CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Niola - Nostril by James Strong & John Mcclintock

Total Page:16

File Type:pdf, Size:1020Kb

CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Niola - Nostril by James Strong & John Mcclintock THE AGES DIGITAL LIBRARY REFERENCE CYCLOPEDIA of BIBLICAL, THEOLOGICAL and ECCLESIASTICAL LITERATURE Niola - Nostril by James Strong & John McClintock To the Students of the Words, Works and Ways of God: Welcome to the AGES Digital Library. We trust your experience with this and other volumes in the Library fulfills our motto and vision which is our commitment to you: MAKING THE WORDS OF THE WISE AVAILABLE TO ALL — INEXPENSIVELY. AGES Software Rio, WI USA Version 1.0 © 2000 2 Niloa an anniversary festival among the ancient Egyptians in honor of the tutelar deity of the Nile. Heliodorus alleges it to have been one of the principal festivals of the Egyptians. Sir J. G. Wilkinson thus describes the Niloa: “It took place about the summer solstice, when the river began to rise; and the anxiety with which they looked forward to a plentiful inundation induced them to celebrate it with more than usual honor. Libanius asserts that these rites were deemed of so much importance by the Egyptians that unless they were performed at the proper season and in a becoming manner by the persons appointed to this duty, they felt persuaded that. the Nile would refuse to rise and inundate the land. Their full belief in the efficacy of the ceremony secured its annual performance on a grand scale. Men and women assembled from all parts of the country in the towns of their respective nomes, grand festivities were proclaimed, and all the enjoyments of the table were united with the solemnity of a holy festival Music, the dance, and appropriate hymns marked the respect they felt for the deity; and a wooden statue of the river-god was carried by the priests through the villages in solemn procession, that all might appear to be honored by his presence and aid, which invoked the blessings he was about to confer.” Even at the present day the rise of the Nile is hailed by all classes with excessive joy. SEE NILE. Nilus the great river of Egypt, which even in the most ancient times received divine honors from the inhabitants of that country. This deity was more especially worshipped at Niopolis, where he had a temple. Herodotus mentions the priests of the Nile. Lucian says that its water was a common divinity to all of the Egyptians. From the monuments it appears that even the kings paid divine honors to the Nile. Champollion refers to a painting of the time of the reign of Rameses II. which exhibits this king offering wine to the gods of the Nile, who in the hieroglyphic inscription is called Hapi-Mun, the life-giving father of all existences. The passage which contains the praise of the god of the Nile represents him at the same time as the heavenly Nile, the primitive water, the great Nilus whom Cicero, in his De Natura Deorum, declares to be the father of the highest deities, even of Ammon. The sacredness which attached to the Nile among the ancient Egyptians is still preserved among the Arabs who have settled in Egypt, and who are accustomed to speak of the river as most holy. Mr. 3 Bruce, in his travels in Abyssinia, mentions that it is called by the Agows Gzeir, Geesa, or Seir, the first of which terms signifies a god. It is also called Ab, “father,” and has many other names, all implying the most profound veneration. The idolatrous worship may have led to the question which the prophet Jeremiah asks: “What hast thou to do in Egypt to drink of the waters of Sihor?” or the waters profaned by idolatrous rites. See Hardwick, Christ and other Masters, 2:274, 298; Baur, Symbolik u. Mythol. 1:171; 2:2, 419; Edinb. Rev. 1863, 2:104 sq.; Nichols, Brit. Museun, p. 97; Trevor, Anc. Egypt, p. 147. SEE NILOA. Nilus (Nei~lov), ST., OF CONSTANTINOPLE, surnamed the ascetic and the monk, was a religious writer of the 5th century. He belonged to one of the most distinguished families in Constantinople, and rose to be governor of that city. He subsequently resigned his office, and with his son Theodulus retired into a monastery on Mount Sinai, while his wife and daughter went into an Egyptian nunnery. His son was killed in an attack of the Arabs against the convent, while St. Nilus escaped and lived until 450 or 451. He wrote a number of theological works, some of which are lost, and only known to us by some extracts from Photius, others were published separately at various times, but it is, only of late that what we possess of them has been published as a whole. The best edition is that of Suares, entitled Sancti Patris nostri Nili abbatis Tractatus seu opudla ex codicibus manuscriptis