Teenage Girls and Female Television Presenters: an Ethnographic Study of Girls on Representations of Women in Television

Total Page:16

File Type:pdf, Size:1020Kb

Teenage Girls and Female Television Presenters: an Ethnographic Study of Girls on Representations of Women in Television DOCTORAL THESIS Teenage Girls and Female Television Presenters: An ethnographic study of girls on representations of women in television Wayling-Yates, Amanda Award date: 2014 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 28. Sep. 2021 Teenage Girls and Female Television Presenters: An ethnographic study of girls on representations of women in television Amanda Wayling-Yates, BA Hons; MA (Middlesex 1985, Open University 2005) A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Media, Culture and Language University of Roehampton January 2014 Abstract This thesis explores the way in which teenage girls form relationships with female television presenters and how they incorporate these images into their everyday living. Furthermore, it investigates the ways in which girls are able to use collective discussion to articulate their understanding of images of women within television texts. Drawing on my ethnographic research with a group of female teenage peers, I suggest that girls use conversations about female television presenters as a way of communicating with their peers, exploring ideas of femininity and scoping out the female landscape in preparation for their own adult lives. I argue that these female presenters are representational and are used as cautionary tales and not as aspirational role models. The focus group members demonstrate that they are knowledgeable about and cognisant with the ways in which and how the media addresses women. This contradicts commonly held assumptions about teenage girls as susceptible and easily manipulated by media images, and it also reveals a complex gendered interaction with media texts. The ‘friendships’ formed with female television presenters are a way of negotiating these girls’ teenage years, and they offer an opportunity to create a roadmap for their futures, express their anxieties and reflect nostalgically on the passing of their girlhood. Through focus group sessions, and adapting Wood’s (2009) text-in-action method, I found that my transcripts of the focus group discussions could be broken down into themes. The most commonly occurring set of terms, which appear also to anchor contemporary feminist research, are choice, empowerment, sexualisation, equality, liberation and individualism. The transcripts can also be characterised through the terms ‘disparagement’, ‘affectionate disparagement’ and ‘knowingness’. This research will discuss the ways in which such terms account for young girls’ negotiation of images of women on television. I have discovered that it is easy to underestimate the ability of young girls – they are ii constantly conflicted by the media images they experience and their own sense of identity, and they work hard at negotiating through this conflict. iii Acknowledgements I would like to thank all the people who have been instrumental in supporting me in various ways which allowed me to complete this thesis. My Director of Studies, Dr Caroline Bainbridge, and supervisors Professor Heather Nunn and Dr Anita Biressi were very patient and constructive in all their advice and encouragement. Their copy and editing skills, particularly Caroline’s, were invaluable. In addition, they were able to see where I wanted to take this research and offered inspirational and sensible advice, keeping me on track and mostly rational throughout. Importantly they believed that my work was worthwhile, and their expertise has been invaluable. My work colleagues have been supportive and patiently covered for me whilst I have attended conferences and meetings – and I am therefore very grateful for their generosity. I would also like to thank all the girls who let me be part of their conversations about media images, television presenters and life. The time I have spent doing this over the past few years has been fascinating and rewarding for my understanding as a teacher and a researcher. I particularly want to thank the six teenage girls who agreed to take part in this research and whose transcripts have been endlessly illuminating and entertaining. Their insights into girlhood and the media have enriched this thesis significantly. Christopher and Gabriel Yates have offered constant encouragement from the initial stages to the final draft. Christopher in particular has acted as a sounding board, a counsellor and an editor for much of the work, and I appreciate the time and patience he applied in this respect. iv Contents Chapter 1: Ethnography and Method Questions…………………………... 1 Ethnography and cultural studies 14 Experience 16 Criteria of validity 25 The focus group profile 27 Ontology 29 Method 32 Methods of interpretation 33 Chapter 2: Women working in Television – the 1970s, 1980s and 2000s…….41 Establishing a balanced gendered landscape 47 Broadcasting legacies 57 Breakfast television 63 The feminisation and commercialisation of broadcast television 72 Women in front of the camera – television presenters 75 The influence of reality television 82 Chapter 3: Female Presenters Today …………………………………….…..96 Conceptualising the female presenter : Davina McCall 108 Fearne Cotton and Holly Willoughby 112 Television presenters and the political economy 118 Feminism, the political economy and neoliberalism 128 Chapter 4: Contemporary Girlhood …………………………………………. 