Steve Kuhn Steve Kuhn Live in New York Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Steve Kuhn Steve Kuhn Live In New York mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Steve Kuhn Live In New York Country: US Released: 1972 Style: Post Bop, Fusion MP3 version RAR size: 1170 mb FLAC version RAR size: 1240 mb WMA version RAR size: 1661 mb Rating: 4.8 Votes: 465 Other Formats: DMF TTA VOC MPC ASF VQF AHX Tracklist A1 Gloria 5:05 A2 The Child Is Gone 3:00 A3 The Real Guitarist (In The House) 7:47 A4 The Saga Of Harrison Crabfeathers 5:20 B1 Chicken Feathers 6:37 B2 Ida Lupino 4:10 B3 Raindrops, Raindrops 4:30 B4 Thoughts Of A Gentleman 3:06 Credits Bass – George Mraz Drums – Bruce Ditmas Percussion – Sue Evans Piano, Vocals – Steve Kuhn Notes Recorded live by Buddah's Cobblestone Records at Folk City, New York. Appears to be an earlier release of Raindrops... Live In New York. Other versions Category Artist Title (Format) Label Category Country Year Steve Kuhn Live In New York CST 9020 Steve Kuhn Cobblestone CST 9020 US 1972 (LP, Album, Promo) Raindrops... Live In New York MR 5106 Steve Kuhn Muse Records MR 5106 US 1976 (LP, RE, RP) Steve Kuhn Live In New York K18P-9181 Steve Kuhn Muse Records K18P-9181 Japan 1983 "Raindrops" (LP, RE) B/90082 Steve Kuhn Raindrops (LP, Album) Happy Bird B/90082 Germany 1976 Raindrops... Live In New York BRJ-4507 Steve Kuhn Break Time BRJ-4507 Japan 1987 (CD, Album, RE) Related Music albums to Steve Kuhn Live In New York by Steve Kuhn Steve Kuhn Trio featuring Steve Swallow and Pete La Roca - Three Waves R. Kuhn, M. Bottcher, H. Geller - Big Band Jazz Joachim Kühn & Jan Akkerman - Live! The Kiel Concert - The Stuttgart Concert Steve Kuhn - Trance Rolf And Joachim Kuhn Quartet Featuring Jimmy Garrison And Aldo Romano - Impressions Of New York Joe Kühn Mit Ensemble Rudi Kühn - Beim Wein Vom Rhein Steve Kuhn / Sheila Jordan Band - Playground Rolf Kuhn - Rolf Kuhn And His Sound Of Jazz.

Copy Link

Recommended publications

Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
[Show full text]
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
[Show full text]
QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C.
[Show full text]
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
[Show full text]
Bruce Ditmas What If Mp3, Flac, Wma
Bruce Ditmas What If mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: What If Country: US Released: 1995 Style: Free Jazz, Fusion MP3 version RAR size: 1235 mb FLAC version RAR size: 1635 mb WMA version RAR size: 1220 mb Rating: 4.2 Votes: 243 Other Formats: AA ADX DXD MPC AC3 AUD VOX Tracklist Hide Credits Island Seven 1 10:11 Composed By – Bruce Ditmas What If 2 10:21 Composed By – Bruce Ditmas Clever Conversation 3 7:52 Composed By – Bruce Ditmas, Paul Bley 3348 Big Easy A. Deep Blue Sea 4 3:18 Composed By – Bruce Ditmas B. Thursday Nite Special 5 7:18 Composed By – Bruce Ditmas C. Voodoo Street Beat 6 4:09 Composed By – Bruce Ditmas Pulp 7 8:00 Composed By – Bruce Ditmas, John Abercrombie Power Surge 8 3:46 Composed By – Bruce Ditmas, Sam Rivers Don't Wake Me 9 4:52 Composed By – Bruce Ditmas Companies, etc. Recorded At – Electric Lady Studios Mixed At – Electric Lady Studios Edited At – Foothill Digital Mastered At – Foothill Digital Published By – All'ore Musica Published By – Musicards Manufactured By – U.S. Optical Disc Credits Art Direction – Ann Lemon Bass – Dominic Richards Design – Stacey Lieberman Drums – Bruce Ditmas Engineer, Mixed By – Joe Barbaria Executive-Producer – Sibyl R. Golden Guitar – John Abercrombie Liner Notes – Bruce Ditmas, RS* Mastered By – Allan Tucker Photography By – Joanne Dugan Piano, Synthesizer – Paul Bley Producer – Ralph Simon Tenor Saxophone, Soprano Saxophone – Sam Rivers Notes Recorded Dec. 21-22, 1994 Barcode and Other Identifiers Barcode: 782737100726 Matrix / Runout: U.S. OPTICAL DISC POST107 Rights Society: BMI SPARS Code: DDD Related Music albums to What If by Bruce Ditmas Jack Bruce and friends - Fast RAM - Ditmas Acid Bruce Springsteen - Bruce Springsteen & The E-Street Band - born to run Bruce Mitchell / Kirk Hunter - Orchestral Synthesis Bruce Guthro - Jack Bruce - Jack Bruce! Bruce Springsteen - Bruce Springsteen & The E Street Band Live/1975-85.
