Graham Greene and Cinema Timeline
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{FREE} the Confidential Agent: an Entertainment
THE CONFIDENTIAL AGENT: AN ENTERTAINMENT PDF, EPUB, EBOOK Graham Greene | 272 pages | 22 Jan 2002 | Vintage Publishing | 9780099286196 | English | London, United Kingdom The Confidential Agent: An Entertainment PDF Book Graham Greene. View all 3 comments. I am going to follow this up with The Heart of the Matter. Neil Forbes Holmes Herbert This edition published in by Viking Press in New York. This wistful romance is one of Greene's other masterstrokes of plotting; he is refreshingly unabashed about any pig-headed question of decency and he lets this romance flow in seamlessly and incidentally into the narrative to lend it a real heart of throbbing passion. Shipping to: Worldwide. Buy this book Better World Books. Seller information worldofbooksusa Not in Library. Clear your history. The confidential agent: an entertainment , The Viking Press. In a small continental country civil war is raging. It has a fast-moving plot, reversals of fortune, and plenty of action. It is not exactly foiling a diabolical conspiracy perpetuated by a grand, preening super-villain or sneaking behind enemy lines. Looking for a movie the entire family can enjoy? The Power And The Glory was a deliberate exercise in exploring religion and morality, and Greene did not expect it to sell very well. Edit Did You Know? Well, it is. So, despite a promising start and interesting plot, the story itself loses grip on a number of occasions because there is little chemistry, or tension, between the characters - not between D. So he writes this book in the mornings, then writes the "serious" novel in the afternoons; whilst helping dig trenches on London's commons with the war looming. -
Pax Ecclesia: Globalization and Catholic Literary Modernism
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2011 Pax Ecclesia: Globalization and Catholic Literary Modernism Christopher Wachal Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Literature in English, North America Commons Recommended Citation Wachal, Christopher, "Pax Ecclesia: Globalization and Catholic Literary Modernism" (2011). Dissertations. 181. https://ecommons.luc.edu/luc_diss/181 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2011 Christopher Wachal LOYOLA UNIVERSITY CHICAGO PAX ECCLESIA: GLOBALIZATION AND CATHOLIC LITERARY MODERNISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN ENGLISH BY CHRISTOPHER B. WACHAL CHICAGO, IL MAY 2011 Copyright by Christopher B. Wachal, 2011 All rights reserved. ACKNOWLEDGMENTS Nothing big worth undertaking is undertaken alone. It would certainly be dishonest for me to claim that the intellectual journey of which this text is the fruition has been propelled forward solely by my own energy and momentum. There have been many who have contributed to its completion – too many, perhaps, to be done justice in so short a space as this. Nonetheless, I would like to extend my sincere thanks to some of those whose assistance I most appreciate. My dissertation director, Fr. Mark Bosco, has been both a guide and an inspiration throughout my time at Loyola University Chicago. -
Graham Greene Exhibition Catalogue
The Cherry Record Collection of Josephine Reid’s Papers and Books Relating to Our thanks to the following donors who made the acquisition possible: Paul Almond (1949) GRAHAM GREENE Professor John Stephenson (1953) Professor John-Christopher Spender (1957) Roger Jefferies (1957) Paul Lewis (1958) Peter Buckman (1959) Matthew Nimetz (1960) Doug Rosenthal (1961) Alan James (1962) Stephen Crew (1964) Jim Rogers (1964) Emeritus Professor Paul Crittenden (1965) Alan Heeks (1966) Geoff Wright (1967) Neil Record (1972) Julie Record Richard Jones (1977) Mark Storey (1981) Danny Truell (1982) Alison Roberts (1984) Claire Foster-Gilbert (1984) Virginia Preston (1985) Richard Locke (1985) Jonathan Lewin (1992) Adam Dixon (1994) Sarah Longair (1998) Jo Valentine (2001) Jeff Kulkarni (2001) Sean McDaniel (2002) Alice McDaniel (2003) Blackwell Charitable Trust Friends of the National Libraries ISBN 978-1-78280-500-7 An exhibition held at BALLIOL COLLEGE HISTORIC COLLECTIONS CENTRE 9 781782 805007 > ST CROSS CHURCH, ST CROSS ROAD, OXFORD 25 & 26 April 2015 EXHIBITION AND CATALOGUE BY Naomi Tiley Librarian, Balliol College Anna Sander Archivist, Balliol College FOREWORD BY Sir Anthony Kenny Master of Balliol College 1978–1989 Seamus Perry COVER ILLUSTRATIONS: Fellow Librarian, Balliol College Studio portrait of Josephine Reid taken in the late 1940s or early Neil Record 1950s. Photographer unknown. Balliol 1972 Handwriting © Josephine Reid’s Estate Details from postcards from Graham Greene to Josephine Reid © Verdant SA. The organisers are indebted to -
'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p. -
Parodying the Politics of Knowledge
