DOCSLIB.ORG

Information to Users

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Information to Users INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. T he C onceptio n O f A C ountry R esidence : Shelburne H ouse, 1887-1900 by Erica Huyler Donnis A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Early American Culture Spring 1998 Copyright 1998 Erica Huyler Donnis All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI N um ber: 1389578 Copyright 1998 by Donnis, Erica Huyler All rights reserved. UMI Microform 1389578 Copyright 1998, by UMI Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. UMI 300 North Zeeb Road Ann Arbor, MI 48103 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. T he C o nceptio n O f A C ountry R esid e n c e : Sh elburn e H ouse, 1887-1900 by Erica Huyler Donnis Approved:C t s l j d c — __________________________________________ Neville Thompson, M.S. ^ Librarian In Charge, Printed Book & Periodical Collection, Winterthur Library Professor in charge of thesis on behalf of the Advisory Committee Approved: d. Curtis, Ph.D. r of the Winterthur Program in Early American Culture Approved: JohnCVCavanaugh, Ph.D. Vice(provost for Academic Program!! and Planning Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A cknowledgments My gratitude extends to many individuals who greatly facilitated my project by providing intellectual support, allowing me access to sources under their jurisdiction, and otherwise entertaining my needs. At Winterthur, my advisor Neville Thompson was available at my convenience for constant guidance and thoughtful criticism. Gretchen Buggeln encouraged my fledgling ideas. Lois F. McNeil’s generous financial sponsorship of myself and my classmates in the Winterthur Program is deeply appreciated. I am especially indebted to Julie Bressor, Historical Collections Consultant at Shelburne Farms, for her continuous enthusiasm and contributions to the project. Indeed, Julie generously shared both her knowledge of the subject and her physical office space with me, pointed me in numerous right directions, spent countless hours discussing the project with me, facilitated endless illustration details, and read drafts of the document. Also at Shelburne Farms, Megan Camp and Alec Webb generously provided me with unlimited access to the grounds and buildings, covered some of my costs, and waived their photographic reproductions fees. James Watson Webb, Jr. graciously allowed me to view his private collection of Shelburne Farms photographs, and Rick Peters facilitated access to them. I would also like to personally thank Katie Camp, Carol Euler, Jane Gross, Karen Polihronakis, and Hiliary Sunderland at Shelburne Farms for their interest and help. iii Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. At the Shelburne Museum, Jean Burks, Polly Darnell, Sloane Stephens, and Robyn Woodworth spent a great amount of time discussing the project with me and fulfilled numerous requests. In addition, Mary-Beth Betts at the New-York Historical Society, Paul Eriksson, Robert Groleau, Jane Hackmann at Blantyre, Hal Keiner at Biltmore, and Paul O’Halloran each facilitated and contributed to my research. Finally, I am grateful to a number o f personal friends and relatives for their constant support. My classmates in the Winterthur Program were always available to listen and commiserate. Jill Berry served as my personal sounding-board, thesaurus, scanner, chauffeur, and editor throughout the project. And my parents, Susan and Robert Donnis, put up with my divided attention, gave me a place to live during the course of my research in Vermont, and provided me with the confidence that I could complete the task in the first place. IV Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Table of C ontents List of Figures ........................................................................................................ vi A bstract ................................................................................................................... viii Introduction .......................................................................................................... 1 Chapter 1 Social Context ................................................................................................ 3 2 Shelburne Fa r m s ............................................................................................ 8 3 Country House Evolution ........................................................................ 20 4 Country House Resolution ....................................................................... 31 5 The South Piazza ............................................................................................ 41 6 The D ining Ro o m ............................................................................................. 46 Epilogue ...................................................................................................................... 53 End notes ..................................................................................................................... 58 Bibliography .............................................................................................................. 81 Figures .......................................................................................................................... 97 V Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. L ist of Figures Figure 1. William Seward Webb, ca. 1890 ........................................................ 97 Figure 2. Lila Vanderbilt Webb in wedding attire, 1881 ................................. 