History News Speaking Confidently in Her Native Language Also New to the National Register Quieted the Crowd
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Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
TS06-052 Susan Laflesche Picotte House
NPS Form 10-900 OMB No. 1024-0018 (Rev. 10-90) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable". For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer to complete all items. 1. Name of Property Historic name Susan La Flesche Picotte House Other names/site number TS06-052 2. Location Street & number 100 Taft Not for publication [ ] City or town Walthill Vicinity [ ] State Nebraska Code NE County Thurston Code 173 Zip code 68067 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this [x] nomination [ ] request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property [x] meets [ ] does not meet the National Register Criteria. I recommend that this property be considered significant [ ] nationally [ ] statewide [x] locally. -
In This Issue: Monumental Memories Le Carillon National, Ah! Ça Ira and the Downfall of Paris, Part 1 Healy Flute Company Skip Healy Fife & Flute Maker
i AncientTimes Published by the Company of fifers & drummers, Inc. fall 2011 Issue 134 $5.00 In thIs Issue: MonuMental MeMorIes le CarIllon natIonal, ah! Ça Ira and the downfall of ParIs, Part 1 HeAly FluTe CompAny Skip Healy Fife & Flute maker Featuring hand-crafted instruments of the finest quality. Also specializing in repairs and restoration of modern and wooden Fifes and Flutes on the web: www.skiphealy.com phone/Fax: (401) 935-9365 email: [email protected] 5 Division Street Box 23 east Greenwich, RI 02818 Afffffordaordable Liability IInsurance Provided by Shoffff Darby Companiies Through membership in the Liivingving Histoory Associatiion $300 can purchaase a $3,000,000 aggregatte/$1,000,000 per occurrennce liability insurance that yyou can use to attend reenactments anywhere, hosted by any organization. Membership dues include these 3 other policies. • $5,010 0 Simple Injuries³Accidental Medical Expense up to $500,000 Aggggregate Limit • $1,010 0,000 organizational liability policy wwhhen hosting an event as LHA members • $5(0 0,000 personal liability policy wwhhen in an offfffiicial capacity hosting an event th June 22³24 The 26 Annual International Time Line Event, the ffiirst walk througghh historryy of its kind establishedd in 1987 on the original site. July 27³29 Ancient Arts Muster hosting everything ffrrom Fife & DDrum Corps, Bag Pipe Bands, craffttspeople, ffoood vendors, a time line of re-enactors, antique vehicles, Native Ameericans, museum exhibits and more. Part of thh the activities during the Annual Blueberry Festival July 27³AAuugust 5 . 9LVLWWKH /+$·VZHEVLWHDW wwwwwww.lliivviinnggghhiissttooryassn.oorg to sign up ffoor our ffrree e-newsletter, event invitations, events schedules, applications and inffoormation on all insurance policies. -
Sarah Winnemucca and the Politics of Rape, Colonialism, and "Citizenship": 1870-1890
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1-1-2012 Voicing Oppositional Conformity: Sarah Winnemucca and the Politics of Rape, Colonialism, and "Citizenship": 1870-1890 Jennifer Bailey Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Let us know how access to this document benefits ou.y Recommended Citation Bailey, Jennifer, "Voicing Oppositional Conformity: Sarah Winnemucca and the Politics of Rape, Colonialism, and "Citizenship": 1870-1890" (2012). Dissertations and Theses. Paper 801. https://doi.org/10.15760/etd.801 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Voicing Oppositional Conformity: Sarah Winnemucca and the Politics of Rape, Colonialism, and “Citizenship”: 1870-1890 by Jennifer Bailey A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Patricia A. Schechter, Chair Linda Walton Katrine Barber Ann Marie Fallon Portland State University ©2012 i ABSTRACT Sarah Winnemucca, a Paiute Indian born around the year 1844, crossed cultural boundaries and became an influential voice within both white and Indian societies. This thesis employs a settler colonial framework that places the sexuality and rape of native women at the center of colonial relations in -
Evolution of the American Flag
