Artes
    UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES ELENA GUERRA ALTHEMAN A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura São Paulo 2019 1 ELENA GUERRA ALTHEMAN A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura Versão Original Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais. Área de Concentração: História, Teoria e Crítica Orientadora: Profa. Dra. Cecilia Antakly de Mello São Paulo 2019 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados inseridos pelo(a) autor(a) ________________________________________________________________________________ Altheman, Elena Guerra A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura / Elena Guerra Altheman ; orientadora, Cecília Antakly de Mello. -- São Paulo, 2019. 110 p.: il. Dissertação (Mestrado) - Programa de Pós-Graduação em Meios e Processos Audiovisuais - Escola de Comunicações e Artes / Universidade de São Paulo. Bibliografia Versão original 1. Animação 2. Narrativa Complexa 3. Serialidade Sutil 4. Hora de Aventura 5. Universo Ficcional I. Mello, Cecília Antakly de II. Título. CDD 21.ed. - 791.43 ________________________________________________________________________________ Elaborado por Sarah Lorenzon Ferreira - CRB-8/6888 2 Nome: ALTHEMAN, Elena Guerra Título: A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais.
    [Show full text]
  • University of Huddersfield Repository
    University of Huddersfield Repository Crump, Simon and Stewart, Michael I You He She It - Experiments in Viewpoint Original Citation Crump, Simon and Stewart, Michael (2017) I You He She It - Experiments in Viewpoint. Grist Anthology, 2017 . University of Huddersfield Press. ISBN 978-1-86218-142-7 This version is available at http://eprints.hud.ac.uk/31523/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ I YOU HE SHE IT Published by University of Huddersfield Press University of Huddersfield Press The University of Huddersfield Queensgate Huddersfield HD1 3DH Email enquiries [email protected] First published 2017 Text © 2017 all named authors and Editor Simon Crump. This work is licensed under a Creative Commons Attribution 4.0 International License Images © as attributed Every effort has been made to locate copyright holders of materials included and to obtain permission for their publication.
    [Show full text]