98 Figure 3. “Small Drawing Room, Levens, Westmoreland”.............................. 99 Figure 4. Shelburne House exterior, ca. 1900.................................................. 100 Figure 5. Aerial view of Shelburne Farms, ca. 1920........................................ 101 Figure 6. Shelburne Farms Farm Bam, ca. 1900............................................ 102 Figure 7. Shelburne House exterior, ca. 1887-1899 ......................................... 103 Figure 8. Shelburne House first floor plan, ca. 1887-1895 ................................ 104 Figures 9 and 10. South Piazza, Shelburne House, ca. 1886-1895 .................. 105 Figure 11. West elevation, “Residence for Dr. W. Seward Webb/ Shelburne Vt,” ca. 1887-1893 .................................................... 106 Figure 12. First floor plan, “Residence for Dr. W. Seward Webb/ Shelburne, Vt,” ca. 1887-1893.................................................. 107 Figure 13. Shelburne House floor plan, ca. 1986-present............................... 108 Figure 14. Main Hall, Shelburne House, ca. 1900.......................................... 109 Figure 15. Library, Shelburne House, ca. 1900.............................................. 110 Figure 16. South Piazza, Shelburne House, ca. 1900..................................... I ll Figure 17. Dining Room, Shelburne House, ca. 1900..................................... 112 vi Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Figure 18. North Room, Shelburne House, ca. 1900......................................... 113 Figure 19. South Piazza with glass windows, Shelburne House, ca. 1900 ....................................................................................... 114 Figure 20. Lila Webb reading on South Piazza, Shelburne House, ca. 1888-1900 ............................................................................ 115 Figure 21. Dining
Load more

Recommended publications
  • Begin Video Clip
    C-SPAN FIRST LADIES/JACQUELINE KENNEDY May 09, 2014 9:56 a.m. ET (BEGIN VIDEO CLIP) JACQUELINE KENNEDY: And I think every first lady should do something in this position to help the things she cares about. I just think that everything in the White House should be the best -- the entertainment that's given here. The art of children is the same the world over. And so, of course, is our feeling for children. I think it is good in a world where there's quite enough to divide people, that we should cherish the language and emotion that unite us all. (END VIDEO CLIP) SUSAN SWAIN: Jacqueline Kennedy's 1,000 days as first lady were defined by images -- political spouse, young mother, fashion icon, advocate for the arts. As television came of age, it was ultimately the tragic images of President Kennedy's assassination and funeral that cemented Jacqueline Kennedy in the public consciousness. Good evening and welcome to C-SPAN's series "First Ladies: Influence and Image.” Tonight, we'll tell you the story of the wife of the 35th president of the United States, named Jacqueline Bouvier Kennedy. And we have two guests at the table for the next two hours to tell you more about her life story. Michael Beschloss, presidential historian, author of many books on the presidency, and has a special focus over the years on the Cold War era and the Kennedy administration. Thanks for being here. MICHAEL BESCHLOSS: Pleasure. SWAIN: Barbara Perry is a UVA political scientist and as part of the "Modern First Ladies" series at the University of Kansas has written a Jacqueline Kennedy biography.
    [Show full text]
  • Newport Experience Table of Contents
    BTSQ Secluded Destinations Newport Experience Table of Contents Newport, Rhode Island Local Sightseeing (4 hours)..........................................................1 Newport, Rhode Island Local Sightseeing (6 hours)..........................................................3 Newport, RI Mansions, Landscape, Gardens Day Trip from Boston..................................5 Newport, RI Mansions, Landscape, Gardens Day Trip from Boston - Helicopter ..............8 Newport, RI Mansions, Landscape, Gardens Day Trip from Boston - Private Jet............11 Newport, RI Mansions, Landscape, Gardens Day Trip from NYC - Helicopter.................14 Newport, RI Mansions, Landscape, Gardens Day Trip from NYC - Private Jet................17 Newport Hotel Recommendations....................................................................................20 Newport, Rhode Island Sightseeing Program Duration: 4 hours with a Tour Guide Experience: . Newport, Rhode Island is an extraordinary destination! On this tour, you will see and hear about what Thornton Wilder referred to as, “the 9 lives of the city by the sea”! Filled with natural beauty, history, and spectacular architecture, this stop will not disappoint. Start with your day with a drive through the older part of town. For over 100 years, Newport thrived as a British Colony. It’s a great story, and you will see some interesting architecture from that era. From there, head out to experience Newport’s incredible views on the famous Ocean Drive. There is no shortage of things to see and talk about in Newport. Eventually Ocean Drive turns into Bellevue Avenue, where most of the gilded age mansions are located. With your tour guide, you will drive past and discuss many of them, then stop and tour the Breakers, which was once the summer home of Alice and Cornelius Vanderbilt II. The Breakers is the grandest of Newport’s “cottages” and a symbol of the Vanderbilt family’s wealth at the turn of century in America.