135 Choice, empowerment, sexualisation, equality, liberation, 135 individualism Disparagement, affectionate disparagement and knowingness 142 Method 143 Chapter 5: Girls’ Talk…………………………………………..….………….152 Disparagement 153 Affectionate disparagement 172 Empowerment 174 Liberation/knowingness 182 Sexualisation 185 Knowingness 191 Choice 197 v Chapter 6: Conclusion…………………………………………………………202 Post-feminism 211 New femininities 221 Post-feminist debate and new femininities 230 Bibliography...…………………………………………………………………..249 Appendix ..…………………………………………………………………..259 vi Ethnography and Method Questions Chapter 1 This research, which has a long tail in terms of impetus and experience, focuses on teenage girls and their consumption of media images. I began collating background information in 2001, when I started my career as a part-time lecturer in a further education college. I completed the more formal ethnographic research more recently as a full-time lecturer, and I am still involved in observing and collecting the experiences and observing the language and conversations of teenage girls in further education. The following description provides some background to the research presented herein and illustrates what inspired me to develop my research and carry out an ethnographic study with six girls. The college where I have based my research is located in an affluent area of Surrey. To provide some background to the area, the average house price in the town is around £600,000 (average UK house price, £162,4621). The town has a Conservative District Council, a Conservative County Council and a Conservative MP, and its European Council representation is made up of four Conservative MPs, two Liberal Democrats, two UKIP MPs, one Green Party MP and one Labour Party MP. This is one of the wealthiest areas in the southeast of the UK and is largely conservative in its outlook. The town has a private estate, gated around its perimeters and guarded by security personnel manning the entrance and exits. It is widely recognised as one of the more affluent locations in the UK. Very few of the staff or students who attend the institution in which my research was carried out actually live in the town, so they commute from the surrounding area. This is largely due to the restrictive house prices and the average salaries of college lecturers and similar level professions. The student demographic varies, from students from comfortable middle-class homes in local surrounding areas to those from local areas of deprivation, as well as 1Land Registry index available at http://www.landregistry.gov.uk/public/house-prices-and-sales/search-the-index accessed January 2013. 1 students who live in Greater London. A recent Ofsted2 report describes the catchment area as having ‘significant numbers of young people and adults locally with low educational attainment’, whereas ‘[t]he local educational environment is particularly competitive, with many sixth forms in state schools and with significant private sector provision’. Very few of the students attending this college have had experience of a private education – students from the private sector do not tend to choose this local college for their further education, preferring instead one of the many sixth form colleges or independent schools in the surrounding area. A general further education (GFE) college usually attracts those students on a vocational career path, ranging across engineering, public services, hair and
Recommended publications
  • Media Nations 2019
    Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
    [Show full text]
  • Creating Dementia-Friendly Hospitals
    Welcome and introduction Alistair Burns Purpose of this event…. • 1. To hear your feedback on the National Dementia CQUIN – what works well and not so well, how we could make it better. “We know we didn‟t get every detail of the CQUIN right” • 2. To launch a new call to action, asking hospitals to commit to becoming dementia-friendly by March 2013 The event was attended by more than 220 people, including…. • People with dementia and their families • Carers • Clinicians • Representatives from acute hospitals • Representatives from community care • People who support people with dementia and who are working to improve the care of people with dementia and their families A perspective from someone with dementia Trevor Jarvis How it feels to have dementia… • I was first diagnosed with dementia following a stroke • First you learn to live with it, then you have to get your family and friends to understand • When you have dementia you lose your job, your hobbies and your ability to cope with money • You are more reliant on others. People seem to think I can‟t think for myself • You forget your keys, you can‟t get insurance • We are becoming a faceless society – you are expected to serve yourself with machines A message to people in healthcare… • Please include us as much as you can • You can‟t replace the experience and human touch that nurses and staff give to patients • Staff need to know about all forms of dementia and how it affects people • We need to go back to basics – the right people with good training, paid the right salaries • You can‟t have too much information about patients with dementia – it makes your job easier and their lives better • I have a logo, it‟s a CAR – Care, Assist and Respect • If I‟d known what was coming I‟d have done more – Adventure before Dementia.