Evolution of the American Flag The American flag is a source of American history, legend, unity and respect. Through the years the number of stars in the canton has increased with the addition of new states, and the meaning of the flag has expanded to unimaginable heights. From its unofficial beginning as the Continental Colors or Grand Union flag to the long serving 50-star American Flag, Americans have been on a quest to protect, preserve and serve the flag. Today the flag flies everywhere from classrooms to federal buildings to homes and even cars. It’s internationally recognized in every country and city around the world. Number of Dates in Design Information Stars Use Continental Colors Also known as the Grand Union flag, the Union flag, the Continental flag, the Somerville flag and the Great Union Designed with a British Union Jack in the canton and 13 alternating red and white 1775- 0 Stars stripes 1777 Considered to the be the first American flag, but it was never official The Maritime Committee of Continental Congress considered it the official flag of the American naval forces Betsy Ross Flag First official flag of the United States Designed with 13 stars and 13 stripes to represent the 13 colonies (Delaware, Pennsylvania, New Jersey, Georgia, Connecticut, Massachusetts, Maryland, South Carolina, New Hampshire, Virginia, New York, North Carolina, Rhode Island) Since Congress did not specify dimensions, proportions, shapes or star patterns, flags varied dramatically 1777- 13 Stars Legend says that Betsy Ross designed -
COLUMBUS, OHIO, THEATER from the BEGIN NING of the CIVIL WAR to 1875. the Ohio State
This dissertation has been microfilmed exactly as received 64-6999 BURBICK, WiUiam George, 1918- COLUMBUS, OHIO, THEATER FROM THE BEGIN NING OF THE CIVIL WAR TO 1875. The Ohio State University, Ph. D ., 1963 Speech- Theater University Microfilms, Inc., Ann Arbor, Michigan COIAJMBUS, OHIO, THEATER FROM THE BEGDmiNa OF TRE CIVIL WAR TO l8?5 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State Ihiiversity By William George Burbick, A.B., M.A. The Ohio State Ihiiversity 1963 Approved by Adviser Department of Speech CONTENTS Page INTRODUCTION........................................................................ 1 The Nature and Purpose o f th e Study Resources and Problems of Research Chapter I. COLUMBUS AND THE CIVIL W A R .......... ............ 9 !Hie City, Its Resources and Growth The City's Role in the Civil War I I . THEATER CUSTOMS, PRACTICES, AND PROBLEMS..................... 25 I I I . THE NON-LEGITIMATE THEATfR IN COLUMBUS........................ h9 IV. JOHN ELLSLER AND THE EARLY WAR YEARS . ..................... 59 V. THE LATER WAR YEARS ........................................ 91 VI. THE POST WAR PERIOD.................................................................. lii7 V II. THE YEARS OF STRUGGLE...................... ...................................... 197 Vin. THE RESIDENT COMPANY OF H. J . SARGENT.......................... 26l n. IKE DEATH OF A RESIDENT STOCK COMPANY................. 313 %. THE EVALUATION AND SUMURY.................................. -
POWS BOOKLET 2009 Cd.Pub
Founded in 1983 NORTHWEST WESTERN SWING MUSIC SOCIETY 19TH ANNUAL WESTERN SWING HALL OF FAME FESTIVAL 2009 INDUCTEES Celebrating Our 26th Year Booklet by Beryl Shawley — With harassment by Ray WELCOME Northwest Western Swing Music Society Officers President: Beryl Shawley, 12433 Admiralty Wy S-201, Everett, WA 98204 Phone: 425-374-2452 Email: [email protected] Vice-Pres: Jim Neel, 9227-48th Dr. N.E., Marysville, WA 98270 Dear Friends and Western Swing Fans: Email: [email protected] Secretary: Alice Striegel, 2708 Mission Beach Hts, Tulalip, WA 98271 Welcom e to the 19th annual Northwest Western Phone: 360-659-9713 Email: [email protected] Swing Music Society (form erly known as the Seattle Treasurer: Dave Wheeler, 18650-59th Dr., Arlington, WA 98223 Western Swing Music Society) Hall of Fam e induction Phone: 425-238-7696 Email: [email protected] cerem onies. This annual cerem ony is our way of Board Members: Butch Gibson, Lloyd Hooper, LeRoy King, recognizing those m usicians whom we feel have Ray Shawley, Sharon Skurlock m ade an outstanding contribution to Western Swing Music and to other worthy individuals who have helped prom ote and preserve Western Swing m usic. We thank you for com ing and appreciate your support in our efforts to preserve and perpetuate this very special m usic form . It is our privilege to A NON-PROFIT ORGANIZATION FORMED IN NOVEMBER 1983 BY carry on this legacy handed down to us through the A GROUP OF MUSICIANS AND ENTHUSIASTS FOR THE PURPOSE OF years by giants in the m usic business which are too PRESERVING, PROMOTING & PERFORMING WESTERN SWING MUSIC num erous to list here. -