    [Show full text]
  • RETROSPECTIVE BOOK REVIEWS by Esley Hamilton, NAOP Board Trustee
    Field Notes - Spring 2016 Issue RETROSPECTIVE BOOK REVIEWS By Esley Hamilton, NAOP Board Trustee We have been reviewing new books about the Olmsteds and the art of landscape architecture for so long that the book section of our website is beginning to resemble a bibliography. To make this resource more useful for researchers and interested readers, we’re beginning a series of articles about older publications that remain useful and enjoyable. We hope to focus on the landmarks of the Olmsted literature that appeared before the creation of our website as well as shorter writings that were not intended to be scholarly works or best sellers but that add to our understanding of Olmsted projects and themes. THE OLMSTEDS AND THE VANDERBILTS The Vanderbilts and the Gilded Age: Architectural Aspirations 1879-1901. by John Foreman and Robbe Pierce Stimson, Introduction by Louis Auchincloss. New York: St. Martin’s Press, 1991, 341 pages. At his death, William Henry Vanderbilt (1821-1885) was the richest man in America. In the last eight years of his life, he had more than doubled the fortune he had inherited from his father, Commodore Cornelius Vanderbilt (1794-1877), who had created an empire from shipping and then done the same thing with the New York Central Railroad. William Henry left the bulk of his estate to his two eldest sons, but each of his two other sons and four daughters received five million dollars in cash and another five million in trust. This money supported a Vanderbilt building boom that remains unrivaled, including palaces along Fifth Avenue in New York, aristocratic complexes in the surrounding countryside, and palatial “cottages” at the fashionable country resorts.
    [Show full text]
  • 13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
    13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V.
    [Show full text]
  • Sæculum – Revista De História V. 25 N. 43
    ARTIGOS DOI 10.22478/ufpb.2317-6725.2020v25n43.54572 Black American Colonization in the Brazilian Amazon: Colored bodies in motion1 Colonização Negra Americana na Amazônia Brasileira: Corpos de cor em movimento2 Marcia Esteves Agostinho https://orcid.org/0000-0001-6425-3304 University of Rochester, NY Abstract: In the 1860s, when post-emancipation debates reached transnational significance, Brazil and the United States were the only two countries in the Americas where slavery was still legal. While Brazil was recognized as a place where “colour is no obstacle to advancement” (CHRISTIE, 1865, 78), the United States witnessed the emergence of the belief that “the races cannot live together in a state of freedom” (WEBB, 1853). Considering that context, the fortuitous encounter of a New York Times article from 1862 aroused my curiosity for it reported a project to transplant Afro- descendants from the United States to the Brazilian Amazon. Such a project remained virtually ignored by the Brazilian historiography, except for the book published by Nícia Vilela Luz in 1968, denouncing the American intentions to colonize the Amazon. Although the so-called “negro colonization” project never yielded an official proposition to the Brazilian government, it still deserves examination. I argue that, in the present context of global exchanges and migrations, this historical event gains new relevance. The intention of transferring an entire category of the population from one national territory to another raises questions about citizenship and national sovereignty. At the same time, it opens the opportunity for a transnational approach that can illuminate otherwise unseen aspects of migrations. Keywords: Black colonization.