    [Show full text]
  • I INFORMING a DISTRACTED AUDIENCE: NEWS NARRATIVES
    INFORMING A DISTRACTED AUDIENCE: NEWS NARRATIVES IN BREAKFAST TELEVISION Emma Copeman Submitted in fulfilment of the degree of Bachelor of Arts (MECO), Honours Department of Media and Communications October, 2007 i Abstract This thesis takes its lead from Baym‟s (2004) suggestion that incorporation of entertainment techniques into television news undermines its authority and credibility. To explore this question, textual analysis was conducted on the news bulletins of Australian breakfast television programs Sunrise and Today with regard to narrative features and the spread of traditional news conventions compared to entertainment techniques. This analysis was followed by a discussion of the dominant meanings produced by the news narratives of Sunrise and Today. The two programs employed similar narrative styles that largely adhered to traditional news conventions, positioning themselves as impartial and authoritative relayers of news. However, narratives of both programs also diverged from traditional news: both used entertainment conventions – with Today often abandoning the traditional Inverted Pyramid news story structure for new structures – and contained briefer stories, with references to the opinions and personal experiences of the item presenters. In some breakfast news items, the short and sometimes personal narrative structure diminished the construction of impartiality. While entertainment techniques represented a potential threat to the overall authority of the news, in this analysis, the threat was mitigated by the dominance of traditional news conventions and authority was retained. In summary, departures from traditional news narrative structure and delivery are evident in Australian breakfast television, and may partly decrease its news authority and impartiality. However, the ability of these programs to retain distracted breakfast audiences may depend on the brief, entertaining and sometimes personal nature of the news items.
    [Show full text]
  • Thin Blue Lines: Product Placement and the Drama of Pregnancy Testing in British Cinema and Television
    BJHS 50(3): 495–520, September 2017. © British Society for the History of Science 2017. This is an Open Access article, distributed under the terms of the Creative Commons Attribution licence (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted re-use, distribution, and reproduction in any medium, provided the original work is properly cited. doi:10.1017/S0007087417000619 Thin blue lines: product placement and the drama of pregnancy testing in British cinema and television JESSE OLSZYNKO-GRYN* Abstract. This article uses the case of pregnancy testing in Britain to investigate the process whereby new and often controversial reproductive technologies are made visible and normal- ized in mainstream entertainment media. It shows how in the 1980s and 1990s the then nascent product placement industry was instrumental in embedding pregnancy testing in British cinema and television’s dramatic productions. In this period, the pregnancy-test close- up became a conventional trope and the thin blue lines associated with Unilever’s Clearblue rose to prominence in mainstream consumer culture. This article investigates the aestheticiza- tion of pregnancy testing and shows how increasingly visible public concerns about ‘schoolgirl mums’, abortion and the biological clock, dramatized on the big and small screen, propelled the commercial rise of Clearblue. It argues that the Clearblue close-up ambiguously concealed as much as it revealed; abstraction, ambiguity and flexibility were its keys to success. Unilever first marketed the leading Clearblue brand of home pregnancy test in the mid- 1980s. Since then home pregnancy tests have become a ubiquitous and highly familiar reproductive technology and diagnostic tool.