Senate 1497 M
1953 CONGRESSIONAL RECORD- SENATE 1497 M. La Follette, Jr., formerly a Senator from him to be as good .a legislator as any SENATE the State of Wisconsin. lawyer could be. I suggest the absence of a quorum. I served with him both on the Finance MoNDAY, MARCH 2, 1953 The VICE PRESIDENT. The clerk Committee and on the Education and Labor Committee, and so I came to know Rt. Rev. Msgr. Louis C. Vaeth, pastor, will call the roll. The Chief Clerk called the roll, and the him intimately as a person and in con St. Bernardine's Church, Baltimore, Md., nection with many legislative problems. offered the following prayer: following Senators answered .to their names: He believed strongly in the principles of 0 Divine Legislator, from whoni all Aiken Goldwater McCart hy his father and adhered to those prin holy desir~s. right counsels, and just Anderson Gore McClellan ciples faithfully, with due regard, of Barrett Green Millikin works do proceed, bless these loyal Sen Bennett Griswold Monroney course, to changing conditions. He was ators of the United States with that per Bricker Hayden Morse brought up in a school which believed in fect peace which the world cannot give, Bridges Hendrickson Mundt greater Government intervention in Bush Hennings Murray neither can it take away-that positive Butler, Md. Hickenlooper Neely various matters, with respect to which peace perpetuated by a consecrated con Butler, Nebr. Hill P ayne he went somewhat further than I, but scientiousness of loyalty and devotion to Byrd Holland Potter his abiding interest was -always the wel Capehart Humphrey Purtell God, to our Nation, and to our people Carlson Hunt Robertson . -
Ocated on the Omaha Reservation
http://jackalopearts.org/othrp.htm ocated on the Omaha Reservation, the Omaha Tribal Historical Research Project, Inc. (OTHRP) is the cultural authority for the Omaha by Tribal Resolution [law.] As such we have been active since the mid 1970s when Dennis Hastings returned L from California to his home reservation in Nebraska and began working to restore the Omaha culture and language. Hastings started his work with Paul Brill collecting tribal genealogies and information regarding clan kinship systems and clan names using both oral histories and archival information. In 1982 Joan Mark, Peabody Museum, was researching the papers and works of Dr. Francis La Flesche, Esq. and a friendship was quickly established between Mark and Hastings. This friendship became very useful when she assisted the Tribe in reestablishing relations with the Peabody Museum when the Omaha asked for the return of their Sacred Pole and sacred artifacts in 1989. OTHRP coordinated the Omaha Tribal Council's work with the staff of the Peabody Museum for the return of all the sacred artifacts held by the museum. Their return involved special agreements with the Great Plains Studies and the Museum at the University of Nebraska in Lincoln, until such time the Tribe could assume possession by the completion of its own museum, New Moon Moving. Significant among these artifacts was the Sacred Pole, symbolizing the unity of the people. In 1985 Indiana University (IU) and the Library of Congress' American Folklife Center (AFC) joined together with Hastings upon a traditional Omaha music project with wax cylinders in order to reintroduce Omaha music in conjunction with Dorothy Sarah Lee, IU, and Dr. -
Magazine ^/"History SUMMER 2004