[Show full text]
GIVING a JAZZ RECORD AS a GIFT by Eric Myers National Times, December 7, 1980 ______
GIVING A JAZZ RECORD AS A GIFT by Eric Myers National Times, December 7, 1980 ______________________________________________________________ The National Times opera critic JOHN CARMODY, Sydney Morning Herald jazz critic ERIC MYERS and rock writer SHANE NICHOLS prepared this guide to records most likely to be gratefully received. They cover a range of tastes and should be available. ______________________________________________________________ f you are buying a jazz record as a gift, you should determine the style preferred. There are so many different, although related, idioms I congregating under the banner of "jazz" that it is rarely possible, these days, to buy a "jazz" album that suits all tastes. Duke Ellington At Fargo 1940 Live (Book Of The Month Records 305622). If the recipient likes big band jazz, you could do no better than the three-record set Duke Ellington At Fargo 1940 Live (Book Of The Month Records 305622). This was a performance at the Crystal Ballroom, Fargo, North Dakota, on 1 November 7, 1940. Many critics believe, with some justice, that this particular line-up of musicians was the greatest that Ellington ever assembled. This was a special performance - the first night Ray Nance played in the trumpet section, having just replaced Cootie Williams, who had left to join Benny Goodman. Rex Stewart is also in the section. The saxophones include Barney Bigard (clarinet), Johnny Hodges (alto) and Ben Webster (tenor) among others; Tricky Sam Nanton and Lawrence Brown are among the trombones; and the great Jimmy Blanton is on bass. It is a distinguished line-up, and the band roars through the Ellington repertoire with all the qualities that made it the greatest big band in jazz.
[Show full text]
ON JAZZ Willis "Gatortall" Jackson Begins His First Miller and Dick Cary
x::+}..: A i'_'........:....,:....,..........:.?"`+:..:............ .; ,.,?`e:bº:Ó'ó6.`i;.. ::..:..a ON JAZZ Willis "Gatortall" Jackson begins his first Miller and Dick Cary. TOP 40 L BUMS European tour in his more than thirty-year The First Harlem Jazz Festival will be career next week. Joining Jackson will be held August 17-31. This unique event will longtime associates Carl Wilson, Boogaloo have three different shows each night dur- Joe Jones and Joe Hedrick. The tour will W--- Weeks ing the period. Aiding the ambiance of the On last about three weeks and will include Festival is the fact that the performances 8,5 8/5 Chart stops in Belgium, Holland and France. will be held in clubs for the most part. 1 SOUNDS AND STUFF Jackson's latest album is "Bar Wars" on Small's Paradise, Celebrity Club, ... 21 MY SONG Cotton LIKE THAT! KEITH JARRETT (ECM -1-1115) 27 2 Muse. Club and Vincent's Place will be the main QUINCY JONES (A&M SP 4685) 1 8 The Jazzmobile lineup for this week in- locations. 22 MONTREUX SUMMIT ARTISTS cludes performances by Frank Foster, Bob to 2 FEELS SO GOOD VARIOUS Oregon Electra/Asylum with an album CHUCK MANGIONE (A&M SP 4658) 2 41 (Columbia JG 35090) 23 5 Cunningham, Art Blakey and The Jazz for September release titled, "Out Ot The Messengers, Junior Cook, Bill Hardman Woods." The band thinks it is their best yet. 3 IMAGES 23 PAT METHENY GROUP BA -6030) 4 5 (ECM -1-1114) 28 2 Charles Rouse and Hugh Lawson. Also coming up on E/A will be LPs by CRUSADERS (ABC Jazz A Cordes, a young, swinging band Donald Byrd and Patrice Rushen.