Vaticanis, Cassinentibus, Barberinis et Altcempsianis eruta J. M. Suaresius Greece nunc primum edidit, Latine vertit ac notis illustravit (Rome, 1673, fol.). The most important of Nilus’s works are advice on the manner of leading a Christian life: it is a compendium of practical theology; and Ejpicth>tou ejgceiri>dion, arranged for the use of Christians. Schweighauser gives this manual in the fifth volume of his edition of Epictetus. The letters of Nilus, one of his most important works, and treating generally of the same subjects as his, Paraine>seiv, were published by Possinus (Paris, 1657, 4to); a better edition, with a Latin translation by Leo Allatius, appeared at Rome (1668, fol.). The latest edition of Nilus’s complete works was published by Migne (Paris, 1860, roy. 8vo), under the title of S. P. N. Nili abbatis Opera qua reperiri potuerunt omnia, variorum curis olim, nemnpe Leonis Allatii, Petri Passini, etc., seorsim, edita, nuncprimum in unum collecta et ordinata. See Photius, Cod. p. 276; Nicephorus, Hist. Eccl. 14:54; Leo Allatius, Diatribe de Nilis et eorum scriptis, in his edition of the letters of Nilus, and 4 in Fabricius, Bibl. Graeca, 10:3 sq. ed. Harless; Cave, Hist. Liter.; Tillemont, Mem. pour servir a 1’hist. ecclesiastique, xiv; Ceillier, list. des auteurs sacrss, 8:205 sq.; Richard and Giraud, Ribl. Sacroe, s.v.; Neander, Ch. Hist. 2:238, 241; 250-253 292, 670, 671. (J.N.P.) Nilus Picture for Nilus ST., Jun., an Italian monastic, sometimes called St. Nilus of Grotta Ferrata, was a Greek by birth, and came from the vicinity of Tarentum. He flourished near the close of the 10th century. He was engaged in secular pursuits when the loss of his wife turned his thoughts to God, and he became a Greek monk of the Order of St. Basil. He was soon made the superior of his community on account of his worth and learning. The chances of war drove him to the west of Italy, and he fled to the convent of Monte Cassino at Capua, which was of the Benedictine order. He was received with great kindness, and a small convent assigned to him and his followers by the abbot. At this time Capua was governed by Aloare, who was the widow of the prince of Capua, and reigned in the name and right of her two sons. This wicked mother had influenced her children to murder their cousin, who was a powerful and worthy nobleman. Now she was seized with the agony of remorse, and sought St. Nilus to confess her crime, and entreated absolution at his hands. He refused this, except upon condition that she should give up one of her sons to the family of the murdered man, to be dealt with as they saw fit. This she would not consent to do. Then St. Nilus pronounced her unforgiven, and told her that what she would not give, Heaven would soon exact of her. She offered him large sums of money, and begged him to pray for her; but he threw down her money in scorn and left her. Not long after this the younger son killed the elder in a church, and for this double crime of fratricide and sacrilege he was put to death by command of Hugh Capet. Nilus afterwards went to Rome, and lived in a convent on the Aventine, where large numbers of sick people visited him, he working many and great miracles. Among others, his cure of an epileptic boy forms a subject for art. Crescentius was consul at this time, and John XVI, who was a Greek like St. Nilus, was pope. Then Otho III came to Rome and made a new pope, with the title of Gregory V. He put out the eyes of pope John, and laid siege to the castle of St. Angelo, to which Crescentius had retired. After a short siege the castle was given up on honorable terms; but not heeding these Otho ordered that 5 Crescentius should be thrown headlong from the walls, and Stephania, his wife, given up to the outrages of the soldiers. So great was the influence of Nilus in Rome at this time that the emperor and the new pope endeavored to conciliate him, but he fearlessly rebuked them, and declared that the time would soon come when they should both seek mercy without finding it. He then left Rome. and went first to a cell near Gaeta, but soon after to a cave near Frascati, called the Crypta, or Grotta Ferrata. Pope Gregory died a miserable death soon after. Otho went on a pilgrimage to Monte Galgano. When returning he visited Nilus, and on his knees besought his prayers. He offered to erect a convent and endow it with lands, but this Nilus refused; and when Otho demanded what boon he could grant him, the saint stretched out his hand, and replied, “I ask of thee but this: that thou wouldst make reparation of thy crimes before God, and save thine own soul!” Soon after Otho returned to Rome he was obliged to fly from the fury of the people, and was poisoned by Stephania, the widow of Crescentius.