Authors of Truth Writers, Liars, and Spies in Our Man In Havana Jacob Carroll “It takes two to keep something real” - Mr. Wormold in Graham Greene’s Our Man In Havana, 103 - Graham Greene’s celebrated parody of the spy-genre Our Man In Havana opens with a comparison between two characters that are completely unknown to the reader: “‘That nigger1 going down the street,’ said Dr. Hasselbacher standing in the Wonder Bar ‘he reminds me of you, Mr. Wormold’” (7). At first, the reader has no way of evaluating the truthfulness of the similarities Dr. Hasselbacher supposedly sees between Mr. Wormold and the “nigger”: these are two characters that have not yet been described except by the comparison in question. Dr. Hasselbacher’s words assert themselves in the mind of the reader as a statement that – however disorienting it may be as an introduction – cannot be immediately disproved or denied. The accuracy of Dr. Hasselbacher’s comparison is first called into question when the two characters are described in more detail by the narrator: the “nigger” is revealed to be a blind beggar with a limp, while Wormold is revealed to be the clean-cut owner of a Havana vacuum-cleaner shop. However, as the novel’s opening speaker, Dr. Hasselbacher initially details for the reader what the reader cannot perceive otherwise; he offers the only representation of Wormold and the “nigger” available at that juncture. The reader cannot evaluate Dr. Hasselbacher’s comparison as either true or false without first accepting it as a possible representation of both Wormold and the “nigger.” Because the comparison cannot be immediately disproved, it becomes a foil that will re-surface again and again as a potentially true description of these characters’ real natures and qualities. -
Andrew Martin Is an Author, Journalist and Broadcaster. His Previous Books with Profile Are Underground, Overground and Belles and Whistles
ANDREW MARTIN is an author, journalist and broadcaster. His previous books with Profile are Underground, Overground and Belles and Whistles. He has written for the Guardian, Evening Standard, Independent on Sunday, Daily Telegraph and New Statesman, amongst many others. His ‘Jim Stringer’ series of novels based around railways is published by Faber. His latest novel, Soot, is set in late eighteenth-century York. Praise for Night Trains ‘You do not have to be a trainspotter to enjoy this book. It is social history, a kind of epitaph to a way of travel that seems to be lost, at least in Europe.’ Spectator ‘A delightful book … charmingly combines Martin’s own travels, as he recreates journeys on famous trains such as the Orient Express, with a serious, occasionally geeky, history of those elegant wagons lits of the past … Even if you’re not into the detail of rail gauges, this book is the perfect companion as you wait for the 8.10 from Hove.’ Observer ‘Excellent … Mr Martin paints a vivid picture of this world on rails … he proves a witty companion who wears his knowledge lightly’ Country Life ‘Andrew Martin has cornered the train market. He is the Bard of the Buffer, the Balladeer of the Blue Train, the Laureate of Lost Property … I picked up Night Trains knowing that I would be entertained, but also in the hope that his many years of experience would teach me how to sleep on a sleeper … Andrew Martin is the best sort of travel writer: inquisitive, knowledgeable, lively, congenial. He is also very funny, while never letting the humour drive reality, rather than vice versa. -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
Introduction
Notes INTRODUCTION 1. Graham Greene (ed.), The Old School (London: Jonathan Cape, 1934) 7-8. (Hereafter OS.) 2. Ibid., 105, 17. 3. Graham Greene, A Sort of Life (London: Bodley Head, 1971) 72. (Hereafter SL.) 4. OS, 256. 5. George Orwell, The Road to Wigan Pier (London: Gollancz, 1937) 171. 6. OS, 8. 7. Barbara Greene, Too Late to Turn Back (London: Settle and Bendall, 1981) ix. 8. Graham Greene, Collected Essays (London: Bodley Head, 1969) 14. (Hereafter CE.) 9. Graham Greene, The Lawless Roads (London: Longmans, Green, 1939) 10. (Hereafter LR.) 10. Marie-Franc;oise Allain, The Other Man (London: Bodley Head, 1983) 25. (Hereafter OM). 11. SL, 46. 12. Ibid., 19, 18. 13. Michael Tracey, A Variety of Lives (London: Bodley Head, 1983) 4-7. 14. Peter Quennell, The Marble Foot (London: Collins, 1976) 15. 15. Claud Cockburn, Claud Cockburn Sums Up (London: Quartet, 1981) 19-21. 16. Ibid. 17. LR, 12. 18. Graham Greene, Ways of Escape (Toronto: Lester and Orpen Dennys, 1980) 62. (Hereafter WE.) 19. Graham Greene, Journey Without Maps (London: Heinemann, 1962) 11. (Hereafter JWM). 20. Christopher Isherwood, Foreword, in Edward Upward, The Railway Accident and Other Stories (Harmondsworth: Penguin, 1972) 34. 21. Virginia Woolf, 'The Leaning Tower', in The Moment and Other Essays (NY: Harcourt Brace Jovanovich, 1974) 128-54. 22. JWM, 4-10. 23. Cockburn, 21. 24. Ibid. 25. WE, 32. 26. Graham Greene, 'Analysis of a Journey', Spectator (September 27, 1935) 460. 27. Samuel Hynes, The Auden Generation (New York: Viking, 1977) 228. 28. ]WM, 87, 92. 29. Ibid., 272, 288, 278. -
Graham Greene and the Idea of Childhood