[Show full text]
This Is Criss! (Prestige)
Sonny Criss This Is Criss! (Prestige) This Is Criss! Sonny Criss, alto sax; Walter Davis, Jr., piano; Paul Chambers, bass; Alan Dawson, drums. 1. Black Coffee (Burke-Webster) 7:45 2. Days of Wine and Roses (Mancini) 3:15 3. When Sunny Gets Blue (Fisher-Segal) 5:38 Produced by DON SCHLITTEN 4. Greasy (Walter Davis) 2:24 Recording by RUDY VAN GELDER 5. Sunrise, Sunset (Bock-Harnick) 2:46 Recorded on October 21, 1966; 6. Steve's Blues (Sonny Criss) 6:18 Englewood Cliffs, NJ. 7. Skylark (Carmichael-Mercer) 4:59 8. Love For Sale (Cole Porter) 6:23 I once wrote that Sonny Criss seemed to be influenced by Charlie Parker in the specific period Bird spent in California in 1946, especially his appearances with JATP. I'm sure he was, but he had heard Parker long before on the records Bird made with Jay McShann. Sonny's mother had these Deccas in her record collection. Wherever the inception of the influence, it was there, in the playing of countless others in the '40s. But, even then, when closeness to Bird was considered the highest achievement, Sonny was clearly his own man. His sound was more "legitimate," perhaps a reflection of his liking for Benny Carter, and the way he played the Bird-like figurations was marked by personal turns of phrase. However, then he was in his teens. The fire and the swing were there but many of the edges were rough. Sometimes the "time" was unsteady. Now we hear a Sonny Criss who is a complete saxophone artist.
[Show full text]
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
[Show full text]
Paul Bley Footloose Mp3, Flac, Wma
Paul Bley Footloose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Footloose Country: France Released: 1969 Style: Free Jazz MP3 version RAR size: 1851 mb FLAC version RAR size: 1832 mb WMA version RAR size: 1749 mb Rating: 4.5 Votes: 434 Other Formats: MP4 AHX MOD FLAC MMF MP1 WAV Tracklist Hide Credits When Will The Blues Leave A1 Written-By – Ornette Coleman A2 Floater A3 Turns A4 Around Again B1 Syndrome B2 Cousins B3 King Korn B4 Vashkar Companies, etc. Licensed From – Savoy Records Printed By – I.D.N. Recorded At – Medallion Studio Credits Bass – Steve Swallow Design – Pierre Bompar Drums – Pete LaRoca* Liner Notes – Philippe Carles Photography By – Giuseppe Pino Piano – Paul Bley Producer [Serie Dirigee Par] – Jean-Louis Ginibre Written-By – Carla Bley (tracks: A2, A4, B1, B3, B4), Paul Bley (tracks: A3, B2) Notes Tracks A1, A2 and A4 recorded at Medallion Studios, Newark, NJ, August 17, 1962. Tracks A3, B1 to B4 recorded at Medallion Studios, Newark, NJ, September 12, 1963. Made in France Barcode and Other Identifiers Matrix / Runout (Side A runout, hand-etched): BYG 529 114 A. Matrix / Runout (Side B runout, hand-etched): BYG 529 114 B Rights Society: BIEM Other versions Category Artist Title (Format) Label Category Country Year MG-12182 Paul Bley Footloose (LP, Album) Savoy Records MG-12182 US 1963 Footloose (CD, Album, CY-78987 Paul Bley Savoy Jazz CY-78987 Japan 1995 RE, RM, Pap) Footloose (CD, Album, COCB-50603 Paul Bley Savoy Jazz COCB-50603 Japan 2001 RE, RM, Pap) Footloose (LP, Album, COJY-9050 Paul Bley Savoy
[Show full text]
Trevor Tolley Jazz Recording Collection
TREVOR TOLLEY JAZZ RECORDING COLLECTION TABLE OF CONTENTS Introduction to collection ii Note on organization of 78rpm records iii Listing of recordings Tolley Collection 10 inch 78 rpm records 1 Tolley Collection 10 inch 33 rpm records 43 Tolley Collection 12 inch 78 rpm records 50 Tolley Collection 12 inch 33rpm LP records 54 Tolley Collection 7 inch 45 and 33rpm records 107 Tolley Collection 16 inch Radio Transcriptions 118 Tolley Collection Jazz CDs 119 Tolley Collection Test Pressings 139 Tolley Collection Non-Jazz LPs 142 TREVOR TOLLEY JAZZ RECORDING COLLECTION Trevor Tolley was a former Carleton professor of English and Dean of the Faculty of Arts from 1969 to 1974. He was also a serious jazz enthusiast and collector. Tolley has graciously bequeathed his entire collection of jazz records to Carleton University for faculty and students to appreciate and enjoy. The recordings represent 75 years of collecting, spanning the earliest jazz recordings to albums released in the 1970s. Born in Birmingham, England in 1927, his love for jazz began at the age of fourteen and from the age of seventeen he was publishing in many leading periodicals on the subject, such as Discography, Pickup, Jazz Monthly, The IAJRC Journal and Canada’s popular jazz magazine Coda. As well as having written various books on British poetry, he has also written two books on jazz: Discographical Essays (2009) and Codas: To a Life with Jazz (2013). Tolley was also president of the Montreal Vintage Music Society which also included Jacques Emond, whose vinyl collection is also housed in the Audio-Visual Resource Centre.
[Show full text]
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
[Show full text]