Recommended publications
  • Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos
    Antigone by Sophocles Scene 4, Ode 4, Scene 5, Paean and Exodos By: Anmol Singh, Kesia Santos, and Yuri Seo Biographical, Cultural, and Historical Background The Greek Theater - Sophocles was one of the prominent figures in Greek theater. - Plays were performed in outdoor areas. - There were a limited number of actors and a chorus.6 - Antigone was mostly likely performed in the same fashion. AS Family Tree YS What do Scene 4, Ode 4, Scene 5, Paean and Exodos of Antigone focus on? - Family Conflict (internal and external) - Death (tragedy) - Poor judgment - Feeling and thinking - Fate - Loyalty - Love YS Genres & Subgenres Tragedy - Not completely like modern tragedies (ex. sad & gloomy). - Tragedies heavily used pathos (Greek for suffering). - Used masks and other props. - Were a form of worship to Dionysus.7 AS Tragic Hero - Antigone and Creon are both like tragic heros. - Each have their own hamartia which leads to their downfalls.8,9 AS Family Conflict & Tragedy in Antigone - Antigone hangs herself - Haimon stabs himself - Eurydice curses Creon and blames him for everything - Eurydice kills herself YS Dominant Themes Family: The story of Niobe - Antigone relates her story to the story of Niobe. - Antigone says “How often have I hear the story of Niobe, Tantalus’s wretched daughter…” (18) - Chorus tells Antigone that Niobe “was born of heaven,” but Antigone is a woman. YS Womanhood - Antigone defies the place a woman is supposed to have during this time period - Antigone and Ismene contrast each other - Creon is the prime example of the beliefs that males hold during this period KS Power and Corruption: Dryas and Lycurgus - A character the chorus compares to Antigone is Lycurgus.
    [Show full text]
  • STONEFLY NAMES from CLASSICAL TIMES W. E. Ricker
    ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Perla Jahr/Year: 1996 Band/Volume: 14 Autor(en)/Author(s): Ricker William E. Artikel/Article: Stonefly names from classical times 37-43 STONEFLY NAMES FROM CLASSICAL TIMES W. E. Ricker Recently I amused myself by checking the stonefly names that seem to be based on the names of real or mythological persons or localities of ancient Greece and Rome. I had copies of Bulfinch’s "Age of Fable," Graves; "Greek Myths," and an "Atlas of the Ancient World," all of which have excellent indexes; also Brown’s "Composition of Scientific Words," And I have had assistance from several colleagues. It turned out that among the stonefly names in lilies’ 1966 Katalog there are not very many that appear to be classical, although I may have failed to recognize a few. There were only 25 in all, and to get even that many I had to fudge a bit. Eleven of the names had been proposed by Edward Newman, an English student of neuropteroids who published around 1840. What follows is a list of these names and associated events or legends, giving them an entomological slant whenever possible. Greek names are given in the latinized form used by Graves, for example Lycus rather than Lykos. I have not listed descriptive words like Phasganophora (sword-bearer) unless they are also proper names. Also omitted are geographical names, no matter how ancient, if they are easily recognizable today — for example caucasica or helenica. alexanderi Hanson 1941, Leuctra.