    [Show full text]
  • Special Issue
    ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018.
    [Show full text]
  • The Management of Accusations of Racism in Celebrity Big Brother
    The Management of Accusations of Racism in Celebrity Big Brother Damien W. Riggs School of Social Work Flinders University GPO Box 2100 Adelaide South Australia 5001 [email protected] Clemence Due School of Psychology The University of Adelaide South Australia 5001 [email protected] Keywords: accusations of racism, race privilege, celebrity big brother Abstract The 2007 UK series of Celebrity Big Brother drew considerable attention to Britain as a result of the alleged racist bullying of Bollywood film star Shilpa Shetty by four British celebrity housemates. At stake in these allegations was any perception that Britain as a country promotes inclusivity and discourages racism. In this paper we examine, through an analysis of the exit interviews conducted with the four housemates in question, how accusations of racism were made by the host of Big Brother, and how racism was almost made to disappear in the interviews. Specifically, we elaborate how racism was constructed not simply as an individual aberration, but more precisely as a matter of perception. We then explore how the host of the interviws avoided making accusations of racism herself by implying that it was others who perceived the behaviours of the housemates as racist, and by using other words (such as ‘bullying’) rather than explicitly referring to racism. We conclude by outlining the implications of our findings for future discursive research on racism, and we emphasise the need to further explore how rhetorical strategies aimed at denying racism operate in the service of shoring up privileged identities. This is an Author's Accepted Manuscript of an article published in Discourse and Society, 21, 257-271.
    [Show full text]
  • Radio 4 Listings for 12 – 18 January 2013 Page
    Radio 4 Listings for 12 – 18 January 2013 Page 1 of 16 SATURDAY 12 JANUARY 2013 Grade 2 listed buildings but some have been destroyed by fire Dublin and others virtually abandoned by owners who can't afford the SAT 00:00 Midnight News (b01pp62f) development work. He helps assess one of the buildings with When the writer Joseph O'Connor was a child, his mother The latest national and international news from BBC Radio 4. experts from English Heritage who want to produce a database would take him for walks around their Dublin neighbourhood, Followed by Weather. on the state of Grade 2 listed buildings. and point out where James Joyce and John Synge had lived and Jules also explores nearby Middleton Hall which was so worked. neglected it was used as a motorbike track. Volunteers set up a SAT 00:30 Book of the Week (b01px4q3) trust and have spent 35 years bringing it back into use. "I grew up in Dun Laoghaire, a coastal town 8 miles south of The Examined Life However, they say their work is still not done. Dublin city where there was a pier and a waterfront, and the nightly entertainment in the summer when you were a teenager Episode 5 Produced by Anne-Marie Bullock. was to walk down the pier and look at the boats and the ferries leaving for London and wonder to yourself would you go to The world bedevils us. To make sense of it, we tell ourselves Manchester or Coventry. There was no notion that you'd stay in stories.
    [Show full text]
  • Adjudication of Ofcom Content Sanctions Committee
    Ofcom Content Sanctions Committee Consideration of sanction against Channel Four Television Corporation in respect of its service Channel 4. 1 For Breaches of the Ofcom Broadcasting Code: • Rule 2.3 – Broadcasters must when applying generally accepted standards ensure that material which may cause offence is justified by the context; and • Rule 1.3 – Children must also be protected by appropriate scheduling from unsuitable material. On 15, 17, 18, 19 January 2007 Decision To direct Channel Four (and S4C) to broadcast a statement of Ofcom’s findings in a form determined by Ofcom immediately before the start of the broadcast of the first programme of the eighth series of Big Brother on Channel 4; immediately before the start of the broadcast of the first re- versioned programme of the eighth series of Big Brother on Channel 4; and immediately before the start of the broadcast of the programme in which the first eviction from the eighth series of Big Brother occurs on Channel 4. 1 This sanction also applies to Sianel Pedwar Cymru (“S4C”) which transmits Channel 4’s (Celebrity) Big Brother series on its service. 1 Contents Section Page 1 Summary 3 2 Background 6 3 Legal Framework 8 4 Issues raised with Channel Four and Channel Four’s Response 12 5 Ofcom’s Adjudication: Introduction 36 6 Not In Breach 42 7 Resolved 55 8 In Breach 57 9 Sanctions Decision 66 2 1 Summary 1.1 On the basis detailed in the Decision, under powers delegated from the Ofcom Board to Ofcom’s Content Sanctions Committee (“the Committee”), the Committee has decided to impose a statutory sanction on Channel Four (and S4C) in light of the serious nature of the failure by Channel Four to ensure compliance with Ofcom’s Broadcasting Code.
