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Music 74 nominated breakout, recently in support of her Grammy- been on the road for seven years, most career as She a had singer-songwriter. toying with the idea of quitting her Leslie Feist spent a year in Toronto By triumphant return. makes a quietly songwriter The lo-fisinger- Feist Music tour. tour. “I knew in my bones that I was off the European leg of her current London, a few days before she kicks go back,” says Feist by phone from where you imagine you might never nano “A commercial. real break is one featured her single “1234” in an iPod somewhat dubious honor when Apple Queen of iRock. She won that title moniker unofficial Feist—the of records under the tough-chick earned the Canadian artist—who pop swinging girl-group songs The of collection noodly ballads and in Big Sur, California, in Big California, Sur, studio a built temporary then her house, behind Metals need to learn about the times.” was that a I that sign thought maybe I a notice. within few hours’ Harlem, then go to people many Brooklyn, to thing so have was the surreal most it stuff, media social about scrooging all “For of she says. out,” my came what happened the day that I to self, be wanted to able remember my “For 75-year-old strong. players by a backed 10 some band , the from songs see her perform to far trek at then uptown Fix, Sound to fans buy the record directed blogs Music of the Church Ascension. in show of the crypt minute Harlem’s fourth album, of her the release celebrated guitarist couple of decades after that.” want to smoke another for cigarette a to smoke the entire pack: “You don’t forcing a kid who snuck one cigarette compares touring for so long to place, and my own She curiosity.” only if I was from motivated the right feel like I had to. I wanted to go back going to go back, but I didn’t want to Music Feist wrote the songs for the songs wrote Feist and the singer month this Earlier Edited bySteveSmith•[email protected]

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Sharon Steel

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on her creeping-ivy her creeping-ivy to over itself gives that a song Wind,” sparse the drums. by overpowered being without sing could so she downstairs room a into duck makeshift had to occasionally Feist although live, recorded were the tracks All of with.” no kinship absolutely I that music feel of perfection-pop generation pitch-tuning Auto-Tune, “I the it’s she says. think normalcy,” “I of got idea this into claiming it weeks. to in three record under just minimalist harmonies and harmonies minimalist tender by a tense, chorus. galloping Her of exception “A defined Commotion,” devoid of upbeat jams, with the melancholic musings, but by punctuated slow-burning, at the core of things, for me.” of it’s sort “It’s the heart, she recalls. from,” is the storm coming direction it and holds up finger to see which of his sort a when licks like sailor “It the was tune room. to and her played band was cut the Feist first trills, xylophone with punctuated vocals, Leslie Feistisnotaquitter. PERFECT BANGS,PRETTYMELODIES

M Twitte vocal vocal catches on “Get standouts It “Caught a Long “Caught Feist’s Feist’s catalog has always been usic Wrong, Wrong, Get It Right” and “The r ! Circle Circle Married the Line” are more sure-footed more and sure-footed emphatic emphatic than ever. And she she rejects the Metals generation of perfection- Auto-Tune no kinship absolutely pop music that I feel “ with. is

It’s the not something that I would repeat.” have no regrets about the past. But it’s possible rocket. It changes things. I quick to connect a song on it with a “The new album, I wouldn’t be so to them that way,” she says quickly. songs from getting a rocket strapped an album maker might be to protect beat to respond. “I feel like my job as songwriting, Feist doesn’t even take a the and storytelling artistry of while still very much championing license her songs to a corporation about conclusions her choice to her passed away, but declines to year (she claims that people close to own from suffering grief this past theme, prominent prompted by her despite the fact that death is a bloomed into gloomier, something that suggestion her music has ” House BAM Howard Gilman Opera ; Wed 2, Nov 3 she’s she’s come to different whether, in hindsight, what it is.” basis for understanding gives me some more that, for me at least, put them into this form that my family had, and the same experiences I experience. just took and joyful poignantly “It was a crystal clear record at all,” she says. sad in making this “I elaborate). didn’t feel When When pressed about TOP LIVE SHOWS and are also on the list?) Cash Johnny that we (Did mention to his work. cover artists prominent two just of or the Oldham, Will Ask & proof? Need roll. rock weighty emotionally hooky, to fiendishly preoccupations occult of the lot, video parking supermarket a through litter kitty toting howler of the seen photo the muscle-bound likely By line. you’ve now, punch is a Danzig we Okay, get it—Glenn Danzig Legacy — by a misunderstood genius. to prepare memes, get schooled “Mother” or the aforementioned silly is the Red Sabaoth in the wake of 2010’s impressive eponymous band, currently thriving of rock dark Danzig’s deliciously and the chills); reliable provides November-Coming-Fire Samhain (1986’s of underrated the sorely postpunk the creeped-out substitute); are on King’s B.B. playing Misfits the Danzig-less wondering, you’re in (and canon case punk American in works the and vilest the catchiest simultaneously anthems, bubblegum B-movie-fueled the sample Misfits’ You’ll oeuvre. 30-year-strong of the Glenn Anzalone’s former the surveys full scope presented, the has New Jerseyan retrospective Manhattan Center) Hammerstein Ballroom (at the Danzig Legacy, the Legacy, first Danzig explicit Hank Shteamer generation, a master of wedding a of wedding master generation, by backstage decked him getting

Beavis and Butt-head songwriters of his songwriters an angry hanger-on, and the an hanger-on, angry most brilliant singer- is one Danzig of the facts: and at the look snark the cut But let’s Rollins. Henry him and between affair a posits that gay comic . . If all you know of Danzig not Samhain III: Samhain an acceptable an acceptable ; Sat 29 still still chestnut

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