    [Show full text]
  • Greg Goswell, “Early Readers of the Gospels: the KEPHALAIA and TITLOI of Codex Alexandrinus”
    [JGRChJ 6 (2009) 134-74] EARLY READERS OF THE GOSPELS: THE KEPHALAIA AND TITLOI OF CODEX ALEXANDRINUS Greg Goswell Presbyterian Theological College, Melbourne, Australia For the New Testament, the oldest system of capitulation (division into chapters) known to us is that preserved in Codex Vaticanus (B 03) of the fourth century.1 I will use the notation V1, V2 etc. to refer to chapters of Vaticanus. Even a cursory examination of Vaticanus is enough to reveal that the divisions represent an evaluation of what are the sense units of the biblical passages. Each successive chapter in the Gospels is numbered using Greek letters written in red ink to the left of the columns. Capitulation is further indicated by a space of (usually) two letters at the close of the preceding chapter, a short horizontal line (paragraphos) above the first letter of the first whole line of the new chapter marking the close of the preceding paragraph, and sometimes by a letter protruding into the left margin (ekthesis).2 The system of 1. H.K. McArthur, ‘The Earliest Divisions of the Gospels’, in Studia Evangelica, III. 2 (ed. F.L. Cross; Texte und Untersuchungen, 88; Berlin: Akademie Verlag, 1964), pp. 266-72. After rejecting three other possible explanations, McAr- thur suggests that the divisions were used for citation purposes, especially in aca- demic circles. For alternate systems of chapter division in Greek versions of the Old Testament, see Robert Devreesse, Introduction à l’étude des manuscrits grecs (Paris: Klincksieck, 1954), pp. 139-41. The major divisions in Vaticanus are called chapters, while those in Alexandrinus, which are the basis of the standard divisions used in Nestle-Aland (Novum Testamentum Graece [27th Edition] = NTG27) are called kephalaia.
    [Show full text]
  • Thebaid 2: Oedipus Descendants of Cadmus
    Thebaid 2: Oedipus Descendants of Cadmus Cadmus = Harmonia Aristaeus = Autonoe Ino Semele Agave = Echion Pentheus Actaeon Polydorus (?) Autonoe = Aristaeus Actaeon Polydorus (?) • Aristaeus • Son of Apollo and Cyrene • Actaeon • While hunting he saw Artemis bathing • Artemis set his own hounds on him • Polydorus • Either brother or son of Autonoe • King of Cadmeia after Pentheus • Jean-Baptiste-Camile Corot ca. 1850 Giuseppe Cesari, ca. 1600 House of Cadmus Hyrieus Cadmus = Harmonia Dirce = Lycus Nycteus Autonoe = Aristaeus Zeus = Antiope Nycteis = Polydorus Zethus Amphion Labdacus Laius Tragedy of Antiope • Polydorus: • king of Thebes after Pentheus • m. Nycteis, sister of Antiope • Polydorus died before Labdacus was of age. • Labdacus • Child king after Polydorus • Regency of Nycteus, Lycus Thebes • Laius • Child king as well… second regency of Lycus • Zethus and Amphion • Sons of Antiope by Zeus • Jealousy of Dirce • Antiope imprisoned • Zethus and Amphion raised by shepherds Zethus and Amphion • Returned to Thebes: • Killed Lycus • Tied Dirce to a wild bull • Fortified the city • Renamed it Thebes • Zethus and his family died of illness Death of Dirce • The Farnese Bull • 2nd cent. BC • Asinius Pollio, owner • 1546: • Baths of Caracalla • Cardinal Farnese • Pope Paul III Farnese Bull Amphion • Taught the lyre by Hermes • First to establish an altar to Hermes • Married Niobe, daughter of Tantalus • They had six sons and six daughters • Boasted she was better than Leto • Apollo and Artemis slew every child • Amphion died of a broken heart Niobe Jacques Louis David, 1775 Cadmus = Harmonia Aristeus =Autonoe Ino Semele Agave = Echion Nycteis = Polydorus Pentheus Labdacus Menoecius Laius = Iocaste Creon Oedipus Laius • Laius and Iocaste • Childless, asked Delphi for advice: • “Lord of Thebes famous for horses, do not sow a furrow of children against the will of the gods; for if you beget a son, that child will kill you, [20] and all your house shall wade through blood.” (Euripides Phoenissae) • Accidentally, they had a son anyway.