    [Show full text]
  • Annual Report
    LIBRARY , „ unm OF NURSING " ri HOSPITAL ST LUKE’S . <fQ DSf Digitized by the Internet Archive in 2017 with funding from Metropolitan New York Library Council - METRO https://archive.org/details/annualreport39stlu_0 : THE THIRTY-NINTH ANNUAL REPORT —OF — St. Luke’s Hospital, NEW YORK. From September 30, 1896, to September 30, 1897. New York JAMES POTT & COMPANY, Fourth Ave. and 22d St. CONTENTS. PAGE. Managers of St. Luke’s Hospital 3 Standing Committees 4 House Officers and House Staff 5 Medical Staff 6 Officers and Standing Committees of Medical Board, and of the Alumni and Alumnae Associations 7 Report of Board of Managers 9 Treasurer’s Report 15 Schedule A, Sundry Donations 16 Century Fund 17 Schedule B, Century Fund Subscriptions 18 “ C, Annual Subscriptions for Support of Beds. 21 “ D, Sustentation Fund 22 Receipts by Superintendent 24 Donations Particularized 24 Report of Executive Committee on Training School for Nurses 26 List of Graduates from Training School 31 Pastor and Superintendent’s Report 35 Summary of Work 35 Summary of Applications Declined 36 Hospital Expenses in Full 38 Classification, and Cost of Service 42 Cost of Departments 43 Endowed Beds 49 Endowed Rooms 59 Terms of Endowment of Free Beds 59 Special Foundations 60 Gifts of Articles 61 Classification of Service by Persons Treated 65 Diseases Treated, with Results of Treatment : Medical 66 Surgical 74 Orthopedic 89 Surgical Operations 91 Deaths 97 Occupations of Patients 100 Appendix, Members of Society of St. Luke’s Hospital, Terms of Service of Officers, Managers, Attending, Consulting, and House Physicians and Surgeons 102 Prospectus of Training School for Nurses 1 14 Admission of Patients 117 Rules for Patients 119 Regulations for Visitors 120 Form of Bequest On cover.
    [Show full text]
  • A Mechanism of American Museum-Building Philanthropy
    A MECHANISM OF AMERICAN MUSEUM-BUILDING PHILANTHROPY, 1925-1970 Brittany L. Miller Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Departments of History and Philanthropic Studies, Indiana University August 2010 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. ____________________________________ Elizabeth Brand Monroe, Ph.D., J.D., Chair ____________________________________ Dwight F. Burlingame, Ph.D. Master’s Thesis Committee ____________________________________ Philip V. Scarpino, Ph.D. ii ACKNOWLEDGEMENTS In the same way that the philanthropists discussed in my paper depended upon a community of experienced agents to help them create their museums, I would not have been able to produce this work without the assistance of many individuals and institutions. First, I would like to express my thanks to my thesis committee: Dr. Elizabeth Monroe (chair), Dr. Dwight Burlingame, and Dr. Philip Scarpino. After writing and editing for months, I no longer have the necessary words to describe my appreciation for their support and flexibility, which has been vital to the success of this project. To Historic Deerfield, Inc. of Deerfield, Massachusetts, and its Summer Fellowship Program in Early American History and Material Culture, under the direction of Joshua Lane. My Summer Fellowship during 2007 encapsulated many of my early encounters with the institutional histories and sources necessary to produce this thesis. I am grateful to the staff of Historic Deerfield and the thirty other museums included during the fellowship trips for their willingness to discuss their institutional histories and philanthropic challenges.
    [Show full text]
  • The Breakers/Cornelius Vanderbilt II House National Historic Landmark
    __________ ______________ __-_____________-________________ -. ‘"I. *II.fl.* *%tØ*** *.‘" **.‘.i --II * y*’ * - *t_ I 9 - * ‘I teul eeA ‘4 I A I I I UNITED STATES IEPASTMENI OF THE INTERIOP ;‘u is NATIONAL PARK SERVICE Rhode Island .5 1 - COUNTY NATIONAL REGISTER OF HISTORIC PLACES Newport INVENTORY - NOMINATION FORM FOR NPS USE ONLY ENTRY NUMBER I DATE Type ii!! entries - Complete applicable SeCtions NAME -- OMMON - ... The Breakers AN 0/On HISTORIC: * Vanderbilt Corneiius..II Hcnise ftcOCAT!ON .1 ., * ./1..... H :H5.j_ .. H .O H.H/.H::: :- 51 RECT AND NUMBER: Ochre Point Avenue CITY OR TOWN: flewpcrt STATE COUNTY: - *[7m . CODE Rhode I3land, O2flhO Newport 005 -- CATEGORY ACCESSIBLE tn OWNERSHIP STATUS C/reck One TO THE PUBLIC El District iEj Building LI PubIC Public Acc1ui Si’on: LI Occupied Yes: 0 Restricted El Si to LI Structure Private LI 0 P roess Unoccupied LI Unre.trtcsed Er Oblect LI Both [3 Being Considered j Preservation work I. in progress LI No U PRESENT USE Check One or More as Appropriate LI Agriu Iturol LI 0 overn-ten? LI Pork [3 Transportation [3 Comments DC El C OrIImerC i ol [3 Hdju al [3 Pri vote Residence [3 Other SpocI’ I LI Educational [3 Miii tory [3 Religious - Entertainment Museum Scientific ‘I, LI --__ flAkE; S UWNIrRs Alice FHdik, Gladys raljlqt Peterson, Sylvia S. 5zapary, Nanine -I tltz, Gladys P.. thoras, Cornelia Uarter Roberts; Euaene B. R&erts, Jr. -1 S w STREET ANd NLIMBER: Lu The Breakers, Ochre Point Avenue CITY ** STATE: tjfl OR TOWN: - --.*** CODE Newport Rhode Island, 028b0 lili iLocATIoNcrLEGALDEsRIpTwN 7COURTHOUSr, REGISTRY OF DEEDS.