    [Show full text]
  • News in Brief... MUSIC WEEK NOVEMBER 17, 1979 Hallam
    MUSIC WEEK NOVEMBER 17, 1979 News in Hallam boosts a cr. brief... 5S ' ...1 t DAN DAMON — currently a studio facilities 'A presenter for BBC Wales — will m become programme controller of <r ft-" Cardiff Broadcasting, the successful franchise applicant for the Cardiff with mobile rev 1LR franchise. In Damon the company has acquired not only LATEST ADDITION 10 Radio Hallam's studio facilities will be a mi someone who understands the custom built £70.000 mobile recording unit. The vehicle, designed by unique needs of a Welsh radio chief engineer Derrick Connolly and senior engineer Michael Adams station, but also a personality who is is to be fitted out by Hallam staff and is expected to be in service by already well known to the Cardiff April, 1980. audience. Describing the mobile Connolly says: "The unit will be 32 feel long, TaieBt THE LINE-UP for The Year of the built on a Bedford chassis and Child Concert being jointly staged incorporating a control room, tape by Radio One, BBC-1 and Mel Bush machine area and storage winners LAST THURSDA Y Radio on November 22 at Wembley Arena compartment. THE SEARCH for the best new Luxembourg once again donated Piersoo for will include Cat Stevens, David rock band in (he Radio Hallam an evening's broadcasting to Music Essex, Gary Numan, Sky and "It wil be used for live music transmission area ended with a win Therapy in the form of a Telethon. Wishbone Ash. recording and as a mobile control for the Grace Pool Five from Contributions from artists include ieaeOT Mil® room for both major news events Barlhfroiigh, who received £100 and B.
    [Show full text]
  • Danielle Lloyd Forced to Defend 'Intense' Cosmetic Treatment | Daily Mail Online
    Danielle Lloyd forced to defend 'intense' cosmetic treatment | Daily Mail Online Cookie Policy Feedback Like 3.9M Follow DailyMail Thursday, May 5th 2016 10AM 14°C 1PM 17°C 5-Day Forecast Home News U.S. Sport TV&Showbiz Australia Femail Health Science Money Video Travel Fashion Finder Latest Headlines TV&Showbiz U.S. Showbiz Headlines Arts Pictures Showbiz Boards Login 'It's not actually lipo': Danielle Lloyd forced Site Web to defend 'intense' cosmetic treatment after Like Follow Daily Mail Celeb @DailyMailCeleb bragging about getting her body summer- Follow ready Daily Mail Celeb By BECKY FREETH FOR MAILONLINE +1 Daily Mail Celeb PUBLISHED: 16:41, 20 January 2015 | UPDATED: 18:12, 20 January 2015 34 89 DON'T MISS shares View comments 'Ahh to be a Size 6 again': Gogglebox star Danielle Lloyd's Instagram followers voiced their concern on Tuesday, when the slender starlet posted Scarlett Moffatt shares a picture of her receiving what she said was intense 'lipo treatment'. a throwback of 'a very skinny minnie me' after Users who thought she was having the cosmetic procedure 'liposuction' - which removes body fat - vowing to overhaul her were quickly corrected by the glamour model in her defence. lifestyle The 31-year-old, who claimed she was 'getting ready for summer' in the initial Instagram snap, insisted it was a skin-tightening procedure known as a 'radio frequency treatment'. Chrissy Teigen reveals her incredible Scroll down for video post-baby body as she cuddles little Luna in sweet photos shared by her mother Relishing motherhood
    [Show full text]
  • Summary BBC Trained Journalist Accomplished Copywriter PR