    [Show full text]
  • Sidirountios3
    ZEALOT EARLY CHRISTIANITY AND THE EMERGENCE OF ANTI‑ HELLENISM GEORGE SIDIROUNTIOS A thesis submitted for the degree of Doctor of Philosophy at the University of London (Royal Holloway and Bedford New College) March 2016 1 Candidate’s declaration: I confirm that this PhD thesis is entirely my own work. All sources and quotations have been acknowledged. The main works consulted are listed in the bibliography. Candidate’s signature: 2 To the little Serene, Amaltheia and Attalos 3 CONTENTS Absract p. 5 Acknowledgements p. 6 List of Abbreviations p. 7 Conventions and Limitations p. 25 INTRODUCTION p. 26 1. THE MAIN SOURCES 1.1: Lost sources p. 70 1.2: A Selection of Christian Sources p. 70 1.3: Who wrote which work and when? p. 71 1.4: The Septuagint that contains the Maccabees p. 75 1.5: I and II Maccabees p. 79 1.6: III and IV Maccabees p. 84 1.7: Josephus p. 86 1.8: The first three Gospels (Holy Synopsis) p. 98 1.9: John p. 115 1.10: Acts p. 120 1.11: ʺPaulineʺ Epistles p. 123 1.12: Remarks on Paulʹs historical identity p. 126 2. ISRAELITE NAZOREAN OR ESSENE CHRISTIANS? 2.1: Israelites ‑ Moses p. 136 2.2: Israelite Nazoreans or Christians? p. 140 2.3: Essenes or Christians? p. 148 2.4: Holy Warriors? p. 168 3. ʺBCE CHRISTIANITYʺ AND THE EMERGENCE OF ANTI‑HELLENISM p. 173 3.1: A first approach of the Septuagint and ʺJosephusʺ to the Greeks p. 175 3.2: Anti‑Hellenism in the Septuagint p. 183 3.3: The Maccabees and ʺJosephusʺ from Mattathias to Simon p.
    [Show full text]
  • Exploring Philemon
    EXPLORING PHILEMON Press SBL R hetoric of Religious Antiquity Vernon K. Robbins, General Editor Duane F. Watson, General Editor David B. Gowler, Associate Editor L. Gregory Bloomquist Rosemary Canavan Alexandra Gruca-Macaulay Roy R. Jeal Harry O. Maier Walter T. Wilson Press SBLNum ber 2 EXPLORING PHILEMON Freedom, Brotherhood, and Partnership in the New Society R oy R. Jeal Press SB L Press SBLAtlanta Copyright © 2015 by SBL Press P ublication of this volume was made possible by the generous support of the Pierce Pro- gram in Religion of Oxford College of Emory University. The editors of this volume express their sincere gratitude to David E. Orton and Deo Pub- lishing for their ongoing support and encouragement of this series throughout its stages of development 1998–2013. Cover design is an adaptation by Bernard Madden of Rick A. Robbins, “His LifeLine” (42" x 50" acrylic on canvas, 2002). Online: http://home.comcast.net/~rick1216/LifeLine/ LifeLine5.htm. Cover design used by permission of Deo Publishing. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, LSB Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Jeal, Roy R. Exploring Philemon : freedom, brotherhood, and partnership in the new society / by Roy R.