182977.qxd 6/14/04 1:10PM Page 1 ONSIN magazine ^/"history SUMMER 2004 Infantryman in Blue Cartoons and Culture James Anderson's Civil War Letters .The Art of H. T Webster 182977.qxd 6/14/04 1:10PM Page 2 - VOTE PROGRESSIVE - Sample Ballot If you desire to voto an eiiUi-e parly ticket for sLiite. conyrGSsionsI, legislative and county offices, make a cross (X) or othor mark in the circle (0) tinder the paily dL--sii,^!iu(ioii at the head of the ballot. If you desire to vote for particular persons without regai-d to party, mark in the square at i\w r\i'\\l of the nanu'- of ilic candidate for whom you desire to vole if itbe there, or write any name that you wish to vote for, in the proper place. democracy — ^^.^^ ;„ his ero-.9n power JO ^^^ ,1 the go--'-""!r'.!i^° on the emblem ballot. The /^ . ^>,e voter is the mark -'^f^, ,v,e top of (^7^ , also test«ies to separated from the Republican Party 2. The cross al . .,^JaHh every Ame;.c_an> I^-^^-^jW- in 19J41934 and launched a new'"'"•'na ''^"•^ m the P^'"=j"^;,h certain •"- ter in both Wisconsin and created equal w' ^,^„. national political histnrv.history. The importance of the sym- : ; c»Ln-s ballot. Dois of the Progressives, from 1978.60.2 the simple yet ultimately 3. The cross s,gn o^ ^^^^^^^ ^, doom£d "X" of the official j ,,, economic P^og .^^ ^,^,^,V,„. the various roles that the various LaFolIette m£n played as governor tion. -
F O R T H E P E O P
F o r T h e P e o p l e A NEWSLETTER OF THE ABRAHAM LINCOLN ASSOCIATION VOLUME 22 NUMBER 4 WINTER 2020 SPRINGFIELD, ILLINOIS www.abrahamlincolnassociation.org Richard S. Lowry 2021 Lincoln Day Speaker Our Lincoln Day speaker will be Rich ment that offered the best chance for Lowry, author of several books and his fellow citizens to transcend their since 1997 the editor of The National upbringings.” Review. William F. Buckley, Jr., the mag- azine’s founder, chose the 29-year-old Veteran critic Charles Krauthammer Lowry for the post. Mr. Lowry will exulted: “A gem: powerfully argued, speak on “Lincoln’s Nationalism.” beautifully written, and both politically and historically illuminating. Lowry makes an impassioned case for a con- As a syndicated columnist for King temporary Republican renewal on truly Features, opinion writer for Politi- Lincolnian lines.” co, and a guest commentator on NBC’s Meet the Press, ABC’s This Here is Lowry himself from that Week, and Fox News Sunday, Mr. Low- book: “We all know the Lincoln of the ry has been read and seen by millions. Second Inaugural and the Gettysburg His 2013 book Lincoln Unbound: How Address. We need to know the Lincoln an Ambitious Young Railsplitter Saved of the Address before the Wisconsin the American Dream was just one of Lowry confines himself largely to Lin- State Agricultural Society and of the many topics he has tackled, including, coln’s pre-presidential career, explain- Lecture on Discoveries and Inventions, most recently, The Case for National- ing how the backwoods boy of little both talks in which he vents his favorite ism: How It Made Us Powerful, United, schooling and negligible property early enthusiasms. -
NATIVE-DAUGHTERS-Curriculum-NDE-VERSION.Pdf
NATIVE DAUGHTERS /INTRODUCTION edicated to spotlighting Native American women who D have defied odds, broken the mold of stereotypes and brought the powerful Traditional role of the Native American woman into the twenty-first century, the Native Daughters Project is a first of its kind create by the University of Nebraska-Lincoln’s College of Journalism and Mass Communication. These women create laws, create movies and write stories that weave tradition with technology. They fight crime on the front lines and corruption in the court rooms. They heal minds and bodies. These women make beautiful bead work and music and blaze trails by breaking gender constraints and leading their tribes. And until now, their stores were untold. The curriculum was written by teachers. Teachers who know that engaging students is just as important as complying with state standards. This curriculum was written for teachers. Content rich, standards aligned, engaging lessons are just a click away. And don’t fear, so it is all the background knowledge you will need to teach your Fourteen teachers and two program coordinators spent a week in July 2011 at UNL’s College of Journalism and Mass Communications building this free curriculum students about these Native Daughters. companion for the Native Daughters magazine with help from the Nebraska PROCEDURAL NOTES ative Daughters is a starting point for incorporating and Teachers are advised to preview any materials N integrating Native American culture and the issues facing particularly video pieces before showing in class. Native American women currently and historically to enlighten Online resources should be checked to see if students.