    Summary ▪ BBC trained journalist ▪ Accomplished copywriter ▪ PR consultant for over 10 years ▪ Highly organised, proactive, diligent, creative and accountable professional ▪ Sociable and motivational leader, mentor and team member ▪ Adaptable and flexible, able to work with a variety of sectors and clients ▪ French speaker, some Italian I trained as a Broadcast Journalist with the BBC and worked on BBC Breakfast News, Breakfast with Frost and Watchdog. This experience gave me a good eye for a news story, the ability to research and interview and to write clear, concise copy. I have experience of writing a variety of literature, for both corporate and consumer projects and for a wide range of different audiences. I am used to seeing a copywriting project through from initial stages of research and interview, to writing and editing, liaising with designers to choose and place graphics or animation, and with printers to bring the project in under budget and to a high quality. I work quickly and accurately, and can turn my hand to anything from a manifesto on eco-paper manufacturing to a company annual report, copy for a new website or a product brochure for the beauty industry. Employment History (2007-present) Edelman, Copywriter Brand research and positioning strategy for Dove global projects – focus on messaging for women Blue Rubicon, Copywriter Investigation for and writing of strategy document for personal injury lawyer client Lawson Dodd, Copywriter Researching and writing half-yearly investment report for Barclays Private Equity Grayling PR, Copywriter Project manager and copywriter for new global, rebranded Grayling PR website following company merger with Trimedia and MmD.
    [Show full text]
  • The Dynamics of Race, Class and Gender in the UK Big Brother Jade-Shilpa Row
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Goldsmiths Research Online !∀ # ∃ %& ∋ ∋ ( )∗ + # , ∀ −./. !∀ # ∃ %& ∋ ∋ ( )∗ 0 ( 1 2 ∀ # ,3 ∀ ∗∀44 ∗ 45/.64 # ∗∗ , # 3 # 7 8 ∗ 3 ∗ ∗∗ + # ∗ ∃ ∗ ∃ ∗∗ ∃ 3 %& ∗ ∗ ∃ # ∗∗ , # ∗ 3 ∗∗ ∗ # ∗ ∃ ∗ ∃ ∃ 9 ∗ # : ; ∗ ∃# # 3 ∗3 ∗ ∃ ∗ 4 ∗∀44 ∗ ) # 9 # ∀ 3) ∗ < Language, Power and Reality TV: the dynamics of race, class and gender in the UK Big Brother Jade-Shilpa row Rosalyn George, Goldsmiths, University of London, [email protected] Heather Mendick, Goldsmiths, University of London, [email protected] Abstract: Reality TV is often presented as an unproblematic social phenomenon which is consumed and digested by an unthinking and unsophisticated general public. We, however, argue that Reality TV is both a pervasive and important cultural form, and as such it is vital that researchers and teachers engage with it. We return to the controversial UK Big Brother 2007 arguments involving Jade Goody and Shilpa Shetty. We explore how the dynamics of class, gender and race played out in this case. Using this example, we look at how celebrity culture, ideas of truth and dominant discourses of White working-class culture position both the housemates and their audiences. We further argue that the coverage of the event foreclosed any discussions of White middle-class racism by drawing on discourses that denigrate the White working-class. In this paper we argue that Reality TV is an important social phenomenon as evidenced by the amount of controversy and debate that this genre generates. It is also a site of pleasure for both of us writing this paper and provides us with an intermingling of emotional pleasure and academic challenge.
    [Show full text]