    [Show full text]
  • APOLLO in ASIA MINOR and in the APOCALYPSE Abstract
    Title: CHAOS AND CLAIRVOYANCE: APOLLO IN ASIA MINOR AND IN THE APOCALYPSE Abstract: In the Apocalypse interpreters acknowledge several overt references to Apollo. Although one or two Apollo references have received consistent attention, no one has provided a sustained consideration of the references as a whole and why they are there. In fact, Apollo is more present across the Apocalypse than has been recognized. Typically, interpreters regard these overt instances as slights against the emperor. However, this view does not properly consider the Jewish/Christian perception of pagan gods as actual demons, Apollo’s role and prominence in the religion of Asia Minor, or the complexity of Apollo’s role in imperial propaganda and its influence where Greek religion was well-established. Using Critical Spatiality and Social Memory Theory, this study provides a more comprehensive religious interpretation of the presence of Apollo in the Apocalypse. I conclude that John progressively inverts popular religious and imperial conceptions of Apollo, portraying him as an agent of chaos and the Dragon. John strips Apollo of his positive associations, while assigning those to Christ. Additionally, John’s depiction of the god contributes to the invective against the Dragon and thus plays an important role to shape the social identity of the Christian audience away from the Dragon, the empire, and pagan religion and rather toward the one true God and the Lamb who conquers all. ASBURY THEOLOGICAL SEMINARY CHAOS AND CLAIRVOYANCE: APOLLO IN ASIA MINOR AND IN THE APOCALYPSE SUBMITTED TO THE FACULTY OF ASBURY THEOLOGICAL SEMINARY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR DOCTOR OF PHILOSOPHY IN BIBLICAL STUDIES BY ANDREW J.
    [Show full text]
  • Theseus Aegeus = Aethra
    The Athenians Cecrops • Born of the soil – Autochthonous • Man with the body of a serpent • First king of Attica • Married Agraulus, daughter of Actaeus Competition for the City • Gods to assign cities to themselves • Poseidon and Athena both want Attica • Poseidon: – Offers a salt water spring • Athena: – Offers Cecrops an olive tree – Athena wins, and the city is called Athens Cranaus • Cecrops died without a male heir • Cranaus succeeded – At the time of the flood of Deucalion – He was the most powerful Athenian – Also autochthonous – Deposed by his son-in-law, Amphictyon Deucalion = Pyrrha Cranaus Amphictyon = Cranae • Amphictyon ruled 12 years • ‘Amphictyon’ means “neighbour” – Amphictyonic Councils • Overthrown by Erichthonius Erichthonius • Athena wanted new armour • Hephaestus fell in love with Athena – Tried to force himself on her but she repelled him – He ejaculated and the semen fell to the Acropolis • Erichthonius sprung from the soil Athena Scorning the Advances of Hephaestus Paris Bordon ca. 1550 Erichthonius • Overthrew Amphictyon • Established the Panathenaea • Placed the wooden Athena on the Acropolis. – The Palladium of Athens – Athena Polias (Protector of the City) Erichthonius = Praxithea Pandion = Zeuxippe Erechtheus Philomela Butes Procne • This lineage, presented by Apollodorus, starts the debate. • Are Erichthonius and Erechtheus the same? • Does this version represent two myths combined? • Under Erechtheus, Athens conquered Eleusis • Butes was priest of Athena and founder of the Eteobutadae Family The Polias Priestess
    [Show full text]
  • Thebaid 2: Oedipus Descendants of Cadmus
    Thebaid 2: Oedipus Descendants of Cadmus Cadmus = Harmonia Aristaeus = Autonoe Ino Semele Agave = Echion Pentheus Actaeon Polydorus (?) Autonoe = Aristaeus Actaeon Polydorus (?) • Aristaeus • Son of Apollo and Cyrene • Actaeon • While hunting he saw Artemis bathing • Artemis set his own hounds on him • Polydorus • Either brother or son of Autonoe • King of Cadmeia after Pentheus • Jean-Baptiste-Camile Corot ca. 1850 Giuseppe Cesari, ca. 1600 House of Cadmus Hyrieus Cadmus = Harmonia Dirce = Lycus Nycteus Autonoe = Aristaeus Zeus = Antiope Nycteis = Polydorus Zethus Amphion Labdacus Laius Tragedy of Antiope • Polydorus: • king of Thebes after Pentheus • m. Nycteis, sister of Antiope • Polydorus died before Labdacus was of age. • Labdacus • Child king after Polydorus • Regency of Nycteus, Lycus Thebes • Laius • Child king as well… second regency of Lycus • Zethus and Amphion • Sons of Antiope by Zeus • Jealousy of Dirce • Antiope imprisoned • Zethus and Amphion raised by shepherds Zethus and Amphion • Returned to Thebes: • Killed Lycus • Tied Dirce to a wild bull • Fortified the city • Renamed it Thebes • Zethus and his family died of illness Death of Dirce • The Farnese Bull • 2nd cent. BC • Asinius Pollio, owner • 1546: • Baths of Caracalla • Cardinal Farnese • Pope Paul III Farnese Bull Amphion • Taught the lyre by Hermes • First to establish an altar to Hermes • Married Niobe, daughter of Tantalus • They had six sons and six daughters • Boasted she was better than Leto • Apollo and Artemis slew every child • Amphion died of a broken heart Niobe Jacques Louis David, 1775 Cadmus = Harmonia Aristeus =Autonoe Ino Semele Agave = Echion Nycteis = Polydorus Pentheus Labdacus Menoecius Laius = Iocaste Creon Oedipus Laius • Laius and Iocaste • Childless, asked Delphi for advice: • “Lord of Thebes famous for horses, do not sow a furrow of children against the will of the gods; for if you beget a son, that child will kill you, [20] and all your house shall wade through blood.” (Euripides Phoenissae) • Accidentally, they had a son anyway.