    [Show full text]
  • The Inventory of the Everett Raymond Kinstler Collection #1705
    The Inventory of the Everett Raymond Kinstler Collection #1705 Howard Gotlieb Archival Research Center Kinstler, Everett Raymond #1705 8/9/05 Preliminary Listing I. Printed Material. Box 1 A. Chronological files; includes news clippings, periodicals, bulletins, and other items re: ERK and his artwork. 1. "1960-62." [F. 1] 2. "1963-64," includes photos. [F. 2] 3. "1965-66." [F. 3] 4. "1967-68." [F. 4] 5. "1969." [F. 5] 6. "1970." [F. 6] 7. "1971," includes photos. [F. 7] 8. "1972," includes photos. [F. 8] 9. "1973." [F. 9] 10. "1974." [F. 10] 11. "1975." [F. 11] 12. "1976." [F. 12] 13. "1977." [F. 13] 14. "1978." [F. 14] 15. "1979." [F. 15] Box2 16. "1980." [F. 1-2] 17. "1981." [F. 3-4] 18. "1982." [F. 5-6] 19. "1983." [F. 7] 20. "1984." [F. 8] 21. "1985." [F. 9] 22. "1986." [F. 10] 23. "1987." [F. 11] 24. "1988." [F. 12] 25. "1988-89." [F. 13] 26. "1990." [F. 14] 27. "1991." [F. 15] Box3 28. "1992." [F. 1] 29. "1993." [F. 2] 30. "1994." [F. 3] 31. "1995." [F. 4] 32. "1996." [F. 5] 33. "1997." · [F. 6] 34. "1998." [F. 7] 35. "1999." [F. 8] 36. "2000." [F. 9] Kinstler, Raymond Everett (8/9/05) Page 1 of 38 37. "2001." [F. 10-11] 38. "2002." [F. 12-13] 39. "2003." [F. 14] 40. "2004." [F. 15-16] II Correspondence. Box4 A. Letters to ERK arranged alphabetically; includes some responses from ERK. 1. Adams, James F. TLS, 5/16/62. [F. 1] 2. Adams,(?). ALS, Aug.
    [Show full text]
  • CULTURAL RESOURCES INVENTORY MORRIS COUNTY, NEW JERSEY PHASE III: Chatham Borough, Chatham Township, Dover, Madison, Montville, Mount Arlington
    CULTURAL RESOURCES INVENTORY MORRIS COUNTY, NEW JERSEY PHASE III: Chatham Borough, Chatham Township, Dover, Madison, Montville, Mount Arlington Principal Investigators: Jennifer B. Leynes Kelly E. Wiles Prepared by: RGA, Inc. 259 Prospect Plains Road, Building D Cranbury, New Jersey 08512 Prepared for: Morris County Department of Planning and Public Works, Division of Planning and Preservation Date: October 15, 2015 BOROUGH OF MADISON MUNICIPAL OVERVIEW: THE BOROUGH OF MADISON “THE ROSE CITY” TOTAL SQUARE MILES: 4.2 POPULATION: 15,845 (2010 CENSUS) TOTAL SURVEYED HISTORIC RESOURCES: 136 SITES LOST SINCE 19861: 21 • 83 Pomeroy Road: demolished between 2002-2007 • 2 Garfield Avenue: demolished between 1987-1991 • Garfield Avenue: demolished c. 1987 • Madison Golf Club Clubhouse: demolished 2007 • George Wilder House: demolished 2001 • Barlow House: demolished between 1987-1991 • Bottle Hill Tavern: demolished 1991 • 13 Cross Street: demolished between 1987-1991 • 198 Kings Road: demolished between 1987-1991 • 92 Greenwood Avenue: demolished c. 2013 • Wisteria Lodge: demolished 1988 • 196 Greenwood Avenue: demolished between 2002-2007 • 194 Rosedale Avenue: demolished c. 2013 • C.A. Bruen House: demolished between 2002-2006 • 85 Green Avenue: demolished 2015 • 21, 23, 25 and 63 Ridgedale Avenue in the Ridgedale Avenue Streetscape/Bottle Hill Historic District: demolished c. 2013 • 21 and 23 Cook Avenue in the Ridgedale Avenue Streetscape: demolished between 1995-2002 RESOURCES DOCUMENTED BY HABS/HAER/HALS: • Bottle Hill Tavern (117 Main