GRAHAM GREENE AND THE IDEA OF CHILDHOOD APPROVED: Major Professor /?. /V?. Minor Professor g.>. Director of the Department of English D ean of the Graduate School GRAHAM GREENE AND THE IDEA OF CHILDHOOD THESIS Presented, to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Martha Frances Bell, B. A. Denton, Texas June, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. FROM ROMANCE TO REALISM 12 III. FROM INNOCENCE TO EXPERIENCE 32 IV. FROM BOREDOM TO TERROR 47 V, FROM MELODRAMA TO TRAGEDY 54 VI. FROM SENTIMENT TO SUICIDE 73 VII. FROM SYMPATHY TO SAINTHOOD 97 VIII. CONCLUSION: FROM ORIGINAL SIN TO SALVATION 115 BIBLIOGRAPHY 121 ill CHAPTER I INTRODUCTION A .narked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression its his con- cern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betray- al, pursuit, and failure, may be seen to have their roots in general types of experience 'which Green® evidently believes to be common to all children, Disappointments, in the form of "something hoped for not happening, something promised not fulfilled, something exciting turning • dull," * ar>d the forced recognition of the enormous gap between the ideal and the actual mark the transition from childhood to maturity for Greene, who has attempted to indicate in his fiction that great harm may be done by aclults who refuse to acknowledge that gap. -
Peter Hulme Graham Greene and Cuba
PETER HULME GRAHAM GREENE AND CUBA: OUR MAN IN HAVANA? Graham Greene’s novel Our Man in Havana was published on October 6, 1958. Seven days later Greene arrived in Havana with Carol Reed to arrange for the filming of the script of the novel, on which they had both been work- ing. Meanwhile, after his defeat of the summer offensive mounted by the Cuban dictator, Fulgencio Batista, in the mountains of eastern Cuba, just south of Bayamo, Fidel Castro had recently taken the military initiative: the day after Greene and Reed’s arrival on the island, Che Guevara reached Las Villas, moving westwards towards Havana. Six weeks later, on January 1, 1959, after Batista had fled the island, Castro and his Cuban Revolution took power. In April 1959 Greene and Reed were back in Havana with a film crew to film Our Man in Havana. The film was released in January 1960. A note at the beginning of the film says that it is “set before the recent revolution.” In terms of timing, Our Man in Havana could therefore hardly be more closely associated with the triumph of the Cuban Revolution. But is that association merely accidental, or does it involve any deeper implications? On the fifti- eth anniversary of novel, film, and Revolution, that seems a question worth investigating, not with a view to turning Our Man in Havana into a serious political novel, but rather to exploring the complexities of the genre of com- edy thriller and to bringing back into view some of the local contexts which might be less visible now than they were when the novel was published and the film released. -
Graham Greene's Work in the Time of the Cold
Jihočeská univerzita v Českých Budějovicích Pedagogická fakulta Katedra anglistiky Bakalářská práce Graham Greene’s Work in the Time of the Cold War Vypracoval: František Linduška Vedoucí práce: PhDr. Alice Sukdolová, Ph.D. České Budějovice 2017 Prohlášení Prohlašuji, že svoji bakalářskou práci jsem vypracoval samostatně pouze s použitím pramenů a literatury uvedených v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své bakalářské práce, a to v nezkrácené podobě – v úpravě vzniklé vypuštěním vyznačených částí archivovaných pedagogickou fakultou elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. 11.7.2017 Podpis Poděkování Tímto bych chtěl poděkovat vedoucí této bakalářské práce PhDr. Alici Sukdolové, Ph.D. za odborné vedení, za pomoc a rady při zpracování všech údajů a v neposlední řadě i za trpělivost a ochotu, kterou mi v průběhu psaní této práce věnovala. Abstrakt Tato práce zkoumá vliv politického prostředí na tvorbu anglického prozaika Grahama Greena ve druhé polovině jeho tvůrčího života. Zaměří se na proměnu stylu psaní autora, psychologický a morální vývoj charakterů hlavních hrdinů a na celkovou charakteristiku Greenovy poetiky. -
The Mystery of Evil in Five Works by Graham Greene
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 The Mystery of Evil in Five Works by Graham Greene Stephen D. Arata College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Arata, Stephen D., "The Mystery of Evil in Five Works by Graham Greene" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625259. https://dx.doi.org/doi:10.21220/s2-6j1s-0j28 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Mystery of Evil // in Five Works by Graham Greene A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Stephen D. Arata 1984 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree Master of Arts /;. WiaCe- Author Approved, September 1984 ABSTRACT Graham Greene's works in the 1930s reveal his obsession with the nature and source of evil in the world. The world for Greene is a sad and frightening place, where betrayal, injustice, and cruelty are the norm. His books of the 1930s, culminating in Brighton Rock (1938), are all, on some level, attempts to explain why this is so.