    [Show full text]
  • The Pharmacy of Euripides: Asclepius and the Theater of Dionysus
    Robin Mitchell-Boyask - April 6th, 1996 The Pharmacy of Euripides: Asclepius and the Theater of Dionysus If this road, before it opens into the grove of the Muses, leads us over by the temple of Asclepius, so is this for acquaintances of Aristotle only further proof that we are moving in the right footsteps. -- Jacob Bernays[1] Jacob Bernays, the first great proponent of the medical interpretation of Aristotelian catharsis (and the uncle of Sigmund Freud's wife), was closer to a truth about tragedy than he realized, because the Muses indeed are quite close to the temple of Asclepius. For if Aristotle ever did visit the Theater of Dionysus in Athens to witness dramatic performances, an activity he subordinated to reading, a few steps, even a brief glance over his shoulder, would have taken him into the Athenian City Asklepieion. In the following investigate the interplay the imagery of disease in drama with the development of the cult of the healing hero/god Asclepius in fifth-century Athens. Asclepius, a son of Apollo, invented the art of healing, and became so good at it that he attempted to resurrect mortals, for Zeus destroyed him. But the Greeks couldn't make up their mind about him, so in cultic practice he was a god. Recognizing in this study the link between medicine and poetry that the Athenians drew, we shall see the placement of the god of physical healing near the Theater turns it into a locus of therapy for the polis. Indeed, I shall further suggest in turn that it was the earlier associations among poetry, healing and immortality that might have led to the installation of Asclepius' shrine above the theater.
    [Show full text]
  • Lecture 31 Good Morning and Welcome to LLT121 Classical Mythology
    Lecture 31 Good morning and welcome to LLT121 Classical Mythology. Today we’re going to be picking up with what I like to think of as the ultimate soap opera of Greek mythology, the so-called Theban Saga. For those of you who have honored me with your presence this morning, I’d like to remind you that Thebes is the capital of Boeotia. Boeotia is the city-state right next to Athens, and Attica. Where, as you have heard me say a thousand times before, most of surviving Greek literature comes from. It follows, I believe, that Thebes and Boeotia are going to get the proverbial bum rap, as they most certainly will. The Theban Saga, however, begins, not in Thebes, but in ancient Palestine. Ancient Palestine is located on the present day site of modern Palestine—wouldn’t you know?—which is right around here. Thebes is up here in a land known as Phoenicia, but now known as either Lebanon or something else. The story involved a boy, a girl, and a bull. The boy and girl are the daughters of King Cadmus and Mrs. King Cadmus of Tyre. They have two kids, a girl named Europa and a boy named Cadmus. Europa is a very beautiful young woman. One day Europa happens to be just walking by the seashore and a very handsome bull comes up to her. The handsome bull is a very charming and friendly bull. If you care to go back and read the appropriate section from Ovid’s Metamorphoses, please hold firmly onto your stomach, because it is rather humorous.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]