    [Show full text]
  • Nautilus, Vol. 33 No. 4 (Mar 1980)
    Salve Regina University Digital Commons @ Salve Regina Student Newspapers Archives and Special Collections 3-1-1980 Nautilus, Vol. 33 No. 4 (Mar 1980) Salve Regina College Follow this and additional works at: https://digitalcommons.salve.edu/student-newspapers Recommended Citation Salve Regina College, "Nautilus, Vol. 33 No. 4 (Mar 1980)" (1980). Student Newspapers. 56. https://digitalcommons.salve.edu/student-newspapers/56 This Book is brought to you for free and open access by the Archives and Special Collections at Digital Commons @ Salve Regina. It has been accepted for inclusion in Student Newspapers by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. .- i.-.l., '; Vol. XXXIII, No 4 THE NEWPORT COLLEGE - SALVE REGINA March 1980 Students Anticipate A .Success/ ul Hugh Ward Shares Irish Folklore Newport County Special Olympics And Song With Salve Community by KATHLEEN BARRY their predecessors. This theme is by DEBBIE ELIASON Ireland, the Land of Lepre­ evident in the song, "Kevin Bar­ For about ten days last Febru­ chauns and shamrocks, or is it? ry." In it, a student was arrested ary, the world met, in the spirit The American, romanticized ver­ and tortured for refusing to in­ of peace, to compete in the Win­ sion of Ireland is in harsh contrast form officials about the plans of ter Olympics. On Saturday, April with reality. Northern Ireland, in his companions. 26th, frcm 10-2 p.m., through the particular, is presently in a sad Mr. Ward continued along this cooperation of Salve Regina Col­ state of dismay and has been for pathway, discussmg the many lege and the James L.
    [Show full text]
  • Copyrighted Material
    INDEX Academy of Music, 47, 48 appearance of, 29, 68, 215 afternoon tea, 342, 343 background and personal traits of, 4–5, Age of Innocence, The (Wharton), 95, 26–29, 31 140, 275 Bohemian party of, 400 Allard, Jules, 132, 158, 173, 260–261, 304, children of, 30, 99–104 306, 307–308, 323, 327, 329, 331 daughters’ marriages and, 75–78, Alva (yacht), 234–235, 236, 312 121–122, 170, 280 Ambassadress (yacht), 27, 30, 234 denunciation of vulgar displays by, Anthony, Susan B., 442 402, 425 archery, 74, 273, 334 diamond jewelry of, 61, 103, 227–229, aristocracy, 7, 36, 112–113, 118–119, 122– 369, 374, 425 123, 222, 224, 225, 378, 380–382, 443 dinner parties and, 350, 351, 354 marriages to, 382–390 European travel of, 377, 380 arrivistes. See nouveau riches four hundred and, 38, 47, 183 art collections, 10, 12, 26, 35, 37, 132, 133, houses of, 103, 135, 138, 157, 165–177, 257–258, 379 189, 368, 426, 427, 441, 450 Belmont, 95, 139 husband’s death and, 76, 77, 78, 170 Huntington, 181 last years and death of, 425–427, 453 as masculine pursuit, 88–91 Lehr and, 107, 109, 111 philanthropic donations of, 454 marriage of, 29, 30, 31, 234, 269 prevailing taste in, 88–89 McAllister and, 33–38, 52, 61, 104, 105, Stewart, 137–138 166, 300 Vanderbilt, 149–150, 288, 295 morning routine of, 68, 69–70 Whitney, 188, 189 as national legend, 177 Astor, Alice, 101, 427, 441, 442 Newport and, 157, 169, 171, Astor, Ava WillingCOPYRIGHTED (Mrs.
    [Show full text]